Dissertations / Theses on the topic 'Making space'

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1

Whearty, Lauren Ann. "Making Space: Language, Painting, Poem." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1307394266.

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2

Matthews, Evan. "Making Space: Disorientating bodies in trans and queer spaces of support." Thesis, University of Canterbury. Gender Studies, 2013. http://hdl.handle.net/10092/8817.

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This thesis explores young people’s transgenderings through negotiations of language, bodies and experiences of different peer and community-based support spaces in Aotearoa New Zealand. It critically examines what ‘support’ means for young people in relation to developing subjectivities and embodiments shaped by being both young and transgender/ gender non-conforming. While these perspectives are varied, I argue that the production of community and peer-based support for those who are both young and transgender or gender non-conforming has been undergoing a period of significant change, reflecting queer and postmodern shifts which have worked to re-conceptualise the ways queer and transgender communities and peers are imagined, incorporating a greater inclusive focus on diversity. Utilising Sara Ahmed’s concept of queer phenomenology and post-structuralist theory, the thesis thinks beyond binary approaches to gender and support, to consider support and gender non-conformity through the process of ‘disorientation’. Throughout this project both ‘gender’ and ‘support’ are positioned as being subjective, embodied and discursive knowledges and actions, represented in multiple and contradictory ideas, identities and expressions of the different participants. The study utilises in-depth qualitative interviews with participants who are young people (aged 16-30 years) and support providers and developers of transgender/queer based support in Aotearoa New Zealand. Working with young people and support providers, this research provides an analysis of support development for transgender and gender non-conforming young people in Aotearoa New Zealand, arguing that all participants in support (both providers and recipients) are shaping its provision.
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Turnipseed, Mary Faith. "Ways of making within dematerialized space." Thesis, Georgia Institute of Technology, 1987. http://hdl.handle.net/1853/24075.

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Alferyev, I. S., A. V. Mochalov, R. S. Fedyuk, V. V. Danilenko, and K. K. Mironov. "Microprocessor electronics in space instrument making." Thesis, Sumy State University, 2014. http://essuir.sumdu.edu.ua/handle/123456789/39902.

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Volumes of information processed on board the spacecraft (SC) is constantly growing, the algorithms of the onboard systems - complicated. Therefore, a need for new solutions in the field of system architecture SC. Operating conditions are very complex spacecraft: overload when starting, temperature, radiation, and other negative factors of outer space , as well as the inability to repair a running companion , require onboard equipment reliability and survivability. Architecture used today onboard control systems and data do not satisfy in full all these requirements. Need a new concept of architecture - board information and control systems of spacecraft, which provides high functionality and reliability of such systems.
Volumes of information processed on board the spacecraft (SC) is constantly growing, the algorithms of the onboard systems - complicated. Therefore, a need for new solutions in the field of system architecture SC. Operating conditions are very complex spacecraft: overload when starting, temperature, radiation, and other negative factors of outer space , as well as the inability to repair a running companion , require onboard equipment reliability and survivability. Architecture used today onboard control systems and data do not satisfy in full all these requirements. Need a new concept of architecture - board information and control systems of spacecraft, which provides high functionality and reliability of such systems.
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5

Ross, Nicola Jane. "Making space : children's social and environmental geographies." Thesis, University of Dundee, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.275773.

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MacRae, Christina. "Making space : organising, representing and producing space in the Early Years Classroom." Thesis, Manchester Metropolitan University, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.484823.

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This thesis examines early years practice and offers a critique of normative ways of interpreting and responding to artefacts produced by' children in the foundation stage classroom. It is written from the position of an early years practitioner-researcher who is interrogating her habitual ways of viewing children's work in the classroom setting. Using field notes that document children as they make artefacts,it explores the continuing and powerful effects that Piaget's developmental theory exerts. It takes a particularly close look' at the intimate links between a cognitive account of the child and the conceptualisation of space through the system of perspective. This connection raises significant questions both about the way children are represented and the way they are expected to represent the world. In the first instance, the representation of the child is explored by examining the practice of child observation and the way it is employed as a tool by which teachers come to know the child. The practice of child observation by early years teachers is considered alongside a reflection on the central place of observation as method in ethnographic research. This examination challenges the naturalist claims of observation, and referring to perspective, it re-conceives observation as providing us with a frame through which we look at the world. Thought this way, observation has the potential to shape what we see rather than simply to reflect it. On this basis documentation produced through the practice of observation is reviewed in order to consider how it might reproduce particular ways of seeing the child. While the work owes much to Foucault's conception of a 'normalising gaze' (1991, p.184) that operates to sustain universal truths about the child, its principal aim is to open up new ways to see the child. As a starting point I have taken not only the artefacts child~en produce, but also the documentation I have produced as an observer, in order to reengage with these objects in different ways. This approach is led by an appreciation of the material qualities of the object, as well as an awareness of the dual sense in which the object contains both self and other. This appreciation for the liveliness of the object also contributes to a new way to view the processes at play when children make artefacts in the classroom setting. The research has allowed me, as a practitioner, to go beyond the assumption that children's purposes are limited to representing the world as if seen through a window. At the same time, it has revealed the' powerful way that I, as a teacher, shape the space that children inhabit. In response I have adopted a stance that recognises the power that objects exert during the creative process and the result has been to give credence and value to the unconventional artefacts produced in this way. Finally, and perhaps most usefully for the early years practitioner, my research offers a way for the object to provide a meeting place in which to engage with the child in more open, rather than prescribed, ways.
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7

Lai, Chih-Ta. "Chien, Auo, Shih : evolution of space perception and space making in China." Thesis, Massachusetts Institute of Technology, 1985. http://hdl.handle.net/1721.1/36917.

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Thesis (M.Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1985.
MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH.
Bibliography: leaves 105-106.
The question of "what is the essence of Chinese architecture" has been puzzling Westerners as well as Chinese since the incept i on of Traditional Chinese Architecture Studies five decades ago . This thesis attempts to answer the question by exploring some spatial concepts which have not been clearly documented before. Based on the exploration of those spatial concepts, a new historical perspective will be introduced to show succinctly how Chinese architecture evolved in the last 30 centuries. The theoretical assumptions guiding the thesis are: the emergence of spatial concepts is due to the fact of man-always-having-to-perceive-spatial-phenomena, the characteristics of spatial concepts are .determined by the relationship between man and phenomena , the relationship between man and phenomena may evolve, the evolution of spatial concepts makes up t he hi story of architecture.
by Chih-Ta Lai.
M.Arch
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8

Backman, Fredrick. "Making Place for Space : a History of 'Space Town' Kiruna 1943-2000." Doctoral thesis, Umeå universitet, Institutionen för idé- och samhällsstudier, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-101725.

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Science and technology have a tendency to clump together in places where they spawn other forms of societal activities. Sometimes these places become famous through processes known as place-making, or the social construction of place. Because the scientific and technological activities affect the places, and the places conversely affect the science and technology, it is relevant to study how and why these connections emerge. This dissertation examines the particular case of the northern Swedish town of Kiruna, which has become known for being a `space town' because of its scientific, technological, and other activities that relate to the near space around the earth. The overall objective is to analyse the processes underlying the making of Kiruna as a space town in the period 1943--2000. Five parts make up the study. First is an examination of how the development of space physics research in Kiruna led to the setting up of a scientific observatory. The second part studies how the Swedish participation in the European Space Research Organisationmade Kiruna the place for a rocket base. Next follows an analysis of how local business efforts contributed to forming a new satellite technology business and the Space House office building. The fourth part concerns how the visions to establish a space `university' eventually led to the emergence of the Space Campus. Last is an epilogue that briefly analyses the space tourism efforts in Kiruna. A central finding is that the space town has emerged as the result of entwined processes where, on the one hand, ideas about the near space around the earth have led to new activities and physical structures, and, on the other hand, these new activities and built structures conversely have inspired to new ideas. Of importance is also the geographical place where these developments have occurred. Here, a reoccurring argument to placing the activities and structures in Kiruna was the town's geographically favourable location for specific scientific and technological activities. Another finding is that the development has gradually led to the emergence of a kind of identity or notion of Kiruna as a particular place for space activities. Although this form of place-making has occurred largely through spontaneous processes, it was also the result of intentional efforts. Together, these different place-making processes have formed the `space town' of Kiruna.
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Galbraith, Lindsay. "Making space for reconciliation in Canada's planning system." Thesis, University of Cambridge, 2014. https://www.repository.cam.ac.uk/handle/1810/246612.

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Early in 2012, the Minister of Natural Resources Joe Oliver released an open letter to Canadians where he identified 'an urgent matter of Canada's national interest': 'radical groups' were 'threaten[ing] to hijack [Canada's] regulatory system' for major projects and argued they should 'be accomplished in a quicker and more streamlined fashion'. This came on the eve of the first day of oral hearings for the public review into the controversial Enbridge Northern Gateway pipeline and tanker project that would allow for oil sands from Alberta to access outside markets other than the United States. A few months later, Canada's environmental decision-making process was dramatically reformed, resulting in a significant outcry across the country over the likely effects on environmental oversight and Aboriginal rights. In Haida Gwaii, a series of islands off of the north coast of British Columbia (BC) around which the proposed tanker traffic would navigate, a process of reconciliation is in its early stages. The forestry sector is now subject to a collaborative provincial and Haida (First) Nation planning and decision process and a Haida-owned company is the biggest tenure holder and forestry sector employer. However, the Government of Canada has refused to participate in this reconciliation process in any meaningful way. It has, instead, encountered the Haida Nation through the court-like environmental review process for the proposed Enbridge project, the very same process that has been used to justify the dramatic environmental planning reforms. This research constructs a framework for tracing the spatial and institutional dynamics of the reconciliation process in planning. A significant amount of the Crown's approach to reconciliation relies upon the consultation that takes place within and alongside planning and regulatory decision making for natural resource developments. While the process does not, in itself, lead to any meaningful engagement over reconciliation, a central research question is: What opportunities might exist for reconciliation to take place in planning? And, how do these opportunities change? Contributing to the Indigenous planning literature, this dissertation examines some of the discursive and institutional factors that led to (a) the collaborative planning taking place on Haida Gwaii today and (b) the 2012 federal planning reforms. For each case, the opportunities available in planning for modifying the dominant view of reconciliation are considered. The dissertation begins with an overview of the very initial discussions on reconciliation between the Haida Nation and the Province of BC. It is argued that this move was facilitated by the Haida Nation shifting their concerns to various venues that were more or less receptive to their interests: the courts, a road blockade, collaborative planning, and bargaining. On the other hand, Canada has attempted to regain control by actively modifying the venues available to the Haida Nation in ways that excluded them or moved them to a venue that was less receptive to their concerns. It is reasoned that while planning spaces operate in ways that tend to be colonial, certain conditions and mechanisms are available in these systems that can be used to open up (perceived) opportunities for changing the way reconciliation is implemented across this system. These spaces reveal information about Indigenous-state power relations that are usually not observable until a conflict arises, at which point analysts may observe how actors respond to these perceived opportunities. Evidence is collected from numerous sources. Interviews with key informants, observation, and policy document review composed the bulk of the data collection for both cases. Four days of oral hearings in Haida Gwaii were observed in 2012, offering a window into the encounter between the Haida and Canada just as a streamlined environmental review process was being developed and implemented. In contrasting the two cases, this research finds that planning is used both to control development and as an opportunity to engage with the Crown over the long-standing dispute about overlapping title to and, thus, jurisdiction over Haida Gwaii. The process by which one use prevails over another is the central research problem; indeed, there remains an important disconnect between Indigenous political actors and the Crown (and, in some examples, industry) on how environmental planning institutions ought to be used. This tension is present within a planning venue and across the planning system, opening up potential opportunities, such as those used by the Haida Nation to regain control over Haida Gwaii, or closing down these opportunities. For these reasons, planning is one of the most useful arenas for influencing and for understanding the politics of reconciliation in Canada.
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Craig, Douglas, and craig douglas@rmit edu au. "re:Making, making as a continual remaking of space." RMIT University. Architecture and Design, 2007. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080208.151424.

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The act of making challenges ideas through fabrication and the laws of reality that are part of becoming. This research explores the making of physical models as a design process where that act of making 'models for'1 design intention is itself a rich field of speculation. These models for design intention are different to the models of design intention as they are less a finished and singular object, and more an instrument for thinking. The aim of this research is to explore the qualities of models for design intention through an engagement with the landscape in order to understand making as a transformative and emergent process of space, time, material, technique, and the role of the observer. Making for design, the model as idea, seeks to both test and provide opportunities for the convergence of forces and relationships to be created and emergent. Fundamental to this notion is an understanding that the act of making is itself a continual re-making process. The reciprocity invoked by this action engages a rich field of criteria which are potent because of their schizophrenic nature. This paper will discuss my research through a number of projects and esquisses that have been explored during the course of this research which demonstrate the development of my position of making as a continual re-making of space.
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11

Kerlin, Patricia Ann. "Cultural poetics in the making of public space." Thesis, Georgia Institute of Technology, 1988. http://hdl.handle.net/1853/22723.

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Kantas, Nikolas. "Sequential decision making in general state space models." Thesis, University of Cambridge, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.611272.

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Dauncey, Hugh. "The making of French space policy, 1979-1992." Thesis, University of Bath, 1994. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.240678.

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14

Bidgood, Lee. "Place, Space, and Genre: Making Bluegrass Boundaries Czech." Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/1101.

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Bluegrass music was formed, in part, to be part of the soundtrack of emigration from the American South to industrial centers. The texts of some widely enjoyed bluegrass songs express the losses in this transition, often in longing for far-off, idealized places. Through a decade of ethnographic research on bluegrass in the Czech Republic, I have found Czech bluegrass - related music makers articulate a more globally expanded experience of dislocation and desire. Czech fans and musicians alike (bluegrassers") have blurred some genre and style boundaries as they have adapted American forms for local usage. Infusing the European landscape with "far away" ideas and tropes, Czech bluegrassers create "country" spaces that have flourished and diversified through political and social changes since the introduction of the music in the 1950s. These idealized “real-imaginary” spaces allow participants to reinterpret and reshape their social and natural environments. Part of today¹s global bluegrass scene, Czech bluegrass projects also connect with local folk and folklore milieus, as well as Czech musical and political history. Balancing a sense of locality with cosmopolitan elements bluegrassers shape the particular ‘country’ in which their music resounds. Following Melinda Reidinger and Ruth Gruber in addressing questions of self-realization through "real-imaginary" recreation in the Czech lands, I describe how bluegrass-related music-making has persisted, flourishing, through political and social changes, affording participants a way of interpreting and reshaping their physical and social environments through the idealized soundscapes connected to American music."
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Farrand, Nicole. "work | space (the laborer revealed)." VCU Scholars Compass, 2013. http://scholarscompass.vcu.edu/etd/2990.

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There is always a moment, within the act of work, when the decision comes into question; the mind is aware of the goal, seeking out the destination, but the body brings the reality of the task to light, at first whispering its doubts, then speaking in full volume. The physical intensity of the creation of my work enlivens this debate between the consciousness of my intellect and the limitations of my being. The act of defining myself as an artist serves as a challenge to my body’s capabilities as a maker. Through this relationship with my work, I have become deeply intimate with the term labor. My thesis aims to contextualize my engagement with labor within the universal understanding that human beings possess an inherent need to work. While the interchangeable use of terms such as work and labor is highly disputed, I have found that my role as artist, actions as maker, and identity as worker persuade me to define my work as labor and my labors as work. This subsequent body of work serves as a record of the actions of the laborer. A floor sits; frozen in the process of installation, it awaits the return of the laborer to complete the work. Through the cyclical conversation between the workers’ voices embroidered upon the wall and the work being performed on the floor, the installation serves as the preserved space of the anonymous laborer.
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Sjöberg, Jesper. "Making use of the environmental space in augmented reality." Thesis, Umeå universitet, Institutionen för tillämpad fysik och elektronik, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-156664.

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Augmented reality (AR) is constantly moving forward and pushing its bound- aries forward. New applications and frameworks for mobile devices are rapidly developing. Head mounted displays are evolving and making an impact on in- dustries and people. In this thesis, we are going to evaluate the concept of how to make use of the environmental space in augmented reality. Within the environmental space, we are going to focus on secondary elements — elements and objects that not are in the focus of the users. Both augmented reality in smartphones and head-mounted displays are going to be considered. Through an evaluation conducted with four participants during a week, we are going to find use cases and scenarios where this type of concept could be used and where it can be applied. The results of this thesis shows where and how the can be use for a concept such as this.
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Gardner, Pippa. "Making space for curiosity and innovation : reshaping Sheffield museums." Thesis, University of Sheffield, 2018. http://etheses.whiterose.ac.uk/20676/.

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This collaborative doctoral project, in partnership with Museums Sheffield, examines a redevelopment project at Weston Park Museum from 2014-2016. This research addresses the question: “What is the relationship between adults’ curiosity, meaning-making and innovation, and museum space?” An ethnographic methodology was used including: 85 participant observation sessions; 9 interviews with 11 members of Museum Sheffield staff; a workshop with 13 members of Museum Sheffield staff; 130 observations of visitors in public gallery spaces; 70 write-draw submissions from visitors; and ongoing documentation of the museum redevelopment project. The collaborative nature of the research blurs the boundaries between researcher and research participants: museum staff contributing to the design and development of the research project, and the researcher contributing to the daily work of the museum. The findings show that space is made by all museum users. Therefore, the curiosity, meaning-making and innovation activities of staff, visitors and those in-between each impact upon how space is made. In turn, the type, intensity, duration and location of these various activities is influenced by the institutional form of the museum generally, and specifically that of Museums Sheffield. Institutional curiosity shapes how a museum acquires new information, how it empowers staff and how it engages audiences. Institutional form also influences how meaning is made in the museum. Additionally, the context of a particular museum or other institution, in this case Museums Sheffield, is part of the specificity inherent in vernacular innovation. This thesis builds three distinct contributions: a theory of institutional curiosity; the application of the concept of ‘professional meaning-making’ to a new context (i.e. the museum); and the identification of a new concept - vernacular innovation. The research findings also informed the knowledge held and practiced within the museum, and within Museums Sheffield in particular, such as through processes of prototyping new design with visitors.
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Sieh, L. "Public space governing as the management of meaning-making." Thesis, University College London (University of London), 2014. http://discovery.ucl.ac.uk/1421356/.

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The governing of urban public space involves the management of knowledge about them and about the practices that produce them. This research examines how a type of policy tool in public space production, nominally labelled ‘multicriteria tools’ (MCTs), are deployed to manage the construction of knowledge by diverse stakeholders in the interest of achieving a desired public space outcome. Mainstream governing practices characterised by the very words ‘measuring’ and ‘value’, refract preferences through a narrow and usually positivist frame, often leading to unauthentic communication and perverse outcomes. In this research, an interpretivist paradigm is applied, which assumes that people are rationalising rather than rational. Thus the MCT’s role is conceptualised as attenuating people’s beliefs and actions. The research seeks to articulate and theorise an alternative conceptualisation of governing as ‘the management of meaning construction’, where ‘value’ is a subset of ‘meaning’. In so doing, the research aims to increase the intelligibility of multi-stakeholdered governing situations in ways that would be directly relevant for the stakeholders themselves since familiarity with the substantive issues and dynamics of meaning making would help those actors become more effective. The research fleshes out a heuristic in the form of a ‘field’ model of meaning-making. This deploys an interpretivist paradigm in explaining how governing happens; governing, is thus seen in terms of the management of meaning to address societal problems. This research adds to those voices challenging the grip of orthodox ‘evidence-based’ policy-making and positivist ‘scientistic’ social science. Its original contribution is to explore this debate in the philosophy of social science within the area of built environment production. Ultimately, the aim is to increase the potential of such an alternative in addressing some practical, real and well-documented problems in public space governing.
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Lark, Elise. "Making Space for Dying: Portraits of Living with Dying." Antioch University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=antioch1413217166.

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Paine, Ashley I. "Ocular occupations : painting and other spatio-visual strategies for making and inhabiting architecture." Thesis, Queensland University of Technology, 2008. https://eprints.qut.edu.au/19222/1/Ashley_Paine_Thesis.pdf.

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Many writers have suggested that our capacity to occupy space meaningfully has been undermined by our contemporary ocular-centric culture, which distances us from reality and corrupts our physical and embodied experience of the world. This study challenges these claims within an architectural context, by examining the fundamentally visual nature of architecture and inhabitation as well as the spatio-visual practices, acts and strategies that we use to occupy space. Drawing on theory and practice-based methods from outside the professional limits of architectural practice, the study implements visual acts of occupation to establish a new and expanded conception of architecture as a performative spatio-visual practice – a conception that engages and connects its practice with the purportedly ocular-centric spatial conditions in which it is made and occupied.
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Paine, Ashley I. "Ocular occupations : painting and other spatio-visual strategies for making and inhabiting architecture." Queensland University of Technology, 2008. http://eprints.qut.edu.au/19222/.

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Many writers have suggested that our capacity to occupy space meaningfully has been undermined by our contemporary ocular-centric culture, which distances us from reality and corrupts our physical and embodied experience of the world. This study challenges these claims within an architectural context, by examining the fundamentally visual nature of architecture and inhabitation as well as the spatio-visual practices, acts and strategies that we use to occupy space. Drawing on theory and practice-based methods from outside the professional limits of architectural practice, the study implements visual acts of occupation to establish a new and expanded conception of architecture as a performative spatio-visual practice – a conception that engages and connects its practice with the purportedly ocular-centric spatial conditions in which it is made and occupied.
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Owens, Wendy Michelle. "Identity and the In-Between Space in Transracial Adoptee Literature: Making Space for the Missing Voice." Kent State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=kent152283718139289.

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Westling, Carina E. I. "The making of postdigital experiential space : Punchdrunk Company, 2011-2014." Thesis, University of Sussex, 2017. http://sro.sussex.ac.uk/id/eprint/68360/.

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This thesis presents my original contribution to knowledge, a combination of critical media and performance theories to analyse the production and augmentation of postdigital experiential spaces in Punchdrunk Theatre Company. Distributed agency is key to Punchdrunk's work, with makers within the company and audiences both being active participants in meaning-making, across complex and detailed interfaces. In order to investigate the making cultures on ‘both sides' of the interface, I undertook a two-year participant study as a researching designer within the company during the build of the productions The House Where Winter Lives and The Drowned Man in 2011-2014, gathering field data in the form of extensive interviews with members of the company and audience participants, supported by diary notations and photographs. I studied the processes and methods that extend, distribute and regulate agency to both audiences and makers within the company, and identified devices and features of the interaction design of the company that produce the immanent subject-event relationships that support immersion in their work. A core aspect of this research concerns the relationship between immersion and the sublime, and how subject-event relationships (immanent vs. transcendent) contribute to engendering sublime interactive experiences. I have analysed the consequences of this for the modelling of participation in interaction design, and how it influences conditions of possibility within interactive systems across physical, digital and blended media. The conclusion of this research includes the definition of a postdigital sublime, and proposes a delinquent system aesthetic that integrates proxies for gravity through articulation of the ‘shadow side' of interaction design.
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Müller-Friedman, Fatima. "Modernism on the margins : making space on Namibia's urban frontier." Thesis, University of Cambridge, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.616178.

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Abrams, Nels. "The Making of Audubon Park: Competing Ideologies for Public Space." ScholarWorks@UNO, 2010. http://scholarworks.uno.edu/td/1241.

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The emergence of Progressivism at the beginning of the twentieth century influenced many aspects of American society. One of those aspects was urban parks. In the latter half of the nineteenth century Frederick Law Olmsted led a nationwide implementation of "Victorian" parks. These parks featured broad expanses of turf, waterways, and trees. Olmsted and the other Victorian park leaders designed the parks to cultivate Victorian values of self-restraint and independence among the citizenry. With the rise of Progressivism the ideals of the middle class changed. Led by Theodore Roosevelt, millions of Americans embraced the "strenuous life" and its emphasis on strength and leadership. Consequently, parks changed. The new Progressive park design favored athletic facilities over places for repose. Audubon Park in New Orleans was built just as this change was occurring, and therefore provides us an opportunity to study this moment in American history in detail.
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Silove, Melanie. "Ethical decision-making in the therapeutic space : a psychoanalytic view." Thesis, Rhodes University, 2009. http://hdl.handle.net/10962/d1020873.

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This study examined the ethical decision-making process as it transpired in the everyday context of the therapeutic space. In-depth interviews explored the subjective experiences of six South African psychologists, practicing as psychoanalytic psychotherapists, and their efforts to resolve real-life ethical dilemmas. The theoretical framework used to interpret the data subsumed professional literature in psychology on principle-based ethical decision-making as well as contemporary psychoanalytic debates on the phenomenon of countertransference enactments. A review of ethics codes, survey research and seminal decision-making frameworks suggests that ethical dilemmas have traditionally been resolved by recourse to an objective and impartial “principle ethics” perspective. Empirical evidence shows, however, that logical thinking and the rational application of codes, principles and standards are often insufficient to secure ethical action. The establishment of reflective space and the core theoretical notion of “ethical decision-making enactments” were proposed in order to address the subjective, irrational and unconscious dimension of professional decision-making. This study used a broadly hermeneutic research method which transformed participants‟ descriptions of engagement with real-life dilemmas into a psychoanalytically informed interpretive account of ethical decision-making. Twelve aspirational ethical principles were found to guide participants‟ daily analytic work. Beneficence was the principle most strongly identified with and nonmaleficence was the most neglected ethical principle. Unprocessed countertransference responses were shown to drive earlier prereflective phases of the ethical decision-making process. Mature ethical judgment was predicated upon the retrospective analysis of enactment phenomena. Dissatisfaction was expressed by all participants with regard to the role of professional resources in aiding the resolution of stressful ethical dilemmas. Risk factors for compromised professional decision-making included the paucity and perceived irrelevance of postgraduate ethics training, supervisory failure to confront the ethical and countertransference dimensions of common dilemmas and professional isolation. Rather than eliciting the hope of emotional support and greater insight, professional resources on the contrary mostly appeared to induce anxiety, mistrust and fearfulness. Based on the data and the literature, a pragmatic psychoanalytically informed ethical decision-making model was finally generated. The model, which considers both principle ethics as well as countertransference phenomena, offers a preliminary contribution to professional dialogue on the development and evaluation of empirically based decision-making frameworks. Practical recommendations are made for both the revision of the current South African ethics code and for improving the postqualifying ethics education of psychoanalytic practitioners and supervisors. The limitations of the data are discussed and directions for future research initiatives are proposed.
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Decker, Paula D. "Making Space for Mexican Wolves: Technology, Knowledge and Conservation Politics." Diss., The University of Arizona, 2013. http://hdl.handle.net/10150/301755.

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The use of geospatial technologies, including radio telemetry, GPS collars, and mapping software, has proliferated in wildlife conservation. In addition to being tools for research, though, tracking devices are increasingly used to control animals that have been reintroduced to natural areas. Animals with radio or GPS collars can be tracked, and when considered necessary, trapped and relocated or removed to captivity, a common practice in projects to reintroduce and conserve endangered carnivores. The assumption is that such actions will help to defuse conflicts over wildlife between wildlife managers and land users. Conservation has come to mean surveillance and control, a situation recently made possible by technology. This dissertation examines the role of geospatial technology in conservation through an examination of the Mexican Wolf Reintroduction Project taking place in Arizona and New Mexico. Major findings include: 1. Policies to monitor and control Mexican wolves represent a deferral of the struggle over priority uses of public lands; 2. State and local government agencies seized on the discourse of adaptive management to gain control over the reintroduction project and expand their institutional authority. Rather than a practice of "learning by doing" and collaboration, however, the adaptive management program that was implemented only operated smoothly when it held together a prior political consensus and fell apart when external factors worked to dissolve that consensus; 3. The policies of controlling "problem wolves" rest on a series of assumptions about human and wolf behavior that are unsubstantiated and likely false; 4. The embodied production of geospatial data about Mexican wolves is erased in project-authored maps, which privilege a partial perspective on Mexican wolf distribution and territory; and 5. The practices of Mexican wolf monitoring and control are best understood as political technologies of governance that constitute Mexican wolves as individualized, domesticated and, I argue, racialized subjects. The policies and practices governing the Mexican wolf reintroduction project, this dissertation shows, have relied on technological surveillance and control, with complex and contradictory results for people-wolf relations and the politics of conservation.
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Cioppa, Thomas M. "Efficient nearly orthogonal and space-filling experimental designs for high-dimensional complex models." Monterey, Calif. : Springfield, Va. : Naval Postgraduate School ; Available from National Technical Information Service, 2002. http://library.nps.navy.mil/uhtbin/hyperion-image/02sep%5FCioppa%5FPhD.pdf.

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Thesis (Ph. D. in Operations Research)--Naval Postgraduate School, September 2002.
Dissertation supervisor: Thomas W. Lucas. Includes bibliographical references (p. 119-125). Also available online.
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Tudor, Matilda. "Cyberqueer Techno-practices : Digital Space-Making and Networking among Swedish gay men." Thesis, Stockholms universitet, Institutionen för mediestudier, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-77474.

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Cyberqueer Techno-practices: Digital Space-Making and Networking by Swedish Gay Men     This study aims to highlight intersections of queer experiences and new media, by focusing on the use of digital platforms and communication practices among Swedish gay men. This is being carried out using a netnographic approach including an online survey and in-depth interviews among the target group, as well as field observations on gay catering online forums and GPS application software. Special attention is paid to the blur between online and offline, increasingly underpinned by innovations such as smartphones, tablet computers and GPS techniques, and how it may challenge and reconfigure concepts of public and private in relation to sexuality and sexual identity. Using a rich combination of queer theory and media and communication theory, the study intends to illuminate the underdeveloped potential of cross-fertilization between the fields. The concept of space has a central position, as the cyberqueer practices performed by gay men are argued to produce queer space that extends their social scope in a heteronormative environment. The interviews and the survey indicate that the use of digital media among gay men fulfill group specific purposes, for aspects such as social and sexual networking, as well as senses of community. Further, the possibility to visit digital spaces seems to have a particular significance during “coming-out processes”, since most of the informants have been dealing with their sexual identity and/or practice online, long before doing so offline. This is valid for individuals from both urban and rural areas, as the queer spaces online also are prioritized over offline alternatives when available.
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Turner, Jane Elizabeth. "Making space for women's history in the secondary social studies curriculum." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape17/PQDD_0006/MQ37648.pdf.

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31

Wright, Natasha. "Murder in the park : civic identity-making and space in Vancouver." Thesis, University of British Columbia, 2011. http://hdl.handle.net/2429/37368.

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Stanley Park is well known in Vancouver, Canada, and globally as a site of nature in the city. Over the course of its history, this image of the park as healthy, natural, and safe has been frequently disrupted by violent and/or destructive incidents. Physical and sexual attacks, both random and calculated, have routinely occurred in the park and have resulted in frenzied media, civic, and political responses. These events unsettle Stanley Park’s identity, and as a result, multiple actors in Vancouver perform cultural work to reinvent and/or restore the Park’s meaning vis-à-vis extreme disruptions of violence. By examining the textual records of two exemplary incidents of violent disruption in the park – the 2001 queer-bashing murder of Aaron Webster and the 1992 beating and killing of six Chilean flamingos in the Park zoo – I ask: How is Stanley Park’s identity created, managed, and communicated to Vancouver residents and to visitors and tourists? How are belonging, citizenship, power, and morality implicated in this cultural work? This thesis argues that both the murder of Aaron Webster and the flamingo killings have profound implications for how we understand Stanley Park. Webster’s death and the ensuing public response demarcated rightful queer ownership of the space and at the same time provided a platform for public scrutiny and administration of queer sexuality. The flamingo murders were leveraged to bring Stanley Park ‘back’ to its ‘natural’ state, upholding a national narrative about the park as an untouched wilderness and further erasing the histories and ongoing realities of colonialism. The discourses that emerged in response to each event went well beyond the cases at hand to produce important meanings about civic identity and who belongs and does not belong in Vancouver.
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Koopman, Sara. "Making space for peace : international protective accompaniment in Colombia (2007-2009)." Thesis, University of British Columbia, 2012. http://hdl.handle.net/2429/42470.

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Lewis, Robert David. "Industry and space : the making of Montreal's industrial geography, 1850-1918." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=39790.

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The purpose of this thesis is to explore several issues regarding the industrial geography of the North American city between 1850 and 1918, using Montreal as a case-study. The two dominant locational theories (Weberian and transactional) are critiqued and three problems are identified: their reliance on simplistic conceptions of industrial organization; their inability to take account of cycles of investment; and their neglect of the social construction of the built environment. A reformulation of urban industrial geography is presented which stresses the diversity of productive strategies open to industries; the relationship of these strategies to rhythms of changes to technology, the labour process, and the organizational structure of firms; and the actions of local growth machines in the making of industrial space. These claims are developed through an empirical examination of Montreal. Using the municipal tax assessment rolls a description of the location of Montreal's manufacturing firms in 1861 and 1890 establishes the context for a discussion of the key dynamics of the city's industrial geography through histories of selected industries (clothing, metal, cotton, and baking) and industrial districts (Saint-Ann and Saint-Henri).
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Weishaar, Katherine (Katherine R. ). "Making space : pedagogical interventions to foster equity in introductory maker education." Thesis, Massachusetts Institute of Technology, 2018. http://hdl.handle.net/1721.1/118704.

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Thesis: S.B., Massachusetts Institute of Technology, Department of Architecture, 2018.
Cataloged from PDF version of thesis.
Includes bibliographical references (pages 63-64).
The maker movement has spread widely among both adults and children, but its recent integration into K-12 education has forced makerspace coordinators to examine their work through a new lens. Experienced makers need little beyond safety training to get started making their own projects, but new makers, particularly young students, need more. Without properly scaffolded introductory activities, inexperienced students quickly become discouraged and opt-out of maker activities. This thesis explores possible pedagogical guidelines for introductory activities that create more inclusive educational makerspaces. Education theorists and maker educators consistently express a need to support beginners, but the exact type of support differs. Some foster equity by choosing non-gendered introductory projects that can be easily modified for personal customization. Many suggest that the most useful support comes from creating a maker community, typically by leveraging both peer interactions and mentor relationships. In the workshop I taught, I tested my lesson plan both with and without explicit emphasis on peer feedback. The sections with an emphasis on peer feedback were more creative, social, and willing to ask questions than the sections without it. Though their techniques for creating community may differ, educators must be aware of the psychological barriers that keep students from making. Some students claim that they lack certain skills, whether technical or creative, that are necessary to make an original project. Others believe that makerspaces are only for "smart people" or "engineers" and do not view themselves as part of those groups. And still others are eager to get started, but simply lack the economic privilege necessary to continue work with expensive tools at home. All of these students need different types of support, but they will all benefit from a community where they view their mentors and peers as sources of inspiration and feedback instead of as unsurpassable competition.
by Katherine Weishaar.
S.B.
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Heng, Terence. "Making Chineseness in transdiasporic space : it's a matter of ethnic taste." Thesis, Goldsmiths College (University of London), 2012. http://research.gold.ac.uk/6489/.

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This thesis addresses shortfalls in the sociological literature on diaspora, ethnicity and ethnicity-making amongst diasporic individuals. My original contribution is an improved and more nuanced take on diasporic individuals’ ethnicities and the mechanisms through which these ethnicities are made. I will do this by reconfiguring collectivist versions of diaspora into an individualised transdiasporic space, and redefining ethnicity as transdiasporic ethnicity. Transdiasporic ethnicities are made in the social intimacies and distances between individuals and between their ethnic lifestyles (sets of aesthetic markers). Such distances are affected by individuals’ ethnic tastes – preferences for or against different lifestyles. My arguments are based on a study of Chinese Singaporeans and their wedding rituals. Weddings are microcosms of transdiasporic space – multiple crossroads for intersecting diasporic journeys and everyday lives. I will employ a visually-focussed form of participant observation, arguing that the use of photographs with text creates a richer space to do sociological work. I will also develop a methodological framework of photography as visual poetry, creating an emotional texture that text alone struggles to achieve. Chinese Singaporeans engage in outward-facing taste performances which reveal their ethnic lifestyles to others. Juxtaposed taste performances often lead to aesthetic dissonance, which encourages individuals to make decisions affecting their ethnic tastes. This tends to result in social distancing between two socially prominent ethnic lifestyles which were politically defined and are now part of popular discourse – “heartlander” and “cosmopolitan”. These lifestyles are often held in tension and tend to be connected to different levels of economic wealth. Commercial activities in weddings perpetuate such linkages, such that socioeconomic aspirations often texture ethnic tastes. I will conclude by considering what aesthetic dissonance says about concepts of ethnic hybridity and syncretism, and propose that a Chinese Singaporean’s economic life-path continues to be affected by the ethnic lifestyles she is socially intimate with.
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Trikalinou, Lilika (Eleftheria). "Making visible : the inhabitation of urban public space by irregular immigrants." Thesis, Goldsmiths College (University of London), 2015. http://research.gold.ac.uk/11638/.

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Focusing on irregular immigrants, people without any official status in their country of habitation, the research explores the relationship between urban public space and groups deemed to be marginal. Irregular immigrants’ experiences of ‘institutional invisibility’ are combined with their in-between socio-economic and political condition, reflecting, partly, immigration's transnational character. Therefore, irregular immigrants' social reproduction is dependent, partly, on informal, often illegal, means to sustain a living that are linked to their usage of urban public space. Their everyday experiences, and the ways they negotiate their institutional invisibility and irregularity, are investigated as a means to explore the appropriation of urban public space in relation to the conditions of their habitation, thus opening up issues relating to their right(s) and claims to space. The research underpinning the thesis was conducted during 2011-2012 in Athens, Greece, with the empirical focus on Omonoia, a place of significant ‘settlement’ by irregular immigrants. Its core was in-depth interviews with eight irregular immigrants’ households, supplemented with a mapping exercise and participant observation. Additionally, the research documented institutional responses to, and influences on, the lives of irregular immigrants, through interviews with officials in key positions. The data show that urban public space is the primary means of survival and social reproduction for irregular immigrants, with it acting as both shelter and a place to network. The thesis highlights the use of invisibility and irregularity as a means to conceal immigrants’ marginal ways of securing basic needs away from the eyes of the State. However, their uses of public spaces are usually at odds with official, ‘legitimate’, governmental discourses about what public spaces are or ought to be. This opposition emphasizes the role of everyday activities in the production of space, but also the right to space - in the absence of other rights - by the plain instantiation of bodily existence of the institutionally invisible, irregular, immigrants in urban public space.
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James, Ian. "Re-making urban space : writing social realities in the British city." Thesis, University of St Andrews, 2003. http://hdl.handle.net/10023/10606.

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In this thesis I investigate the narrative rendering of urban experiences and the place of agency within these renderings, looking in particular at the personal stories of urban dwellers. Grounded in anthropological fieldwork in Britain - in the town of Romford (Essex) to the east of London - but also relying on written sources on British social realities, this thesis challenges the idea and practice of a traditional place-based ethnography, calling in turn for an anthropological appreciation of the individual writing of human experience. This I define as the considered ordering of the forms in terms of which individuals experience their lives. I recognise that such ‘writing', conceived as a cognitive pursuit, is possible within speech and not, as some may have it, the exclusive preserve of literary culture. In allowing that individuals may exercise authorship over their lives in this way, I find it is possible, as well as potentially illuminating, to compare individuals' writings, their personal accounts of their lives, with other genres for writing the reality of urban and peri-urban milieux in Britain. I hear significant correspondences between each story-genre, especially as regards the impacts of town planning on urban space for the populations that inhabit it, and discuss the possible theoretical implications of this correspondence. I focus extensively on two such genres in addition to personal stories: the sociological - examining Michael Young and Peter Willmott's sociological classic text ‘Family and Kinship in East London' - and the literary - a reading of the work of English poet and journalist John Betjeman. Running through the thesis is also an appreciation of the figure of the amateur, both as a real actor and as a metaphor for the postmodernist approach to culture to which I also subscribe.
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Anderson, Jonathan Mark. "Environmental direct action : making space for new forms of political community?" Thesis, University of Bristol, 2000. http://hdl.handle.net/1983/470c8929-f448-4d1f-876b-78bdbad5f40c.

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39

Langer, Adina. "Making space: sacred, public and private property in American national parks." Oberlin College Honors Theses / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1350046103.

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40

Göbel, Oskar. "Making Space to be Heard : A Phenomenographic Study on the Distribution of Talking Space in an English Class." Thesis, Högskolan i Halmstad, Akademin för lärande, humaniora och samhälle, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-40670.

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The aim for this study has been to research how talking space is distributed in an Englishspeaking classroom in Swedish schools. This aim has been answered by conducting a phenomenographic research method, as well as semi-qualitative interviews which have been analysed with regard to related literature and research. A second aim has been to establish whether teachers make use of pedagogical tools while trying to distribute talking space. Both literature and research, as well as the Swedish National Agency of Education, deem it essential that students utilize their talking space in order to optimise their English-speaking abilities, while additional research emphasizes the benefits of pedagogical tools as aids to achieve this. Experience suggests it is not unusual for learners to have difficulties in creating and recognising opportunities to speak in class. A major motivating factor for conducting this study has thus been to discover what teachers do to encourage less communicative students to contribute orally. The results show that teachers tend to be aware of the need to make their students speak as much as possible, although their methods trying to achieve this vary. The results also show that the interviewees display an overall negative attitude towards physical pedagogical tools, but that they instead view their students, general teaching methods, the setting of assignments etc, as pedagogical tools in their own right to achieve this purpose.
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41

Sarpkaya, Gokhan Evans John L. "A floor space valuation method for automotive electronics manufacturing." Auburn, Ala, 2009. http://hdl.handle.net/10415/1600.

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42

Sun, Lily. "A method for interactive articulation of information space for strategic decision support." Thesis, Staffordshire University, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.322343.

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43

Yip, Siu-kwan Sandra. "Making a connection : maximizing the value of green space in Hong Kong /." View the Table of Contents & Abstract, 2005. http://sunzi.lib.hku.hk/hkuto/record/B3508540X.

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44

Nieuwenhuis, Marijn. "Producing China : the politics of space in the making of modern China." Thesis, University of Warwick, 2013. http://wrap.warwick.ac.uk/60419/.

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This thesis entails an analysis of the relationship between space and politics in the construction and legitimisation of modern China. The thesis argues that the production of space has since the onset of modernity in China, in itself very much a spatial process, played a substantial yet, largely unexplored and academically unacknowledged role in both the construction of the nation state and the legitimisation of political ideologies. I wish to show that the production of modern space has since the mid-17th century played an increasingly vital role in the abstract concretisation and the everyday diffusion of the geographic imagination of the Chinese nation state. The state, in other words, legitimises its existence through the reification of space. This thesis contributes to a historical and spatial understanding of the role of geographies of power in creating an alternative understanding of what China is and how it is (re-)produced spatially. Such an understanding problematises the realised abstraction of the Chinese nation state and politicises the production and representation of space in China. The thesis thus questions notions of Chinese essentialism, Chinese history, Chinese architecture and other expressions of state spaces. The position that this thesis takes is that the production of space gives form and meaning to the political. The thesis looks at a variety of spatial techniques of power by analysing the politics of cartography, urban planning, architecture and other forms of production of space. By emphasising the politics of space, this thesis is a work of political geography on the subject of modern Chinese state space. This thesis comprises six chapters, an introduction and a conclusion.
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45

Edwards, Bronwen. "Making the West End modern : space, architecture and shopping in 1930s London." Thesis, University of the Arts London, 2004. http://ualresearchonline.arts.ac.uk/2299/.

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This research explores the shopping cultures of the 1930s West End, arguing for the recognition of this as a significant moment within consumption history, hitherto overlooked in favour of the Victorian and Edwardian periods. The approach is interdisciplinary, combining in a new way studies of shopping routes and networks, retail architecture, spectacle, consumer types and consumption practices. The study first establishes the importance of shopping geographies in understanding the character of the 1930s West End. It positions this shopping hub within local, national and international networks. It also examines the gender and class-differentiated shopping routes within the West End, looking at how the rise of new consumer cultures during the period reconfigured this geography. In the second section, a case study of two new Modern shops, Simpson Piccadilly and Peter Jones, provides the focus for a discussion of retail buildings. Architecture is presented as an important way in which the West End was transformed and modernity articulated. Modernism was a significant arrival in the West End's retail sector: it provided a new architectural approach with a close, if often problematic, relationship with shopping. The study thus reassesses common assumptions about the fundamental irreconcilability of modernism with consumption, femininity and spectacle. The third section makes a more detailed examination of the staging of shopping cultures within the West End street, looking at window display, the application of light and decoration to facades, and participation in pageantry. The study thus revisits retail spectacle, an important strand within histories of shopping and of the urban, looking at how established strategies were adapted and developed to stage modernity, emerging consumer cultures and the West End itself during the 1930s.
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Leibowitz, Vicki, and Vicki dan@gmail com. "Making memory space: recollection and reconciliation in post apartheid South African architecture." RMIT University. Architecture and Design, 2009. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20091022.114900.

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Post Apartheid South Africa presents a fascinating platform from which to discuss the complexity and contestations around the creation of memory space. Through examination of multiple modes of dealing with memorials and museums, (the traditional and conventionally understood emblems of authoritative memory), this thesis seeks to explicate how memory is addressed in a society that is attempting to come to terms with a recent past. In so doing, it aims to understand how memory becomes codified into architectural space, how that physical manifestation may be altered over time, and examines some of the complexity inherent in creating new spaces that seek to represent an often volatile and contested past. The traditional palette of the architect: materiality, site, aesthetics and form all contribute to creation of new national narratives and in so doing, reveal the difficulties in revising existing memories as they are articulated through architecture. In order to appreciate how South Africa specifically is approaching memory, I have established a taxonomy that highlights differing modes for dealing with the physicalisation of recollection. Within each case study, questions arise over the success and failures of each modality, which lead to broader discussions about opportunities for gaining insight into how memory space may be addressed in other countries, those facing a colonial past or coming to terms with recent memory themselves. While it does not present a comparative analysis, this thesis seeks to illuminate some of the difficulties inherent in the creation and maintenance of memory space that accurately reflects the population it purports to serve, while generating 'meaningful' architecture. The study is broken down into the following components: TOPPLING TOTEMS The Voortrekker Monument is an examination into existing architectures of an out-dated regime, questioning how meaning is ascribed to architectural space and seeking to understand how easily that significance may be revised. EXPERIENTIAL MUSEUMS The Apartheid Museum presents case studies of how memory is conveyed meaningfully to contemporary society, looking at the international language of museums, questioning how specificity is lost in a desire to situate the past on a world stage. The economy and commoditisation of memory forms a central component of this study. CANNIBALISED SPACE The Constitutional Court offers an investigation into the repatriation of spaces potent as sites of trauma. It examines how sites of trauma become significant places for recollection and presents spatial opportunities for a form of rehabilitation of those sites. SOCIALLY INTEGRATED MEMORY The Red Location Museum presents a study of a new mode of creating official narratives of recollection within a society resistant to official narratives. It looks at architectural solutions to situating memory within the daily life of a society rather then distinguishing official memorials by setting them and by association recollection apart. Ultimately through an examination of the treatment of memory space in South Africa, issues around the complexity of dealing with memory in general become apparent. The aim of this thesis is to draw out some of these narratives so that they may elucidate some of the broader relationships between architecture and collective memory.
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Howard, Diane. "Making do with what we have: creating certainty in private space law." Thesis, McGill University, 2009. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=66965.

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Space business is subject to many of the same realities as commercial enterprises in other locations and other market sectors. In addition, the space treaties impose a separate set of obligations on conduct in space. Predictability is necessary to continue development of this profound resource. The present state of the space marketplace is examined, noting current trends. The legal framework regulating these activities is described. Uncertainties in commercial space projects are identified and solutions proposed. A case study of a failed space transaction is analyzed and resolutions considered. The thesis ends with recommendations and an understanding of the role that private space law plays.
Les affaires de l'espace sont sujettes à des plusieurs des mêmes réalités que des entreprises commerciales dans d'autres endroits et d'autres secteurs du marché. En outre, les traités de l'espace imposent un ensemble séparé d'engagements à la conduite dans l'espace. La prévisibilité est nécessaire pour continuer le développement de cette ressource profonde. L'état actuel du marché de l'espace est examiné, notant des tendances courantes. Le cadre juridique réglementant ces activités est décrit. Des incertitudes dans des projets d'espace commerciaux sont identifiées et des solutions sont proposées. Une étude de cas d'une transaction échouée de l'espace est analysée et des solutions est considérées. La thèse finit avec des recommandations et un arrangement du rôle les jeux privés de cette loi de l'espace.
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Bourgeois, David C. C. "Making space : the subversion of authoritarian language in Lewis Carroll's Alice books." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=33877.

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The works of Lewis Carroll show an abiding interest on the part of the author in the relationship between education, language and authority. In particular, the Alices are the story of a young girl who must learn to deal with a variety of characters in dream-worlds where the power of language reigns. It is therefore necessary for Alice to learn how language is used for authoritarian purposes and to discover ways of defending herself against it. It is the purpose of this thesis to investigate, in many cases for the first time, the ways in which Alice is able to find "spaces" in language where authority breaks down, places where the fundamental nature of language is unable to support authoritarian use. In this way, "space" will become both a metaphor and a figurative model for Alice's growing knowledge of and resistance to authority.
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Qayum, Seemin. "Creole imaginings : space, race and gender in the making of Republican Bolivia." Thesis, Goldsmiths College (University of London), 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.395389.

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Yip, Siu-kwan Sandra, and 葉兆筠. "Making a connection: maximizing the value of green space in Hong Kong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B45014255.

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