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Books on the topic 'Macqueen'

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Author: Grafiati

Published: 10 December 2022

Last updated: 29 January 2023

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1

R, Mitchell W. Finlay MacQueen of St. Kilda. [Scotland]: House of Lochar, 1992.

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2

MacQueen, Charles T. K. Charles T K MacQueen: Evocation. Edinburgh: Open Eye Gallery, 2001.

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3

MacQueen, Finlay. Finlay MacQueen: Presbyterian patriach : an auotobiography. Australia: McQueen family, 1995.

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4

Quattlebaum, Alex M. Clergymen and chiefs: A genealogy of the MacQueen and Macfarlane families. Charleston, S.C. (Fireproof Bldg., 100 Meeting St., Charleston 2940-2299): South Carolina Historical Society, 1990.

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5

Channell, David F. William John Macquorn Rankine. [Edinburgh]: [Scotland's Cultural Heritage], 1986.

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6

Finlay MacQueenof St Kilda. Oban: Oban Times, 1992.

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7

Macqueen, Sheila. Sheila Macqueen's Complete flower arranging. London: papermac, 1986.

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8

Channell, David F. Rankine: William John Macquorn Rankine. Edinburgh: Scotland's Cultural Heritage, 1986.

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9

Boulay, Shirley Du. The gardeners: Shirley du Boulay visits Roy Lancaster, Geoffrey Smith, Frances Perry, Bill Sowerbutts, Alan Titchmarsh, Sheila Macqueen, Alan Gemmell, Percy Thrower, Mary Spiller, John Brookes, Stefan Buczacki, (and) Clay Jones in their own gardens. Sevenoaks: Hodder and Stoughton, 1985.

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10

Stone, Lynn M. Snow monkeys. Vero Beach, Fla: Rourke Corp., 1990.

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11

Mitchell, W. R. Finlay MacQueen of St.Kilda. House of Lochar, 1992.

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12

Macqueen, Hector L. Macqueen: Studying Scots Law. Lexis Law Publishing (Va), 1993.

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13

Mitchell, W. R. Finlay Macqueen of St Kilda. House of Lochar, 1999.

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14

Tales of Dunlichity: The Stories of Willie MacQueen. Sigourney Press, 2001.

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15

Gallery, Queensland Art, ed. Making it modern: The watercolours of Kenneth Macqueen. South Brisbane, Qld: Queensland Art Gallery, 2007.

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16

Gallery, Queensland Art, ed. Making it modern: The watercolours of Kenneth Macqueen. South Brisbane, Qld: Queensland Art Gallery, 2007.

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17

MacQueen, Swan of. Swan of MacQueen Bagpipe Tune Compendium: 200 Hundred Tunes for the Bagpipes. Independently Published, 2020.

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18

MaCauley, Kenneth. Colony of Sierra Leone Vindicated from the Misrepresentation of Mr MacQueen of Glasgow. Taylor & Francis Group, 2016.

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19

Braxfield, Robert Macqueen. Teinds. Suppression and Annexation. February 25. 1794. Mem. the Right Hon. Robert Macqueen, Against the Moderator and Presbytery of Biggar. Arch. Gibson, W.S. Agent. Gale ECCO, Print Editions, 2018.

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20

author, Willock Ian Douglas, and MacQueen Hector L. author, eds. The Scottish legal system: Robin M. White, LLB, LLM, Cert Soc Anth, AIL; Ian D. Willock, MA, LLB, PhD; Hector L MacQueen, LLB, PhD, FRSE. Haywards Heath, West Sussex : Bloomsbury Professional, 2013.

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21

Nicol, Stuart. Macqueen's Legacy. Tempus Publishing, Limited, 2001.

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22

Macqueen's Legacy. Tempus Publishing, Limited, 2001.

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23

Channell, David F. Rankine: William John Macquorn Rankine. Scotland's Cultural Heritage, 1986.

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24

Mastering The Niger James Macqueens African Geography And The Struggle Over Atlantic Slavery. The University of Chicago Press, 2013.

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25

Lambert, David. Mastering the Niger: James MacQueen's African Geography and the Struggle over Atlantic Slavery. University of Chicago Press, 2014.

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26

Lambert, David. Mastering the Niger: James Macqueen's African Geography and the Struggle over Atlantic Slavery. University of Chicago Press, 2013.

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27

Fracastoro, Girolamo. Syphilis, Ou, le Mal Vénérien, Poëme Lat. Avec la Tr. en Fr. et des Notes [by P. Macquer and J. Lacombe]. Creative Media Partners, LLC, 2018.

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28

Fracastoro, Girolamo. Syphilis, Ou, le Mal Vénérien, Poëme Lat. Avec la Tr. en Fr. et des Notes [by P. Macquer and J. Lacombe]. Creative Media Partners, LLC, 2018.

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29

Tait, Peter Guthrie, and William John Macquorn Rankine. Miscellaneous Scientific Papers: By W.J. Macquorn Rankine ... from the Transactions and Proceedings of the Royal and Other Scientific and Philosophical Societies, and the Scientific Journals; Volume 2. Franklin Classics Trade Press, 2018.

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30

Tait, Peter Guthrie, and William John Macquorn Rankine. Miscellaneous Scientific Papers: By W.J. Macquorn Rankine ... From the Transactions and Proceedings of the Royal and Other Scientific and Philosophical Societies, and the Scientific Journals; Volume 2. Franklin Classics, 2018.

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31

Rankine, William John Macquorn, and Peter Guthrie Tait. Miscellaneous Scientific Papers: By W. J. Macquorn Rankine ... from the Transactions and Proceedings of the Royal and Other Scientific and Philosophical Societies, and the Scientific Journals; Volume 2. Creative Media Partners, LLC, 2018.

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32

Walker, Paul. Fugue in the Sixteenth Century. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190056193.001.0001.

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This book explores the roots of the classic fugue and the early history of non-canonic fugal writing through the three principal fugal genres of the sixteenth century: motet, ricercar, and canzona. The book begins with the pivot in Western composition from an emphasis on variety to one on repetition, first developed by such Franco-Flemish composers as Loyset Compère and Josquin des Prez toward the end of the fifteenth century. By around 1520 Jean Mouton and his contemporaries had established the classic Franco-Flemish motet with its well-known point-of-imitation structure. Nicolas Gombert proved to be the real pioneer in the further development of this idea in the 1530s when he explored the return of thematic material after its initial presentation, an approach that proved central not only to the motet writing of Thomas Crecquillon and Jacobus Clemens non Papa, but also to the earliest experiments in serious abstract instrumental composition (the ricercar) undertaken by a series of organists active in Venice, most notably Claudio Merulo and Andrea Gabrieli. The most important innovation of the last decades of the century was the creation at the hands of Brescian organists of the fugal canzona alla francese, an instrumental genre inspired not by the sophisticated compositional style of the motet, but by the contrapuntally looser approach of such imitative chansons as Passereau’s Il est bel et bon. By century’s end, composers such as Giovanni de Macque had given the canzona a contrapuntal integrity commensurate with that of the ricercar.

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