Relevant bibliographies by topics / Making-Place

Academic literature on the topic 'Making-Place'

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Published: 10 December 2022
Last updated: 28 January 2023

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Journal articles on the topic "Making-Place"

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Jacobson, Joy. "Making Al’z Place Their Place." AJN, American Journal of Nursing 105, no. 6 (June 2005): 94–95. http://dx.doi.org/10.1097/00000446-200506000-00036.

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Lew, Alan A. "Tourism planning and place making: place-making or placemaking?" Tourism Geographies 19, no. 3 (January 31, 2017): 448–66. http://dx.doi.org/10.1080/14616688.2017.1282007.

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Fincher, Ruth, Maree Pardy, and Kate Shaw. "Place-making or place-masking? The everyday political economy of “making place”." Planning Theory & Practice 17, no. 4 (September 8, 2016): 516–36. http://dx.doi.org/10.1080/14649357.2016.1217344.

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Lekomtseva, A. A., A. N. Khatskelevich, and G. A. Gimranova. "PLACE-MAKING: APPLICATION IN THE CITY PLANNING PROCESS." EKONOMIKA I UPRAVLENIE: PROBLEMY, RESHENIYA 1, no. 5 (2020): 47–54. http://dx.doi.org/10.36871/ek.up.p.r.2020.05.01.007.

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Currently, there is a significant increase in the need to include residents in the urban planning process, in which they, along with other actors (for example, the city administration, developers, business structures) will become participants in making decisions about the fate of urban space. Interacting with the residents, the authorities directly receive feedback that helps to prevent the discontent of the population with respect to those or other decisions. The article considers some aspects of population involvement in urban planning as one of the primary tasks of urban planners.
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Hultman, Johan, and C. Michael Hall. "Tourism place-making." Annals of Tourism Research 39, no. 2 (April 2012): 547–70. http://dx.doi.org/10.1016/j.annals.2011.07.001.

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Heidkamp, C. Patrick. "On Nordic Place-making." Environment, Space, Place 7, no. 2 (2015): 7–14. http://dx.doi.org/10.5840/esplace2015729.

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Eldelin, Emma, and Andreas Nyblom. "Place Making in Transit." Transfers 11, no. 1 (March 1, 2021): 48–75. http://dx.doi.org/10.3167/trans.2021.110104.

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Spaces of transit and transportation are often thought of as one-dimensional and as defined by their functionality and rationality, but recent literary texts challenge such preconceptions by representing those spaces as multidimensional and meaningful. In this article, we examine literature through the lens of place making, seeking to understand in what ways literary representations are involved in renegotiations of transit space. Addressing two generic spaces of transit—the underground and the airport—we analyze a body of texts generated through initiatives relating to the London Underground and Heathrow Airport respectively. Arguing that literature contributes to a processual understanding of place, we conclude that literary texts should be considered as instances of place making, and thus deserve serious consideration in research.
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Ball, Philip. "A place for making." Nature Materials 12, no. 5 (April 22, 2013): 382. http://dx.doi.org/10.1038/nmat3632.

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Pugalis, Lee, and Gill Bentley. "Place-Based Deal-Making." Regions Magazine 304, no. 1 (September 2016): 11–12. http://dx.doi.org/10.1080/13673882.2016.11868976.

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Warnock, John. "Tucson: A Place-Making." Journal of the Southwest 58, no. 3 (2016): 361–616. http://dx.doi.org/10.1353/jsw.2016.0013.

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Dissertations / Theses on the topic "Making-Place"

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Lombard, Melanie Brigid. "Making a place in the city : place-making in urban informal settlements in Mexico." Thesis, University of Sheffield, 2010. http://etheses.whiterose.ac.uk/14961/.

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Observers from a variety of disciplines agree that informal settlements account for the majority of housing in cities of the global South. Urban informal settlements, usually defined by certain criteria such as self-build housing, sub-standard services, and residents' low incomes, are often seen as problematic, due to associations with poverty, irregularity and marginalisation. In particular, despite years of research showing otherwise, policy and academic discourses continue to emphasise a division between the 'formal' and 'informal' city, meaning that informal settlements are often treated as outside 'normal' urban considerations. This thesis argues that the discursive construction of urban informal settlements in this way may contribute to their marginalisation, with material effects for residents, including displacement and eviction. Moving beyond static, binary characterisations of urban informal settlements, it aims to use a place-making approach to explore the discursive, spatial, social, cultural and political construction of place in this context, in order to unsettle some of the assumptions underlying these marginalising discourses. Research was carried out using a qualitative, ethnographic methodology in two case study neighbourhoods in Xalapa, Mexico. Mexico offers fertile ground to explore these issues. Despite an extensive regularisation programme, around 50 per cent of urban dwellers live in colonias populares, neighbourhoods with informal characteristics. The research found that local discourses reveal complex and ambivalent views of colonias populares, which both reproduce and undermine binary categorisations relating to 'informality'. In particular, local policies construct colonias populares in certain ways which may perpetuate their marginalisation, but also reveal the complexities of power relations affecting neighbourhoods within the city. However, it is a focus on residents' own place-making activities that hints at prospects for rethinking urban informal settlements. By capturing these messy, dynamic and contextualised processes that construct urban informal settlements as places, the analytical lens of place-making offers a view of the multiple influences which frame them. Informed by perspectives from critical social geography which seek to unsettle binaries and capture the 'ordinary' nature of cities, this thesis suggests imagining urban informal settlements differently, in order to re-evaluate their potential contribution to the city as a whole.
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Yeh, Ting-Fun A. "Place-making in traditional China." Thesis, Massachusetts Institute of Technology, 1986. http://hdl.handle.net/1721.1/14989.

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Thesis (M.C.P.)--Massachusetts Institute of Technology, Dept. of Urban Studies and Planning, 1986.
MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH
Bibliography: leaves 166-171.
by Ting-Fun A. Yeh.
M.C.P.
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Moore, James C. "Making a place of gathering." Thesis, Virginia Polytechnic Institute and State University, 1995. http://hdl.handle.net/10919/53405.

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"Architecture exists because of man's desire to express meaning in the shaping of his environment, i.e., to express himself, his innate humanness in the making of built spaces that can accommodate the events of his life with ease and grace." David C.S. Polk makes this statement in his essay "The Expression of Meaning and the Necessity of Integration," and further expresses that one of the most fundamental of human desires is to feel at home in the world. Christian Norberg—Shultz illuminates this same desire when he uses the term "existential foothold" to define the need man has to feel connected with the environment, the need to feel a certain "groundedness" in existence. Man, therefore, makes to affirm his existence and to establish a world of meaning which will bring him closer to existing as part of the world, of being in harmony with other living things. A link is thus established between the things that exist among men, and man himself. How is one to find meaning in the built environment that will serve to offer a sense of "groundedness?" The two dimensions that provide meaning to any system, according to Husserl, are the formal, or syntactic dimension, and the transcendental, or semantic dimension. While the semantic dimension concerns itself with the historical, or symbolic aspect of each element of a system, the syntactic dimension is based on an internal system of rules which govern the order of the elements without regard to external significance. (1) This thesis concerns itself primarily with the syntactic dimension, and the qualities inherent in the material aspect of architecture. As Kenneth Frampton proposes in his essay, "Rappel A L'Order: The Case for the Tectonic" architecture can be deemed valuable in its own right as a structural and constructional form. Rafael Moneo states that "architecture arrives when our thoughts about it acquire the real condition that only materials can provide." Architecture is therefore inherently about form, the material aspect of a work and the dialogue that exists among physical elements. The idea of structure, the overall ordering principle that guides the design towards material reality, is the starting point. Prior to structure, however, is the idea that requires structuring, the idea that supplies what is to be ordered. Rudolf Arnheim calls this the "anabolic creation of a structural theme which establishes what the thing is about."(2) This is not to say that all aspects of a work of architecture must be rationally justified through the structural theme. What is provided is a framework through which the energy of material can be hamesses into the manifestation of a built work, one that can come into being as a "thing", ontological rather than representational. (3) Through the effort of carrying through an idea of something into a built manifestation of it tension develops. The idea may be as much influenced by the nature of the structural and constructive aspects of the work as it is in influencing such aspect. This dialogue can be found at many levels, including the site, in the tension of the structural idea and the nature of material, between various materials that come together to form a whole. The dialogue that results through any relational condition is a strong opportunity for architecture. When architectural elements come together, whether to support a load or delineate space, the physical manifestation that takes place offers an architectural opportunity. There is a governance of general rules pertaining to an internal order of the elements, principles the elements follow which will maintain a certain cohesiveness when being considered together as part of a whole. The rules are not so restrictive, however, that they completely relegate the formation of the parts to mere elements in complete service to the whole. To quote Herman Hertzberger, "While the elements may follow a set of rules governing the whole, it is important that there is a possibility for transformation, or growth in richness in the whole which is a result of the elements. It is in a dialogue between these two aspects, parts and whole, that growth occurs." (4) The richness that results from the interplay of parts and whole can provide meaning in the built environment. It is in being open to richness and diversity while being guided by a structural idea that architecture can emerge. 1. Alberto Perez—Gomez, Architecture and the Crisis of Modern Science, (The MIT Press, 1983) 2. Rudolf Arnheim, Entropy and Art, p. 49. 3. Kenneth Frampton, "Rappel A L'Ordre: A Case for the Tectonic." published in A & D 4. Herman Hertzberger, Lessons for Students in Architecture (Rotterdam, 1991), p. 249.
Master of Architecture
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Swanepoel, Simone. "Minimal means of making place." Master's thesis, University of Cape Town, 2016. http://hdl.handle.net/11427/22981.

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This dissertation introduced a minimal means approach to architectural interventions in the landscape of the Western Cape. Learning from land artists such as Robert Smithson and Robert Morris, an intervention is powerful when experienced in isolation. The intervention supercharges the landscape, enabling the participant to notice things they might have overlooked otherwise. Simultaneously, when there are too many interventions, the dialogue they have with their surrounding environment becomes diluted. It proposed the idea that architecture is a means with which people interact with their environment. People make place by using what the land has Io offer and curate a place in relation to the surrounding landscape. Looking at the way people lay claim to the land, and in particular make place with boundaries, lies at the heart of the research. The place-making theories of Martin Heidegger and Christian Norberg-Schulz were not negated, but rather reconsidered in the landscape of the Western Cape, outside of the metropole. This research focuses on Kleinmond, a small-scale fishing town along the Western Cape coastline, which originated with fishermen settling along a small indent in the coastline, where conditions invite fishing activities. It was suggested that the land could only be exploited to a certain extent that is determined by the constitution thereof. The manner in which the urban fabric in Kleinmond has developed over the years has deprived civilians of a dialogue with the ocean. The project sought to redefine this relationship by making place through physical and implied boundaries with minimal means of intervention. The existing rhythms present in this environment: the fishermen's daily routine, the rhythm of the tides, the seasonality of the wetland water as well as the coming and going of visitors, were informants to the approach to the site. It was sought to redefine Kleinmond as a place worth dwelling in by proposing a building that acts as an end towards the harbour, as well as an edge for the slipway while offering amenity to an under-utilised site.
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Atkinson, Stephen Dwight. "Making of place: the wall." Thesis, Virginia Polytechnic Institute and State University, 1991. http://hdl.handle.net/10919/53280.

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The thesis of this project focuses on the making of place in architecture. The erection of a wall is the initial act in the creation of a sense of place. Three walls separate the homogeneous world of the countryside to establish a zone for a winery complex.
Master of Architecture
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Crivellaro, Clara. "HCI and re-making place." Thesis, University of Newcastle upon Tyne, 2017. http://hdl.handle.net/10443/3761.

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In recent years, technology, design and computing have been increasingly considered in public, media, and academic discourses as playing a significant role in supporting people affecting change in the places and communities in which they live. Drawing from three case studies that developed in North Tyneside’s Tynemouth, Newcastle upon Tyne, and Oreth in South East London, this dissertation shows how cross-disciplinary methodological perspectives—combining ontological politics, discourse and public work philosophy—can be used to understand the role of technology in everyday political processes, and drive the design of processes and socio-technical tools to open up spaces of contestation and dialogue in the everyday politics of place. The argument put forward in this dissertation is that in order to produce spatial processes that are more just and democratic, we must attend to people’s mundane communicative exchanges as forms of political action both conceptually and in practice; we must also recognize the heterogeneous actors and power dynamics involved, as well as the interpersonal and political work that contribute to forging and shaping these spatial processes. Vernacular rhetoric—the conception of everyday communicative exchanges as political action—forms the basis of this thesis. It is first utilised to understand the appropriation of a Facebook page by a group of residents concerned with the development of a derelict swimming pool. The perspective is then used to drive the design of processes that employed digitally supported urban walks to involve city residents in political discussions and reenvisioning of places in and about the city. The third case study explores how such participatory processes might be used to support a group of residents concerned with ‘rebuilding’ their community and wishing to create a digital walking trail in and about their housing estate undergoing urban regeneration. Finally, learning from the three studies is synthesized in a discussion on the relationship between vernacular politics, technologies and issues of spatial justice, and the role that HCI research, designed tools and participatory processes can play in supporting spaces of contestation and dialogue and the development of capacities to formulate collective rights towards the re-making of the places that matter to us.
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Haren, Sam, and sam@theborderproject com. "Falling in Place: Place and its Imaginary in Making Performance." Flinders University. Humanities, 2008. http://catalogue.flinders.edu.au./local/adt/public/adt-SFU20090224.142202.

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This study began with a personal recognition of the importance of space in my creative process. As a theatre director, I need to see and feel the space for a work before I know how to direct or create the performance. Once I know what the space is — everything falls into place. This fascination with space in my creative process has triggered a larger investigation into the operations of place in the making of contemporary performance. The first part of the thesis embarks on a series of theoretical and creative journeys to learn more about place and how it is positioned within contemporary performance. It journeys through contemporary theory on place in the work of Gaston Bachelard, Edward S. Casey, Henri Lefebvre, Michel de Certeau and Marc Auge. These theorists think about place as a product of human dwelling and social production, and its conceived dimensions as psychic structures for a culture that embodies the fantasies, desires and visions of our places. The thesis traces my physical journey from Australia to the Wooster Group in New York City and Forced Entertainment in Sheffield where I observed and worked with two significant contemporary performance companies, each in their own place. The Wooster Group has maintained an ongoing ‘osmotic’ relationship with SoHo, absorbing the underground experimentations of performance makers in the 1960s, to the retail experimentations of Prada today in the now gentrified district. Similarly, Forced Entertainment has lived through a rejuvenation of Sheffield, which is examined in relation to a shift in the company’s aesthetic and style. I also encountered these companies and another, Societas Raffaello Sanzio, at festivals in Australia. Societas Raffaello Sanzio avoid endless repetition on tour with Tragedia Endogonidia — a project that creates a new work for each place it performs in — balancing the desires of the international performing arts market with a portable strategy towards place. The second part of the thesis returns to examine the imaginaries of Australia and Adelaide, the nation and city in which I work. It considers the impact of these imaginaries in a performance laboratory called The Rope Project, which explores Adelaide’s myth of ‘The Family’ and Alfred Hitchcock’s Rope. Lacan’s notion of the imaginary is used to examine the ‘national imaginary’ of Australia as place where people disappear, an imaginary maintained by representations that imbue the Australian landscape with a hostile agency. The thesis argues that the erasure implicit in the colonial concept of terra nullius has informed a national imaginary obsessed with disappearance. A dossier of The Rope Project reveals the myth of ‘The Family’ explored as a representation in the performance laboratory. ‘The Family’ is the result of two competing imaginaries connected to the city of Adelaide: its founding utopian imaginary, the ‘Athens of the South’, and its horror-inverse, ‘The World’s Murder Capital’. This mythology was generated as a conservative backlash to the social reforms of Premier Don Dunstan and maintains a perceived connection between homosexuality and deviance. The thesis offers in conclusion fresh insights into the use of the imaginary and lived aspects of place in the creation of new performance works.
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White, Melissa Ann. "Earthworks, the specifics of place-making." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ63565.pdf.

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Hsu, P. H. "3D information place : architecture for virtual place-making and information navigation." Thesis, University of Cambridge, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.604679.

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Performing activities together in online information environments is not unusual. It is functionally possible for shared information environments to become ‘virtual places’ in which social activities take place. Such environments, however, are traditionally designed based on the concept of digital documents accessed remotely from the outside, rather than on the concept of places. This thesis argues that shared information environments can be designed to allow multi-user navigation to take place inside the space, and suggests they should be designed as places, supporting and reflecting social interaction. A concept called 3D Information Place is proposed. A 3D information place is a 3D navigable virtual environment which provides a socio-spatial organisation of information. Its structures and formal attributes have an impact on users’ information-seeking activities, and they adapt to reflect patterns of such activities. Such a concept is based on the concept of place and the context of digital information environments, and leads to a theoretical framework consisting of four major elements: space, information, social factors and digital mediation. It is a fundamental hypothesis of this thesis that combining the four elements into a coherent system can lead to positive effects not only on users’ navigation experience and social interaction, but also on the performance of information environments for the purpose of information-seeking. In order to develop the four-element theoretical framework, this thesis investigates fields including architecture, information visualisation, virtual environments, and theories of hypothesis. The framework is developed in a few steps. Firstly, fundamental relations between information and space are investigated. Secondly, the concept of place is investigated and re-examined based on the context of 3D information environments, leading to the concept of 3D information place. Thirdly, principles of designing a 3D information place are developed based on an anatomical analysis of 3D virtual environments.
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Epstein, Jennifer R. "Philadelphia| People, Place, Memory| Place-Making and Connection through Historic Sites." Thesis, The George Washington University, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10277159.

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Place is shaped by history, culture, and memory. Each person who enters a place experiences it uniquely. The city is the embodiment of place. Contained within it are the memories and stories of people passed, “nothing is experienced by itself, but always in relation to its surroundings, the sequence of events leading up to it, the memory of past experiences”. The city is a combination of places strung together by individual experiences. But when the memories of these places are lost, so too is their power of place. A place that seems routine today may have been a place of passion a hundred years ago. People attempt to mark these places, but their significance is still lost on the everyday person, if only because the mark shows no power or passion.

In order to counter the effect (or lack of effect) of the current day historic site, one must reach into the past and bring it jarringly into the present consciousness. It is not enough to have a text or graphic panel explaining what significant historical event happened at some location, there needs to be experience attached to it. The historic marker often highlights more than just a location; it can mark an event or a person who has contributed greatly to the story of that place. Place making has been around for centuries, but it only seems to be creating places of the present. Historic markers in cities have become mundane street furniture, when they should be beacons and pathways to the past.

The design proposal for creating relevance and significance at historic places is not an easy one. By using a city that is already filled with historic sites, Philadelphia, the common historic marker can be revolutionized to create significant places and human connection. The case study of Philadelphia, with its deep and colorful history, creates a basis for implementation in myriad cities. This city is already filled with markers making note of important people and places of the past. These markers are mostly inconspicuous, blue and gold metal signs too high to read unless you are fifteen feet away. This proposal takes a handful of the significant places in Philadelphia and weaves them together to tell the story of life in the city throughout the 19th Century. These stories connect people of the present with the stories and people of the past in innovative ways.

The stories focus on three different aspects of history: Arts & Commerce, People & History, and Industry & Technology. The sites are located where significant buildings once stood, and use various layers of design to create a unique sense of place. Graphics, story, and experience unify the sites. The environmental interventions include kiosk structures, projections, paving, and signage, as well as lighting and aural solutions. The installations are created for the people who live and work in the city. This audience already has a connection with the place; the markers serve as a tool to strengthen this connection. They allow the city and its residents to “move into the future without abandoning the past”.

In order to keep up with current trends, a mobile application will be developed to accompany the physical interventions. The application serves as an additional layer of design by using video and augmented reality formats. The application is a database for all the markers and allows the user to chart their progress on their journey to the sites. It allows users to explore additional content related to the sites and interaction with their environment in a unique way.

This proposal creates a new way of experiencing historic sites within Philadelphia, but its implications are worldwide. The visitors to the sites become more aware of their surroundings and gain a stronger connection with their city’s history and the people of the past. It allows residents of the city to experience Philadelphia in ways that could not have been imagined before. By creating places for history to come alive and renewing memories long forgotten, the site interventions create spaces that link personal stories to the city, pushing its histories into the present, and perhaps finally answering the question, “Do people make place, or does place make people?”

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Books on the topic "Making-Place"

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Coles, Benjamin. Making Markets Making Place. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-72865-6.

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Matthews, M. H. Making sense of place. Lanham, Md: Barnes & Noble, 1992.

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John, Ruble, ed. Moore Ruble Yudell: Making place. Mulgrave, Victoria, Australia: Images Pub., 2004.

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Busse, Beatrix, and Ingo Warnke. Place-Making in urbanen Diskursen. Berlin: De Gruyter, 2014.

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Collins, Jock, Branka Krivokapic-Skoko, Kirrily Jordan, Hurriyet Babacan, and Narayan Gopalkrishnan. Cosmopolitan Place Making in Australia. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-8041-3.

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Making place, making self: Travel, subjectivity, and sexual difference. Aldershot Hants, England: Ashgate, 2005.

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Bey, Theresa M. Making school a place of peace. Thousand Oaks, Calif: Corwin Press, 1996.

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Bey, Theresa M. Making school a place of peace. Thousand Oaks, Calif: Corwin Press, 1995.

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Policy, Catholic Church United States Conference of Catholic Bishops Committee on Domestic. Making a place at the table. Washington, D.C: United States Conference of Catholic Bishops, 2003.

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MAKING THE CITY A BETTER PLACE. [S.l.]: XULON PRESS, 2014.

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Book chapters on the topic "Making-Place"

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Coles, Benjamin. "Assembling the Marketplace." In Making Markets Making Place, 139–53. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-72865-6_6.

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Coles, Benjamin. "Imagined Geographies of the Marketplace: Fashioned Materialities." In Making Markets Making Place, 47–76. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-72865-6_3.

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Coles, Benjamin. "Vibrancy, Conviviality and Buzz: Reproducing Market and Marketplace." In Making Markets Making Place, 105–38. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-72865-6_5.

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Coles, Benjamin. "From Tree to Cup: Coffee and Commodity Culture in Borough Market." In Making Markets Making Place, 77–103. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-72865-6_4.

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Coles, Benjamin. "Positioning Borough Market as Market and Marketplace." In Making Markets Making Place, 25–45. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-72865-6_2.

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Coles, Benjamin. "Topo/graphic Introductions: Places, Markets and Marketplaces." In Making Markets Making Place, 1–23. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-72865-6_1.

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Fathi, Mastoureh. "Classed Place-Making." In Intersectionality, Class and Migration, 81–96. New York: Palgrave Macmillan US, 2017. http://dx.doi.org/10.1057/978-1-137-52530-7_4.

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Friedmann, John. "Place and Place-Making in Cities." In Readings in Planning Theory, 503–23. Chichester, UK: John Wiley & Sons, Ltd, 2015. http://dx.doi.org/10.1002/9781119084679.ch25.

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Nicholson, Helen, Nadine Holdsworth, and Jane Milling. "Amateur Theatre, Place and Place-Making." In The Ecologies of Amateur Theatre, 109–55. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-137-50810-2_4.

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Eglinton, Kristen Ali. "Representin’ Place: Place-Making and Place-Based Identities." In Youth Identities, Localities, and Visual Material Culture, 63–84. Dordrecht: Springer Netherlands, 2012. http://dx.doi.org/10.1007/978-94-007-4857-6_4.

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Conference papers on the topic "Making-Place"

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Martinez, Christopher, Randy Kemp, David Birchfield, Ellen Campana, Todd Ingalls, and Gkisedtanamoogk. "Culturally sensible digital place-making." In the fourth international conference. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1709886.1709915.

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Kristoffersen, Steinar, and Fredrik Ljungberg. "“Making place” to make IT work." In the international ACM SIGGROUP conference. New York, New York, USA: ACM Press, 1999. http://dx.doi.org/10.1145/320297.320330.

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Hill, Rodrigo, and Tom Roa. "Place-making: Wānanga based photographic approaches." In LINK 2022. Tuwhera Open Access, 2022. http://dx.doi.org/10.24135/link2022.v3i1.188.

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Ka matakitaki iho au ki te riu o Waikato Ano nei hei kapo kau ake maaku Ki te kapu o taku ringa, The words above are from the poem Māori King Tawhiao wrote expressing his love for his homelands of the Waikato and the region known today as the King Country. The words translate to: “I look down on the valley of Waikato, As though to hold it in the hollow of my hand.” Now imagine a large-scale photograph depicting a close-up frame of cupped hands trying to hold something carefully. The words above inform Professor Tom Roa and Dr. Rodrigo Hill’s current research project titled Te Nehenehenui - The Ancient Enduring Beauty in the Great Forest of the King Country. With this project still in its early stages the research team will present past collaborations which they will show leads into new ideas and discussions about photography, wānanga, and place representation. They focus on Māori King Tawhiao’s finding refuge in Te Nehenehenui, later called the King Country in his honour. He led many of his Waikato people into this refuge as a result of the British Invasion and confiscation of their Waikato lands in the latter part of the nineteenth century. The love of and for those lands prompted him to compose his ‘maioha’ - this poem painting a word-picture of these spaces which their photography humbly aims to portray. The project advances the use of wānanga (forums and meetings through which knowledge is discussed and passed on) and other reflective practices, engaging with mana whenua and providing a thread which will guide the construction of the photographic images. The name Te Nehenhenui was conceptualised by Polynesian ancestors who travelled from Tahiti and were impressed with the beauty of the land and the vast verdant forests of the King Country territories in the North Island of Aotearoa New Zealand. The origins of the name and further relevant historical accounts have been introduced and discussed by Professor Tom Roa (Ngāti Apakura, Ngāti Hinewai), Shane Te Ruki (Ngāti Unu, Ngāti Kahu) and Doug Ruki (Ngāti Te Puta I Te Muri, Ngāti Te Kanawa, Ngāti Peehi) in the TVNZ Waka Huia documentary series. The documentary provides a compelling account of the origins of the name Te Nehenehenui, thus informing this project’s core ideas and objectives. The research fuses wānanga, that is Mātauranga Māori, and photographic research approaches in novel ways. It highlights the importance of local Waikato-Maniapoto cosmological narratives and Māori understandings of place in their intersecting with the Western discipline of photography. This practice-led research focuses on photography and offers innovative forms of critical analysis and academic argumentation by constructing, curating, and presenting the photographic work as a public gallery exhibition. For this edition of the LINK Conference, the research team will present early collaborations and current research developments exploring place-making and wānanga as both methodology and photography practice.
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"Making Change Work - Place Making in a World of Paradox." In 11th European Real Estate Society Conference: ERES Conference 2004. ERES, 2004. http://dx.doi.org/10.15396/eres2004_541.

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Ponto, Maria. "MAKING EDUCATION RELEVANT TO THE WORK PLACE." In International Technology, Education and Development Conference. IATED, 2016. http://dx.doi.org/10.21125/iceri.2016.0767.

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Arndt, Katherine, Emma Cole, Christopher Garcia, and Vibhavari Jani. "PLACE-MAKING FOR COLLABORATIVE, INFORMAL LEARNING ENVIRONMENTS." In International Technology, Education and Development Conference. IATED, 2016. http://dx.doi.org/10.21125/iceri.2016.2180.

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Djukanovic, Zoran. "PARTICIPATORY PUBLIC ART � A SUSTAINABLE PLACE-MAKING PRACTICE." In 14th SGEM GeoConference on NANO, BIO AND GREEN � TECHNOLOGIES FOR A SUSTAINABLE FUTURE. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgem2014/b62/s27.074.

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Willis, Katharine S. "Making a 'Place' for ICTs in Rural Communities." In C&T 2019: The 9th International Conference on Communities & Technologies - Transforming Communities. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3328320.3328401.

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Gobbo, Beatrice, and Andrea Benedetti. "Expressive digital place making as means of aggregation." In CHItaly '21: 14th Biannual Conference of the Italian SIGCHI Chapter. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3464385.3464731.

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Puspitasari, Cynthia, and Himasari Hanan. "People’s Movement in the Making of Pilgrimage Place." In ARTEPOLIS 8 - the 8th Biannual International Conference (ARTEPOLIS 2020). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.211126.021.

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Reports on the topic "Making-Place"

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Glaeser, Edward, and Joshua Gottlieb. The Economics of Place-Making Policies. Cambridge, MA: National Bureau of Economic Research, October 2008. http://dx.doi.org/10.3386/w14373.

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Sorensen, J. H. Planning Protective Action Decision-Making: Evacuate or Shelter-in-Place. Office of Scientific and Technical Information (OSTI), August 2002. http://dx.doi.org/10.2172/814651.

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Foster, Nancy, and Christine Mulhern. Making a Place for Curricular Transformation at the University of Technology Sydney. New York: Ithaka S+R, September 2015. http://dx.doi.org/10.18665/sr.241927.

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Skorczeski, Laura. Ethnic Place Making : Thirty Years of Brazilian Immigration to South Framingham, Massachusetts. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.6375.

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Morris, Randall. The Cully Park Inter-Tribal Gathering Garden: Place-making Through Indigenous Eco-cultural Reclamation. Portland State University Library, January 2000. http://dx.doi.org/10.15760/geogmaster.03.

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LeGower, Michael, and Randall Walsh. Promise Scholarship Programs as Place-Making Policy: Evidence from School Enrollment and Housing Prices. Cambridge, MA: National Bureau of Economic Research, April 2014. http://dx.doi.org/10.3386/w20056.

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Marotta, Stephen. Making Imaginaries: Identity, Value, and Place in the Maker Movement in Detroit and Portland. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.6876.

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Fan, Mingyuan. Making Water in Mongolia Available at the Right Time, at the Right Place, and in the Right Quality. Asian Development Bank, June 2020. http://dx.doi.org/10.22617/brf200184-2.

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Meadows, Michael. Thesis Review: The Role of SANZ, a Migrant Radio Programme, in Making Sense of Place for South African Migrants in New Zealand. Unitec ePress, November 2016. http://dx.doi.org/10.34074/thes.revw22016.

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This study is a detailed, qualitative exploration of the role played by a South African migrant radio programme, SANZ Live, in supporting its audience to create a sense of place in Auckland, New Zealand, through a range of on- and off-air activities. The thesis concludes that SANZ Live contributes to the creation of opportunities for South African migrants to find a sense of place through producing media content, participating in face-to-face communication through the off-air activities of SANZ Live, participating in SANZ Live social media and perpetuating aspects of South African culture through various programme-related activities. This multi-layered participation works to establish a new routine and a hybrid culture that enables South African migrants to establish new individual, group, and collective identities – becoming ‘South African Kiwis’ – in their new home of choice.In her exploration of this important topic, the author has used a wide range of relevant academic and industry sources to outline the role of Auckland community radio, and the station SANZ in particular, in creating a new hybrid sense of identity for the city’s South African community. It builds on earlier work elsewhere that has explored similar topics (Downing, 2001, 2003; Downing & Husband, 2005; Forde et al, 2009). But importantly, the study has revealed the critical role of being played by the radio programme in smoothing South African immigrants’ transition into New Zealand society – an important dimension of the settlement process.
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Meadows, Michael. Thesis Review: The Role of SANZ, a Migrant Radio Programme, in Making Sense of Place for South African Migrants in New Zealand. Unitec ePress, November 2016. http://dx.doi.org/10.34074/thes.revw3510.

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In this thesis, reviewed by Michael Meadows, the author details a ‘qualitative exploration of the role played by a South African migrant radio programme, SANZ Live, in supporting its audience to create a sense of place in Auckland, New Zealand, through a range of on- and off-air activities.
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