Journal articles on the topic 'Lyric genres'
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Matthews, Ricardo. "Song in Reverse: The Medieval Prosimetrum and Lyric Theory." PMLA/Publications of the Modern Language Association of America 133, no. 2 (March 2018): 296–313. http://dx.doi.org/10.1632/pmla.2018.133.2.296.
Full textNigar Aghayeva. "COMPARATIVE ANALYSIS OF SOME LYRIC AND EPIC GENRES IN AZERBAIJANI AND ENGLISH CHILDREN’S FOLKLORE." International Academy Journal Web of Scholar, no. 2(44) (February 28, 2020): 17–21. http://dx.doi.org/10.31435/rsglobal_wos/28022020/6912.
Full textSusino, Marco, and Emery Schubert. "Musical emotions in the absence of music: A cross-cultural investigation of emotion communication in music by extra-musical cues." PLOS ONE 15, no. 11 (November 18, 2020): e0241196. http://dx.doi.org/10.1371/journal.pone.0241196.
Full textMartin, Wallace, and William Elford Rogers. "The Three Genres and the Interpretation of Lyric." Poetics Today 7, no. 2 (1986): 381. http://dx.doi.org/10.2307/1772778.
Full textCondit-Schultz, Nathaniel, and David Huron. "Catching the Lyrics." Music Perception 32, no. 5 (June 1, 2015): 470–83. http://dx.doi.org/10.1525/mp.2015.32.5.470.
Full textStoia, Nicholas, Kyle Adams, and Kevin Drakulich. "Rap Lyrics as Evidence." Race and Justice 8, no. 4 (January 31, 2017): 330–65. http://dx.doi.org/10.1177/2153368716688739.
Full textDo, Thi Cam Van. "Inter-genres in contemporary Vietnamese historical novels." Ministry of Science and Technology, Vietnam 63, no. 4 (April 30, 2021): 56–59. http://dx.doi.org/10.31276/vjst.63(4).56-59.
Full textKinch, Ashby. "Medieval Lyric: Genres in Historical Context. William D. Paden." Speculum 77, no. 1 (January 2002): 231–34. http://dx.doi.org/10.2307/2903856.
Full textScrafton, Mary. "Medieval Lyric: Genres in Historical Context (review)." Parergon 20, no. 2 (2003): 223–25. http://dx.doi.org/10.1353/pgn.2003.0015.
Full textAbdulla, Kanyaw Bakr. "Lyric in Abdullah Goran’s Poems." Halabja University Journal 6, no. 4 (December 30, 2021): 31–48. http://dx.doi.org/10.32410/huj-10396.
Full textO'Sullivan, Daniel E. "Beyond the Chanson: (Less) Successful Troubadour Genres in Trouvère Lyric." Tenso 36, no. 1-2 (2021): 101–19. http://dx.doi.org/10.1353/ten.2021.0008.
Full textLindel, Korbinian. "Das Zeitkriterium in der Gattungstheorie und die frühmoderne Lyrikdiskussion." Scientia Poetica 25, no. 1 (December 6, 2021): 51–92. http://dx.doi.org/10.1515/scipo-2021-002.
Full textMeliga, Walter. "Medieval Lyric. Genres in Historical Context, Edited by William D. Paden." Studi Francesi, no. 143 (XLVIII | II) (December 1, 2004): 333. http://dx.doi.org/10.4000/studifrancesi.38928.
Full textWilliams, Nicholas Morrow. "The Metaphysical Lyric of the Six Dynasties." T'oung Pao 98, no. 1-3 (2012): 65–112. http://dx.doi.org/10.1163/156853212x629901.
Full textMohammad, Anwar Qader, and Lhon Qadr Abdulrahman. "The General Features of Epic and Lyrical Poetry in the Kurdish- Gorany (Hawrami) Dialect." Journal of University of Human Development 7, no. 3 (August 8, 2021): 41–51. http://dx.doi.org/10.21928/juhd.v7n3y2021.pp41-51.
Full textGoodblatt, Chanita. "In other words: breaking the monologue in Whitman, Williams and Hughes." Language and Literature: International Journal of Stylistics 9, no. 1 (February 2000): 25–41. http://dx.doi.org/10.1177/096394700000900103.
Full textShaw, W. David. "Lyric Displacement in the Victorian Monologue: Naturalizing the Vocative." Nineteenth-Century Literature 52, no. 3 (December 1, 1997): 302–25. http://dx.doi.org/10.2307/2933997.
Full textDale, Stephen F. "The Poetry and Autobiography of the Bâbur-nâma." Journal of Asian Studies 55, no. 3 (August 1996): 635–64. http://dx.doi.org/10.2307/2646449.
Full textCreach, Jerome F. D. "Book Review: Introduction to Psalms: The Genres of the Religious Lyric of Israel." Interpretation: A Journal of Bible and Theology 53, no. 3 (July 1999): 306. http://dx.doi.org/10.1177/002096439905300311.
Full textVrana, Laura. "Genre Experiments: Thylias Moss’s Slave Moth and the Poetic Neo-Slave Narrative." MELUS 46, no. 2 (May 10, 2021): 111–30. http://dx.doi.org/10.1093/melus/mlab020.
Full textReisner, Marina L. "King Yima — Jam — Jamshid: From Mythological Hero to Literary Image." Vestnik of Saint Petersburg University. Asian and African Studies 12, no. 3 (2020): 348–67. http://dx.doi.org/10.21638/spbu13.2020.303.
Full textLeGette, Casie. "The Lyric Speaker Goes to Gaol: British Poetry and Radical Prisoners, 1820–1845." Nineteenth-Century Literature 67, no. 1 (June 1, 2012): 1–28. http://dx.doi.org/10.1525/ncl.2012.67.1.1.
Full textЩітова, С. А., and О. С. Желтобрюхова. "Chamber-vocal works by S. Rakhmaninov as model of the development for archetypal features of russian classical romance (on the example of early-period romances for the average voice)." Музикознавча думка Дніпропетровщини, no. 13 (August 15, 2018): 94–104. http://dx.doi.org/10.15421/22189.
Full textAbdullayeva, Umida. "ROLE-PLAYING LYRICS IN THE WORKS OF USMAN AZIM." Scientific Reports of Bukhara State University 5, no. 5 (December 30, 2021): 167–78. http://dx.doi.org/10.52297/2181-1466/2021/5/5/15.
Full textZhang, Jiarui. "Quotation as a Basis for Intertextuality in Sumerian Cult Lyric and City Laments." DABIR 9, no. 1 (November 30, 2022): 86–94. http://dx.doi.org/10.1163/29497833-00901010.
Full textDuke, Craig. "Lyric Forms as “Performed” Speech in Das Rheingold and Die Walküre." Journal of Music Theory 65, no. 2 (October 1, 2021): 287–323. http://dx.doi.org/10.1215/00222909-9143204.
Full textMAK, SU YIN. "Schubert's Sonata Forms and the Poetics of the Lyric." Journal of Musicology 23, no. 2 (2006): 263–306. http://dx.doi.org/10.1525/jm.2006.23.2.263.
Full textD’Alessio, Giovan Battista. "The Problem of the Absent I." AION (filol.) Annali dell’Università degli Studi di Napoli “L’Orientale” 42, no. 1 (November 12, 2020): 1–30. http://dx.doi.org/10.1163/17246172-40010032.
Full textZhilyakov, Sergey V. "Poetics of the epitaph “On the Death of Alexander Druzhinin, January 19, 1864ˮ by Afanasy Fet: genre attributes." Vestnik of Kostroma State University 27, no. 2 (June 28, 2021): 110–16. http://dx.doi.org/10.34216/1998-0817-2021-27-2-110-116.
Full textHumeniuk, Olha. "The Poetics of Folk Love Songs of the Crimean Tatars." Bibliotekarz Podlaski Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne 54, no. 1 (July 15, 2022): 239–52. http://dx.doi.org/10.36770/bp.678.
Full textHarpham, Geoffrey Galt. "Genre and the Institution of Research: Three American Instances." PMLA/Publications of the Modern Language Association of America 122, no. 5 (October 2007): 1635–43. http://dx.doi.org/10.1632/pmla.2007.122.5.1635.
Full textSipkina, Nina Ya. "Cycle of Poems “Aleshkin’s Thoughts” by R.I. Rozhdestvensky: Development of the Traditions of the Genres of Children’s Folklore." Proceedings of Southern Federal University. Philology 25, no. 3 (September 30, 2021): 131–43. http://dx.doi.org/10.18522/1995-0640-2021-3-131-143.
Full textRam, Harsha. "The Sonnet and the Mukhambazi: Genre Wars on the Edges of the Russian Empire." PMLA/Publications of the Modern Language Association of America 122, no. 5 (October 2007): 1548–70. http://dx.doi.org/10.1632/pmla.2007.122.5.1548.
Full textSOUSSOU, Moulay Youssef. "Le « jeune » Flaubert et l’apprentissage des genres littéraires." FRANCISOLA 3, no. 1 (July 9, 2018): 34. http://dx.doi.org/10.17509/francisola.v3i1.11889.
Full textGunawan, Septia Tri, Didin Nuruddin Hidayat, Alek Alek, and Nida Husna. "Figurative language used in Blackpink featuring Selena Gomez's song lyric "Ice Cream": A discourse analysis." Journal of Applied Studies in Language 5, no. 1 (June 5, 2021): 1–9. http://dx.doi.org/10.31940/jasl.v5i1.2281.
Full textD-Vasilescu, Elena Ene. "Generation (γενεά) in Gregory Nazianzen’s poem On the Son." Akropolis: Journal of Hellenic Studies 1 (December 27, 2017): 169–84. http://dx.doi.org/10.35296/jhs.v1i0.11.
Full textRomanova, Irina V. "The Resurrection of the Genre Book Review: Artemova S.Yu. Lyric Genres Today. Tver, Tver State University Publ., 2020. 191 p." New Philological Bulletin, no. 4 (2021): 440–47. http://dx.doi.org/10.54770/20729316_2021_4_440.
Full textEVERIST, MARK. "Theatres of litigation: Stage music at the Théâtre de la Renaissance, 1838–1840." Cambridge Opera Journal 16, no. 2 (July 2004): 133–61. http://dx.doi.org/10.1017/s095458670400182x.
Full textKulikova, Elena Yu. "Vitaly Ryabinin’s “Japanese watercolors”: genre and stanza experiments." Sibirskiy filologicheskiy zhurnal, no. 3 (2021): 100–112. http://dx.doi.org/10.17223/18137083/76/8.
Full textFerreira de Castro, Junior César. "In the Trace of Gerardo Mello Mourão: The Inter-Gender Hybridism and the Formation of Epiliric Poetry in Contemporary Brazilian Literature." Logos Universality Mentality Education Novelty: Philosophy & Humanistic Sciences 8, no. 2 (December 28, 2020): 35–50. http://dx.doi.org/10.18662/lumenphs/8.2/44.
Full textPlumley, Yolanda. "Citation and allusion in the late Ars nova: The case of Esperance and the En attendant songs." Early Music History 18 (October 1999): 287–363. http://dx.doi.org/10.1017/s0261127900001881.
Full textZańko, Aldona. "„Tam zaczyna się mój świat” – Hans Christian Andersen wobec ojczyzny na przykładzie wybranych utworów pisarza z gatunku tzw. pieśni o ojczyźnie (fœdrelandssang)." Przegląd Humanistyczny 62, no. 2 (461) (October 4, 2018): 89–100. http://dx.doi.org/10.5604/01.3001.0012.5793.
Full textKarmila Dewi, Ni Luh, and Ni Made Ayu Widiastuti. "An Analysis of Slang Words in Song Lyrics Used in the Songs “That’s What I Like”, “Smoke On The Water”, and “Ch-Check It Out”." Udayana Journal of Social Sciences and Humanities (UJoSSH) 4, no. 2 (September 29, 2020): 85. http://dx.doi.org/10.24843/ujossh.2020.v04.i02.p08.
Full textDelany, Sheila. "English 380: Literature in Translation: Medieval Jewish Literature; Studies in medieval culture." Florilegium 20, no. 1 (January 2003): 201–5. http://dx.doi.org/10.3138/flor.20.047.
Full textSparling, Heather. "“Music is Language and Language is Music”." Ethnologies 25, no. 2 (April 13, 2004): 145–71. http://dx.doi.org/10.7202/008052ar.
Full textFiorenza, Giancarlo. "Penelope’s Web: Francesco Primaticcio’s Epic Revision at Fontainebleau*." Renaissance Quarterly 59, no. 3 (2006): 795–827. http://dx.doi.org/10.1353/ren.2008.0370.
Full textEltsova, Elena Vlasovna. "WAYS OF DEVELOPMENT OF KOMI POETRY IN THE SECOND HALF OF THE 20TH - FIRST QUARTER OF THE 21ST CENTURIES." Yearbook of Finno-Ugric Studies 15, no. 3 (September 28, 2021): 446–56. http://dx.doi.org/10.35634/2224-9443-2021-15-3-446-456.
Full textRybina, M. S. "EKPHRASIS AS MEMORY SPACE IN M. PROUST’s “PORTRAITS DE PEINTRES”." Bulletin of Udmurt University. Series History and Philology 32, no. 3 (July 8, 2022): 630–35. http://dx.doi.org/10.35634/2412-9534-2022-32-3-630-635.
Full textCurrie, Bruno. "Intertextuality in Early Greek Poetry: The Special Case of Epinician." Trends in Classics 13, no. 2 (November 1, 2021): 289–362. http://dx.doi.org/10.1515/tc-2021-0011.
Full textAvulova Nargiza Toxirovna. "Colors and their artistic image creation features." International Journal on Integrated Education 3, no. 10 (October 20, 2020): 251–54. http://dx.doi.org/10.31149/ijie.v3i10.747.
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