Academic literature on the topic 'M l'abbé (Jean Joseph)'

-A. James Arnold, Michael Gilkes, The literate imagination: essays on the novels of Wilson Harris. London: Macmillan, 1989. xvi + 180 pp.-Jean Besson, John O. Stewart, Drinkers, drummers, and decent folk: ethnographic narratives of village Trinidad. Albany, New York: State University of New York Press, 1989. xviii + 230 pp.-Hymie Rubinstein, Neil Price, Behind the planter's back. London: MacMillan, 1988. xiv + 274 pp.-Robert Dirks, Joseph M. Murphy, Santería: an African religion in America. Boston: Beacon Press, 1988. xi + 189 pp.-A.J.R. Russell-Wood, Joseph C. Miller, Way of Death: merchant capitalism and the Angolan slave trade, 1720-1830. Madison, Wisconsin: The University of Wisconsin Press, 1988. xxx + 770 pp.-Anne Pérotin-Dumon, Lawrence C. Jennings, French reaction to British slave Emancipation. Baton Rouge: Louisiana State University Press, 1988. ix + 228 pp.-Mary Butler, Hilary McD. Beckles, White servitude and black slavery in Barbados, 1627-1715. Knoxville: University of Tennesse Press, 1989. xv + 218 pp.-Franklin W, Knight, Douglas Hall, In miserable slavery: Thomas Thistlewod in Jamaica, 1750-1786. London: MacMillan, 1989. xxi + 322 pp.-Ruby Hope King, Harry Goulbourne, Teachers, education and politics in Jamaica 1892-1972. London: Macmillan, 1988. x + 198 pp.-Mary Turner, Francis J. Osbourne S.J., History of the Catholic Church in Jamaica. Chicago: Loyola University Press, 1988. xi + 532 pp.-Christina A. Siracusa, Robert J. Alexander, Biographical dictionary of Latin American and Caribbean political leaders. New York, Westport, London: Greenwood Press, 1988. x + 509 pp.-Sue N. Greene, Brenda F. Berrian ,Bibliography of women writers from the Caribbean (1831-1986). Washington D.C.: Three Continents Press, 1989. 360 pp., Aart Broek (eds)-Romain Paquette, Singaravélou, Pauvreté et développement dans les pays tropicaux, hommage a Guy Lasserre. Bordeaux: Centre d'Etudes de Géographie Tropicale-C.N.R.S./CRET-Institut de Gépgraphie, Université de Bordeaux III, 1989. 585 PP.-Robin Cohen, Simon Jones, Black culture, white youth: the reggae traditions from JA to UK. London: Macmillan, 1988. xxviii + 251 pp.-Bian D. Jacobs, Malcom Cross ,Lost Illusions: Caribbean minorities in Britain and the Netherlands. London: Routledge, 1988. 316 pp., Han Entzinger (eds)

Nowadays the problem of improving the artistic and technical features of the lithographic manner of mixed technique has matured already. The author of this study expanded and supplemented the ways of combining a variety of manners of lithographic techniques through practical experiments to achieve positive results in this area. Mixed technique is one of the types of lithography, in which a certain combination of lithographic manners engraving on stone with pencil, blurring ink, root paper, color lithography is used on one stone depending on the intent of the author, his artistic taste and possession of a large number of techniques in lithography, such as shading, sketching, blurring ink, pen, prints of cloth and other textures and the like. Lithography got the greatest spread in France, the gifted artists on stone included T. Géricault, Antoine-Jean Gros, Claude Joseph Vernet, Nicolas-Toussaint Charlet, O. Raffet, Ferdinand Victor Eugène Delacroix, Louis-Léopold Boilly, Paul Gavarni, Henri Grévedon, A. Toulouse-Lautrec and many others. Famous Ukrainian artists, namely M. Deregus, M. Popov, S. Yakutovich, and others worked in lithographic mixed technique. In particular, N. Popov in the creation of graphic works used the author's manner of execution of lithographs – drawing with acid. In artistic creativity to the main lithographic technique artists add elements of other graphic techniques: combine with etching, woodcut, monotype and other techniques. The program of teaching lithography in National Academy of Fine Arts and Architecture in methodical terms is designed so that the student of the specialty "Free graphics, design and illustration of the book", mastering lithographic technique and getting acquainted with her manners, could be able to do on this basis a mixed lithographic technique. Mixed technique is the final task, in which the student is given the opportunity to choose and combine the manners of lithography. Senior students improve their knowledge in the field of technical and technological capabilities of lithography. Due to the rich, original technique lithography has unlimited visual possibilities. It met the requirements of different artists, despite the difference in styles, language and artistic techniques. Lithography makes it possible to solve the composition in black and white, dashed, tonal, color techniques through the use of different manners.

Benedict Anderson; Under three flags; Anarchism and the anticolonial imagination (Greg Bankoff) Leakthina Chau-Pech Ollier, Tim Winter (eds); Expressions of Cambodia; The politics of tradition, identity and change (David Chandler) Ying Shing Anthony Chung; A descriptive grammar of Merei (Vanuatu) (Alexandre François) Yasuyuki Matsumoto; Financial fragility and instability in Indonesia (David C. Cole) Mason C. Hoadley; Public administration; Indonesian norms versus Western forms (Jan Kees van Donge) Samuel S. Dhoraisingam; Peranakan Indians of Singapore and Melaka (Joseph M. Fernando) Vatthana Pholsena; Post-war Laos; The politics of culture, history and identity (Volker Grabowksy) Gert Oostindie; De parels en de kroon; Het koningshuis en de koloniën (Hans Hägerdal) Jean-Luc Maurer; Les Javanais du Caillou; Des affres de l’exil aux aléas de l’intégration; Sociologie historique de la communauté indonésienne de Nouvelle-Calédonie (Menno Hecker) Richard Stubbs; Rethinking Asia’s economic miracle; The political economy of war, prosperity and crisis (David Henley) Herman Th. Verstappen; Zwerftocht door een wereld in beweging (Sjoerd R. Jaarsma) Klokke, A.H. (ed. and transl.); Fishing, hunting and headhunting in the former culture of the Ngaju Dayak in Central Kalimantan; Notes from the manuscripts of the Ngaju Dayak authors Numan Kunum and Ison Birim; from the Legacy of Dr. H. Schaerer; With a recent additional chapter on hunting by Katuah Mia (Monica Janowski) Ian Proudfoot; Old Muslim calendars of Southeast Asia (Nico J.G. Kaptein) Garry Rodan; Transparency and authoritarian rule in Southeast Asia (Soe Tjen Marching) Greg Fealy, Virginia Hooker (eds); Voices of Islam in Southeast Asia; A contemporary sourcebook (Dick van der Meij) Eko Endarmoko; Tesaurus Bahasa Indonesia (Don van Minde) Charles J.-H. Macdonald; Uncultural behavior; An anthropological investigation of suicide in the southern Philippines (Raul Pertierra) Odd Arne Westad, Sophie Quinn-Judge (eds); The Third Indochina War; Conflict between China, Vietnam and Cambodia, 1972-79 (Vatthana Pholsena) B. Bouman; Ieder voor zich en de Republiek voor ons allen; De logistiek achter de Indonesische Revolutie 1945-1950 (Harry A. Poeze) Michel Gilquin; The Muslims of Thailand (Nathan Porath) Tom Boellstorff; The gay archipelago; Sexuality and nation in Indonesia (Raquel Reyes) Kathleen M. Adams; Art as politics; Re-crafting identities, tourism, and power in Tana Toraja, Indonesia (Dik Roth) Aris Ananta, Evi Nurvidya Arifin, Leo Suryadinata; Emerging democracy in Indonesia (Henk Schulte Nordholt) Casper Schuring; Abdulgani; 70 jaar nationalist van het eerste uur (Nico G. Schulte Nordholt) Geoff Wade (ed. and transl.); Southeast Asia in the Ming Shi-lu; An open access resource (Heather Sutherland) Alexander Horstmann, Reed L. Wadley (eds); Centering the margin; Agency and narrative in Southeast Asian Borderlands (Nicholas Tapp) Marieke Brand, Henk Schulte Nordholt, Fridus Steijlen (eds); Indië verteld; Herinneringen, 1930-1950 (Jean Gelman Taylor) Tin Maung Maung Than; State dominance in Myanmar; The political economy of industrialization (Sean Turnell) Henk Schulte Nordholt, Ireen Hoogenboom (eds); Indonesian transitions (Robert Wessing) In: Bijdragen tot de Taal-, Land- en Volkenkunde no. 163 (20075), no: 4, Leiden

Sharing recipes is a form of intimate conversation that nourishes body and soul, family and community. Backstories: The Kitchen Table Talk Cookbook integrates formal scholarship with informal reflections, analyses of recipe books with heirloom recipes, and text with images to emphasize the ways that economics, politics, and personal meaning come together to shape our changing relationships with food. By embracing elements of history, rural studies, and women’s studies, this volume offers a unique perspective by relating food history with social dynamics. It is sure to inspire eclectic dining and conversations. Cynthia C. Prescott is Professor of History at the University of North Dakota and an occasional baker. Her research focuses on portrayals of rural women in cultural memory. Maureen Sherrard Thompson is a Ph.D. candidate at Florida International University. Her dissertation focuses on business, environmental, and gender perspectives associated with the late-nineteenth and early-twentieth century seed industry. With contributions by: Linda Ambrose, Samantha K. Ammons, Jenny Barker Devine, Nikki Berg Burin, Lynne Byall Benson, Eli Bosler, Carla Burgos, Joseph Cates, Diana Chen, Myrtle Dougall, Egge, Margaret Thomas Evans, Dee Garceau, Tracey Hanshew, Kathryn Harvey, Mazie Hough, Sarah Kesterson, Marie Kenny, Hannah Peters Jarvis, Katherine Jellison, M. Jensen, Cherisse Jones-Branch, Katie Mayer, Amy L. McKinney, Diane McKenzie, Krista Lynn Minnotte, Elizabeth H. Morris, Sara E. Morris, Mary Murphy, Stephanie Noell, Pamela Riney-Kehrberg, Virginia Scharff, Rebecca Sharpless, Rachel Snell, Joan Speyer, Pamela Snow Sweetser, Rebecca Shimoni Stoil, Erna van Duren, Audrey Williams, Catharine Anne Wilson, Jean Wilson.