Academic literature on the topic 'M A Criticism and interpretation'
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Journal articles on the topic "M A Criticism and interpretation"
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Nizhnikov, Sergei Anatol'evich, and Argen Ishenbekovich Kadyrov. "SIGNIFICANCE OF METAPHYSICS’ CRITICISM IN M. HEIDEGGER'S CREATIVITY." Metafizika, no. 1 (December 15, 2020): 38–46. http://dx.doi.org/10.22363/2224-7580-2020-1-38-46.
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Despite various interpretations of Heidegger's philosophy, he is undeniably a deep critic of the metaphysical tradition in European philosophy. His task of overcoming metaphysics once again aroused interest in the fundamental issues of life in the era of the total dominance of private sciences. In the article, the authors explore the concept of metaphysics and its criticism in the work of M. Heidegger, as well as subsequent interpretations, in particular by O. Peggeler (“New Ways with Heidegger”, 1992). Criticism of metaphysics was a necessary condition for overcoming it to build a fundamental ontology. Having experienced the influence of Nietzsche, Heidegger does not remain a Nietzschean, because he considers him the last metaphysician to be overcome. In this regard, Peggeler recognizes Heidegger's main work not as “Being and Time”, but as “Reports to Philosophy” (1936), where he sought to reveal the primary sources of the concept of metaphysics. Heidegger's views regarding the interpretation of the development of metaphysics in different historical eras are specially considered.
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Барицкий, Димитрий. "M. M. Bakhtin’s Hermeneutic Theory." Theological Herald, no. 1(36) (March 15, 2020): 244–63. http://dx.doi.org/10.31802/2500-1450-2020-36-1-244-263.
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Основная цель, которую ставит перед собор автор статьи, - привлечь внимание к герменевтической теории м. м. Бахтина и указать на её актуальность в рамках такого направления филологического анализа текста, как религиозное литературоведение. в статье в систематическом виде изложены основные положения герменевтической теории учёного. в начале рассматривается общая теория познания м. м. Бахтина, важное место в которой занимают понятия «монологизм» и «диалогизм». После особое внимание направляется на его концепцию структуры содержательной стороны произведения, и здесь изучаются понятия «знак», «значение» и «смысл». отдельно выделяются критерии, которые, по мнению м. м. Бахтина, сообщают смыслу текста стабильную форму, а также приводится критика учёным литературоведческого структурализма. Помимо этого, автор обращает внимание на ту методологию интерпретации произведения, которая складываются на основе предложенной теории текста. в заключение даётся оценка тому эвристическому потенциалу, которым может обладать герменевтическая теория м. м. Бахтина в контексте анализа произведений мировой классической литературы. The main goal of the author of the article is to draw attention to M. M. Bakhtin’s hermeneutic theory and to point out its relevance in the framework of such a direction of philological analysis of the text as «religious literary criticism». The article presents the main terms of the hermeneutical theory of the scientist in a systematic way. In the beginning, we consider the general theory of knowledge of M. M. Bakhtin, an important place in the framework of which is occupied by such concepts as «monologism» and «dialogism». After that, special attention is paid to the scientist’s concept of the structure of the content side of the work, in which such concepts as «sign», «signification» and «meaning» play an important role. The criteria that, according to M. M. Bakhtin, give the meaning of the text a stable form are singled out separately, and academic criticism of literary structuralism is also given. In addition, the author pays attention to the methodology of interpretation of the work, which is formed on the basis of the proposed theory of the text. In conclusion, we assess the heuristic potential that M. M. Bakhtin’s hermeneutical theory can have in the context of analyzing works of world classical literature.
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Fahmi Hidayatullah, Muhammad, and Firmanda Taufiq. "TEKS DAN DISKURSUS OTORITAS MENURUT KHALED M. ABOU EL-FADL." Risâlah, Jurnal Pendidikan dan Studi Islam 7, no. 1 (April 7, 2021): 133–46. http://dx.doi.org/10.31943/jurnal_risalah.v7i1.170.
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In it contains authoritative references in religious matters. Meanwhile, in Khaled's view, Islamic jurists are a source of legitimacy in interpreting religious texts. Khaled tried to criticize the construction of authoritarianism in Islamic law, especially regarding the criticism of the misogynistic fatwas issued by the Council for Scientific Research and Legal Opinion (CRLO) and The Society for Adherence to the Sunnah (SAS). In this article, this article analyzes and examines how Khaled M. Abou El-Fadl's ideas offer in matters of text and discourse of authority in Islamic studies, especially those related to the interpretation of religious texts, namely the Al-Quran and hadith. While the method used in this research is a qualitative method using a descriptive-analysis approach. From various facts and data obtained, then analyzed and narrated descriptively with reference to the focus of this study. Based on the research findings, it was found that religious texts should be able to be translated and read properly according to their context, especially the authority and authoritarianism inherent in Islamic studies.
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Kocherga, Svitlana, and Oleksandra Visych. "The antitheatrical discourse in Ukrainian metadrama in the early twentieth century." Przegląd Wschodnioeuropejski 11, no. 1 (June 30, 2020): 251–59. http://dx.doi.org/10.31648/pw.5985.
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The article analyzes methods of implementing antitheatrical discourse in Ukrainian dramaturgy. Different types of antitheatricality in literary texts are distinguished on the basis of plays by M. Starytskyi, I. Karpenko-Karyi, A. Krushelnytskyi, V. Vynnychenko, Ya. Mamontiv, V. Cherednychenko, and M. Kulish. The authors define key vectors that the antitheatrical discourse follows: criticism of theater as an institution, criticism of the drama school / method, criticism of theatricality and acting, including in offstage situations. It is arguably reasonable to examine the phenomenon of antitheatrical prejudice in the context of the theory of metadrama as one of its factors. Artistic interpretation of the theater in an ironic or farcical vein, discussions over the repertoire that is no longer relevant, the aesthetic nature of stage technique, and discredit of acting as an occupation all generally encourage dramatic conventionality to double. Most common metadramatic devices used to implement antitheatricality in Ukrainian drama are believed to include a play within a play, adaptation of spectator’s reception for stage, and intertextual references.
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Shcherbina, Yu I. "Appeal to the Work of F. M. Dostoevsky by Russian Emigration in Chekhia: A. L. Bem and the Psychoanalytic Method of Interpreting a Work of Art." Philosophical Letters. Russian and European Dialogue 3, no. 4 (December 2020): 146–57. http://dx.doi.org/10.17323/2658-5413-2020-3-4-146-157.
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The article is devoted to the conversion around works of F. M. Dostoevsky which took place among Czech intellectuals, among whom there were a lot of immigrants from Russia. In this context, the example of Alfred Ludwigovich Bem is indicative. The article reveals main reasons for the interest in Dostoevsky in Czechoslovakia. An important role in the study of Dostoevsky was played by the so-called ‘Russian action of aid’ and ‘Russian trace’ left by the exiles in Prague. In this regard, A. L. Bem is interesting not only as a researcher who devoted many works to Dostoevsky’s work but also as one of the founders of Dostoevsky’s first international society. Bem was also one of the first researchers who applied psychoanalysis to the interpretation of Dostoevsky’s literary works. He was also one of those who also analyzed the specifics of using psychoanalytic methods in literary criticism. The article reveals the methodological basis of Bem’s interpretation: attention is drawn not only to the connection between the theme “Dostoevsky and his Reader” and psychoanalysis (Bem’s ‘method of small observations’), but also to the origins of Bem’s interpretation of psychoanalysis associated with the formal school in literary criticism; the disadvantages of psychoanalysis as a way of interpreting a work of art are emphasized.
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West, Stephanie. "Laertes revisited." Proceedings of the Cambridge Philological Society 35 (1989): 113–43. http://dx.doi.org/10.1017/s0068673500005162.
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Reunited after nearly twenty years' separation, Odysseus and Penelope retire at last to bed, οἱ μὲν ἔπειτα | ἀσπάσιοι λέκτροιο παλαιοῦ θεσμὸν ἵκοντο (Od.23.295–6). This, we are told in the scholia, was for the two greatest Homeric scholars of antiquity theτέλος; of theOdyssey: τοῦτο τέλος τῆς Όδυσσείας φησὶν Άρίσταρχος καὶ Άρισιοφάνης (H, M, Q), Άρισιοφάνης δὲ καὶ Άρίσταρχος πέρας τῆς Όδυσσείας τοῦτο ποιοῦνται (M, V, Vind. 133). The interpretation of this testimony poses one of the most important problems of Homeric scholarship; Bethe did not exaggerate its significance when he wrote ‘Es hängt von der Auffassung dieses Scholions die Beurteilung unserer Homerüberlieferung überhaupt ab und mit ihr die Frage, was der Kritik gegenüber der Ilias und Odyssee erlaubt ist’. (‘The interpretation of this scholium is of vital significance for our view of the transmission of the Homeric text as a whole, and for the question of the proper limits of criticism where theIliadandOdysseyare concerned’.) Here, as all too often, we are frustrated by the abbreviated condition of theOdyssey-scholia which, as the poem draws to a close, reflect in their increasing concision the diminishing energies of those to whom we owe our knowledge of ancient Homeric scholarship,Prima facie, the note tells us that Aristophanes and Aristarchus took 23.296 as the limit of theOdyssey; this is commonly understood to mean that they judged the Epilogue to be unhomeric, but this interpretation is not free from difficulty, and some have maintained that the note represents aesthetic criticism.
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Ferraro, Giuseppe. "A Criticism of M. Siderits and J. L. Garfield’s ‘Semantic Interpretation’ of Nāgārjuna’s Theory of Two Truths." Journal of Indian Philosophy 41, no. 2 (April 2013): 195–219. http://dx.doi.org/10.1007/s10781-013-9179-2.
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Maltsev, K. G., and A. L. Alaverdyan. "REPRESENTATION OF NATIONALISM: STRUCTURE, CONTENT, CRITICISM." Intelligence. Innovations. Investment, no. 3 (2021): 100–110. http://dx.doi.org/10.25198/2077-7175-2021-3-100.
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Nationalism determines modernity — L. Grinfeld’s thesis at the very beginning of the 90s of the twentieth century (repeating the judgment of E. Keduri in the early 60s), unexpectedly for liberal social science, immediately acquired political relevance. The purpose of the article is to identify the reasons for this «surprise»: the representation of the nation in the economic paradigm of the political (D. Agamben’s term) as a civic association of freely self-determining autonomous individuals-citizens excludes the possibility of national conflicts, the reality of which is obvious. Objective scientific research within the disciplinary structure of modern science has as a given object of research in the representation: thus, a philosophical interpretation becomes necessary as a method of criticizing the representation of the nation and the national in the economic paradigm. It has been established that the representation of a nation is normatively and value-wise conditioned by the foundations of «liberal metaphysics»; it is necessary to distinguish between «civil» and «ethnic» nationalisms, which does not have «empirical foundations» (R. Brubaker); attribution to value as a way of constructing an ideal-typical concept of nationalism presupposes the need for an assessment conditioned by the way nationalism is presented; the moral and political disqualification of «ethnic nationalism» as an invalid «remnant» (V. Pareto) is thus «built in» into scientific research, which is at the same time an ideological instrument and a political program. The philosophical interpretation of the meaning of the representation of nationalism in liberal social science, external in relation to the dominant paradigm of the political, provides scientific novelty and leads to the conclusion: a «civil nation» is valid as a political project that presupposes a «historiographic recalculation of the past» (M. Heidegger), retrospectively placing the beginning of nationalism in past. In the course of the presentation, the practical significance of the conclusion is clarified: the theory of the «civilized nation» presupposes drawing a border between «civilized» and — «cultural» and «natural» nationalisms as political enemies that must be removed: drawing the line between «civil» and «ethnic» nationalisms has both scientific and political significance; These circumstances contribute to the understanding of the meaning and the assigned goal of the nation-building process and the practice of national politics.
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BUDNYI, Vasyl. "BOHDAN LEPKY`S LITERARY CRITICISM IN “SLOVANSKÝ PŘEHLED” JOURNALLITERARY CRITICISM IN “SLOVANSKÝ PŘEHLED” JOURNAL." Problems of slavonic studies, no. 68 (2019): 162–74. http://dx.doi.org/10.30970/sls.2019.68.3077.
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Abstract Background: A famous literary critic and writer, representative of the “Moloda Muza” group, B. Lepky was published in numerous Ukrainian and foreign journals in the early twentieth century. Today, his cooperation with Polish and German editions has been partially explored, but the Czech direction remains almost unclear. There are only individual references to B. Lepky's cultural publications in the “Slovanský přehled” journal in the works of V. Doroshenko, V. Lev, B. Rubchak. Purpose: The purpose of the study is to analyze the interpretative bases of B. Lepky's publications in “Slovanský přehled”, namely, five annual reviews of Ukrainian literature (1901, 1902, 1903, 1905, 1906) and three cultural pieces of knowledge: about the composer M. Lysenko, about the translation of short stories by M. Kotsiubynsky into Polish, and the scientific works of M. Hrushevsky, B. Barvinsky and V. Shchurat. Results: B. Lepky followed I. Franko in editing “Slovanský přehled” journal. I. Franko prepared the ground for the Czechs to familiarize them with Ukrainian literature. In a series of annual reviews, B. Lepky considered Ukrainian literature in the pan-European context, translating the realities of national culture into the language of universal cultural concepts. Not contradicting realism and modernism, the critic appraised the high artistic value of the works by Lesya Ukrainka, V. Stefanyk, M. Kotsyubynsky, O. Kobylyanska, which were marked by modern stylistic trends. Trying to convey the original content to the foreign reader, B. Lepky approached his critical speech to the poetic one, painting it with impressionistic strokes and symbolic imagery. The author concluded that the importance of B. Lepky’s Czech publications was important for understanding the ways in which Ukrainian writing was modernized and contextualized in Slavic and pan-European culture in the early twentieth century. Key words: Modernism period, literary process, critical writing, literary review, review, contextualization, impressionism, symbolism.
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Osovskiy, Oleg E., and Svetlana A. Dubrovskaya. "G.M. Fredlender’s Review on M.M. Bakhtin’s “To the Issues of the Methodology of the Aesthetics of Verbal-artistic Creativity”." Studia Litterarum 7, no. 4 (2022): 316–35. http://dx.doi.org/10.22455/2500-4247-2022-7-4-316-335.
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The article presents G. Friedlander’s peer-review on M. Bakhtin’s manuscript of the collection of works. This is the first publication of G. Friedlander’s text written at December 26, 1973. It provides the detailed analysis and assessment of Bakhtin’s book that was published in 1975 under the title “Questions of Literature and Aesthetics.” Highly assessing the scholar’s contribution to Russian literary criticism, the reviewer underlines the innovative nature of the previously unpublished articles in the collection. Bakhtin’s attitude to the “formal school” and his criticism of “material aesthetics” are also important to him. It allows G. Friedlander to name Bakhtin among the most authoritative opponents of structuralism and other schools of Western literary criticism. The most significant to the reviewer are Bakhtin’s discoveries in the field of historical poetics, primarily in the history and theory of the novel. One of the points of G. Friedlander’s disagreement was the interpretation of Gogol’s laughter in the context of Rabelais’ work. The publication of the review is accompanied by the preface, which reconstructs the context of the reception of Bakhtin’s ideas in the late Soviet era, indicates the points of dialogue between G. Friedlander and M. Bakhtin in the 1950s–1970s. The publication is provided with notes.
Dissertations / Theses on the topic "M A Criticism and interpretation"
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Ingham, David Keith. "Mediation and the indirect metafiction of Randolph Stow, M. K. Joseph, and Timothy Findley." Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25819.
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In order to explore the range of indirect metafiction as presented in three exemplary novels, this dissertation begins by examining how the assumptions of "realism" on the one hand and "postmodernism" on the other relate to the paradigmatic triad of story-teller, story, and audience. From this context emerges the view that the range of metafiction is determined by how it reveals the processes and nature of fiction according to a spectrum of mediation: that of the writer between his "raw materials" and the text, that of the text between writer and reader, and that of the reader between the text and his interpretation.
Indirect metafiction (or "pretend realism") mediates between realism and postmodernism, revealing without breaking the illusions of realism.
Each of the next three chapters, after initially placing the key novel within the context of the author's work as a whole, discusses in detail a novel whose metafictional focus is on one of the three mediations. Accordingly, Chapter II focusses on Randolph Stow's The Girl Green as Elderflower (1980) and on the way it reveals the mediation of the author by presenting a writer's fiction as a synthesis of his personal and literary experiences. Chapter III notes how M. K. Joseph's A Soldier's Tale (1976) reflects the mediation of the reader by depicting a writer's interpretation and literary redaction of an oral tale. And Chapter IV shows how Timothy Findley's Famous Last Words (1981) demonstrates the mediation of the text by presenting a writer whose text "crystallizes" the illusions of fiction, then undercuts and exposes them. The analyses of the key texts employ both postmodern and traditional critical approaches, demonstrating them to be complementary; by noting the interpenetration of metafictional and traditional import and significance, the analyses also highlight the mediary nature of indirect metafiction.
The fifth chapter draws theoretical conclusions from ideas in the practical chapters: from metafictional revelations through the paradigm of mediation comes an "anatomy" of fiction, delineating its elements; from a sense of how the mind "structures" experience through "fictional" representations of both "reality" and fictional texts comes a "physiology," a sense of how fiction works through language. This discussion leads to definitions of realistic, unrealistic, and self-conscious fiction, and of metafiction, both direct and indirect; the dissertation concludes by remarking on the inter-relations of language, "fiction," and "reality."Arts, Faculty of
English, Department of
Graduate
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Bolduc, Alexandra. "Cioran et l'écriture du fragment." Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=30151.
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In this thesis, we will try to approach Cioran's work using the fragmentary theory. The different types of fragments (anecdotes, maxims, aphorisms, bio-moments, short essays...) that constitute Cioran's work and that mark its variations, appear to result from sloughing (multiple passages and displacement), so that the one who "sloughes" is never the same but does not fundamentally change.In this perspective, the writing of the fragment may not be a deficiency, a collapsing or a fetichism of the part, but rather a matter of instinct, of experimentation that (re)totalizes as it is been written...like a victory over time and death, like a moment of eternity, like a fragment-trophy.
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Kok, Marina Susan. "An investigation of masculinity in J. M. Coetzee's disgrace (1999)." Thesis, Nelson Mandela Metropolitan University, 2008. http://hdl.handle.net/10948/783.
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The study of Masculinity is a fairly new phenomenon which developed as a refinement of gender studies. The theoretical frameworks on masculinity are still under development and are often severely contested. This study proposes to examine the dynamics of masculinity studies, critiquing the notion of ‘masculinity in crisis’. The premise of the masculinity in crisis debate is that men are experiencing an increasing sense of powerlessness. This dissertation aims to examine the masculine identities represented in Disgrace and to test whether they are better understood through the lens of masculine theory. The disgraceful situation of David Lurie is arguably not merely a result of hapless circumstance, but rather illustrates significant parallels with the crisis debate. The basic premise of this debate is that the behaviour previously condoned and applauded as healthy 'manliness' is now being labelled as anti-social and destructive. It is not just masculine roles that are under threat. Other forces behind the crisis are “the loss of masculine rights and changes in the pattern of employment” (Beynon 2002:75). One view held by theorists of masculinity studies is that for real change to occur, a fluid definition of masculine identity is needed. In J.M. Coetzee’s Disgrace (1999), the main protagonist is David Lurie. He may arguably be said to typify a masculinity that is in a state of crisis because of his stoic refusal throughout the novel to change or reform: “I was offered a compromise, which I would not accept”, he says, and: “Re-education. Reformation of the character. The code word was counselling” (1999:66). His aversion to such counselling and refusal to compromise mark his resistance to change.
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Tose, M. J. "Ubuchule bencoko yababini nesimbo sokubhala kwincwadi ka A.M. Mmango ethi, "Law' ilahle"." Thesis, Nelson Mandela Metropolitan University, 2007. http://hdl.handle.net/10948/621.
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Olu phando lugxile kakhulu kwincwadi ka-A.M. Mmango ethi, Law’ilahle. Apha sizama ukuveza ukubaluleka kobuchule bokubhala phakathi kwencoko yabantu ababini kubhalo lwemidlalo ngoovulindlela bedrama esiXhoseni. Oku kwenziwa ngokuthi kuphononongwe nzulu isimbo sokubhala. Ezinye izinto esiza kuziveza ziindlela zokuthetha ezithi zizesetyenziswe ngabalinganiswa. Oku kwenziwa ngokuthi kugxeleshwe kakhulu kumagama namaganyana adelelekileyo asetyeniswayo ngabalinganiswa ze kuthi kubuywe kukhangelwe nefuthe laloo magama kulwimi olusulungekileyo lwesiXhosa. Oku kukhokelela ekuphononongeni indlela ekuthi umbhali asebenzise ngayo isigama esivumelekileyo nesigama esithi sisetyenziswe esibangela ukuba umfundi lowo asebenzise ingqondo yakhe ukucinga ukuba kutheni umbhali etshintsha isigama kuloo ncoko ithile ayakhayo. U-A. M. Mmango usizobela asivezele kakuhle zonke izigaba ekufuneka zilandelwe xa sibhala uncwadi lwedrama. Uyaphumelele ke ukuziveza zonke ezi zinto ngenxa yeengxoxo azakhayo phakathi kwabalinganiswa. Ukuba sithelekisa uluncwadi lwedrama yale mihla luye lube nawo umahluko kuncwadi olwalubhalwe kuqala. Kananjalo, lo ka-Mmango usebenzisa uyilo lwengxoxo nocwangciso lwimi olululo ukwenzela ukuba umfundi lowo ofunda incwadi yakhe akwazi ukuwubona umahluko phakathi kwababhali bale mihla nabakudala. Esi simbo sikaMmango sokubhala asiwenzi umdintsi. Oku kuphawuleka ngamandla kwimixholwana esekeleze ululeko olungqongqo.
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Ngqase, Fikiswa Freelance, P. T. Umdlanga Mtuze, B. B. Inzonzobila Mkonto, M. Indlal'inamanyala Lamati, and T. A. Inxeba Lenkosi Nami. "Indlela ababunjwe ngayo abafazi kwiincwadi zedrama ZesiXhosa." Thesis, Stellenbosch : Stellenbosch University, 2002. http://hdl.handle.net/10019.1/52886.
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Text in Xhosa.Thesis (MA)--Stellenbosch University, 2002.
ENGLISH ABSTRACT: This study examines representations of women in four Xhosa drama books, thus aiming at highlighting the interplay between culture and women's social space. A comparative approach is used to review the ways in which the Xhosa dramatists under study characterise women.Some of these representations suggest that women have the capability to achieve personal transedence rather than accept the immanence imposed by stereotyped gender relationships. In these works, it is evident that writers can change the image of women by centralising them as active people who fight for their rights. THE ASSIGNMENT IS ARRANGED AS FOllOWS: CHAPTER 1 Introduces the aim, the scope, the theories and the methods of the study. CHAPTER 2 Deals with the development of plot and attention is paid to episodes in the four dramas. These episodes depict the different phases of the dramas. The dramas under study are evaluated critically by motivating their positive and negative aspects. CHAPTER3 Deals with woman as character in Xhosa dramas under study. A critical detailed analysis of the main woman character in each drama is undertaken. CHAPTER4 Presents depiction of Xhosa culture in the Xhosa dramas. CHAPTERS Summarises the findings of the study which is the representation of women in Xhosa drama books.
AFRIKAANSE OPSOMMING: Hierdie studie ondersoek voorstellings van vroue in vier Xhosa dramas met die doelom die interaksie te ontleed tussen kultuurverskynsels in die vrou se sosiale ruimte. 'n Vergelykende benadering word gevolg om 'n analise te doen van hoe die dramaturge wie se werke bestudeer word vroue karakteriseer. Sommige representasies van hierdie karakterisering dui aan dat vroue die vermoë het tot persoonlike transendensie, eerder as om die onmiddellikheid te aanvaar van gestereotipeerde genderverhoudings. In die dramas wat ondersoek is, blyk dit dat die skrywers in staat is om die beeld van vroue te verander deur hulle te sentraliseer as aktiewe mense wat veg vir hulle regte. Die werkstuk word as volg georganiseer: Hoofstuk Een gee 'n uiteensetting van die doelstelling, omvang, teoretiese raamwerk en metodes van die studie. Hoofstuk Twee ondersoek die ontwikkeling van intrige en 'n analise word gedoen van die episodes in die vier dramas. Hierdie episodes beeld die verskillende fases van die onderskeie dramas uit. Die dramas word krities ge-evalueer en hulle positiewe en negatiewe aspekte word behandel. Hoofstuk Drie ondersoek die vrou as karakter in die Xhosa dramas. 'n Gedetaileerde kritiese analise word onderneem van die hoof vroue karakter in elke drama. Hoofstuk Vier ondersoek die uitbeelding van kultuur in die onderskeie Xhosa dramas. Hoofstuk Vyf gee 'n opsomming van die hoofaspekte van ondersoek en die bevindinge van die studie.
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Rey, Catherine. "La nouvelle Babel : langage, identite et morale dans les oevres de Emil Cioran, Milan Kundera et Andrei Makine." University of Western Australia. School of Humanities, 2006. http://theses.library.uwa.edu.au/adt-WU2006.0051.
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The subject of this thesis is an examination of the acquisition in language of a new country for three Eastern European writers exiled in France. For such writers, art and life become inseparable: just as the experience of geographical displacement liberates the writer so it liberates his language. This new language becomes a field of experimentation, in which the conflicts that precipitated exile are resolved. Departure necessitates the abandonment of the mother tongue: for Cioran, Romanian; for Kundera, Czech; for Makine, Russian. For each of these three writers, studied in this thesis, the adoption of French as the language of literary expression was a decisive act. Geographically and spiritually he and his text are redefined. Separated from familiar landmarks, each finds a new terrain in the language of the creative text, a place, a private space, in which to express the realities of his new self. On the one hand this new paradigm is the expression of a rejection of a past and a tradition; on the other hand it is essential in the process of coming to self-understanding. For Cioran, Kundera and Makine the French language provides a foil to their own ruptured, fragmented, traumatised or guilt-ridden native identities. In each case the adoption of French with its concomitant stereotypical qualities and values constitutes a dialectical process of coming to a clearer sense of self.
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Rozmovits, Linda 1959. "A.M. Klein and modernism." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=64004.
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Nash, Andrew. "Kailyard, Scottish literary criticism, and the fiction of J.M. Barrie." Thesis, University of St Andrews, 1998. http://hdl.handle.net/10023/15199.
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This thesis argues that the term Kailyard is not a body of literature or cultural discourse, but a critical concept which has helped to construct controlling parameters for the discussion of literature and culture in Scotland. By offering an in-depth reading of the fiction of J.M. Barrie - the writer who is most usually and misleadingly associated with the term - and by tracing the writing career of Ian Maclaren, I argue for the need to reject the term and the critical assumptions it breeds. The introduction maps the various ways Kailyard has been employed in literary and cultural debates and shows how it promotes a critical approach to Scottish culture which focuses on the way individual writers, texts and images represent Scotland. Chapter 1 considers why this critical concern arose by showing how images of national identity and national literary distinctiveness were validated as the meaning of Scotland throughout the nineteenth century. Chapters 2-5 seek to overturn various assumptions bred by the term Kailyard. Chapter 2 discusses the early fiction of J.M. Barrie in the context of late nineteenth-century regionalism, showing how his work does not aim to depict social reality but is deliberately artificial in design. Chapter 3 discusses late Victorian debates over realism in fiction and shows how Barrie and Maclaren appealed to the reading public because of their treatment of established Victorian ideas of sympathy and the sentimental. Chapter 4 discusses Barrie's four longer novels - the works most constrained by the Kailyard term - and chapter 5 reconsiders the relationship between Maclaren's work and debates over popular culture. Chapter 6 analyses the use of the term Kailyard in twentieth-century Scottish cultural criticism. Discussing the criticism of Hugh MacDiarmid, the writing of literary histories and studies of Scottish film, history and politics, I argue for the need to reject the Kailyard term as a critical concept in the discussion of Scottish culture.
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Mbambo, Mncedi. "Imiba yentlalo nenkcubeko kwizibongo zeenkosi ezintathu zamaxhosa." Thesis, Stellenbosch : Stellenbosch University, 2001. http://hdl.handle.net/10019.1/52302.
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Thesis (MA)--University of Stellenbosch, 2001.ENGLISH ABSTRACT: This study examines the socio-cultural issues in the praise poems of three Xhosa chiefs, namely, Nkosi Whyte Lent Mbali Maqoma of the amaJingqi, Nkosi Doyle Mpuhle Jongilanga of Dushane of Ndlambe and Nkosi Sipho Mangindi Burns-Ncamashe of amaGwali of Tshiwo. What comes out clear in the poems of these chiefs is that they experienced power problems after and before 1994. Their poetry protests about these political influences and calls for the restoration of the dignity of the chieftancy. The socio-cultural aspects of the praise poems of each chief are devoted to a chapter: Nkosi Whyte Lent Mbali Maqoma in Chapter 2, Nkosi Doyle Mpuhle Jongilanga in Chapter 3, and Nkosi Sipho Mangindi Burns-Ncamashe in Chapter 4. Attention is paid to each chiefs genealogy, praise names, names of oxen because of traditional significance in the life of the chief, the chiefs mother, and place names which have historical importance in the life of the chief. As part of the theoretical framework of praise poetry, praise poetry theory is handled in Chapter 1 of the study. It is concluded in Chapter 5 that Xhosa paramount chiefs still play and will playa crucial socio-cultural role in their communities. They are not only concerned about being custodians of culture but also with the development of their nations.
AFRIKAANSE OPSOMMING: Hierdie studie ondersoek sosio-kulturele vraagstukke in die prysgedigte van drie Xhosa opperhoofde, naamlik opperhoof Whyte Lent Mbali Maqoma van die amaJingqi, opperhoof Doyle Mpuhle Jongilanga van die Dushane groep van die Ndlambe en opperhoof Sipho Mangindi Burns-Ncamashe van die amaGwali groep van die Tshiwo. Die beeld wat na vore kom na aanleiding van 'n analise van die opperhoofde se prysgedigte dat hulle 'n magsprobleem ondervind het sowel voor as na 1994. Deur hulle poesie teken hulle protes aan oor bepaalde politieke invloede en hulle doen 'n beroep daarop dat die waardigheid van die hoofmanskap herstel word. Die sosio-kulturele vraagstukke wat na vore kom in die prysgedigte van elke opperhoof word behandel in individuele hoofstukke. Hoofstuk 2 ondersoek die prysgedigte van opperhoof Whyte Lent Mbali Maqoma, Hoofstuk 3 die prysgedigte van opperhoof Doyle Mpuhle Jongilanga, en Hoofstuk 4, die prysgedigte van opperhoof Sipho Mangindi Burns- Ncamashe. Aandag word gegee aan die genealogie van elke opperhoof, prysgroetvorme, die name van beeste, op grond van hulle tradisionele betekenis in die lewe van 'n hoofman, die opperhoof se moeder, asook plekname wat 'n historiese belang het in die lewe van die opperhoof. As deel van die teoretiese raamwerk vir die studie word die teorie van die prysgedig behandel in Hoofstuk 1. Hoofstuk 5 gee 'n samevatting van die belangrikste aspekte van die studie en motiveer die gevolgtrekking dat opperhoofde steeds 'n essenstele sosio-kulturele rol speel en ook in die toekoms sal speel in hulle gemeenskappe. Hulle is nie slegs die bewakers van die kultuurwaardes van hulle gemeenskappe nie, maar is ook fundamenteel betrokke by die ontwikkeling van hulle gemeenskappe.
ISISHWANKATHELO Olu luphando ngemiba yentlalo nenkcubeko kwizibongo zeenkosi zamaXhosa ezintathu, uNkosi uWhyte Lent Mbali Maqoma wamaJingqi, uNkosi uDoyle Mpuhle Jongilanga wemiDushane kaNdlambe noNkosi uSipho Mangindi Burns-Ncamashe wamaGwali kaTshiwo. Into evela ngokucacileyo kwizibongo ezingezi nkosi kukuba ngaphambili komnyaka we-1994 nasemva kwawo zifumene ubunzima ekulawuleni abantu bazo. Kwezi zibongo ukukhalaza ngokuphazamisa kwezopolithiko kulawulo Iwazo nelizwi lokubuyiselwa kwesidima sobukhosi kuvela ngokuthe gca. Iveliswa kwisahluko ngasinye imiba ephathelele kwezentlalo nenkcubeko evela kwizibongo zenkosi nganye: uNkosi Whyte Lent Mbali Maqoma kwisahluko 2, uNkosi Doyle Mpuhle Jongilanga kwisahluko 3, noNkosi uSipho Mangindi Burns-Ncamashe kwisahluko 4. Kuqwalaselwe umlibo wenkosi nganye, izikhahlelo zayo, amagama eenkomo ezinentsingiselo kwinkosi leyo, unina wenkosi namagama eendawo ezinentsingiselo kubomi benkosi nganye. Isikhokhelo esiyithiyori yezibongo sinikwe kwisahluko 1 solu phando. Kwisahluko 5 kuphethwa ngokuba iinkosi zamaXhosa zisenenxaxheba enkulu kwaye zisaya kuhlala zinayo kwimiba yentlalo nenkcubeko yabantu bazo. Aziphelelanga nje ekubeni zigcine inkcubeko yoluntu koko zikwanoxanduva lokunyusa umgangatho wobomi babantu bazo.
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Sadet︠s︡kiĭ, Aleksandr. "The poetics of indeterminism : M. E. Saltykov-Shchedrin, the dynamics of the aesthetic object." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=76580.
Full textBooks on the topic "M A Criticism and interpretation"
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S, J. Llop. M. Malet. Barcelona: Gal Art, 1996.
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Poy, Carles. M. Solá. Madrid: Fernán-Gómez, 1987.
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J. M. Coetzee. Firenze: Le lettere, 2009.
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Sergej M. Ejzenštejn. Milano: Il castoro, 2007.
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Molina, Rodrigo Villacís. Carlos Monsalve M. Quito, Ecuador: Imaginar Ediciones, 2001.
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Melyik Kosztolányi(m)?: Kapcsolatformálódások. Szabadka: Szabadkai Szabadegyetem, 2011.
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Osipova, N. O. Mifopoėtika liriki M. T͡S︡vetaevoĭ. Kirov: Vi͡a︡tskiĭ gos. pedagog. universitet, 1995.
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Nuridsany, Michel. L' inimitable M. Watteau. [Montrouge, France]: Maeght, 1998.
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Montalbán, Manuel Vázquez. Gauguin & M. Vázquez Montalbán. Paris: Flohic Editions, 1991.
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Khimich, V. V. "Strannyĭ realizm" M. Bulgakova. Ekaterinburg: Izd-vo Uralʹskogo universiteta, 1995.
Find full textBook chapters on the topic "M A Criticism and interpretation"
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Bogel, Fredric V. "New Formalist Interpretation." In New Formalist Criticism, 102–52. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137362599_4.
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Colmer, John. "Criticism and Biography." In E. M. Forster, 173–92. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003108160-9.
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Cohen, Ralph. "Literary Criticism and Artistic Interpretation." In Reason and Imagination, 279–306. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003222996-14.
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Bonelli, Paolo, Giorgio Guidotti, Enrico Paolini, and Giulio Spinucci. "Pacemaker Stimulation Criticism at ECG." In New Concepts in ECG Interpretation, 175–85. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-91677-4_16.
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Wang, Fengzhen. "Marxist Literary Criticism in China." In Marxism and the Interpretation of Culture, 715–22. London: Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19059-1_49.
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Capellmann, Herbert. "Later Criticism of the Copenhagen Interpretation." In SpringerBriefs in History of Science and Technology, 77–81. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-61884-5_10.
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Amesbury, Richard. "Norms, Interpretation, and Decision-Making: Derrida on Justice." In Morality and Social Criticism, 46–64. London: Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230507951_3.
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Mallinson, Jane. "Objects of Attention: The Literary Criticism." In T.S. Eliot’s Interpretation of F.H. Bradley, 23–34. Dordrecht: Springer Netherlands, 2002. http://dx.doi.org/10.1007/978-94-017-0411-3_3.
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Shattock, Joanne, Joanne Wilkes, Katherine Newey, and Valerie Sanders. "R. M. Sillard, ‘Concerning Theatrical Criticism’." In Literary and Cultural Criticism from the Nineteenth Century, 179–84. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003199878-34.
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Ginzton, Leonard E., and Michael M. Laks. "Computer Aided ECG Interpretation." In M. D. Computing: Benchmark Papers, 46–53. New York, NY: Springer New York, 1987. http://dx.doi.org/10.1007/978-1-4612-4710-4_6.
Full textConference papers on the topic "M A Criticism and interpretation"
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Apenko, Elena. "qAnotherq Literature of American Revolution: poetry of M. O. Warren and Ph. Wheatley and its Interpretation by American Feminist Critics." In 45th International Philological Conference (IPC 2016). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/ipc-16.2017.40.
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Al-dabbagh, Asma. "The Nature of Interpretation in Architectural criticism." In INTERNATIONAL CONFERENCE ON ARCHITECTURAL AND CIVIL ENGINEERING 2020. Cihan University-Erbil, 2021. http://dx.doi.org/10.24086/aces2020/paper.256.
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The expressive systems in architecture consists of two components: the system of forms and the system of meanings, these systems are linked together by unwritten rules, which are a matrix of correlations / implications that determine any meanings associated with any forms. The designer remains unsure of the possible interpretations of his design, because of the variation in the nature of meaning, discovered by the recipient, and this stems from the variation of reliance on the theory of interpretation in this regard. Many studies of architectural semiology indicate some of these theories; Classical theory believes in the natural meaning, which influenced by form's geometry, Pragmatic theory believes in the common meaning, which stems from the use of form within different contexts and according to social custom. The research attempts to explore the aspects of interpretation adopted by two critics, in order to determine the theory adopted by them, so the designer will be aware to the nature and type of meaning comprehended by viewers. The results showed the adoption of common and inclusive meanings, also showed the variation in the role of architectural Expressions in confirming or multiplying the meaning, influenced by contexts and signal types. The conclusion emphasized the importance of historical references, stylistic trend, and spatial contexts in form interpretation.
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"Interpretation of "Wuthering Heights" from the Perspective of Eco-criticism." In 2018 4th International Conference on Economics, Management and Humanities Science. Francis Academic Press, 2018. http://dx.doi.org/10.25236/ecomhs.2018.126.
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Kenyhercz, Róbert. "Interpretation of data and sources in etymological research." In International Conference on Onomastics “Name and Naming”. Editura Mega, 2022. http://dx.doi.org/10.30816/iconn5/2019/39.
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The aim of the paper is to emphasize the importance of source criticism in etymological research. It is widely known that the main sources for the early history of toponyms in the Carpathian Basin are the charters created in the medieval Hungarian Kingdom, because these official documents contained a large number of vernacular proper names embedded in the Latin text. However, it is important to mention that the medieval charters were produced by the chancery and places of authentication along specific principles and needs. I argue that this circumstance must always be considered during the interpretation of the data. I will show some examples illustrating that – in certain cases – we have to take into account the nature of the sources in the reconstruction of the genesis of place names. My goal is to offer a brief outline of this issue through my own investigations.
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Warpinski, N. R., P. T. Branagan, R. E. Peterson, and S. L. Wolhart. "An Interpretation of M-Site Hydraulic Fracture Diagnostic Results." In SPE Rocky Mountain Regional/Low-Permeability Reservoirs Symposium. Society of Petroleum Engineers, 1998. http://dx.doi.org/10.2118/39950-ms.
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Verner, Inna. "The legacy of Maximus the Greek in the biblical revision of Euthymius Chudovsky (1680s)." In Tenth Rome Cyril-Methodian Readings. Indrik, 2020. http://dx.doi.org/10.31168/91674-576-4.04.
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The paper explores the use by Euthymius Chudovsky of Maximus the Greek’s achievements in the linguistic revision of biblical texts. Correction and translation of the New Testament by Euthymius in the 1680s demonstrates not only the appeal to the texts translated by Maximus as language patterns, but also the development of his philological criticism of the text of Holy Scripture and its interpretation.
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O'Connor, Robert B., Stephen E. Ingraham, and Bertram Chang. "M‐D MVSA methods in the stratigraphic interpretation of seismic data." In SEG Technical Program Expanded Abstracts 1987. Society of Exploration Geophysicists, 1987. http://dx.doi.org/10.1190/1.1891951.
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Piazza*, J. L., C. Magneron, T. Demongin, and N. A. Müller. "M-Factorial Kriging - An Efficient Aid to Noisy Seismic Data Interpretation." In Petroleum Geostatistics 2015. Netherlands: EAGE Publications BV, 2015. http://dx.doi.org/10.3997/2214-4609.201413594.
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Fateeva, I. "“AN EVERLASTING DAY” (IN RELATION TO THE PAINTING “HUNTERS IN THE SNOW” BY PIETER BRUEGEL)." In Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2554.978-5-317-06726-7/93-96.
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The article gives an aesthetic interpretation of the art criticism judgment - “An everlasting day” in relation to the painting “Hunters in the Snow” by the Dutch artist, representative of the Northern Renaissance (16th century) Pieter Bruegel (Muzhitsky). In the context of the ideas of phenomenological aesthetics, the type of painting is determined, a conclusion is made about the applicability of the considered judgment to paintings of a certain type, examples of such works from Russian art are given.
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Semenovskaya, A. E. "GENIUS AND SOCIETY IN M. AMELIN'S POETRY: INTERPRETATION OF A SINGLE EPIGRAPH." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. Publishing House of Tomsk State University, 2020. http://dx.doi.org/10.17223/978-5-94621-901-3-2020-85.
Full textReports on the topic "M A Criticism and interpretation"
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Wyatt, D., R. K. Aadland, R. J. Cumbest, D. E. Stephenson, and F. H. Syms. Geological Interpretation of the Structure and Stratigraphy of the A/M Area, Savannah River Site, South Carolina. Office of Scientific and Technical Information (OSTI), December 1997. http://dx.doi.org/10.2172/653918.
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Wyatt, D. E., R. J. Cumbest, R. K. Aadland, F. H. Syms, D. E. Stephenson, and J. C. Sherrill. Interpretation of Geological Correlation Borings 1, 2, 3 in the A/M Area of the Savannah River Site, South Carolina. Office of Scientific and Technical Information (OSTI), June 1997. http://dx.doi.org/10.2172/653916.
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Kerr, D. E. Reconnaissance surficial geology, Bebensee Lake, Northwest Territories-Nunavut, NTS 86-M. Natural Resources Canada/CMSS/Information Management, 2022. http://dx.doi.org/10.4095/329456.
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Preliminary surficial geology, based on airphoto interpretation and limited legacy field data of the Bebensee Lake map area, records a complex glacial landscape. Highly streamlined till, till blanket, hummocky till, moraine complex, and ridged till are dominant units. Glaciofluvial sand and gravel form eskers, subglacial meltwater corridors, ice-contact deposits, and outwash plains. Fine-grained glaciolacustrine sediments in the south occur predominantly in lowlands below 250 m elevation, relating to glacial Lake McConnell. Multiple lobes of Laurentide ice glaciated the area. Relict glacial landforms record older westward to west-southwestward ice flow. In the southeast, these are strongly overprinted by subsequent north-oriented flutings, decreasing in intensity northward, and originating from a lobe south of the map area. Streamlined till landforms, relating to a third lobe originating east and northeast of the map region, indicate the last ice flow was dominantly westward in east-central regions, and southwestward in the north and west. During deglaciation, widespread hummocky till was deposited, and major moraines and esker complexes formed along the margins of two ice lobes.
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Ivanyshyn, Petro. BASIC CONCEPTS OF YEVHEN MALANIUK’S NATIONAL-PHILOSOPHICAL INTERPRETATION: ESEISTIC DISCOURSE. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11070.
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The purpose of the research is to outline the structure of the main methodological ideas within the frames of interpretive thinking in the essay of the famous Vistnyk’s writer, critic and essayist Yevhen Malaniuk. Considering the purpose and tasks of the studio, an interdisciplinary methodological base, related to the author’s “national approach”, has been worked out. The epistemological potential of national philosophy as a philosophy of national existence, national science as a theory of nation, hermeneutics as a theory and practice of interpretation and post-colonialism as interpretation of cultural phenomena from the standpoint of anti- and post-imperial consciousness are used in the work. The scientific novelty is that on the basis of the previous hermeneutic generalization and definition of national-existential methodology, a propaedeutic outlining of the structure of national-philosophical concepts within the frames of the essayistic interpretation of reality in Ye. Malaniuk is proposed. In the methodological sense, the writer’s essayism is structured by such concepts as nation-centrism, idealism, voluntarism, heroism, and can be considered as one of the variants (close by the experiences of D. Dontsov, Yu. Lypa, M. Mukhyn, etc.) of the Vistnyk’s national-philosophical (national-existential, nationalistic or nation-centric) hermeneutics, that is, the way of understanding, which the author by himself outlined as a “national approach”. The support of Ye. Malaniuk as a culture-philosopher and exegete on the eternal nation-centric values and criteria in his essayistic studies makes his reflections not only historically interesting, but also theoretically productive, classically important for the development of modern Ukrainian hermeneutics and humanities in general.
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Durling, P. W. Seismic reflection interpretation of the Carboniferous Cumberland Basin, Northern Nova Scotia. Natural Resources Canada/CMSS/Information Management, 2023. http://dx.doi.org/10.4095/331223.
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An interpretation of approximately 1700 km of seismic data was completed in 1996. The seismic analysis, together with well information and geological map data, were used to map thirteen seismic horizons in the Cumberland Basin. Ten of the horizons were mapped only in limited areas, whereas three horizons could be mapped regionally. These are: BW (base of the Windsor Group), BP (base of the Boss Point Formation), and PG (base of the Pictou Group). The BW horizon is the deepest regional horizon mapped. The horizon generally dips southerly toward the Cobequid Highlands. It is affected by faults adjacent to the Scotsburn Anticline and the Hastings Uplift; the horizon was not recognized over part of the uplift. On the seismic reflection data, the horizon varies between 500 ms and 3200 ms two-way travel time (approximately 800-7600 metres) and rocks corresponding to this horizon do not outcrop in the basin. The BP and PG horizons can be traced to outcrop on the flanks of the major anticlines. Time structure maps of these horizons mimic the distribution of synclines mapped from outcrop geology. The BP horizon is affected by more faults and is more tightly folded than the PG horizon south of a major fault (Beckwith Fault). North of the Beckwith Fault, both horizons are essentially flat and not deformed. Several geological relationships were documented during this study. A thick (up to 1600 m) clastic unit was recognized in the central portion of the southern margin of the Cumberland Basin. It is interpreted as Windsor Group equivalent. Seismic reflections from within the Falls and Millsville conglomerates were recognized and suggest that these rocks correlate with the Windsor Group. Seismic profiles that cross the southern margin of the Cumberland Basin image parts of the asement complex to the south of the basin (Cobequid Highlands) and show reflection patterns consistent with mountain fronts. The seismic data image the folded and faulted Cobequid Highlands basement complex, which is interpreted as a thrusted structural wedge.
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Arcone, Steven, James Lever, Laura Ray, Benjamin Walker, Gordon Hamilton, and Lynn Kaluzienski. Ground-penetrating radar profiles of the McMurdo shear zone, Antarctica, acquired with an unmanned rover : interpretation of crevasses, fractures, and folds within firn and marine ice. Engineer Research and Development Center (U.S.), December 2021. http://dx.doi.org/10.21079/11681/42620.
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The crevassed firn of the McMurdo shear zone (SZ) within the Ross Ice Shelf may also contain crevasses deep within its meteoric and marine ice, but the surface crevassing prevents ordinary vehicle access to investigate its structure geophysically. We used a lightweight robotic vehicle to tow 200- and 40 MHz ground-penetrating radar antennas simultaneously along 10 parallel transects over a 28 km² grid spanning the SZ width. Transects were generally orthogonal to the ice flow. Total firn and meteoric ice thickness was approximately 160 m. Firn crevasses profiled at 400 MHz were up to 16 m wide, under snow bridges up to 10 m thick, and with strikes near 35°–40° to the transect direction. From the top down, 200- MHz profiles revealed firn diffractions originating to a depth of approximately 40 m, no discernible structure within the meteoric ice, a discontinuous transitional horizon, and at least 20 m of stratified marine ice; 28–31 m of freeboard found more marine ice exists. Based on 10 consecutive transects covering approximately 2.5 km², we preliminarily interpreted the transitional horizon to be a thin saline layer, and marine ice hyperbolic diffractions and reflections to be responses to localized fractures, and crevasses filled with unstratified marine ice, all at strikes from 27° to 50°. We preliminarily interpreted off nadir, marine ice horizons to be responses to linear and folded faults, similar to some in firn. The coinciding and synchronously folded areas of fractured firn and marine ice suggested that the visibly unstructured meteoric ice beneath our grid was also fractured, but either never crevassed, crevassed and sutured without marine ice inclusions, or that any ice containing crevasses might have eroded before marine ice accretion. We will test these interpretations with analysis of all transects and by extending our grid and increasing our depth ranges.
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Halych, Valentyna. SERHII YEFREMOV’S COOPERATION WITH THE WESTERN UKRAINIAN PRESS: MEMORIAL RECEPTION. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11055.
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The subject of the study is the cooperation of S. Efremov with Western Ukrainian periodicals as a page in the history of Ukrainian journalism which covers the relationship of journalists and scientists of Eastern and Western Ukraine at the turn of the XIX-XX centuries. Research methods (biographical, historical, comparative, axiological, statistical, discursive) develop the comprehensive disclosure of the article. As a result of scientific research, the origins of Ukrainocentrism in the personality of S. Efremov were clarified; his person as a public figure, journalist, publisher, literary critic is multifaceted; taking into account the specifics of the memoir genre and with the involvement of the historical context, the turning points in the destiny of the author of memoirs are interpreted, revealing cooperation with Western Ukrainian magazines and newspapers. The publications ‘Zoria’, ‘Narod’, ‘Pravda’, ‘Bukovyna’, ‘Dzvinok’, are secretly got into sub-Russian Ukraine, became for S. Efremov a spiritual basis in understanding the specifics of the national (Ukrainian) mass media, ideas of education in culture of Ukraine at the end of XIX century, its territorial integrity, and state independence. Memoirs of S. Efremov on cooperation with the iconic Galician journals ‘Notes of the Scientific Society after the name Shevchenko’ and ‘Literary-Scientific Bulletin’, testify to an important stage in the formation of the author’s worldview, the expansion of the genre boundaries of his journalism, active development as a literary critic. S. Yefremov collaborated most fruitfully and for a long time with the Literary-Scientific Bulletin, and he was impressed by the democratic position of this publication. The author’s comments reveal a long-running controversy over the publication of a review of the new edition of Kobzar and thematically related discussions around his other literary criticism, in which the talent of the demanding critic was forged. S. Efremov steadfastly defended the main principles of literary criticism: objectivity and freedom of author’s thought. The names of the allies of the Ukrainian idea L. Skochkovskyi, O. Lototskyi, O. Konyskyi, P. Zhytskyi, M. Hrushevskyi in S. Efremov’s memoirs unfold in multifaceted portrait descriptions and function as historical and cultural facts that document the pages of the author’s biography, record his activities in space and time. The results of the study give grounds to characterize S. Efremov as the first professional Ukrainian-speaking journalist.
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Kerr, D. E. Reconnaissance surficial geology, Cape MacDonnel, Northwest Territories, NTS 96-I. Natural Resources Canada/CMSS/Information Management, 2022. http://dx.doi.org/10.4095/330074.
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Preliminary surficial geology, based on airphoto interpretation of the Cape MacDonnel map area, records three glacial and landform terrains. First, ridged, hummocky tills dominate Big Spruce and Scented Grass hills between 300 and 650 m elevation. Second, undifferentiated till covers the lower flanks of Scented Grass and Big Spruce hills, also extending northeastward of the latter, where streamlined till occurs. Third, glaciolacustrine sediments are confined to some lowlands below 200 to 250 m, where they discontinuously cover various till units along the shores of Great Bear Lake. Variable ice flow and local stagnation characterizes glacial history. In northern regions, ice flowed southwestward and then veered northwestward, with evidence of local ice streaming. In east-central regions, flow was generally westward. In the southwest, flow was northwestward. Retreating and stagnating remnant ice deposited ridged and hummocky moraine, which may also coincide with cold-based ice. Glacial Lake McConnell inundated lowlands to at least 250 m a.s.l. in the east, and to 210 m in the west.
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Kerr, D. E. Reconnaissance surficial geology, Beechey Lake, Nunavut, NTS 76-G. Natural Resources Canada/CMSS/Information Management, 2022. http://dx.doi.org/10.4095/329669.
Full textAbstract:
Preliminary mapping studies of Beechey Lake map area, through aerial photograph interpretation and limited legacy data, improve our understanding of surficial sediments and glacial history. The area is dominated by glacially and meltwater-scoured bedrock, hummocky moraine, till of varying thickness occasionally streamlined, and thin ridged till. Glacial lake sediments are predominantly in river valley lowlands. Glaciolacustrine delta and raised beach elevations range from 410 m to 230 m and 440 m to 290 m, respectively. Glaciofluvial deposits consist of eskers, ice-contact mounds, proglacial outwash plains, and terraces. Basal meltwater from regional ice stagnation and downwasting scoured subglacial and proglacial meltwater corridors and channels of varying width, many trending northwest. A glaciomarine delta was deposited in a high-sea marine environment following deglaciation in the northernmost map area. Streamlined till and bedrock landforms and striations indicate regional ice flow was dominantly northwest. A late westward and southwestward deglacial ice flow is preserved sporadically in the easternmost map area, and well preserved in the west-central and southwestern map areas, west of a discontinuous hummocky moraine belt.
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Kerr, D. E. Reconnaissance surficial geology, Bloody River, Northwest Territories-Nunavut, NTS 96-P. Natural Resources Canada/CMSS/Information Management, 2022. http://dx.doi.org/10.4095/329457.
Full textAbstract:
Preliminary surficial geology, based on airphoto interpretation and limited legacy field data of Bloody River map area, records a dynamic Late Wisconsin glacial landscape. Streamlined till and bedrock landforms, relating to Laurentide ice originating east of the map region, indicate regional westward flow diverged northwestward and southwestward at the eastern end of two topographic highs. Ice then converged between and south of these two highs, then diverged at the western end of these highlands. During deglaciation, ice stagnated in northwestern and central highland regions, forming extensive hummocky moraine, large kames, recessional moraines, and kame moraines. In other parts of the map area, hummocky till, small moraines, and undifferentiated till ridges, were deposited over fluted till. Outwash plains, eskers, and meltwater corridors record northwestward to southwestward meltwater flow. Glaciolacustrine sediments associated with glacial Lake McConnell occur in the southeast, up to 280 m elevation. Other unrelated, isolated glaciolacustrine deltas indicate small ice-marginal lakes between 400 and 460 m elevation.