Relevant bibliographies by topics / Magic realism

Academic literature on the topic 'Magic realism'

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Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Magic realism"

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Adama, Roziah, and Asmiaty Amat. "ELEMEN REALISME MAGIS YANG TIDAK DAPAT DIJELASKAN (THE IRREDUCIBLE ELEMENT) DALAM KUMPULAN CERPEN LARON (2010) OLEH JASNI MATLANI." Jurnal Gendang Alam (GA) 8 (December 20, 2018): 113. http://dx.doi.org/10.51200/ga.v8i.1572.

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ABSTRAK Kajian ini bertujuan menganalisis ciri-ciri realisme magis yang terdapat dalam kumpulan cerpen Laron karya Jasni Matlani (2010) yang menghimpunkan 30 buah cerpen Jasni Matlani. Walau bagaimanapun, kajian ini hanya meneliti lima buah cerpen dalam kumpulan cerpen Laron, iaitu Di Bawah Pohon Angsana, Dua Helai Daun, Kisah di Sebuah Taman dan Perempuan Berbau Harum. Penelitian ciri irreducible element dalam gaya penulisan realisme magis mengikut aliran Wendy B. Faris, iaitu elemen yang tidak dapat dijelaskan menjadi tumpuan analisis kelima-lima cerpen tersebut. Mengikut Wendy B.Faris, Irreducible Element (Ordinary Enchantments Magical Realism and Remystifiction of Narratives) merujuk kepada sesuatu perkara yang tidak dapat dijelaskan mengikut hukum alam berdasarkan logik, pengetahuan biasa atau kepercayaan yang ada. Oleh itu, analisis terpaksa berfokus pada dua unsur utama iaitu objek magis yang merangkumi bunyi, benda dan tempat serta pemerian watak-watak dalam karya dengan melihat bagaimana watak-watak magis dibangunkan dalam ruang realiti. Hasil kajian membuktikan bahawa gaya penulisan Jasni Matlani memenuhi konsep elemen yang tidak dapat dijelaskan (the irreducible element) dan sesuai dikategorikan sebagai karya realisme magis. ABSTRACTThe purpose of this research is to analyze the characteristics of magic realism contained in Jastni Matlani’s short stories Laron (2010). In the works of magic realism, there widely exists unreasonable magical and strange elements, which are generally recognized as ‘Irreducible Elements’. Though the collection includes 30 short stories in total, this research will only focus on examining five stories, to be specific, that is short stories Laron, Di Bawah Pohon Angsana, Dua Helai Daun, Kisah di Sebuah Taman and Perempuan Berbau Harum. This study is focused on the ‘Irreducible Elements’ of magic realism as highlighted by Wendy B. Faris in Ordinary Enchantments Magical Realism and Demystification of Narratives. ‘Irreducible Element’ refers to the unexplainable things in terms of the natural law of logic, common knowledge or beliefs that exist. Hence, to analyze the selected stories that contain unexplained elements, this research will concentrate on two major elements. Firstly, the magical objects that include sounds, objects and places and secondly, the description of the characters in the work by looking at how magic characters are developed in the realm of reality. Ultimately, the findings of this research prove that Jasni Matlani’s short stories correspond to the concept of irreducible elements, therefore, can be categorized as works of magic realism.
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Botes, N., and N. Cochrane. "’n Ondersoek na die kunstenaarskap in Die swye van Mario Salviati binne die konteks van die magiese realisme." Literator 27, no. 3 (July 30, 2006): 27–50. http://dx.doi.org/10.4102/lit.v27i3.200.

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An investigation into the nature of the artist in The long silence of Mario Salviati within the context of magic realism This article investigates the nature of the artist in “The long silence of Mario Salviati” (2000) within the context of magic realism. This novel by Etienne van Heerden is particularly interesting as the theme of art is directly intertwined with magic realism. The specific relationship between artistry and magic realism in “The long silence of Mario Salviati” has not been the focus of any particular study yet. Several artists in the novel will be analysed within the context of magic realism and according to magic realist characteristics to give an integrated perspective on style and theme. This investigation largely conjoins with the viewpoints of Faris (1995), although perspectives from other theorists are also taken as a point of departure. Some important characteristics of magic realist texts which are discussed within the context of artistry in “The long silence of Mario Salviati” are inter alia the co-existence of two worlds, doubts from the reader concerning the interpretation of events as realist or magical, the questioning of conventional ideas about time, space and identity, the anti-bureaucratic viewpoint and the focus on collective rather than individual memory.
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Mat Hussain, Eizah, Siti Nur Anis Muhammad Apandi, and Nurhasyimah Saidin. "ASPEK REALISME MAGIS DALAM NOVEL CEBISAN MANTERA TERAKHIR." Jurnal Pengajian Melayu 33, no. 2 (October 29, 2022): 27–43. http://dx.doi.org/10.22452/jomas.vol33no2.2.

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Abstract Magical realism, which combines reality and fantasy, has become a trend in the world of literature, sparking a new way of thinking while producing a literary work. Studies on magical realism in literature are crucial as they could reflect the cultural and societal norms of the society featured. This article utilised the theory of magical realism by Faris (2004) to discuss the aspect of magical realism presented in the novel “Cebisan Mantera Terakhir” (2013) by Hasanuddin Md. Isa and published by the Malaysian Institute of Translation and Books (ITBM). The genre of the novel is classified as mystery or mysticism in the setting of a supernatural world where shamans practise “santau” (a type of black magic) in the Malay community. This qualitative study aims to identify and analyse the way the author depicts magical realism through content analysis of the text. Findings showed that the magic element in the form of “santau” was evident in the Malay community featured in the novel. The application of Faris‟s principles showed the clear connection between reality and the magical elements of “santau” which can be categorised into particular aspects of the text, such as objects, events, characters, beliefs and texts. Religion and beliefs are also inseparable from the Malay community, a factor portrayed as a connection between reality and the supernatural worlds. Keywords: magical realism, novel, Cebisan Mantera Terakhir, shaman, santau, black magic Abstrak Kemunculan aliran realisme magis dilihat melalui gabungan antara dua dunia, iaitu dunia nyata dan dunia fantasi yang membawa pemikiran baru dalam karya sastera. Penelitian terhadap realisme magis dalam suatu karya sastera sangat penting kerana pada dasarnya realisme magis merupakan satu cerminan atau refleksi yang nyata mengenai budaya dan sosial masyarakat. Kajian ini mengaplikasikan Teori Realisme Magis oleh Faris (2004) untuk memperlihatkan aspek realisme magis dalam novel Cebisan Mantera Terakhir (2013) karya Hasanudin Md Isa dan diterbitkan oleh Institut Terjemahan & Buku Malaysia Berhad (ITBM). Novel ini memaparkan genre misteri atau mistik yang menerapkan elemen dunia ghaib dan golongan pawang yang terlibat dalam kegiatan santau dalam masyarakat Melayu. Kajian ini bertujuan untuk mengenal pasti dan menganalisis aspek realisme magis dalam novel yang memperlihatkan bagaimana pengarang mengungkapkan elemen realisme magis dalam karya. Kajian ini dilakukan secara kualitatif dengan membuat analisis kandungan teks. Dapatan kajian ini jelas menggambarkan unsur magis yang dapat dikesan dalam amalan santau dengan berlatarkan masyarakat Melayu. Penggunaan prinsip-prinsip oleh Faris (2004) telah menonjolkan perhubungan yang jelas antara unsur realiti dan unsur magis dalam amalan santau itu dengan adanya pembahagian kepada kelompok-kelompok tertentu, iaitu objek, peristiwa, watak, kepercayaan, teks, dan sebagainya. Dalam masyarakat Melayu, konteks agama dan kepercayaan tidak dapat diasingkan dalam tradisinya yang turut dipaparkan sebagai satu perkaitan antara alam nyata dan alam ghaib. Kata Kunci: realisme magis, novel, Cebisan Mantera Terakhir, pawang, santau
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Aldama, Frederick Luis. "Structural Configuration of Magic Realism in the Works of Gabriel García Márquez, Leslie Marmon Silko, Charles Johnson, and Julie Dash." Journal of Narrative and Life History 5, no. 2 (January 1, 1995): 147–60. http://dx.doi.org/10.1075/jnlh.5.2.03str.

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Abstract This article raises the question of how contemporary multicultural authors and film directors build upon the magic-realist convention, with its specific narra-tive-discourse configurations (the way the story is told) to allow their audience access to foreign, often bizarre worlds. The first section of the analysis deals with understanding the precise structural configurations that make a text work as magic realism and explores variations that complicate the schemata. The second section relies on the first section's discussion of magic-realist codes to look closely at Julie Dash's film Daughters of the Dust , a text type that utilizes its visual and auditory tracks to work as magic realism. (Magic Realism; Visual and Literary Theory; Multicultural Images)
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Delbaere, Jeanne. "Magic Realism in Jack Hodgins’s Short Stories." Recherches anglaises et nord-américaines 20, no. 1 (1987): 41–49. http://dx.doi.org/10.3406/ranam.1987.1164.

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Magic realism in Jack Hodgins’s Short Stories. After tracing the development of magic realism and attempting to bring out its main features the author shows that Canadian magic realism combines elements of the two main orientations found elsewhere - fabulation and the marvellous - with a strong visual element borrowed from the school of painting of the same name. She then proceeds to analyse the magic realist elements in Jack Hodgins and more particularly in three of his stories, «Separating », «Spit Delaney’s Island », and «The Plague Children ».
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Azizmohammad, Fatemeh, and Atieh Rafati. "A Comparative Study of Isabel Allende “Ines of My Soul” and Gabriel Garcia Marquez “Love in the Time of Cholera” from the View Point of Features of Magic Realism." English Language and Literature Studies 8, no. 1 (February 8, 2018): 57. http://dx.doi.org/10.5539/ells.v8n1p57.

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This tentative study suggests Isabel Allende “Ines of my soul” and Gabriel Garcia Marquez “Love in the Time of Cholera” from magic realism point of view. Magic Realism is a Latin American literary movement which attempts to depict the reality in human’s mind. This literary movement is originated in the Latin American’s fiction in the middle of twentieth century. Isabel Allende, who is famous because in the most of her novels the magic realism is used, depicts the life of Ines Suarez, without whom the settlement of Chile could not be achieved, in the historical novel “Ines of my soul”.The father of magic realist writers, Gabriel Garcia Marquez in “Love in the time of cholera”, depicts the inside and outside worlds of man in this world, with the using of magic realism, he wants to show these opposites clearly.In this study, firstly, a model of analysis will be assumed by the features of magic realism. Next, Allende’s and Marquez’s novels will be read and analyzed within the magic realism pattern, the magic realism’s features will be traced in the novel. Finally, possible implications of both the model and the findings of the research for literary criticism and teaching novels of this kind will be discussed.
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Yudono, Kristophorus Divinanto Adi, Godang Lamtiur Sitanggang, and Nugroho Widiyanto. "Realisme Magis dalam Naskah Drama Kejahatan Membalas Dendam Karya Idrus Tahun 1948." Indonesian Journal of Performing Arts Education 3, no. 1 (June 22, 2023): 8–14. http://dx.doi.org/10.24821/ijopaed.v3i1.8602.

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AbstrakRealisme magis merupakan karya sastra yang mengaburkan batas antara nalar dan luar nalar. Aliran ini tidak terlepas dari masyarakat Indonesia dengan masing-masing kepercayaan berkaitan magis/mistis yang merupakan unsur kebudayaan. Kajian ini dilakukan untuk menganalisis dan mendeskripsikan unsur realisme magis yang terdapat pada naskah drama Kejahatan Membalas Dendam karya Idrus. Analisis realisme magis pada naskah drama dilakukan berdasarkan penanda realisme magis yang dipetakan oleh Wendy Bush Faris. Pendekatan kajian ini adalah kualitatif deskriptif. Teknik dokumentasi literatur dilakukan sebagai metode pengumpulan data. Analisis dilakukan dengan simak catat, dengan cara membaca naskah drama dan mengklasifikasi naskah berdasarkan ciri realisme magis. Naskah Kejahatan Membalas Dendam karya Idrus memuat lima penanda realisme magis, yakni irreducible element, phenomenal world, unsettling doubt, merging realms, dan disruption identity. Penanda realisme magis ini tampak melalui dialog dan petunjuk lakuan atau tindakan tokoh. Berdasarkan hal tersebut, naskah Kejahatan Membalas Dendam karya Idrus tergolong naskah drama dengan unsur realisme magis. AbstractMagical realism is a literary work that blurs the boundaries between reason and beyond reason. This flow is inseparable from Indonesian society with their respective beliefs related to magic/mystics, which are elements of culture. This study was conducted to analyze and describe the elements of magical realism found in Idrus's drama Crimes of Revenge. The analysis of magical realism in the drama script is based on the markers of magical realism mapped by Wendy Bush Faris. The approach of this study is descriptive qualitative. The literature documentation technique is used as a data collection method. The analysis was carried out by observing notes, by reading the drama scripts and classifying the scripts based on the characteristics of magical realism. Idrus's manuscript of Evil Membas Revenge contains five magical realism markers: irreducible element, phenomenal world, unsettling doubt, merging realms, and identity disruption. This marker of magical realism can be seen through the dialogue and instructions for the behavior or actions of the characters. Based on this, the script for Crimes of Revenge by Idrus is classified as a drama script with elements of magical realism.
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Andalas, Maharani Intan. "NARASI REALISME MAGIS DALAM PUISI “GONG” KARYA NIRWAN DEWANTO." GENTA BAHTERA: Jurnal Ilmiah Kebahasaan dan Kesastraan 3, no. 2 (December 1, 2017): 147–59. http://dx.doi.org/10.47269/gb.v3i2.12.

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AbstrakPengaruh kesusastraan global berupa realisme magis ditemukan dalam sastra Indonesia, baik dalam prosa maupun puisi. Salah satu indikasi karya realisme magis adalah dihadirkannya mitos dalam konteks masa kini. Masalah yang dibahas dalam penelitian ini adalah bagaimana yang magis dan yang nyata dinarasikan berdasarkan elemen-elemen yang menjadi karakteristik realisme magis dalam puisi “Gong” serta hubungan antarelemen dan kadar realisme magis di dalamnya. Penelitian ini menggunakan teori naratif realisme magis Wendy B. Faris. Metode penelitian didasarkan pada teori berupa penentuan data dan pengumpulan data yang meliputi klasifikasi data menjadi dua kategori utama, yaitu data magis dan data riil. Dalam hasil dan pembahasan, dibuktikan bahwa puisi “Gong” mengandung narasi realisme magis atas mitos Calon Arang melalui lima karakteristik realisme magis yang terdapat di dalamnya. Selain itu, terdapat hubungan relasional di antara elemen yang menjadi karakteristik tersebut. Kadar realisme magis dilihat dari tokoh dan peristiwa dapat dikatakan cukup kuat. Puisi ini menggarisbawahi isu perempuan dan akhir patriaki. Isu tersebut berkait dengan konteks posmodernisme. Penggunaan mitos dalam puisi memperlihatkan cara pandang posmodernisme yang tidak terlepas dari Jakarta sebagai konteks sosial penyair. Kata kunci: mitos, narasi, realisme, magis, karakteristik AbstractThe impact of global literature of magical realism is found in Indonesia literature in both prose and poetry. One indication of the work of magical realism is the representation of myth in the contemporary context. The problem discussed in this research are the narration of the magic and the real in Gong poem and the connection between elements, also the level of magical realism in it. This research used narrative theory of magical realism by Wendy B Faris. This research method was based on magical realism theory in the form of data determination and data collection which included the classification into two categories namely magical data and real data. In result and discussion proved that Gong poem contained a narrative of magical realism upon Calon Arang myth through five characteristic of magical realism in it beside the relation among the elements. Magical realism level seen from character and events was strong enough. This poem underlines the issues of women and the end of patriarchy. The issues are related with postmodernism context. The myths in poem shows postmodernism point of view that can’t be separate from Jakarta as social context. Keywords: myth, narrative, magical, realism, characteristic
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Mahesh Chandra Tiwari. "Magic Realism in the Works of Isabel Allende and Gabriel García and Laura Esquivel." Creative Launcher 6, no. 5 (December 30, 2021): 30–37. http://dx.doi.org/10.53032/tcl.2021.6.5.04.

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To begin, this article provides a short overview of Magic Realism. The meaning of the term the origins and development of Magical Realist literature, as well as "Magic Realism," must be explored next. Three famous authors will be discussed: Garcia Marquez, Isabelle Allende, and Laura Esquivel, as well as female writers Isabelle Allende and Laura Esquivel. In addition, a number of outstanding works by well-known authors connected with the literary movement Magical Realism are critically analysed. A Very Old Man with Enormous Wings, Like Water for Chocolate and The House of the Spirits are among the notable literary works to be studied in terms of their Magical Realist aspects.
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Sharma, Khum Prasad. "Magic Realism as Rewriting Postcolonial Identity: A Study of Rushdie’s Midnight’s Children." SCHOLARS: Journal of Arts & Humanities 3, no. 1 (March 1, 2021): 74–82. http://dx.doi.org/10.3126/sjah.v3i1.35376.

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Magic realism as a literary narrative mode has been used by different critics and writers in their fictional works. The majority of the magic realist narrative is set in a postcolonial context and written from the perspective of the politically oppressed group. Magic realism, by giving the marginalized and the oppressed a voice, allows them to tell their own story, to reinterpret the established version of history written from the dominant perspective and to create their own version of history. This innovative narrative mode in its opposition of the notion of absolute history emphasizes the possibility of simultaneous existence of many truths at the same time. In this paper, the researcher, in efforts to unfold conditions culturally marginalized, explores the relevance of alternative sense of reality to reinterpret the official version of colonial history in Salman Rushdie’s Midnight’s Children from the perspective of magic realism. As a methodological approach to respond to the fiction text, magic realism endows reinterpretation and reconsideration of the official colonial history in reaffirmation of identity of the culturally marginalized people with diverse voices.
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Dissertations / Theses on the topic "Magic realism"

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Spence, Leah Mogford. "Magic words : a reconceptualization of magic realism /." Thesis, Connect to this title online; UW restricted, 1997. http://hdl.handle.net/1773/9423.

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Maufort, Jessica. "Ecological Magic Realism and Magic Realist Ecopoetics: Storying Place in Postcolonial Canadian and Australasian Novels." Doctoral thesis, Universite Libre de Bruxelles, 2018. https://dipot.ulb.ac.be/dspace/bitstream/2013/276457/5/Contrat.pdf.

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This comparative reading of contemporary Australasian and Canadian fiction privileges a reciprocal interaction between ecocriticism and magic realism within the field of postcolonial studies. My research shows that few works examine magic realism as a distinct aesthetic mode, while many ecocritical and postcolonial studies favour colonialist and pessimistic perspectives. Seeking to balance thematic and aesthetic concerns, my concepts of ecological magic realism and magic realist ecopoetics re-evaluate this still often misunderstood mode: its techniques in postcolonial narratives not only transcribe the cultural plight of the postcolonial subject, but also translate the missing ecological link between the environment and human beings. Informed by ecopoetic reflections on figurative language, Delbaere-Garant’s notion of mythic realism, and material ecocriticism, my concepts take the narrative and physical agency – or poiesis – of the non-human world as their focal point. Recognizing the dialogical web of human and non-human energies raises the issues of eco-imperialism as well as those of environmental and social justice. My thesis discusses two main configurations of ecological magic realism common to Anglo-Celtic and Indigenous texts within my corpus: synergy and crisis. These shifting interspecies relations are explored through the contexts of eco-spiritualities, scientific approaches to Nature, Nature writing, gothic-like metamorphoses, eco-apocalypse, and the Anthropocene. Rejecting dualistic worldviews, magic realism in these collaborative or competitive humans/Nature interactions remains ambivalent: on the one hand, it re-enacts human beings’ failed embeddedness in their non-human surroundings; on the other, it also re-opens the possibility of a mutually-enriching symbiosis.
Doctorat en Langues, lettres et traductologie
info:eu-repo/semantics/nonPublished
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Viñao, Alejandro. "Magic realism in music : four electroacoustic compositions." Thesis, City University London, 1987. http://openaccess.city.ac.uk/8344/.

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The subject of this thesis is not the text contained in this book, but the four electroacoustic compositions presented: Go, Hendrix Haze, Triple Concerto and Toccata del Mago. The purpose of this writing is to put forward a context in which these four compositions may be assessed. In chapter 1, I choose to present my work taking a lateral approach. Rather than discuss my background as a composer and the reasons or 'necessity' for using the electroacoustic medium to express my musical thinking, I have instead introduced a new idea to provide a wider context: Magic Realism in music. I have developed the notion that there is a musical equivalent to Magic Realism in literature, and that my work, as well as the work of other Latin American composers, may be seen in this light. Also in this chapter, I put forward the idea that the electroacoustic medium may be the natural environment or 'habitat', as it were, for the Magic Realist composer to develop. Chapters 2 to 5 present a specific framework, that is, the aesthetic point of VIew and the technical means involved in the creation of each piece. In these chapters, the compositional process is presented, from the first, often abstract ideas that trigger the imagination of a composer, to the decision taken during the final production stage in the studio. It is hoped that this specific framework will convey the necessary Information required for a preliminary assessment of the music presented, in terms of the composer's aims and the results obtained. Yet, a piece of music can be a far more complex and richer phenomenon than the composer's aims and intentions, and it must be ultimately assessed in its own terms.
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Sanchez, Maria Ruth Noriega. "Magic realism in contemporary American women's fiction." Thesis, University of Sheffield, 2001. http://etheses.whiterose.ac.uk/3502/.

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The aim of the study is to illustrate the importance of magic realism in American women's fiction in the late twentieth century. The term magic realism, which has traditionally been associated with Latin American men's writing, has been known by different, and often contradictory, definitions. It may be argued that, properly defined, it can be a valid term to describe a number of characteristics common to a corpus of work, and can be considered as an aesthetic category different from others such as Surrealism or Fantastic literature, with which it has often been compared. Furthermore, magic realism has viability as a contemporary international mode and is particularly suitable to women writers from minority ethnic groups. The present study intends to draw relevant comparative analyses of uses of magic realism that show various formal and thematic interactions between separate literary traditions. The introduction offers an overview of the different conceptions and applications of the term since its origins within the area of painting, and suggests a working definition that can be effective for intensive textual analysis of several novels. In order to offer a new approach which can enable us to move away the paradigm of magic realism from Latin America towards a more multicultural framework, the focus will be on three geographical-cultural areas: African American, Native American and Chicano/Mexican writing. The implementation of magic realist strategies in African American writing will be examined in Toni Morrison's Song of Solomon (1977) and Gloria Naylor's Mama Day (1988), with a particular emphasis on the significance of African mythical background and the experience of dispossession and transference of culture. Magic realist elements in the novels Tracks (1988) by Louise Erdrich and Ceremony (1977) by Leslie Marmon Silko will be studied in the context of Native American oral tradition and cosmologies. The practice of magic realism on both sides of the U. S. - Mexico border will be explored in the novels So Far from God (1993), by the Chicana Ana Castillo, and Like Water for Chocolate (1989), by the Mexican Laura Esquivel. A description of the borderland culture in the American Southwest, as well as comparisons between North and Latin American uses of magic realism will be provided. Finally, some connections amongst the discussed literary traditions and further lines of research will be suggested.
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Audet, Josée Lyne. "Canadian magic : a study of myths in English-Canadian and Québec magic realism." Mémoire, Université de Sherbrooke, 1993. http://hdl.handle.net/11143/10059.

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Résumé: Le "magic realism" existe depuis plusieurs années, mais les critiques littéraires semblent l'avoir ignoré. Seulement quelques personnes, surtout dans l'ouest canadien, semblent croire qu'il a une valeur. Même si ce genre littéraire est présent dans la littérature québécoise le seul terme français connu pour le qualifier est la traduction "réalisme magique" qui ne rend pas le sens exact du genre. Le style est plus reconnu au Canada anglais, mais a rarement été étudié. Geoff Hancock est probablement celui qui a fait le plus dans ce domaine; il a publié plusieurs articles, une collection de nouvelles et a participé à la conférence sur le réalisme magique à l'Université de Waterloo en 1985. C'est probablement à cause de sa "magie" que le réalisme magique a de la difficulté à se faire prendre au sérieux dans le monde littéraire. S'il est vrai que le message que transmet un mélange de réalisme et de magie peut sembler superficiel, il n'en reste pas moins qu'à plusieurs égards il reflète une plus grande réalité que le simple réalisme. Parce que le réalisme magique utilise les mythes et légendes d'une société, il en exprime la réalité dans toutes ses dimensions. La première question à se poser est: Qu'est-ce que le réalisme magique? Dans son livre Magic Realism, Geoff Hancock définit le réalisme magique comme étant le mélange d'éléments fantastiques à la vie de tous les jours. Ceci en est la définition la plus simple, mais le réalisme magique est beaucoup plus complexe que ça. Certains disent que le réalisme magique est plus réel que le réalisme parce qu'il examine un imaginaire qui fait intégralement partie de la réalité d'un peuple. […]||Abstract: Magic realism has existed for years, but for some reason scholars have, to a certain extent, ignored it. Only a few people seem to think it is worthy of study. One proof of this is that, although the style exists in Québec literature, there is no equivalent to the expression "magic realism" in French. Novels written in the style in Québec have been studied from every angle except this one, as if scholars in Québec do not know the style even exists, or they do not want to recognise it. They most often refer to the magical elements of these novels as the characters' imagination at play and give them a meaning according to that role. In English-Canadian literature the style is recognised but has rarely been studied. Only a few people, mostly in Western Canada, seem to be interested in the matter. Geoff Hancock is probably the one who did the most in this field; he has published several articles, a collection of short stories, and participated in the conference on magic realism at the University of Waterloo in 1985.[...]
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Adams, Jennifer. "Magic Realism in Holocaust Literature : Troping the Traumatic Real." Thesis, University of Sheffield, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.521912.

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Moolla, F. Fiona. "Garciá Márquez, magic realism and language as material practice." Master's thesis, University of Cape Town, 1994. http://hdl.handle.net/11427/18262.

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In this essay I examine the political implications of the shifts in definition of the term, "magic realism". Magic realism as it was originally employed in the Latin-American context signified a concept different to what it is currently held to suggest in metropolitan literary discourse. Magic realism in the first world has come to be regarded as a third world reflection of its own cultural dominant, postmodernism, without an acknowledgement of the alternative material realities which inform it. I investigate these ideas through an analysis of the work of two novelists, namely, the Colombian, Gabriel Garcia Marquez, and the American, John Barth. In a well-known essay titled "The Literature of Replenishment", Barth names Garcia Marquez as the foremost postmodern writer. This is deceptive, I argue, since although in the essay Barth presents postmodernist fiction as a political advance on the earlier styles of realism and modernism, his own fictional practice contradicts his claim. While in the essay Barth presents postmodernism as politically significant by virtue of its "democratic impulse", his novel, Chimera, seeks to avoid the political through a flawed understanding of textuality. Garcia Marquez's One Hundred Years of Solitude stands in stark contrast with Chimera since it underscores the political consideration central to discourse through stressing the text's material, historical context. This distinction between the two novels is brought to light particularly through the incremental differences in their use of the techniques of "narrative circularity" and repetition. I argue, furthermore, that Garcia Marquez's emphasis on language as a material practice is, at least in part, owing to the specifics of the style of magic realism. While postmodernist fiction, one of the cultural effects of an advanced capitalism, may slide ineluctably into notions of pure textuality, magic realism, constituted as it is at the interface of pre-capitalist and capitalist modes of production, compels an acknowledgement of the material world.
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Rave, Maria Eugenia B. "Magical Realism and Latin America." Fogler Library, University of Maine, 2003. http://www.library.umaine.edu/theses/pdf/RaveMEB2003.pdf.

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Chan, Siu-wai Sylvia, and 陳小惠. "Carnivalesque adventures in Kiss of the spider woman and Nights at thecircus." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B29789151.

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邱偉平 and Wai-ping Yau. "Magic realism and `root-searching' in the works of Mo Yan, Zhaxi Dawa and Han Shaogong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B31213844.

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Books on the topic "Magic realism"

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Zlotchew, Clark M. Varieties of magic realism. [Fair Haven], NJ: Academic Press ENE, 2006.

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Adams, Jenni. Magic Realism in Holocaust Literature. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230307353.

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Flores, Juan Carlos. Magic and realism: Central American contemporary art = Magia y realismo : arte contemporáneo centroamericano. [Tegucigalpa]: Galeria Trio's, 1992.

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Angulo, María-Elena. Magic realism: Social context and discourse. New York: Garland Pub, 1995.

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1926-, Vickrey Robert, ed. Robert Vickrey: The magic of realism. New York: Hudson Hills Press, 2009.

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Gee, Felicity. Magic Realism, World Cinema, and the Avant-Garde. Abingdon, Oxon; New York: Routledge, 2021. | Series: Remapping world cinema; 5: Routledge, 2021. http://dx.doi.org/10.4324/9781315312811.

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Erdman, Matthijs, and Emily Ansenk. Schilders van een andere werkelijkheid in de collectie van het Scheringa Museum voor Realisme. Spanbroek: Scheringa Museum voor Realisme, 2006.

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Durix, Jean-Pierre. Mimesis, genres, and post-colonial discourse: Deconstructing magic realism. New York, N.Y: St. Martin's Press, 1998.

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Sánchez, María Ruth Noriega. Challenging realities: Magic realism in contemporary American women's fiction. València: Universitat de València, 2002.

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Morris Museum of Art (Augusta, Ga.)., ed. Heirs of magic realism: Representation in current Dutch art. Augusta, Ga: Morris Museum of Art, 1999.

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Book chapters on the topic "Magic realism"

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Gee, Felicity. "Magic realism." In Magic Realism, World Cinema, and the Avant-Garde, 126–48. Abingdon, Oxon; New York: Routledge, 2021. | Series: Remapping world cinema; 5: Routledge, 2021. http://dx.doi.org/10.4324/9781315312811-5.

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Punter, David. "Angela Carter’s Magic Realism." In The Contemporary British Novel Since 1980, 48–58. New York: Palgrave Macmillan US, 2005. http://dx.doi.org/10.1007/978-1-349-73717-8_5.

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de la Campa, Román. "Latinos and Magic Realism." In Moments of Magical Realism in US Ethnic Literatures, 259–68. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137329240_13.

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Durix, Jean-Pierre. "From Fantasy to Magic Realism." In Mimesis, Genres and Post-Colonial Discourse, 79–148. London: Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1057/9780230377165_4.

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Giesekam, Greg. "Magic to Realism: European Pioneers." In Staging the Screen, 27–50. London: Macmillan Education UK, 2007. http://dx.doi.org/10.1007/978-1-137-09099-7_2.

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Landau, Neil. "Dystopias, Multiverses and Magic Realism." In TV Writing on Demand, 71–88. New York : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315202150-4.

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Gee, Felicity. "Ethno-magic-realist documentary." In Magic Realism, World Cinema, and the Avant-Garde, 60–90. Abingdon, Oxon; New York: Routledge, 2021. | Series: Remapping world cinema; 5: Routledge, 2021. http://dx.doi.org/10.4324/9781315312811-3.

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Adams, Jenni. "Introduction." In Magic Realism in Holocaust Literature, 1–20. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230307353_1.

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Adams, Jenni. "The Dream of the End of the World: Magic Realism and Holocaust History in Jonathan Safran Foer’s Everything Is Illuminated." In Magic Realism in Holocaust Literature, 21–49. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230307353_2.

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Adams, Jenni. "Magic Realism and Dialogic Postmemory: David Grossman’s See Under: Love." In Magic Realism in Holocaust Literature, 50–81. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230307353_3.

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Conference papers on the topic "Magic realism"

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Xuemin, Heng. "Aboriginality Construction of the Magic Realism in Mo Yan’s Novels." In Proceedings of the 5th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icelaic-18.2018.90.

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Salam, Aprinus. "The Postcolonial Subject Vis A Vis Magic Realism. Some Cases From Indonesian Novels And Its Pedagogical Contribution To The Teaching Of Literature." In Proceedings of the International Conference on Science, Technology, Education, Arts, Culture and Humanity - "Interdisciplinary Challenges for Humanity Education in Digital Era" (STEACH 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/steach-18.2019.24.

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Fiala, Mark, and Gerhard Roth. "Magic lens augmented reality." In SIGGRAPH07: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2007. http://dx.doi.org/10.1145/1280720.1280885.

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Lempitsky, Victor, Alexander Vakhitov, and Andrew Starostin. "CarpetVR: The Magic Carpet Meets the Magic Mirror." In 2018 IEEE Conference on Virtual Reality and 3D User Interfaces (VR). IEEE, 2018. http://dx.doi.org/10.1109/vr.2018.8446576.

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Fracaro, Franklin Luiz Do Nascimento, Fabiana Frata Furlan Peres, and Claudio Roberto Marquetto Mauricio. "Montando o Project North Star: Um Dispositivo de Visualização de Baixo Custo Baseado em Visão Óptica Direta." In XXI Symposium on Virtual and Augmented Reality. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/svr_estendido.2019.8459.

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Uma das maiores dificuldades para o estudo da realidade aumentada utilizando a abordagem visão direta é o alto custo dos dispositivos disponíveis comercialmente como o HoloLens da Microsoft ou o Magic Leap One da Magic Leap. Através da união do sensor Leap Motion, impressão 3D, hardware e software de código aberto, a startup desenvolvedora do Leap Motion disponibilizou para o público uma soluçãode um visualizador montado na cabeça que utiliza a visão óptica direta chamado Project North Star. Este artigo tem como objetivo demonstrar o processo de montagem de uma versão deste dispositivo de baixo custo e como ele pode tornar-se uma ferramenta poderosa para o estudo da realidade aumentada.
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Dewitz, Bastian, Sukran Karaosmanoglu, Robert W. Lindeman, and Frank Steinicke. "Magic, Superpowers, or Empowerment? A Conceptual Framework for Magic Interaction Techniques." In 2023 IEEE Conference on Virtual Reality and 3D User Interfaces Abstracts and Workshops (VRW). IEEE, 2023. http://dx.doi.org/10.1109/vrw58643.2023.00246.

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Fiorentino, Michele, Rafael Radkowski, Antonio Boccaccio, and Antonio Emmanuele Uva. "Magic Mirror Interface for Augmented Reality Maintenance." In AVI '16: International Working Conference on Advanced Visual Interfaces. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2909132.2909268.

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Flowers, Adrian, Arthur Wollocko, Caroline Kingsley, Elizabeth Thiry, and Michael Jenkins. "Degradation in dynamic visual perception with waveguide-based augmented reality displays." In AHFE 2023 Hawaii Edition. AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1004453.

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We investigated the degradation in visual perception that can occur using augmented reality displays to interact with and interpret real-world reading and spatial response tasks.Background: Stereoscopic augmented reality displays can degrade a user’s visual perception. To distinguish the components of this degradation that result from hardware and software differences, an analysis of this visual degradation for contemporary augmented reality displays is necessary.Method: Participants performed real-world (i.e., not projected in augmented reality) eyechart tests of visual acuity and contrast sensitivity to characterize the degradation of static visual perception caused by each headset in the study (Microsoft HoloLens, Magic Leap One, and DAQRI Smart Glasses), and took a measure of useful field of view to characterize any potential degradation in spatial awareness.Results: From our analysis of user performance, we observed that unlike the headsets previously used for this type of characterization, the majority of contemporary augmented reality displays do not significantly degrade visual perception. However, we did observe slight decreases in visual performance introduced by the Magic Leap One.Conclusions: We defined a methodology to employ real-world measures of visual perception to rapidly characterize degradation of visual perception in augmented reality.Applications: This analysis can inform headset selection and visual stimulus design strategies based on operational requirements and inform future headset development efforts.
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Fiala, Mark. "Magic Mirror System with Hand-held and Wearable Augmentations." In 2007 IEEE Virtual Reality Conference. IEEE, 2007. http://dx.doi.org/10.1109/vr.2007.352493.

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Blum, Tobias, Valerie Kleeberger, Christoph Bichlmeier, and Nassir Navab. "mirracle: An augmented reality magic mirror system for anatomy education." In 2012 IEEE Virtual Reality (VR). IEEE, 2012. http://dx.doi.org/10.1109/vr.2012.6180909.

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Reports on the topic "Magic realism"

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Donoso, José. Houses, Voices and Language in Latin America. Inter-American Development Bank, March 1993. http://dx.doi.org/10.18235/0007906.

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