Relevant bibliographies by topics / Maggiore, Lago, in literature

Academic literature on the topic 'Maggiore, Lago, in literature'

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Published: 26 July 2024

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Journal articles on the topic "Maggiore, Lago, in literature"

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Steinecke, Hilke. "Frank Erdnüss: Blütenpracht am Lago Maggiore." Der Palmengarten 74, no. 2 (June 14, 2018): 160. http://dx.doi.org/10.21248/palmengarten.416.

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Kotzias, Dimitrios, and Elke Anklam. "Gemeinsam für Europa am Lago Maggiore." Nachrichten aus der Chemie 55, no. 10 (October 2007): 991–94. http://dx.doi.org/10.1002/nadc.200748084.

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Erdnüß, Frank. "Exoten am Lago Maggiore. Die Exkursion." Biologie in unserer Zeit 41, no. 1 (February 2011): 61–68. http://dx.doi.org/10.1002/biuz.201110443.

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Falla, Nicole Mélanie, Sonia Demasi, Matteo Caser, and Valentina Scariot. "Phytochemical Profile and Antioxidant Properties of Italian Green Tea, a New High Quality Niche Product." Horticulturae 7, no. 5 (April 27, 2021): 91. http://dx.doi.org/10.3390/horticulturae7050091.

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The hot beverage commonly known as tea results from the infusion of dried leaves of the plant Camellia sinensis (L.) O. Kuntze. Ranking second only to water for its consumption worldwide, it has always been appreciated since antiquity for its aroma, taste characteristics, and beneficial effects on human health. There are many different processed tea types, including green tea, a non-fermented tea which, due to oxidation prevention maintains the structure of the bioactive compounds, especially polyphenols; these bioactive compounds show a number of benefits for the human health. The main producers of tea are China and India, followed by Kenya, Sri Lanka, Turkey, and Vietnam, however recently new countries are entering the market, with quality niche productions, among which also Italy. The present research aimed to assess the bioactive compounds (polyphenols) and the antioxidant activity of two green teas (the “Camellia d’Oro” tea—TCO, and the “Compagnia del Lago” tea—TCL) produced in Italy, in the Lake Maggiore district, where nurserymen have recently started to cultivate C. sinensis. In this area the cultivation of acidophilic plants as ornamentals has been known since around 1820. Due to the crisis of the floricultural sector, producers have been trying to diversify their product in order to increase their competitiveness, starting to cultivate Italian tea. Their antioxidant activity was assessed, finding a similar or higher antioxidant capacity than in other green teas, as reported in literature. TCO showed a higher antioxidant activity (42,758.86 mmol Fe2+ kg−1; 532.37 µmol TE g−1 DW; 881.08 µmol TE g−1 DW) and phenolic content (14,918.91 mg GAE 100 g−1 DW) than TCL (25,796.61 mmol Fe2+ kg−1; 302.35 µmol TE g−1 DW; 623.44 µmol TE g−1 DW; 8540.42 mg GAE 100 g−1 DW). Through HPLC, a total of thirteen phenolic compounds were identified quantitatively, including catechins, benzoic acids, cinnamic acids, and flavonols, in TCO while only 9 in TCL, and mainly in lower amounts. Albeit with differences, both teas were found to be of quality proving that Italy could have the possibility to grow profitably C. sinensis.
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Stucki, Peter, Moritz Bandhauer, Ulla Heikkilä, Ole Rössler, Massimiliano Zappa, Lucas Pfister, Melanie Salvisberg, et al. "Reconstruction and simulation of an extreme flood event in the Lago Maggiore catchment in 1868." Natural Hazards and Earth System Sciences 18, no. 10 (October 23, 2018): 2717–39. http://dx.doi.org/10.5194/nhess-18-2717-2018.

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Abstract. Heavy precipitation on the south side of the central Alps produced a catastrophic flood in October 1868. We assess the damage and societal impacts, as well as the atmospheric and hydrological drivers using documentary evidence, observations and novel numerical weather and runoff simulations. The greatest damage was concentrated close to the Alpine divide and Lago Maggiore. An atmospheric reanalysis emphasizes the repeated occurrence of streamers of high potential vorticity as precursors of heavy precipitation. Dynamical downscaling indicates high freezing levels (4000 m a.s.l.), extreme precipitation rates (max. 270 mm 24 h−1) and weather dynamics that agree well with observed precipitation and damage, and with existing concepts of forced low-level convergence, mid-level uplift and iterative northeastward propagation of convective cells. Simulated and observed peak levels of Lago Maggiore differ by 2 m, possibly because the exact cross section of the lake outflow is unknown. The extreme response of Lago Maggiore cannot be attributed to low forest cover. Nevertheless, such a paradigm was adopted by policy makers following the 1868 flood, and used to implement nationwide afforestation policies and hydraulic structures. These findings illustrate the potential of high-resolution, hydrometeorological models – strongly supported by historical methods – to shed new light on weather events and their socio-economic implications in the 19th century.
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Bertoni, Roberto. "Size distribution of particulate organic carbon in Lago Maggiore." SIL Proceedings, 1922-2010 27, no. 5 (December 2000): 2836–39. http://dx.doi.org/10.1080/03680770.1998.11898185.

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de Bernardi, R., G. Giussani, M. Manca, and D. Ruggiu. "Trophic status and the pelagic system in Lago Maggiore." Hydrobiologia 191, no. 1 (February 1990): 1–8. http://dx.doi.org/10.1007/bf00026032.

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Morabito, Giuseppe, Alessandro Oggioni, Emanuele Caravati, and Pierisa Panzani. "Seasonal morphological plasticity of phytoplankton in Lago Maggiore (N. Italy)." Hydrobiologia 578, no. 1 (March 2007): 47–57. http://dx.doi.org/10.1007/s10750-006-0432-5.

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Bernardi, Riccardo de, and Sven E. Jorgensen. "Exergy content in the pelagic food chain of Lago Maggiore." Lakes and Reservoirs: Research and Management 3, no. 2 (June 1998): 135–38. http://dx.doi.org/10.1111/j.1440-1770.1998.tb00040.x.

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Putyrskaya, V., E. Klemt, S. Röllin, J. A. Corcho-Alvarado, and H. Sahli. "Dating of recent sediments from Lago Maggiore and Lago di Lugano (Switzerland/Italy) using 137Cs and 210Pb." Journal of Environmental Radioactivity 212 (February 2020): 106135. http://dx.doi.org/10.1016/j.jenvrad.2019.106135.

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Dissertations / Theses on the topic "Maggiore, Lago, in literature"

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Putyrskaya, Viktoryia. "Migration processes of 137Cs in the drinking water reservoir Lago Maggiore: Measurements and Modeling." Doctoral thesis, Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2010. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-62342.

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Das künstliche Radionuklid 137Cs wurde seit über einem halben Jahrhundert in die Natur eingebracht. Sein erstes Erscheinen in Sedimenten der zentraleuropäischen Seen korrespondiert mit den Nuklearwaffentests in den 60er-Jahren des 20. Jahrhunderts. Die stärkste Kontaminierung der europäischen Seen und Flüsse entstand als Folge des radioaktiven Niederschlags nach dem Unfall in Tschernobyl im Frühjahr 1986. In dieser Arbeit wurde das Migrationsverhalten des künstlichen 137Cs im Lago Maggiore und anderen Seen im Alpenvorland als Folge dieses Niederschlags untersucht. Der Lago Maggiore zählt zu den größten Trinkwasserreservoiren südlich der Alpen. Nach dem Unfall in Tschernobyl gingen ungefähr 20 kBq•m-2 des 137Cs auf die Oberfläche des Sees nieder. Im Zeitraum von 2003 bis 2005 wurden Sedimentkerne und Wasserproben an sieben unterschiedlichen Stellen des Lago Maggiore entnommen. Diese Arbeit beschäftigt sich mit Daten über die Verteilung des 137Cs in den Zuflüssen, dem Wasser des Sees, in Schwebstoffen und Bodensedimenten und mit der Assoziierung von 137Cs mit verschiedenen geochemischen Fraktionen. Um den Abfluss des 137Cs aus dem Wassereinzugsgebiet in den Fluss zu modellieren, wurde ein Compartmentmodell verwendet. Zur Modellierung der Aufnahmemenge von 137Cs im Sediment und der vertikalen Verteilung innerhalb dessen wurde ein Diffusions-Konvektions-Modell entwickelt. Dieses Modell berücksichtigt die Aufnahme von Aktivität durch Sedimentation, Fixierung und Rücklösung, retardierte Diffusion, die Verdichtung des Sediments sowie den Einfluss konkurrierender Ionen auf die retardierte Diffusion innerhalb des Sediments. Die Ergebnisse der Parameteroptimierung – im Wesentlichen die Sedimentationsrate und der 137Cs-Verteilungskoeffizient Kd, welcher die Aufnahme der Aktivität in das Sediment determiniert – werden erörtert und mit denen anderer europäischer Seen, die eine ähnliche 137Cs-Deposition, aber unterschiedliche limnologische Eigenschaften aufweisen, verglichen. Zur Beurteilung der Bioverfügbarkeit von 137Cs wurde die 137Cs-Aktivitätskonzentrationen von Fischproben aus dem Lago Maggiore gemessen. Aus bereits existierenden Daten und unseren Messergebnissen wurden 137Cs Fisch-Wasser Konzentrations-Verhältnisse errechnet und mit denen für andere Seen, die von ähnlichen 137Cs-Kontaminationen betroffen sind, verglichen
Artificial Cs-137 has been introduced into the environment for more than half a century. Its first appearance in central European lake sediments corresponds to the nuclear weapons testing in the 1960s. The largest contamination of European lakes and rivers occurred as a consequence of the fallout after the Chernobyl accident in spring 1986. In this work the migration behaviour of artificial Cs-137 in Lago Maggiore and other pre-alpine lakes as a consequence of these fallouts was studied. Lago Maggiore is one of the largest drinking water reservoirs in the south of the Alps. After the Chernobyl accident roughly 20 kBq•m-2 of 137Cs were deposited onto the lake surface. From 2003 to 2005 bottom sediment cores and water samples were collected at 7 different locations of Lago Maggiore. Data on the 137Cs distribution in tributaries, lake water, suspended matter, bottom sediments, and the 137Cs association to different geochemical fractions are presented in this work. To model the run-off of 137Cs from the watershed into the lake a compartment model was used. For modeling the input of 137Cs into and the vertical distribution within the sediment a diffusion–convection type model was developed. This model takes into account the uptake of activity by sedimentation, fixation and redissolution, retarded diffusion, the influence of competing ions on the retarded diffusion within the sediments, and compaction of sediments. The results of the parameter optimization – mainly the sedimentation rate and the 137Cs distribution coefficient Kd, which determines the uptake of activity into the sediment – are discussed and compared with those of other European lakes characterized by similar 137Cs deposition levels but different limnological properties. To estimate the bioavailability of 137Cs, its activity concentrations in fish samples from Lago Maggiore were measured. Combining the existing data with our measurements, 137Cs fish–water concentration ratios were calculated and compared with those for other lakes which were affected by similar 137Cs contamination
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Cordioli, Rosemarie Giudilli. "De charadas e adivinhas: o continuum do contar em Angela Lago." Universidade de São Paulo, 2001. http://www.teses.usp.br/teses/disponiveis/8/8156/tde-19052002-190026/.

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Estabelecemos como objetivo de nossa pesquisa: o descortinar do olhar para obras de Literatura Infanto-Juvenil, viabilizado por meio do entrelaçamento de aspectos referentes ao imaginário medieval ao fazer literário de Angela Lago. Destacamos em Charadas Macabras, a presença do elemento capeta como veiculador de informação e ou transformação através do uso da palavra. Em Sua Alteza A Divinha, o resgate da oralidade, enfocada sob a luz da teoria bakhtiniana, concedeu a ampliação de recursos como a comicidade, a ludicidade, a brincadeira, encapsulada na obra através do jogo, do desafio oral englobados na esfera da antítese social - o popular contrapondo-se à aristocracia, o forte contra o fraco - o elemento feminino em oposição ao masculino, fatores que concorreram para o dimensionar da análise. Caminhar nas trilhas da cultura oral possibilitou, ainda, a descoberta do riso espontâneo pelos veios da improvisação, pelo evidenciar da praça pública com suas práticas, identificadas em 10 Adivinhas Picantes, além de contribuir para o despertar da literatura paródica, presente em Indo Não Sei Aonde Buscar Não Sei O Quê. A busca de releituras do conto da princesa \"expert\" em adivinhações, compiladas por pesquisadores como Adolpho Coelho e Câmara Cascudo consolidaram, sobremaneira, o propósito inicial de pesquisa - a comprovação, nos contos de Angela Lago, da influência da cultura medieval que chega, através de Portugal e Brasil. Na conclusão, retomamos os elementos pertinentes à cada obra permeados ao âmbito do leitor, e palmilhados, particularmente, ao universo da criança - quintal da casa do faz-de-conta, lugar onde a magia, a alegria e o sonho, são.
We have widely discussed, in this written work, about different understanding points of Literature books for children, pointing out the influence of medieval imaginary in Angela Lago\'s masterpiece. In the book Charadas Macabras, we have elicited the presence of the Devil, by the transformation of his spoken words. The oral exercise, in the narrative Sua Alteza A Divinha, was focused under the lights of Bakhtin\'s concepts. The aspects of theses concepts took into consideration the amplifying of the comic and the children\'s entertainment points, which were encapsulated in the tale by the game, (the oral contest). All these points should be understood as a social anthitesis - the popular level put in front of the aristocracy, strong people against weak people - the feminine element against masculine element. All these factors contributed toward the dimensional views of the this book. In researching, \"the study of oral culture\" we discovered it contained espontaneous humor cause by the improvise performances, present in the public square. The public square was a popular place for people to hold their artistic performance. These aspects can be identified in the books Indo Não Sei Aonde Buscar Não Sei O Quê and 10 Adivinhas Picantes. Upon examining the \"tales of a princess\" we found they contain many expertly written riddles. This subject was widely studied by researchers like Adolpho Coelho and Câmara Cascudo, who also empathized the initial purpose of this project - the corroboration of the influence of medieval culture, by Portugal and Brazil, in Angela Lago\'s tales. In conclusion, we have taken the elements that belong to each narrative and inserted them into the sphere of the reader, and particulary, the child reader. The mind of child is known to be most criative and imaginative. It\'s a world where invention, dreams, magic, hapiness and sadness exists.
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Camargo, Luis Hellmeister de. "Encurtando o caminho entre texto e ilustração : homenagem a Angela Lago." [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269645.

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Orientador: Marisa Philbert Lajolo
Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
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Resumo: O livro de literatura para crianças é um ¿objeto cultural onde visual e verbal se mesclam¿ (LAJOLO, ZILBERMAN, 1984). Para abordar essas mesclas, são propostas cinco categorias: 1) o suporte do texto; 2) a enunciação gráfica do texto; 3) a visualidade, isto é, as imagens mentais que o texto suscita no leitor; 4) a ilustração e, por extensão, a imagem, como texto visual; 5) o diálogo entre texto e ilustração. Para teorizar e historicizar essas categorias, recorro a alguns retóricos greco-latinos e renascentistas, a alguns ensaístas do século XX e a neurocientistas. Procuro mostrar a funcionalidade e colaboração dessas categorias por meio do estudo do livro O prato azul-pombinho, de Cora Coralina, com desenhos de Angela Lago.
Abstract: The illustrated children¿s book is a ¿cultural object that blends visual and verbal codes¿ (LAJOLO, ZILBERMAN, 1984). To deal with this blend, five categories are suggested: 1) text support; 2) graphic enunciation; 3) visuality, i.e., mental imagery that the text elicit to the reader¿s mind¿s eye; 4) image, hence, illustration, as visual text; 5) dialogue between text and illustration. To theorize and historicize these categories, I discuss some Greek, Roman and Renaissance rhetoricians, some XX century essayists and some neuroscientists. I attempt to show the collaboration and usefulness of these categories, analyzing Cora Coralina¿s book O prato azul pombinho, with drawings by Angela Lago.
Doutorado
Literatura e Outras Produções Culturais
Doutor em Teoria e História Literária
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Vilela, Marcelita Negrão Trindade. "Narrativas de morte na literatura e no cinema para crianças: Angela Lago e Tim Burton." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8156/tde-12012016-134603/.

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A presente dissertação visa a analisar a forma como a temática da morte é abordada na produção para crianças e jovens; para tanto nosso trabalho se propõe à leitura de duas obras de campos narrativos diversos: um livro e um filme. Para realizar esse exercício, tomamos por fundamentos instrumentais dos Estudos Comparados de Literatura, perspectiva interdisciplinar que opera com a comparação e com os diálogos que podem ser estabelecidos entre diferentes literaturas, literaturas e outras artes e literatura e outros saberes. Serão utilizadas as relações estabelecidas entre literatura e outras artes, como o cinema, para focalizar como a morte vem sendo tratada na narrativa literária e fílmica. Assim, partiremos do conceito de literatura comparada, intertextualidade e dialogismo, fundamentais para estabelecer relações comparativas entre ambas as narrativas, demonstrando como os recursos próprios do cinema, bem como sua inter-relação de códigos e linguagens, concorrem para a construção de sentidos. O tema revelou-se interessante para o trabalho de pesquisa, tendo em vista que a morte é um ingrediente da vida humana, por isso, a escolha do corpus promoveu a divisão do estudo em dois momentos: a apresentação da morte na cultura ocidental e a representação da morte nas narrativas literária e fílmica para crianças e jovens. O corpus da pesquisa é composto pelas obras De morte! Um conto pagão do folclore cristão (1992), livro infantil escrito por Angela Lago e, A noiva cadáver (2005), filme produzido por Tim Burton.
This thesis aims to analyze how the theme of death is addressed in production for children and youth; for both our work proposes the reading of two works from different narrative fields: a book and a movie. To perform this exercise, we take for instrumental foundations of Literature Comparative Studies, interdisciplinary perspective that operates the comparison and dialogue that can be established between different literatures, literature and other arts and literature and other knowledge. The relationships established will be used between literature and other arts, such as cinema, to focus as death is being treated in literary and filmic narrative. So start from the concept of literature compared, intertextuality and dialogism, fundamental to establish comparative relations between the two narratives, demonstrating how the film\'s own resources as well as their interrelationship codes and languages, contribute to the construction of meaning. The theme has proved useful for research work, given that death is an ingredient of human life, so the corpus of choice promoted the study of the division into two phases: the presentation of death in Western culture and the representation of death in literary and filmic narratives for children and youth. The corpus of the research is composed of works from death! A pagan tale of Christian folklore (1992), children\'s book written by Angela Lago and The Corpse Bride (2005), a film produced by Tim Burton.
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Girão, Luis Carlos Barroso de Sousa. "Margem à mostra: limiares narrativos em Suzy Lee e Angela Lago." Pontifícia Universidade Católica de São Paulo, 2017. https://tede2.pucsp.br/handle/handle/20609.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
The present study aims to reflect about the narrative border in the works Shadow (2010), by the South Korean Suzy Lee, and O cântico dos cânticos (1992), by the Brazilian Angela Lago. Our main purpose is to contribute to studies on children’s literature’s theory and criticism, pointing out how the authors broaden up the interpretative potential for their picture-books, in its materiality and visuality, by exploring the use of the codex’s borders as structures for pictorial narratives. In addition to the theory focused on the specific critics of literature for children and young adults (Sarah Dowhower, Maria Nikolajeva, Sophie Van der Linden, Maria José Palo) and the studies on the book as an art form (Julio Plaza, Johanna Drucker, Maria do Carmo de Freitas Veneroso, Paulo Silveira), bibliographies on the concepts of the binding fold dialectics (Michel Melot) and the threshold (Walter Benjamin, Jeanne Marie Gagnebin, Georges Didi-Huberman) are also mobilized. This passage from literary criticism to the artistic philosophy about the book as an object, culminating in the interdisciplinarity of literature and art criticism, aims to re-present and re-know this artistic phenomenon, the picture-book, in the potential of its hybridity, occupying a threshold space between artist’s books and children’s books
A presente dissertação visa refletir sobre a margem que narra nas obras Sombra (2010), da sul-coreana Suzy Lee, e O cântico dos cânticos (1992), da brasileira Angela Lago. O objetivo dessa abordagem é contribuir com os estudos em teoria e crítica de literatura infantil e juvenil, apontando como as autoras ampliam o potencial interpretativo dos livros-imagem, em sua materialidade e visualidade, ao explorar o uso das margens do códex como estruturadoras de narrativas pictóricas. Além da teoria voltada para a crítica específica de literatura para crianças e jovens (Sarah Dowhower, Maria Nikolajeva, Sophie Van der Linden, Maria José Palo) e dos estudos do livro como forma de arte (Julio Plaza, Johanna Drucker, Maria do Carmo de Freitas Veneroso, Paulo Silveira), também são mobilizadas bibliografias sobre os conceitos de dialética da dobra (Michel Melot) e de limiar (Walter Benjamin, Jeanne Marie Gagnebin, Georges Didi-Huberman). Esta passagem da crítica literária para a filosofia artística acerca do objeto livro, culminando na interdisciplinaridade da literatura e crítica de arte, tem como meta re-apresentar e re-conhecer este fenômeno artístico, o livro-imagem, na potência de sua hibridez, ocupando espaço liminar entre os livros de artista e os livros infantis
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Pedroso, Patricia Pires. "Angela Lago e o processar de vozes e registros: do riso medieval ao grotesco contemporâneo." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8156/tde-16082013-114440/.

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O presente trabalho tem como objetivo estudar a obra de Angela Lago, escritora e ilustradora de livros infantis, partindo da seleção de títulos que têm em comum a temática do assombro e da morte, a saber: De Morte! (1992), Charadas Macabras (1994), Sete Histórias para Sacudir o Esqueleto (2002) e Minhas Assombrações (2009). Considerada um dos grandes nomes da Literatura Infantil e Juvenil contemporânea, Angela Lago há mais de três décadas tem oferecido aos seus leitores títulos instigantes, muitos dos quais já foram objeto de pesquisa no âmbito acadêmico. Da análise de algumas dissertações de mestrado e teses de doutorado, verificamos a possibilidade de investigação de sua obra sob diferentes perspectivas teóricas. Entre os vieses possíveis, nossa abordagem considerou os conceitos teóricos desenvolvidos por Mikhail Bakhtin, já apontados em alguns trabalhos, e o estudo da oralidade e da cultura escrita, propostos por Walter Ong e Eric Havelock. Reverberam nas obras os conceitos de plurilinguismo, dialogismo e a estética do grotesco, discutidos por Bakhtin, e características da oralidade, do advento da escrita e da impressão, apresentados especialmente por Ong. Realizando o entrecruzamento das teorias, procuramos demonstrar como a artista propõe o processar da interação autor/leitor de forma gradativa no corpus selecionado, passando do riso ao assombramento, do convite ao ato de contar à inserção do leitor como personagem da história. Partindo do estudo comparativo dos livros selecionados, observamos semelhanças entre os projetos estéticos, o que nos fez agrupá-los em duas categorias: obras nas quais a autora se posiciona ao lado de seu leitor, convocando-o a transmitir as histórias; obras em que a autora e leitor tornam-se personagens, com novas formas de participação.
The purpose of the present study is to analyse the work of Angela Lago, book writer and children\'s books illustrator, based on a selection of books that have haunting and death as common themes, namely: De Morte! (1992), Charadas Macabras (1994), Sete Histórias para Sacudir o Esqueleto (2002) and Minhas Assombrações (2009). Considered one of the biggest names in contemporary juvenile and children\'s literature, Angela Lago has provided readers, for over three decades, with exciting books, many of which have been the object of research in the academic field. While analysing some master\'s and doctorate\'s dissertations, we realized the possibility of investigating her work under different theoretical perspectives. Among the possible biases, our approach contemplated the theoretical concepts developed by Mikhail Bakhtin, already cited in other works, and the study of the oral tradition and written culture, proposed by Walter Ong and Eric Havelock. The concepts of multilingualism, dialogism and the aesthetic of the grotesque, discussed by Bakhtin, as well as characteristics of the oral tradition, the advent of writing and the press, presented especially by Ong, reverberate through her works. By interchanging these theories, we attempted to demonstrate how the artist proposes the gradual processing of the reader/author interaction in the selected corpus, going from laughter to haunting, from the invitation of the act of storytelling to introducing the reader as a character in the story. Starting with the comparative study of the selected books, we observed similarities among the aesthetic projects, which led us to group them into two categories: works in which the author gets together with the reader, inviting him/her to convey the stories; works in which the author and the reader become characters themselves, allowing new ways of participation.
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Montoro, Silvia Luciana. "Narrar o passado: as matrizes do conto popular na literatura infantil em De Morte de Angela Lago." Pontifícia Universidade Católica de São Paulo, 2009. https://tede2.pucsp.br/handle/handle/14900.

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This research purposes to study the matrices of the popular story in children literature, showing how the narrative of Angela Lago is based on a multiple reading of the verbal and visual expression. The analysis corpus was the book De Morte. By the perspective of the theoretical approach of scholars as Teresa Colomer, Sonia Salomão Khède, Regina Zilberman, Marisa Lajolo, Alceu Maynard Araújo, we was considered the analysis of children literature and popular tradition, directed toward in order to examinate the characteristics that constituting the plan of expression of this work. The research still consists in the proposal to explore Angela Lago is fiction about the wonderful story and the popular story, analysing the typical characters of the Christian folklore, which actions follow the line of the wonderful tall according to Vladimir Propp. As a result we focused how the matrices of the popular story influence the contemporary children literature, specially of Angela Lago s fiction, demonstrating the importance of folklore in literature. The characters of the popular story, inscribed in a wonderful story, construct a new literary totality by the articulation of these two systems, the popular and the erudite. In this way the analysis would explore two strategies that are linked in the story: in the first one, verbal and visual represent the multiplicity of reading and, in the other one, the analysis of the characters by the functions according the morphologycal of study Propp. For these reason the graphical project of Angela Lago s work was examined within the intention of the popular story. Finally the research considered how the matrices of the popular story are presented in Brazilian children literature, particularies in De Morte, emphasizing how evil characts and vicious attitudes can be presented to children, without influencing negatively his cultural context
A pesquisa objetivou estudar as matrizes do conto popular na literatura infantil mostrando como a narrativa de Angela Lago se estrutura com uma leitura múltipla da expressão verbal e visual. O corpus de análise foi o livro De Morte. Com a perspectiva de abordagem do problema orientado com o aparato teórico de estudiosos como Teresa Colomer, Sonia Salomão Khède, Regina Zilberman, Marisa Lajolo, Alceu Maynard Araújo, levou-se em conta a análise do percurso gerativo da literatura infantil e a tradição popular voltada para o exame das características que constitui o plano de expressão dessa obra. A pesquisa ainda se constitui na proposta de explorar o fazer literário de Angela Lago relativo ao conto maravilhoso e ao conto popular, analisando as personagens típicas do folclore cristão, cujas ações seguem a linha do maravilhoso proposto por Vladimir Propp. Como resultado pontuou-se como as matrizes do conto popular influenciam a literatura infantil contemporânea, em especial a criação de Angela Lago, demonstrando a riqueza do folclore na literatura. As personagens arquetípicas do conto popular, inscritas num conto maravilhoso, propõem uma totalidade de sentidos construída pela articulação dos dois sistemas, popular e erudito. Dessa maneira os procedimentos de análise do livro observado exploram dois discursos que se fundem no conto: no primeiro, verbal e visual representam a multiplicidade da leitura e no outro, a análise da personagem pelas funções do conto maravilhoso segundo o estudo morfológico do conto de magia de Propp. Por isso, o projeto gráfico da obra foi examinado tomando a intenção manifesta do conto popular. Por fim, a pesquisa considerou como a matriz do conto popular se apresenta determinante na literatura infantil brasileira e como isto se dá na obra De Morte, destacando como as figuras macabras e atitudes desvirtuosas podem ser apresentadas ao leitor infantil e não influenciar negativamente o seu contexto sócio-cultural
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Faktorová, Zuzana. "Historické změny v druhovém složení a mezidruhová hybridizace perlooček druhového komplexu Daphnia longispina v Lago Maggiore." Master's thesis, 2018. http://www.nusl.cz/ntk/nusl-388313.

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Hybridizing species of the Daphnia longispina complex are key taxa in plankton communities of many European lakes. In several of these lakes, it has been documented that the taxonomic structure of the complex during the 20th century has substantially changed following human-mediated environmental changes, particularly eutrophication and re-oligotrophication and fish stock changes. We characterize these changes in Lago Maggiore (Italy/Switzerland), a southern pre-alpine lake, which also passed through the human-mediated environmental changes. Lago Maggiore is one of best and longest studied European lakes so a large number of historical Daphnia samples from regular monitoring are available. Because local Daphnia do not form dormant egg banks suitable for genetic analysis (being able to overwinter in the water column), we used a combination of morphology and geometric morphometrics (elliptic Fourier analysis) to evaluate the taxonomic and phenotypic changes in the Daphnia longispina complex in Lago Maggiore since the mid-20th century (1948-2012), and attampted to characterize the impact of environmental changes over the respective period on Daphnia body shape and size. Examination of Daphnia phenotype indicates indeed the prevailing presence of D. longispina (hyalina morph) in the 1940s, dominance of...
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Putyrskaya, Viktoryia [Verfasser]. "Migration processes of 137Cs in the drinking water reservoir Lago Maggiore : measurements and modeling / von Viktoryia Putyrskaya." 2010. http://d-nb.info/1010623214/34.

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Books on the topic "Maggiore, Lago, in literature"

1

Masetto, Antonio dal. Cita en el lago Maggiore. Buenos Aires, Argentina: Editorial El Ateneo, 2011.

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Usellini, Gianfilippo. Usellini e il Lago Maggiore. Milano: Mazzotta, 1996.

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Masetto, Antonio dal. Cita en el lago Maggiore. Buenos Aires, Argentina: Editorial El Ateneo, 2011.

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Cornaglia, Eleonora. Il Battistero di Baveno: Lago Maggiore. Verbania [Italy]: Alberti libraio, 2009.

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Comolli, Gigi. Gigi Comolli: Un impressionista sul Lago Maggiore. Arona [Italy]: Fondazione Art museo, 2002.

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Grassi, Vittorio. Il Vergante (Lago Maggiore): Storia, paesaggio, itinerari. Intra: Alberti Libraio editore, 1990.

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Villa, Paolo. Storie di giardini: Garden stories : lago Maggiore. [Milan]: Rizzoli, 2020.

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Valsesia, Teresio. Il Lago Maggiore, Locarno e le sue valli. 2nd ed. Locarno (CH): Dadò, 2001.

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Ceresa, Giorgia. Blockhaus: Fortificazioni austriache sul Lago Maggiore : Laveno, Cerro. Azzate (Varese): Macchione, 2000.

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Lazzarini, Andrea. Dimore di lago: Ville storiche, parchi, personaggi della sponda piemontese del Lago Maggiore. Stresa [Italy]: A. Lazzarini, 1999.

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Book chapters on the topic "Maggiore, Lago, in literature"

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de Bernardi, R., G. Giussani, M. Manca, and D. Ruggiu. "Trophic status and the pelagic system in Lago Maggiore." In Trophic Relationships in Inland Waters, 1–8. Dordrecht: Springer Netherlands, 1990. http://dx.doi.org/10.1007/978-94-009-0467-5_1.

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Ratinckx, P., J. Berlamont, L. Li, M. Cargnelutti, P. Troch, and F. De Troch. "Pollutant Emission from Sewer Systems into Lago Maggiore-Preliminary Survey." In Water Pollution: Modelling, Measuring and Prediction, 141–51. Dordrecht: Springer Netherlands, 1991. http://dx.doi.org/10.1007/978-94-011-3694-5_10.

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Dallal, Diane. "Anthony Van Arsdale Winans: New York Merchant, and His Daughter—The Canary of Lago Maggiore." In Tales of Gotham, Historical Archaeology, Ethnohistory and Microhistory of New York City, 327–48. New York, NY: Springer New York, 2012. http://dx.doi.org/10.1007/978-1-4614-5272-0_19.

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Morabito, Giuseppe, Alessandro Oggioni, and Pierisa Panzani. "Phytoplankton assemblage at equilibrium in large and deep subalpine lakes: a case study from Lago Maggiore (N. Italy)." In Phytoplankton and Equilibrium Concept: The Ecology of Steady-State Assemblages, 37–48. Dordrecht: Springer Netherlands, 2003. http://dx.doi.org/10.1007/978-94-017-2666-5_4.

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"Wohnhaus am Lago Maggiore / House on Lake Maggiore." In best of DETAIL Material + Oberfläche/ best of DETAIL Materials + Finishes, 118–22. DETAIL, 2016. http://dx.doi.org/10.11129/9783955533236-021.

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"Mit Blick über den Lago Maggiore." In Bewohnte Natur, 24–29. DETAIL, 2018. http://dx.doi.org/10.11129/9783955534011-002.

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"IV. »Die Sehnsucht verschwindet im Tun und Wirken«: Wilhelm Meisters Reise an den Lago Maggiore." In linguae et litterae. Berlin, New York: DE GRUYTER, 2010. http://dx.doi.org/10.1515/9783110225549.90.

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Maloberti, Luca, Raphael Zaccone, Paola Gualeni, and Paolo Mazzucchelli. "A Zero-Emission Ferry for Inland Waterways." In Progress in Marine Science and Technology. IOS Press, 2022. http://dx.doi.org/10.3233/pmst220021.

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Reducing the human environmental impact is one of the most critical issues nowadays: in this perspective, the progressive decommissioning of fossil fuels is a significant priority to guarantee a sustainable future for the next generations. This paper proposes a zero-emission ferry for inland waterways and short-sea navigation, focusing on realistic solutions to provide the best trade-off between operational performance and environmental sustainability. In particular, the object of this study is the refitting of a double-ended ferry working in the Lago Maggiore, one of the largest Italian lakes. Systems suitable for the purpose have been selected and integrated onboard to maximize efficiency, implementing full-electric propulsion with electric motors, a Li-ion battery storage system, and photo-voltaic panels. The benefits and drawbacks of the considered technologies have been evaluated to select the most promising design solution, focusing on both onboard and on-shore impact in terms of compatibility with the existing infrastructures and considering life-cycle sustainability.
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"12. Urlaub im Süden, seit 1926 in der Schweiz (Lago Maggiore), später in Italien. Sympathie für Land und Leute." In Jude und Demokrat, 274. Oldenbourg Wissenschaftsverlag, 1998. http://dx.doi.org/10.1515/9783486707847-017.

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Halmi, Nicholas. "The literature of Italy in Byron’s poems of 1817–20." In Byron and Italy. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9781526100559.003.0002.

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This chapter focuses on Byron’s The Lament of Tasso and The Prophecy of Dante alongside his translations of Filicaja in the fourth canto of Childe Harold’s Pilgrimage and Pulci’s Morgante Maggiore. It begins by exploring the ways in which Byron ‘exploited both the writings and the figures of Italian writers (especially the exiled Dante and imprisoned Tasso) to construct his own cosmopolitan poetic identity’, reinventing himself as simultaneously – and ambiguously – an English and an Italian poet. In the translation of Pulci, however, Byron stresses his foreignness to both British and Italian poetic traditions, cutting a cosmopolitan figure not through identity but difference. While in his letters – and, of course, many of his poems – Byron is both British and Italian, Italian literature could also offer the poet a way of being neither.
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