Dissertations / Theses on the topic 'Maoris'
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Valzer, Simon. "Un exemple de revitalisation culturelle : les arts performatifs maori - Haka et Kapa haka." Aix-Marseille 1, 2010. http://www.theses.fr/2010AIX10115.
Full textRobinson, Gabriele. "Akkulturationsprozesse in ihrer Auswirkung auf die Identität der Maori /." Münster : Lit, 1992. http://catalogue.bnf.fr/ark:/12148/cb37406319q.
Full textDunis, Serge. "Organisation sociale et pensée des anciens Maori un esai de reconstruction." Lille 3 : ANRT, 1985. http://catalogue.bnf.fr/ark:/12148/cb37593925m.
Full textO'Connor, Peter J., and n/a. "Reflection and Refraction: The Dimpled Mirror of Process Drama: How Process Drama Assists People to Reflect on Their Attitudes and Behaviours Associated with Mental Illness." Griffith University. School of Vocational, Technology and Arts Education, 2003. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20031210.113358.
Full textO'Connor, Peter J. "Reflection and Refraction: The Dimpled Mirror of Process Drama: How Process Drama Assists People to Reflect on Their Attitudes and Behaviours Associated with Mental Illness." Thesis, Griffith University, 2003. http://hdl.handle.net/10072/366538.
Full textThesis (PhD Doctorate)
Doctor of Philosophy (PhD)
School of Vocational, Technology and Arts Education
Full Text
Buck, Peter Henry. "Medicine amongst the Maoris in ancient and modern times a thesis for the degree of Doctor of Medicine (N.Z.) /." Wellington, N.Z. : New Zealand Electronic Text Centre, 2007. http://www.nzetc.org/tm/scholarly/tei-CouNouv.html.
Full text"Abound" is the pseudonym of Sir Peter Buck. Photocopied material. Title from title screen (viewed on 19 June 2009). Creation of machine-readable version: Planman Technologies. Conversion to TEI.2-conformant markup: Planman Technologies. Creation of digital images: Planman Technologies. Originally published in print: University of New Zealand, 1910.
Nerich, Laurent. "Les New Zealand Wars : la culture guerrière maorie face à l’impérialisme britannique." Thesis, Université de Lorraine, 2020. http://docnum.univ-lorraine.fr/ulprive/DDOC_T_2020_0248_NERICH.pdf.
Full textThe New Zealand Wars are the conflicts in which British fought Maori tribes for the control of New Zealand in the XIXth Century. Their origin can be traced back to the divergent interpretation of the Treaty of Waitangi, signed in 1840 with most prominent Maori chiefs. This treaty is in fact a taking of control of New Zealand by the United Kingdom. From the « Wairau Incident » in 1843 to the surrender of chief Te Kooti in 1872, these conflicts were fought almost exclusively in New Zealand’s North Island. One of the longest crises of the Victorian era, these conflicts were also the first open conflict between Europeans and a Polynesian people, and the only one with such a large scale. In this regard, these conflicts are meaningful because both sides had to implement deep changes in their strategy. Capitalizing on their warrior culture and the experience acquired during the intertribal wars of the beginning of XIXth Century, Maori adapted outstandingly. For example, the pa (Maori traditional fortifications) changed drastically and became the center of Maori strategy. As for British, they had to adapt the tactical procedures used in other colonial conflicts while using the might of their empire to prevail. This research focuses in particular on mutual adaptation processes in colonial conflicts and their legacy, since pa heralded trench warfare and dug out shelters
Nicolas, Yann. "La réforme maorie de la Bibliothèque Nationale de Nouvelle-Zélande dimension stratégique et enjeux techniques (collections, catalogues, accès, conservation) /." [S.l.] : [s.n.], 2003. http://www.enssib.fr/bibliotheque/documents/dcb/nicolas.pdf.
Full textPellini, Catherine. "La création artistique au service de l’affirmation identitaire, du mana wahine et des revendications politiques : l’art contemporain des femmes maori de Nouvelle-Zélande." Electronic Thesis or Diss., Aix-Marseille, 2017. http://www.theses.fr/2017AIXM0370.
Full textAt the intersection of several disciplines – anthropology, sociology, art history, and feminist and gender studies, this thesis deals with the works, practices, careers and discourses of New Zealand Maori women artists active in the field of contemporary art and living in an urban environment. Due to their many forms of belonging, these artists are behind specific political demands and identity affirmations: their work contains simultaneous references to the individual histories, their status as members of an indigenous minority and a tribe, and their condition as women and citizens of the New Zealand nation. The analysis of the data obtained after a fieldwork investigation in New Zealand carried out over a year from 2012 to 2013, of complementary research on the Internet and exchanges with artists when back from the field makes it possible to show how these artists are part of today's Maori assertion movement. For since British colonization in the 19th century, the Maori have continued to assert their rights. In this context, some women use art as a powerful means of protest and of promoting social change aimed at the recognition of mana wahine (women's power or prestige). This work also reveals that their artistic practice affords them the opportunity to reassert the ties linking them to the Maori world while at the same time enabling them to attain a certain empowerment and emancipation. They develop original strategies for asserting their creativity without transgressing the rules which remain important for the Maori people
David-Ives, Corinne. "L'élaboration de l’identité nationale en Nouvelle-Zélande : la dualité Maori/Pakeha." Le Havre, 2009. http://www.theses.fr/2009LEHA0004.
Full textThis research focuses on the way political discourse has structured national identity in New Zealand. From the moment the colony was founded by treaty between the British Crown and Maori in 1840, the discourse of the élites in government has reflected the constitutive duality of the New Zealand identity. The Treaty of Waitangi recognised the presence and the rights of the indigenous people and tried to establish a basis for a harmonious cohabitation between Maori and British settlers, soon to be known as Pakehas. The indigenous element was therefore included in the national identity as it started to emerge towards the end of the nineteenth century. This work analyses the various policies of management of diversity conducted by government: from early « amalgamation » to assimilation, then from integration in the 1960s to biculturalism in the 1980s to 2000. The issue of « race relations » has thus appeared as an essential element of the discourse of identity and has been used by successive governments to project a flattering image of New Zealand. The policy of reconciliation initiated in the 1980s resulted in a necessary introspection into the abuses of colonisation and in a more balanced reformulation of national identity. Official biculturalism has nevertheless been questioned since the early 2000s by a multicultural discourse founded on the new ethnocultural diversity of the nation brought about by the opening of the country to non-British immigration since the late 1980s
Kennedy, Melissa. ""Striding both worlds" : cross-cultural influence in the work of Witi Ihimaera." Thesis, University of Canterbury. English, 2007. http://hdl.handle.net/10092/3931.
Full textPellini, Catherine. "La création artistique au service de l’affirmation identitaire, du mana wahine et des revendications politiques : l’art contemporain des femmes maori de Nouvelle-Zélande." Thesis, Aix-Marseille, 2017. http://www.theses.fr/2017AIXM0370/document.
Full textAt the intersection of several disciplines – anthropology, sociology, art history, and feminist and gender studies, this thesis deals with the works, practices, careers and discourses of New Zealand Maori women artists active in the field of contemporary art and living in an urban environment. Due to their many forms of belonging, these artists are behind specific political demands and identity affirmations: their work contains simultaneous references to the individual histories, their status as members of an indigenous minority and a tribe, and their condition as women and citizens of the New Zealand nation. The analysis of the data obtained after a fieldwork investigation in New Zealand carried out over a year from 2012 to 2013, of complementary research on the Internet and exchanges with artists when back from the field makes it possible to show how these artists are part of today's Maori assertion movement. For since British colonization in the 19th century, the Maori have continued to assert their rights. In this context, some women use art as a powerful means of protest and of promoting social change aimed at the recognition of mana wahine (women's power or prestige). This work also reveals that their artistic practice affords them the opportunity to reassert the ties linking them to the Maori world while at the same time enabling them to attain a certain empowerment and emancipation. They develop original strategies for asserting their creativity without transgressing the rules which remain important for the Maori people
Albisson, Grégory. "Les gangs maori de Wellington : « Some people said that tribes stopped existing in the 1970s »." Thesis, Avignon, 2012. http://www.theses.fr/2012AVIG1112/document.
Full textThe Maori urban drift after the Second World War has deeply altered New Zealand’s sociocultural landscape. This thesis explores one of its direct aftermath: the emergence of Maori gangs as an attempt to reterritorialise the surrounding space in a logic of differen-tiation from the established order. Therefore, breaking off with the European city and Maori ancestral traditions was required. In this respect, so called “Maori” gangs could and can no longer be thought as the extension of Maori tribalism and precolonial belli-cism. This type of analysis freezes the Maori into essentialist considerations. This thesis introduces the Maori gang in its historical contingent dimension and aims – without sup-porting the essentialist approach – at pinpointing its very effects on gang members’ daily practices and also on their relationship with wider society.The same gangs that wanted to create their own space ended up acknowledging their Maori heritage. As a result, the members were not only to rewrite the history of their or-ganisation, as they found out other origins, but also precontact Maori history as they in-troduced elements that are typical of contemporary street gangs
Ratima, M. M. (Mihi M. )., and n/a. "Kia uruuru mai a hauora : being healthy, being Maori: conceptualising Maori health promotion." University of Otago. Wellington School of Medicine & Health Sciences, 2001. http://adt.otago.ac.nz./public/adt-NZDU20070508.152546.
Full textDoig, Suzanne Mary. "Customary Maori Freshwater Fishing Rights: an exploration of Maori evidence and Pakeha interpretations." Thesis, University of Canterbury. History, 1996. http://hdl.handle.net/10092/1784.
Full textMartin, David Robert, and n/a. "The Maori Whare after contact." University of Otago. Department of Anthropology, 1997. http://adt.otago.ac.nz./public/adt-NZDU20070530.145017.
Full textRatima, Keri, and n/a. "Cervical cancer in Maori women." University of Otago. Dunedin School of Medicine, 1994. http://adt.otago.ac.nz./public/adt-NZDU20070601.112003.
Full textKamau, Laura-Margaret Ngahere Te Pohe. "'Maori Sovereignty' Donna Awatere - 1982." Thesis, University of Canterbury. Humanities, 2010. http://hdl.handle.net/10092/7000.
Full textBroughton, John, and n/a. "Oranga niho : a review of Maori oral health service provision utilising a kaupapa maori methodology." University of Otago. Dunedin School of Medicine, 2006. http://adt.otago.ac.nz./public/adt-NZDU20070404.165406.
Full textGallagher, Kerrie Louise. "An Intervention Approach to Target Vocabulary Development in Te Reo Maori in Maori Immersion Settings." Thesis, University of Canterbury. Communication Disorders, 2008. http://hdl.handle.net/10092/1879.
Full textHarris, Ricci, and n/a. "Obstructive sleep apnoea syndrome : symptoms and risk factors among Maori and non-Maori adults in Aotearoa." University of Otago. Weelington School of Medicine & Health Sciences, 2003. http://adt.otago.ac.nz./public/adt-NZDU20070507.112047.
Full textRewi, Poia, and n/a. "Te Ao o te whaikōrero." University of Otago. Te Tumu - School of Māori, Pacific and Indigenous Studies, 2005. http://adt.otago.ac.nz./public/adt-NZDU20060705.121343.
Full textRawson, Lisette C., and n/a. "Maori identity: change and contemporary challenges." University of Otago. Department of Psychology, 2000. http://adt.otago.ac.nz./public/adt-NZDU20070523.145713.
Full textBennett, Adrian John Te Piki Kotuku. "Marae : a whakapapa of the Maori marae : a thesis submitted [in fulfilment of the requirements] for the degree of Doctor of Philosophy in [Cultural Studies] at the University of Canterbury /." Thesis, University of Canterbury. Culture, Literature and Society, 2007. http://hdl.handle.net/10092/1027.
Full textSheerin, Ian G., and n/a. "Consequences of drug use and benefits of methadone maintenance therapy for Maori and non-Maori injecting drug users." University of Otago. Christchurch School of Medicine & Health Sciences, 2005. http://adt.otago.ac.nz./public/adt-NZDU20070502.142602.
Full textMcCracken, Selwyn, and n/a. "Maori work related fatal injury, 1985-1994." University of Otago. Dunedin School of Medicine, 2001. http://adt.otago.ac.nz./public/adt-NZDU20070522.132250.
Full textPohatu, Godfrey H., and n/a. "The University, Maori Studies and Treaty praxis." University of Otago. Faculty of Education, 1999. http://adt.otago.ac.nz./public/adt-NZDU20070523.150323.
Full textGrooby, Arthur J. "The aspirations of Maori : an exploratory study." Thesis, University of Canterbury. Department of Psychology, 2002. http://hdl.handle.net/10092/4307.
Full textHorton, Philippa. "Determiners and complementizers in Cook Islands Maori." Master's thesis, Department of Linguistics, 2000. http://hdl.handle.net/2123/5310.
Full textTitle from title screen (viewed July 29, 2009) Submitted in fulfilment of the requirements for the degree of Master of Philosophy to the Dept. of Linguistics, Faculty of Arts. Bibliography: leaves 185-189. Also available in print form.
Horton, Philippa. "Determiners and complementizers in Cook Islands Maori." Connect to full text, 2000. http://hdl.handle.net/2123/5310.
Full textTitle from title screen (viewed July 29, 2009) Submitted in fulfilment of the requirements for the degree of Master of Philosophy to the Dept. of Linguistics, Faculty of Arts. Bibliography: leaves 185-189. Also available in print form.
Martin, Averil. "Tupuna: Maori in Australia divided in death." Thesis, Griffith University, 2018. http://hdl.handle.net/10072/382701.
Full textThesis (Masters)
Master of Arts Research (MARes)
School of Hum, Lang & Soc Sc
Arts, Education and Law
Full Text
Bishop, Alan Russell, and n/a. "Collaborative research stories : whakawhanaungatanga." University of Otago. Faculty of Education, 1995. http://adt.otago.ac.nz./public/adt-NZDU20070531.124559.
Full textSimon, Judith A. "The place of schooling in Maori-Pakeha relations." Thesis, University of Auckland, 1990. http://hdl.handle.net/2292/2328.
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Bergin, Paul. "Maori migration and cultural identity : the Australian experience." Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.244154.
Full textPapesch, Te Rita Bernadette. "Creating a modern Maori identity through Kapa Haka." Thesis, University of Canterbury. Theatre and Film Studies, 2015. http://hdl.handle.net/10092/11263.
Full textMullan, Elise Maree. "Hauora tuwhena :kaupapa ta tataritanga hauora Maori, 1990-99 = Disproportionate health : a policy analysis of the health of Maori, 1990-99." Thesis, University of Canterbury. Department of Political Science, 2000. http://hdl.handle.net/10092/4667.
Full textCarter, Ellen Angharad. "Inside job ? : how cultural outsiders write, translate, and read cross-cultural crime fiction." Paris, EHESS, 2014. http://www.theses.fr/2014EHES0134.
Full textMy research combines cognitive, cultural and translation studies approaches to examine the writing, publishing, translation, and international reception of cross-cultural crime fiction, taking as exemplars two novels set in New Zealand by french crime writer Caryl Férey: Haka (1998) and Utu (2004). I first situate Férey against corpus norms of South Pacific french crime fiction and of New Zealand crime fiction and show that he differs in significant ways, not least in his choice to write from within New Zealand and Māori culture. In an interview-based qualitative case study situating Férey alongside his publishers and his readers, I identify recurring themes in his writing before identifying and analysing his borrowing from other texts. In analysing the american english translation of Utu (2011), I then argue that cultural choices alienate New Zealand readers, while linguistic choices mean readers in english have less opportunity to connect intellectually and emotionally with the text. My reader reception study, which is the first empirical, longitudinal, cross-cultural, novel-length reception study of the influence of a text on readers’ (cultural) opinions, shows with statistical significance that fictional information is absorbed into factual beliefs and opinions about a culture. I use approaches from cognitive literary studies to illuminate both the writing and reading of cross-cultural and crime fiction
Williams, Jim, and n/a. "Ko te kohika turuturu = (The enduring collection)." University of Otago. Te Tumu - School of Maori, Pacific and Indigenous Studies, 1997. http://adt.otago.ac.nz./public/adt-NZDU20070528.123653.
Full textCrelinsten, Rohana. "Maori stereotypes, governmental policies and Maori art in museums today : a case study of the museum of New Zealand Te Papa Tongarewa." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape7/PQDD_0007/MQ43672.pdf.
Full textLambert, Kelly Ann. "Calling the taniwha : Mana Wahine Maori and the poetry of Roma Potiki : a thesis submitted to the Victoria University of Wellington in partial fulfilment of the requirements for the degree of Master of Arts in New Zealand Literature /." ResearchArchive@Victoria e-thesis, 2006. http://hdl.handle.net/10063/995.
Full textAndres, Ulrike Pia. "Return migration and Maori identity in a Northland community." Thesis, University of Auckland, 2011. http://hdl.handle.net/2292/6985.
Full textHokowhitu, Brendan J., and n/a. "Te mana Maori : Te tatari i nga korero parau." University of Otago. School of Physical Education, 2002. http://adt.otago.ac.nz./public/adt-NZDU20061214.144753.
Full textHollis, Awhina, and n/a. "Puao-te-Ata-tu and Maori social work methods." University of Otago. Department of Social Work and Community Development, 2006. http://adt.otago.ac.nz./public/adt-NZDU20070430.125845.
Full textRuru, Tania Suzanne, and n/a. "The Resource Management Act 1991 and Nga Iwi Maori." University of Otago. Faculty of Law, 1997. http://adt.otago.ac.nz./public/adt-NZDU20070530.141814.
Full textBellett, Donella Frances, and n/a. "Contradictions in culture : 8 case studies of Maori identity." University of Otago. Department of Anthropology, 1996. http://adt.otago.ac.nz./public/adt-NZDU20070531.122612.
Full textHolmes, Kelly, and n/a. "Stereotypes of Maori : influence of speaker accent and appearance." University of Otago. Department of Psychology, 2000. http://adt.otago.ac.nz./public/adt-NZDU20070620.094023.
Full textNicholson, Rangi. "Hei timatanga korero : Maori language regenesis and Mihinare clergy." Thesis, University of Canterbury. Department of Linguistics, 2000. http://hdl.handle.net/10092/4663.
Full textShearer, David. "Between two worlds : Maori values and environmental decision-making." Thesis, University of Canterbury, 1986. http://hdl.handle.net/10092/10379.
Full textGerwig, Rachel. "The Power of Music in the Maori Welcoming Ceremony." Digital Commons @ Butler University, 2015. http://digitalcommons.butler.edu/grtheses/266.
Full textCarey, Melissa. "A transformative journey of cultural recovery: te ao Maori." Thesis, Queensland University of Technology, 2016. https://eprints.qut.edu.au/101534/1/Melissa_Carey_Thesis.pdf.
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