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Published: 10 March 2023

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1

Franzke, Jochen, and Eva Roeder. "Evaluation des Bürgerhaushaltes im Landkreis Mansfeld-Südharz." Universität Potsdam, 2014. http://opus.kobv.de/ubp/volltexte/2014/6692/.

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Bürgerbeteiligungsverfahren auf lokaler Ebene sollen die Mitwirkungschancen der BürgerInnen vergrößern. Auf Landkreisebene werden diese bislang wenig genutzt. Dies verwundert kaum, denn die Identifikation der BürgerInnen mit dieser administrativen Ebene ist deutlich geringer als mit ihren Gemeinden. Das fehlende Wissen über Zuständigkeiten verstärkt diesen Effekt. Als einer der ersten deutschen Landkreise führte der Landkreis Mansfeld-Südharz (Sachsen-Anhalt) in den Jahren 2012-2013 ein Bürgerhaushaltsverfahren durch. Dieses Gutachten dient der Evaluation dieses demokratischen Experiments. Dabei sollen Vorschläge zu dessen möglicher Weiterführung gemacht werden. Die vom Gutachter geführten Interviews mit Kreistagsmitgliedern und Führungskräften der Kreisverwaltung zeigten eine generell positive Einschätzung des Bürgerhaushalts und die weit verbreitete Bereitschaft, dieses Experiment fortzusetzen. Im Gutachten werden drei unterschiedliche Szenarien für eine mögliche Fortsetzung des Bürgerhaushalts im Landkreis entwickelt. Das „Weiter so“-Szenario mit viel Kontinuität, die Entwicklung eines Bürgerhaushalts in Kooperation mit der organisierten Zivilgesellschaft oder eines Bürgerhaushalts der interkommunalen Zusammenarbeit.

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2

Mansfeld, Sebastian [Verfasser]. "Spin-Wave Optics: Refraction and Imaging / Sebastian Mansfeld." München : Verlag Dr. Hut, 2012. http://d-nb.info/1028785607/34.

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3

Kritzinger, Franz [Verfasser], and Rolf [Akademischer Betreuer] Mansfeld. "Die Qualitätseinstufung von Kolostrum mit einem einfachen Präzisionstrichter / Franz Kritzinger ; Betreuer: Rolf Mansfeld." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2017. http://d-nb.info/1140735799/34.

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4

Mansfeld, Thomas [Verfasser], and Jochen [Akademischer Betreuer] Stark. "Das Quellverhalten von Alkalisilikatgelen unter Beachtung ihrer Zusammensetzung / Thomas Mansfeld ; Betreuer: Jochen Stark." Weimar : F. A. Finger-Institut für Baustoffkunde, 2009. http://d-nb.info/1115341863/34.

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5

Christman, Robert John. "Heretics in Luther's homeland: The controversy over original sin in late sixteenth-century Mansfeld." Diss., The University of Arizona, 2004. http://hdl.handle.net/10150/290025.

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During the early 1570s, a dispute over the theological definition of original sin rent the central German county of Mansfeld, homeland of Martin Luther. The controversy, initiated by Matthias Flacius Illyricus, divided the conservative Gnesio-Lutheran clergy into two hostile camps. One, led by the Superintendent Hieronymus Mencel, was centered in the city of Eisleben and rejected Flacius's definition of original sin. The other, centered in the city of Tal Mansfeld, was led by the powerful deacon, historian, and polemicist Cyriacus Spangenberg, and accepted Flacius's definition. This dissertation examines the central doctrinal premises over which these clerics fought, as well as their broader implications for Lutheran theology, before turning to other social, political, and economic factors that influenced the clerics' decisions to side with one group or the other. But the controversy was not limited to the clergy. The counts of Mansfeld, numbering between seven and ten during the period and stemming from three dynastic lines, also split over the issue of original sin. One line sided with the group of clerics centered in Eisleben, two with the pastors headquartered in Tal Mansfeld. This study explores the involvement of the counts in the debate over doctrine, but also addresses the various political and other non-religious forces that caused them to split over the issue. With the pastors preaching and pamphleteering and the counts battling among themselves, it did not take long for the laity to become deeply involved and divided over the issue of original sin. Contemporary sources suggest that the miners of Mansfeld fought in the streets and taverns over the issue. This study explores how the clerics articulated the debate to the laity, and the degree to which these commoners understood it. Furthermore, it explores social and other non-religious reasons why the laity took sides in this doctrinal debate. This dissertation argues that although a variety of forces were at play pushing members of these three groups--the clerics, counts, and commoners--in one direction or another, an interest in the doctrinal issue and its implications for wider theology was a motivating theme central to each group.

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6

Mansfeld, Ulrich [Verfasser]. "Supramolecular assembly of functionalized polymers : straightforward synthesis and dynamic investigations of individual nanostructures / Ulrich Mansfeld." Jena : Thüringer Universitäts- und Landesbibliothek Jena, 2014. http://d-nb.info/1062536282/34.

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7

Krüssmann, Walter [Verfasser]. "Ernst von Mansfeld (1580–1626). : Grafensohn, Söldnerführer, Kriegsunternehmer gegen Habsburg im Dreißigjährigen Krieg. / Walter Krüssmann." Berlin : Duncker & Humblot, 2010. http://d-nb.info/1238423450/34.

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8

Berndorff, Lothar. "Die Prediger der Grafschaft Mansfeld : eine Untersuchung zum geistlichen Sonderbewusstsein in der zweiten Hälfte des 16. Jahrhunderts." Phd thesis, Universität Potsdam, 2009. http://opus.kobv.de/ubp/volltexte/2010/3389/.

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Am 22. Oktober 1565 beauftragte der Herzog Julius von Braunschweig-Wolfenbüttel seinen Prediger Martin Chemnitz, das literarische Oeuvre des Magisters Cyriacus Spangenberg auf dem Buchmarkt ausfindig zu machen, prunkvoll binden zu lassen und in den herzöglichen Bibliotheksbestand aufzunehmen. 64 Werke mit gut 6000 Seiten hatte der Mansfelder Generaldekan Spangenberg zu diesem Zeitpunkt bereits verfasst, seine Amtskollegen in der sächsischen Grafschaft hatten ihrerseits 64 Bücher veröffentlicht. Bis zum Abgang Spangenbergs aus Mansfeld 1574 verdoppelte sich die Anzahl geistlicher Veröffentlichungen Mansfelder Provenienz. Obwohl zu Lebzeiten breit rezipiert, hat die Publizistik der geistlichen "Druckmetropole" Mansfeld in der Geschichte und Kirchengeschichte wenig Beachtung gefunden. Die vorliegende Dissertation will diese Forschungslücke schließen. Die Mansfelder Prediger verfassten Lehrpredigten, Festpredigten, Trostpredigten, Katechismen, theologische Disputationen, historische Abhandlungen und geistliche Spiele in hoher Zahl und publizierten diese unter geschickter Ausnutzung der Mechanismen der frühneuzeitlichen Buchmarktes reichsweit. Ihre Veröffentlichungen richteten sich an Theologen, "Weltkinder" und "Einfältige". Sie generierten Verbindungen zu den Kirchen und Potentaten Nord- und Süddeutschlands, Frankreichs und der Niederlande und führten zu Kontroversen mit den großen Bildungszentren Mitteldeutschlands Wittenberg, Leipzig und Jena und deren Landesherren. Die Frage nach der Motivation für das Engagement der Mansfelder Prediger auf dem Buchmarkt steht im Zentrum der Untersuchung, die in einem synoptischen Verfahren den Wunsch nach Teilhaberschaft an der Ausbildung der kirchlichen, herrschaftlichen, sozialen und kommunikativen Strukturen als zentrales Motiv der schreibenden Theologen herausarbeitet, aber auch die Absicht der Autoren beweist, der Grafschaft Mansfeld über das Medium Buch als lutherischem Bildungszentrum in Europa Geltung zu verschaffen.
On October 22nd, 1565 Count Julius von Braunschweig-Wolfenbüttel ordered the preacher Martin Chemnitz to locate the literary works of Magister Cyracus Spangenberg on the market, to have them bound luxuriously and to integrate them into the Countship's library. At this point in time, Spangenberg, superior Decan of Mansfield, had produced 64 books spanning approx. 6000 pages. His colleagues in the County of Saxony had also published 64 books. By the time Spangenberg left Mansfield in 1574, the number of publications with clerical contents stemming from Mansfeld had doubled. Although this opus was widely read during Spangenberg's lifetime, the products of the clerical „print metropolis“ Mansfeld have been later all but ignored in the contexts of both general history and church history. My dissertation aims to close this gap. The preachers of Mansfeld produced large amounts of sermons used for instructional purposes, for celebrations and for condolence as well as catechisms, theological disputations, historical essays and spiritual plays. They published their products in the entire “Reich” (the “Holy German Empire”), using the mechanisms of the book market of their times to their advantage. Their clients were theologians, “Weltkinder” (“children of the world”) and “Einfältige” (“simple persons”), and they established links to the churches and the powers of both northern and southern Germany, of France and of the Netherlands. This led to conflicts with the important centers of education in Central Germany – Wittenberg, Leipzig and Jena – and the potentates of the respective regions. The focal point of this dissertation is the question why the preachers of Mansfeld were so keen on participating in the book market of their time. Using synoptic methods, this dissertation ascertains that the wish to partake in the formulation of the clerical, feudal, social and medial structures of their time was a key motif for the work of those writing theologians, along with to the desire of establishing the County of Mansfeld as a European center of Lutheran education using the book.

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9

Muth, Mareike [Verfasser], and Rolf [Akademischer Betreuer] Mansfeld. "Beziehungen zwischen peripartal gemessenen Fettsäurekonzentrationen im Blut und postpartalen Gebärmuttererkrankungen bei Milchkühen / Mareike Muth. Betreuer: Rolf Mansfeld." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2011. http://d-nb.info/1015170420/34.

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10

Schmon, Katharina Sofie [Verfasser], and Rolf [Akademischer Betreuer] Mansfeld. "Untersuchungen zur Implementierung eines kontrollierten Verfahrens zum Selektiven Trockenstellen in bayerischen Milchviehbetrieben / Katharina Sofie Schmon ; Betreuer: Rolf Mansfeld." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2019. http://d-nb.info/1184202680/34.

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11

Bothmann, Johanna [Verfasser], Manfred [Akademischer Betreuer] Fürll, Manfred [Gutachter] Fürll, and Rolf [Gutachter] Mansfeld. "Stoffwechselmonitoring in kleinen und mittelgroßen Milchrindbetrieben im Emsland / Johanna Bothmann ; Gutachter: Manfred Fürll, Rolf Mansfeld ; Betreuer: Manfred Fürll." Leipzig : Universitätsbibliothek Leipzig, 2015. http://d-nb.info/1239567111/34.

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12

Ackermann, Stephanie [Verfasser], Manfred [Akademischer Betreuer] Fürll, Manfred [Gutachter] Fürll, and Rolf [Gutachter] Mansfeld. "Peripartaler Stoffwechsel und Nutzungsdauer bei Milchkühen eines Bestandes / Stephanie Ackermann ; Gutachter: Manfred Fürll, Rolf Mansfeld ; Betreuer: Manfred Fürll." Leipzig : Universitätsbibliothek Leipzig, 2015. http://d-nb.info/1239565410/34.

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13

Berndorff, Lothar [Verfasser]. "Die Prediger der Grafschaft Mansfeld : eine Untersuchung zum geistlichen Sonderbewusstein in der zweiten Hälfte des 16. Jahrhunderts / Lothar Berndorff." Potsdam : Univ.-Verl, 2007. http://d-nb.info/1006071172/34.

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14

Mansfeld, Tanja [Verfasser], Friedhelm [Akademischer Betreuer] Schütte, and Alfred [Akademischer Betreuer] Riedl. "Simulation : fach- und berufsdidaktische Innovationen in metall- und elektrotechnischen Domänen [[Elektronische Ressource]] / Tanja Mansfeld. Gutachter: Friedhelm Schütte ; Alfred Riedl." Berlin : Technische Universität Berlin, 2013. http://d-nb.info/1065665520/34.

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15

Teichgräber, Ursula Eva [Verfasser], and Rolf [Akademischer Betreuer] Mansfeld. "Untersuchungen zur Durchführung einer metaphylaktischen Behandlung bei Kühen mit erhöhtem Risiko für puerperale Gebärmutterentzündungen / Ursula Eva Teichgräber. Betreuer: Rolf Mansfeld." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2012. http://d-nb.info/1025047109/34.

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16

Hajek, Franziska Elisabeth [Verfasser], and Rolf [Akademischer Betreuer] Mansfeld. "Untersuchungen zum Stoffwechsel-Monitoring bei Milchkühen unter besonderer Berücksichtigung von Haptoglobin und ausgewählten klinischen Parametern / Franziska Elisabeth Hajek ; Betreuer: Rolf Mansfeld." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2021. http://d-nb.info/1232176311/34.

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17

Liess, Anna Katharina Luise [Verfasser], Sonja [Gutachter] Lorenz, Jörg [Gutachter] Mansfeld, and Hermann [Gutachter] Schindelin. "Understanding the regulation of the ubiquitin-conjugating enzyme UBE2S / Anna Katharina Luise Liess [née Eller] ; Gutachter: Sonja Lorenz, Jörg Mansfeld, Hermann Schindelin." Würzburg : Universität Würzburg, 2021. http://d-nb.info/1233602667/34.

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18

Obitz, Kristin [Verfasser], Manfred [Akademischer Betreuer] Fürll, Manfred [Gutachter] Fürll, and Rolf [Gutachter] Mansfeld. "Effekte oraler Vitamin-B12-Substitution auf den Stoffwechsel und den Gesundheitsstatus bei Milchkühen / Kristin Obitz ; Gutachter: Manfred Fürll, Rolf Mansfeld ; Betreuer: Manfred Fürll." Leipzig : Universitätsbibliothek Leipzig, 2015. http://d-nb.info/1239565984/34.

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19

Meyer-Müller, Alexandra [Verfasser], Manfred [Akademischer Betreuer] Fürll, and Rolf [Gutachter] Mansfeld. "Untersuchungen zum Verhalten der Serum-Kalium-Konzentration bei Kühen mit Labmagenverlagerung und ihre Beziehung zum Krankheitsverlauf / Alexandra Meyer-Müller ; Gutachter: Rolf Mansfeld ; Betreuer: Manfred Fürll." Leipzig : Universitätsbibliothek Leipzig, 2014. http://d-nb.info/1238602207/34.

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20

Gindhart, Irmgard [Verfasser], and Rolf [Akademischer Betreuer] Mansfeld. "Untersuchungen zur Behandlung der akuten katarrhalischen Mastitis bei Milchkühen mit und ohne Anwendung eines nicht-steroidalen Antiphlogistikums unter Berücksichtigung eines geeigneten diagnostischen Entscheidungsbaums / Irmgard Gindhart. Betreuer: Rolf Mansfeld." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2014. http://d-nb.info/1063875293/34.

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21

Gruber, Simone [Verfasser], and Rolf [Akademischer Betreuer] Mansfeld. "Development of an early warning system to predict subclinical metabolic disorders in dairy farms with Fourier transform infrared spectra from routine milk samples / Simone Gruber ; Betreuer: Rolf Mansfeld." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2021. http://d-nb.info/1236502450/34.

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22

Schmid, Annette Kathrin Patricia [Verfasser], and Rolf [Akademischer Betreuer] Mansfeld. "Prevalence of extended-spectrum β-lactamase-producing Escherichia coli, toxinogenic Clostridium spp. and Yersinia enterocolitica on Bavarian dairy and beef cattle farms / Annette Kathrin Patricia Schmid. Betreuer: Rolf Mansfeld." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2014. http://d-nb.info/1051777119/34.

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23

Kroener, Bernhard R. "Walter Krüssmann, Ernst von Mansfeld (1580–1626). Grafensohn, Söldnerführer, Kriegsunternehmer gegen Habsburg im Dreißigjährigen Krieg. (= Historische Forschungen, Bd. 94), Berlin 2010, 742 S. € 98 [ISBN 978-3-428-13321-5]." Universität Potsdam, 2012. http://opus.kobv.de/ubp/volltexte/2012/6221/.

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24

Plattner, Stefan [Verfasser], and Rolf [Akademischer Betreuer] Mansfeld. "Untersuchungen zu Einflüssen auf die Beta-Hydroxybutyrat-Konzentration im Blut und die Infrarotspektren der Milch sowie auf die Aussagekraft eines Frühwarnsystems für das Auftreten von Ketonämien bei Milchkühen / Stefan Plattner ; Betreuer: Rolf Mansfeld." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2018. http://d-nb.info/117058280X/34.

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25

Lange, Hanka [Verfasser], and Rolf [Akademischer Betreuer] Mansfeld. "Untersuchungen zu Einflüssen von Parametern der Eutergesundheit und Tierkennzahlen auf den Blutketonkörperspiegel und das Infrarotspektrum der Milch sowie auf die Eignung der Infrarotspektroskopie für die Früherkennung von Stoffwechselstörungen bei Milchkühen / Hanka Lange ; Betreuer: Rolf Mansfeld." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2019. http://d-nb.info/1196968314/34.

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26

Johnstone, Vanessa. ""Divine warnings" : Katherine Mansfield." Master's thesis, University of Cape Town, 2009. http://hdl.handle.net/11427/8944.

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Includes bibliographical references (leaves 85-87).
On her death in January 1923, Katherine Mansfield bequeathed a body of work - both fictional and critical-sufficient to fill several volumes. Although she was not of English origin, she nevertheless counted many celebrated figures of the era as her consorts. Why then, does she remain peripheral to the canon? This dissertation probes the problem of Mansfield's reputation, examining the reasons that she remained (and remains) insufficiently recognised for her contribution to modernist literature. It further proposes that Mansfield's writing displays many of the hallmarks of modernism for which her peers - whose writing succeeded hers by several years - would later become famous.

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27

Richardson, Rebecca J. Richardson Rebecca J. Richardson Rebecca J. "The garden party must go on : class sympathy and characterization in Katherine Mansfield's short stories & "A surprise" and other original short stories /." Connect to online version, 2005. http://ada.mtholyoke.edu/setr/websrc/pdfs/www/2005/105.pdf.

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Poon, Yuk-kang Anita. "A discourse analysis of Katherine Mansfield's The garden party and other short stories." [Hong Kong : University of Hong Kong], 1987. http://sunzi.lib.hku.hk/hkuto/record.jsp?B12754250.

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29

Reimer, Melissa. "Katherine Mansfield: A Colonial Impressionist." Thesis, University of Canterbury. School of Humanities, 2010. http://hdl.handle.net/10092/5289.

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This thesis considers Katherine Mansfield’s development as a writer in relation to late nineteenth and early twentieth century developments and trends in the visual arts in New Zealand, England and France. Mansfield’s notebooks, letters and stories evidence a definite response to developments in modern art and reveal that she aligned herself more closely with painters than with her literary colleagues; something Francis Carco hints at in his fictional account of her in Les Innocents (1916): he describes Mansfield as a predatory and exploitative woman with a detached manner, who “used him just the way a painter uses a model, studying character and movements” (cited in Mortelier 150). There exists in Mansfield’s stories evidence of the influence of the Impressionist and, to a lesser degree, the Post-Impressionist painters. While this influence has been noted by a selection of critics or rather her work has been described as impressionistic, it has been neither explored nor substantiated from an art historical perspective. My methodology has entailed identifying the defining characteristics of Mansfield’s stories that are also found in Impressionism, in as much as two different aesthetic forms can be compared. I then trace the exhibition history and contemporaneous criticism of modern French art in London and Paris alongside Mansfield’s trajectory in adulthood to ascertain the degree of exposure she had to Impressionism. In addition to that which she encountered in Europe, much consideration has been given to the artistic milieu of New Zealand prior to and following her schooling in London. I have sought to identify which of the modern artists and styles Mansfield most closely identified with, and to determine how precisely and extensively she applied the Impressionists’ painterly techniques and stylistic effects to her own prose. Broadly speaking, Mansfield’s preferred subjects may be grouped under three titles: Domestic Interiors, Urban Landscapes and Rural Landscapes – these were also the Impressionists’ favoured subjects. These categories, then, form the basis of my investigations.1 This thesis also explores the degree to which Mansfield’s colonial upbringing influenced, inspired and determined the themes and issues she chose to address, from the various forms of expression that were available to her to inherit and modify. My research reveals how both the cultural climate and the unique light and landscape of her own country made her susceptible to the ideas of the Impressionists and Post-Impressionists, even before she reached the more art-oriented cities of London and Paris. Mansfield’s status as a foreigner in Europe allowed her greater freedom to experiment and greater licence to borrow from other cultural forms and traditions. Though strains of Realism, Naturalism, Symbolism and 1 The consequence of choosing to structure my material around Mansfield’s three dominant subjects has resulted in some degree of repetition within this manuscript. This also means, however, that the individual chapters are strong enough to stand alone and thus this doctoral thesis should prove a valuable reservoir for future research. 6 Expressionism are all evident in Mansfield’s modernist fiction, it is the impressionistic quality of her work – evident in the fleeting and evocative sketches of the everyday – that is the overriding feature. Her colonial heritage was not only a significant factor in this development, but to a degree, the enabling condition – allowing her to reconcile the lessons of Europe within a New Zealand literary context resulting in a unique brand of Colonial Impressionism. NOTE ON THE TEXT Mansfield’s inconsistent and idiosyncratic spelling and punctuation have been retained within quotes in this thesis. In her letters she often dispensed with apostrophes and rarely used commas, instead preferring the dash. When citing, I have chosen not to follow these particular oddities with [sic] as these would be too numerous and would disrupt the flow of the text. I have instead followed the conventions of Mansfield’s editors.

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Harland, Faye. "Katherine Mansfield and visual culture." Thesis, University of Dundee, 2017. https://discovery.dundee.ac.uk/en/studentTheses/e2872ae4-1cb3-4efb-980f-01407629a6b1.

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The relationship between modernist fiction and visual culture has received substantial critical attention in recent years. However, many of the studies on this intermediality focus primarily on the drama, poetry, and novels of male authors, with Virginia Woolf being the only significant exception to this rule. I propose that this engagement with the visual in modernist fiction has a different social and cultural significance in the works of women writers. With reference to the short stories of Katherine Mansfield, I will explore the attempt to establish a female literary voice in what was perhaps the greatest transitory period for the role of women in the Western world. Although studies exist that consider the relationship between Mansfield’s writing and modern art and cinema, this thesis will provide a wider context for this period of cultural history. I take a variety of technological advancements into account, examining they ways in which they collectively provided the inspiration behind modernist literature’s new subjectivity of vision. As well as film, I will discuss the arts that developed prior to or alongside it, from the magic lantern to photography, and the impact they had on literature as writers sought new forms of representation. Furthermore, I believe that I will be able to examine this shift in cultural consciousness in a unique way through my focus on Mansfield, an author whose experimental work has received far less critical attention in terms of its engagement with other media than that of her contemporaries. Through reference to the visual arts, Mansfield was able to subjectively focalise her short stories through the eyes of her characters, presenting the ways in which women see and are seen in early twentieth-century society.

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31

Alpert, Caroline S. "Psychological integrity in Mansfield Park." Thesis, Boston University, 1995. https://hdl.handle.net/2144/27574.

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Boston University. University Professors Program Senior theses.
PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.
2031-01-02

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32

Perkins, Jeffrey R. "Developing a strategy for evangelism through an evangelism team at Mansfield Baptist Church, Mansfield, Georgia." Online full text .pdf document, available to Fuller patrons only, 2000. http://www.tren.com.

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33

Kimber, Geraldine Maria. "Katherine Mansfield : the view from France." Thesis, University of Exeter, 2007. http://hdl.handle.net/10036/33714.

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The aim of this thesis is to assess the reason why Katherine Mansfield’s reputation in France has always been greater than in England. The thesis examines the ways in which the French reception of Mansfield has idealised her persona to the extent of crafting a hagiography. I ask: what were the motives behind the French critics’ desire to put Mansfield on a pedestal? How did the three years she spent on French soil influence her writing? How do the translations of her work collude in the myth surrounding her personality? Although several other scholars have discussed the Katherine Mansfield myth in France, this thesis is the first sustained attempt to establish interconnections between her own French influences (literary and otherwise), and the mythmaking of the French critics and translators. I have divided my thesis into six chapters. The first places Mansfield in the general literary context of her era, exploring French literary tendencies at the time and juxtaposing them with the main literary trends in England. The second chapter focuses on the writer’s trips to France, demonstrating the influence of the French experience on her life and works. The third chapter highlights specific French literary influences and how these manifest themselves in her narrative art. In the fourth, I explain the workings of the writer’s narrative art, so that when in the next chapter I study the translations via close textual analysis, it will become clear whether the beliefs and principles expressed in the original texts have been diluted during the translation process. The last chapter prior to the conclusion will follow the critical appraisal of her life and work in France from her death up to the present day, by closely analysing the differing French critical responses. The division of the thesis in this way will enable me to show how these various strands combine to create a legend which has little basis in fact, thereby demonstrating how reception and translation determine the importance of an author’s reputation in the literary world.

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34

Jones, Jacqueline Clare Elaine. "Katherine Mansfield and memory : Bergsonian readings." Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/22976.

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This thesis is the first full-length study to investigate memory discourse in Katherine Mansfield’s short stories. It presents multiple close readings of the ways in which memory is inscribed in Mansfield’s stories, taking an approach to memory drawn from the philosophy of the French philosopher Henri Bergson. What Mansfield and Bergson share in common is an idea of the insistence of memory – its survival, determination, assertion and resistance – during a period of multiple social and historical change when memory was variously seen to be in crisis. Bergson’s distinctive theory of memory which opposes temporalism (or ‘time in the mind’) with measured (or ‘spatialised’) time provides a rich interpretive tool for analysing memory in Mansfield’s fiction. Following phases of Bergson’s developing thinking, each of the four chapters introduces a different dimension of memory – the generative, the topological, the degenerative and the cosmic – through which I analyse The Aloe and Prelude, ‘At the Bay’, ‘The Garden Party’, ‘The Daughters of the Late Colonel’, ‘Bliss’ and ‘The Canary’ as well as other less well-known examples of Mansfield’s fictional and personal writings. What emerges from this process is a new Mansfield acutely sensitive to the insistent power of memory and the attenuation of time past into the present, concurrent with some of her modernist contemporaries, yet especially attuned to the signal and significant thought of Bergson.

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Sundlöf, Sten-Ove. "Stilstudie - Katherine Mansfield och Stephen King." Thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-160257.

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In this essay I will present a stylestudy of he New Zeeland born author Katherine Mansfield, 1888 - 1923 and american master of horror, Stephen King, born 1947. The main focus is to analyze how they use the literary tools of time, place and focalisation and to make a literary experiment where I practise the learnings I have made. I will try to answer how the authors use time, place and focalisation in the novels? In my literary experiment, can I find the differences and similarities? I have studied two shortstorys: Katherine Mansfields The Garden Party and from Stephen King, 1922.I read my first short story from Mansfield and King more than twenty years ago and over the years they have stayed in my memory as strong and positive experiences of reading. My aim is to learn more about the author's style with special attention to time, place and focalisation. The tools for this is studies of their works in connection to these three concepts and a literary experiment where I try to mimic the authors. In this my work I have found similarities and differencies between the two authors. Differencies coming from the different times when they write: Mansfield from early 1900 modernism and romanticism and King contemporary literature and horror. I have deepened my understanding of place and time and captured new knowledge about focalization, a term that was new to me as I started the course. Both authors write chronologically over different timespace (one day and a decade). They use dialogue, both internal and external. They switch between external nd internal/varied internal focalization wich makes the novels fascinating and intriguing. I have found that is is possible to cross the style of the tho authors and create a credible story.

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Deslauriers, Stéphanie. "Validation de l'inventaire d'agitation de Cohen-Mansfield." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape10/PQDD_0002/MQ41886.pdf.

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Santos, Camila Carmo dos. "Os espaços na ficção de Katherine Mansfield." Master's thesis, Porto : [Edição do Autor], 2010. http://hdl.handle.net/10216/55959.

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Santos, Camila Carmo dos. "Os espaços na ficção de Katherine Mansfield." Dissertação, Porto : [Edição do Autor], 2010. http://aleph.letras.up.pt/F?func=find-b&find_code=SYS&request=000207090.

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Cross, Roland R. "Edwardian Mansfield : the forgotten career of an early modernist /." free to MU campus, to others for purchase, 1998. http://wwwlib.umi.com/cr/mo/fullcit?p9901230.

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Casault, Lucie. "Structure factorielle de l'Inventaire d'agitation de Cohen-Mansfield." Master's thesis, Université Laval, 2002. http://proquest.umi.com/pqdweb?did=766397151&sid=12&Fmt=2&clientId=9268&RQT=309&VName=PQD.

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Fredriksson, Tea. "Feeling as Perceptibility and Trembling in Mansfield Park." Thesis, Stockholms universitet, Engelska institutionen, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-77594.

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The aim of the investigation is to show that Jane Austen’s Mansfield Park is a novel centred on a conflict between feeling understood as represented sentiment and feeling understood as affective immanence. The study uses a phenomenological approach that stands in alignment with Michel Henry’s critique of Martin Heidegger’s phenomenology of transcendence. Attention is drawn to the enmity in Mansfield Park between sensibility’s sentiments and affectivity’s raw feelings. It is suggested that this tension runs through Mansfield Park as an opposition central to its inner structure. It is shown that Fanny Price and Henry Crawford are incompatible on affective rather than moral grounds, and that the focus of the novel is not primarily on the behaviour of characters but on the nature of feeling itself. Mr. Crawford cultivates feeling as something that can be conveniently represented in the world as a world-phenomenon among other world-phenomena, whereas the heroine resists that very understanding of feeling and life. The study delineates the heroine’s struggle against the archetypal man of sentiments not as a prudish struggle against unrestrained erotic passion but as a struggle against a social apparatus for disfiguring the reality of feeling. The essay highlights segments of the literary text that point to a difference between feeling as an interplay of emotions monitored by reason, on the one hand, and, on the other hand, feeling as something with an inner source that is deep and reclusive, withdrawn from the light of the world and from the representational forces of social life.

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Eriksson, Charlotte. "Katherine Mansfield och Virginia Woolf : Masker och självidentiteter." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-44885.

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This paper investigates the relationship between the two modernist writers Katherine Mansfield and Virginia Woolf. The two authors had a frail and complicated friendship that influenced their fiction and fictional characters more than the general public knows. My paper investigates how Woolf can have found her fictional story ideas direct from their friendship. With a comparative theory I’m finding and giving examples of how their friendship is reflected in their fictional stories, and I’m backing up my examples with citations from their own diaries, letters and notebooks. Another important part in my paper is the theme of masks and multiple identities. The two authors both expressed the need to hide behind different masks in order to please the society and their surroundings. This feeling, and this theme of multi pleidentities, also shines through in their fiction, and I will exemplify it with parts from their novels and short stories, and also develop my own thoughts on why they felt the need to use these false masks.

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Castineira, Rita de Cassia Pastorin. "Instâncias enunciativas sujeitudinais na obra de Katherine Mansfield." Universidade Federal de Uberlândia, 2006. https://repositorio.ufu.br/handle/123456789/15470.

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Our research has as corpus fragments of letters, journals and short stories of the English writer Katherine Mansfield. We approach the meta-discursiveness of letters and journals and the esthetics-literary discursiveness of short stories of the writer in order to verify the intercrossing of speeches between the Author-Subject Enunciative Position (ASEP) and Writer-Subject Enunciative Position (WSEP) and the moving of meaning that is established in the thematic enunciative regularities from the letters and journals to the short stories. Thereby, we search the understanding of a continuous in enunciative alteration between different speeches enunciated between the real of language and history, in sieve of an Author-Subject Enunciative Position (ASEP) that enunciates the letters and journals, and the one Writer-Subject Enunciative Position (WSEP) that enunciates the narrative of the short stories in the intercrossing polyphonic-interdiscourse from a Narrator-Subject Position (NSP) and from a Character-Subject Position (CSP). The way that unravels the literary esthetic discursiveness of meaning in the gender of short stories has its theoretical support in the French Discourse Analysis; in Pêcheux (1995; 2006) in the notions of subject, discourse and significance; a theoretical-linguistic referential support in Authier-Revuz (2001; 2004) in the heterogeneous enunciateveness of the speeches and, finally, two theoretical complementary bases. The first in Mikhail Bakhtin (1997; 2004) accosting notions of dialogism, polyphony and genders of discourse, and the second in Foucault (1995) e Le Goff (1990; 2003) dealing with the letters and the journals as monument document. With this theoretical support, we verify the constitutive meta-discursiveness of the Author-Subject Enunciative Position that implies in an esthetic discursiveness enunciated by the Writer-Subject Enunciative Position, forming, in this way, the speeches of an enunciative literary-esthetics manifestation in the meaning of the gender short stories.
Nossa pesquisa tem como corpus fragmentos de cartas, diários íntimos e contos da escritora inglesa Katherine Mansfield. Abordamos a metadiscursividade das cartas e diários íntimos e a discursividade estético-literária dos contos da escritora com interesse em verificar os entrecruzamentos de dizeres entre a Instância Enunciativa Sujeito-autor (IESA) e a Instância Enunciativa Sujeito-Escritor (IESE) a partir da movência dos sentidos que se estabelece nas regularidades enunciativas temáticas das cartas e diários íntimos para os contos. Desse modo, buscamos o entendimento de uma alteridade enunciativa contínua presente entre os diferentes dizeres enunciados entre um real da língua e da história, no crivo de uma Instância Enunciativa Sujeito-Autor (IESA), enunciada por meio das cartas e diários íntimos e de uma Instância Enunciativa Sujeito- Escritor (IESE) que enuncia a narrativa dos contos no atravessamento polifônicointerdiscursivo de uma Posição Sujeito-Narrador (PSN) e de Posições Sujeito- Personagem (PSP). Assim, o caminho que desvenda a discursividade estético-literária do sentido do gênero conto tem embasamento teórico na Análise do Discurso Francesa, em Pêcheux (1995; 2006) nas noções de sujeito, discurso e sentido. Encontramos, ainda, um suporte referencial teórico-lingüístico em Authier-Revuz (2001; 2004) nos estudos sobre as heterogeneidades enunciativas do dizer e, por fim, duas bases teóricas complementares: a primeira em Mikhail Bakhtin (1997; 2004) com as noções de dialogismo, polifonia e gêneros do discurso e a segunda em Foucault (1995) e Le Goff (1990; 2003), tratando a carta e diário íntimo como documento monumento. Com esse embasamento teórico, verificamos a metadiscursividade constitutiva da Instância Enunciativa Sujeito-Autor (IESA) que implica uma discursividade estética enunciada pela Instância Enunciativa Sujeito-Escritor (IESE), constituindo, dessa maneira, os dizeres de uma manifestação enunciativa estético-literária sentidural do gênero conto.
Mestre em Lingüística

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Gurbanova, Sabina <1996&gt. "Theatricals and Theatricality in Jane Austen's "Mansfield Park"." Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/18991.

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Theatricals and Theatricality in Jane Austen’s “Mansfield Park” Abstract “Mansfield Park” is one of the Jane Austen’s novel that deals most directly with theatrical subjects. Themes in the novel are strongly connected with the choice of the popular eighteenth-century play, “Lover’s Vows”. A performance of that play as a home-theatrical covers a significant place in the first volume of the book. In the novel, The Bertrams, her cousins and their fashionable new neighbours Mary and Henry Crawford, decide to set a staging of a popular drama to spend joyful time, while patriarch Sir Thomas is on business trip in Antigua. “Theatre” at Mansfield Park extends from billiard room to all places, Sir Thomas’s Study. The episode in the first volume that describes Sir Thomas’s return from Antigua, is the point when theatricality in this novel is destroyed by his order to burn every copy of Lover’s Vow. Despite the destruction of theatre as place, theatricality as a topic turns out to spread over the novel. Even though the theatrical content occupies a dominant position in the novel, the vision of the theatre presented in the novel might be considered complicated, even negative. The theatricals initiate acts of moral degradation that the novel ultimately condemns. Furthermore, the theatre and the specific play chosen are criticized and resisted on moral grounds by main characters that are identified to be positive characters (Fanny Price and Edmund Bertram), and celebrated by those who are considered to be characters with lower moral values (Maria Bertram, Tom Bertram and The Crawfords). Additionally, by paying attention to the description of the theatricals indicated by Fanny Price and Henry Crawford, it is possible to examine the similarity of their language. Although each of them states their opinion in a completely different way, both Fanny and Henry characterize theatricals in terms of “discontent” or “anxiety”. For them, the theatre is not just an object but the very site of anxiety. In “Mansfield Park”, the theatre which colonizes the rest of the novel, becomes strongly connected with unavoidable social existence and political postures. As a novel about theatricality, “Mansfield Park” describes theatrical forms as a danger threatening the interests of a certain period society. This paper aims to demonstrate the effect of the theme Theatre and Theatricality in the novel of “Mansfield Park” by Jane Austen by providing a deep literary analysis and approach to the topic from different perspectives.

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Lewison, Janet. "A mind at bay : a study of Katherine Mansfield." Thesis, University of Liverpool, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.303139.

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Danjoux, Chantal. "La femme seule à travers Colette et Katherine Mansfield." Paris 4, 1985. http://www.theses.fr/1985PA040107.

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Joubert, Claire. "Lire le féminin : Dorothy Richardson, Katherine Mansfield, Jean Rhys /." Paris : Éd. Messene, 1997. http://catalogue.bnf.fr/ark:/12148/cb36187766k.

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Houston, Ramona Allaniz. "African Americans, Mexican Americans, and Anglo Americans and the desegregation of Texas, 1946-1957 /." Full text (PDF) from UMI/Dissertation Abstracts International, 2000. http://wwwlib.umi.com/cr/utexas/fullcit?p9992818.

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Mendes, Sara Raquel Silva. "Tradução e análise de alguns contos inacabados de Katherine Mansfield." Master's thesis, Porto : [Edição do Autor], 2013. http://hdl.handle.net/10216/72465.

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Esta dissertação de mestrado tem como objeto de estudo alguns contos inacabados da escritora neozelandeza Katherine Mansfield. O presente trabalho divide-se em duas partes principais. A primeira inclui quatro secções distintas: a primeira secção é constituída por uma breve análise da vida e obra de Katherine Mansfield; na segunda secção apresenta-se uma síntese da história do conto enquanto género literário; na terceira, procede-se a uma breve análise das características mais relevantes da ficção de Mansfield; por último, oferece-se uma revisão das principais teorias da tradução e dos princípios que presidiram à realização da tradução que se apresenta na segunda parte da dissertação. A segunda parte, para além de apresentar uma proposta de tradução de alguns dos contos inacabados de Katherine Mansfield, expõe as principais dificuldades sentidas ao longo do processo translatório.

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Soulhat, Delphine. "Poétique de la rencontre dans les nouvelles de Katherine Mansfield." Thesis, Paris 10, 2011. http://www.theses.fr/2011PA100129/document.

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S’intégrant dans une époque moderne souvent définie par la déstabilisation des institutions et du rapport intersubjectif, les nouvelles de Katherine Mansfield présentent de nombreux exemples d’échecs intersubjectifs. Il s’agit donc d’effectuer un retour aux sources de la relation pour trouver les formes et modes de rencontre possibles et interroger leur potentiel fondateur. Telle que l’envisage Mansfield, la rencontre en tant que problématique de l’altérité – trouvée en soi ou en l’autre – s’organise selon trois espaces, symboliques ou réels : dans l’espace intime et intersubjectif, la rencontre déploie des enjeux ontologiques et existentiels ; dans l’espace géographique, elle invite à adopter une perspective qui interroge la place du politique dans les mouvements coloniaux et internationaux ; dans l’espace artistique, les déclinaisons infinies de la rencontre laissent envisager la possibilité d’une poétique originale façonnée par la convergence des arts, des genres et styles. La poétique de la rencontre se manifeste dans une logique qui n’est pas aristotélicienne au sens strict et où la création artistique est en jeu
Modernity has been defined as a destabilizing time for both the institution and the subject. Katherine Mansfield’s short stories fit in this definition as they provide many examples of inter-subjective failure. It is thus fundamental to go back to the origins of the relationship in order to uncover the various types and modes of encounter and to interrogate their constructive potential. The encounter as Mansfield conceives of it addresses the question of otherness within three different spaces. The encounter displays ontological and existential stakes in the intimate space; it invites the reader to displace the critical perspective on colonial and global movements from the political to the cultural in the geographic space; and it unveils its countless variants in an artistic space, thus generating an original poetics shaped by the convergence of arts, genres, and styles. The poetics of the encounter manifests itself according to a definition that goes beyond the Aristotelian frame. What is at stake is artistic creation itself

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