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Published: 7 July 2024

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1

Levi, Marco Amadio. Colloqui con la luce: Istantanee piemontesi 1900-1940. [Savigliano]: L'artistica Savigliano, 1994.

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2

Passarelli, Luigi. La guerra italiana nei documentari dell'Istituto Luce, 1940-1943. Civitavecchia - Roma: Prospettiva, 2006.

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3

Huang, Yaowu. 1944-1948, wo de zhan zheng. 8th ed. Shenyang Shi: Chun feng wen yi chu ban she, 2010.

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4

Michele, Falzone del Barbarò, Zannier Italo, and Museo dell'automobile Carlo Biscaretti di Ruffia., eds. Fotografia : luce della modernità: Torino 1920/1950 : dal pittorialismo al modernismo. Firenze: Alinari, 1991.

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5

1945-, Reteuna Dario, and Palazzo Graneri (Turin Italy), eds. Sentieri di luce: Artisti fotografi a Torino dal 1930 al 1946. [Firenze]: Alinari, 2002.

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6

Hanot, Muriel. Histoire d'un parcours migratoire: Les ouvriers-mineurs italiens à Bois-du-luc (mai 1946-janvier 1949). Louvain-la-Neuve: Academia-Bruylant, 1996.

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7

Raymond, Bellour, Bandy Mary Lea, Kardish Laurence, London Barbara 1936-, MacCabe Colin, and Museum of Modern Art (New York, N.Y.), eds. Jean-Luc Godard: Son + image, 1974-1991. New York: Museum of Modern Art, 1992.

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8

Purdy, Verity. As luck would have it: Adventures with the Canadian Army Show, 1943-1946. St. Catharines, Ont: Vanwell, 2003.

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9

Godard, Jean Luc. Jean-Luc Godard: Interviews. Jackson: University Press of Mississippi, 1998.

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10

Noël, Eric. Lac-Saint-Charles: 1946-1996. Lac-Saint-Charles, Québec: Société historique de Lac-Saint-Charles, 1996.

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11

Bovon, Francois. Luc le théologien: Vingt-cinq ans de recherches (1950-1975). 2nd ed. Genève: Labor et Fides, 1988.

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12

1930-, Godard Jean Luc, and Andrew Dudley 1945-, eds. Breathless: Jean-Luc Godard, director. New Brunswick [N.J.]: Rutgers University Press, 1987.

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13

Dixon, Wheeler W. The films of Jean-Luc Godard. Albany: State University of New York Press, 1997.

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14

Sutter, Jean. Maximilien Luce, 1858-1941: Peintre anarchiste. Paris: Galerie des Vosges, 1986.

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15

Williams, Bernard Arthur Owen. Moral luck: Philosophical papers, 1973-1980. Cambridge [Cambridgeshire]: Cambridge University Press, 1990.

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16

Glišić, Nataša. Repertoar zabave i razonode: Francuska drama na sceni Narodnog pozorišta u Banjoj Luci (1930-1945). Banja Luka: Matica Srpska, 2019.

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17

Desirò, Giuliana. "Luce significa morte": La vita quotidiana a Pozzonovo durante la seconda guerra mondiale (1943-1945). Padova: CLEUP, 2014.

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18

Zhang, Dianwan. Tai ping lun 1949. 8th ed. Beijing: Sheng huo, du shu, xin zhi san lian shu dian, 2011.

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19

Bérubé, Laurent. Répertoire des naissances de Saint-Gabriel, 1873-1940, Les Hauteurs, 1918-1940, Saint-Charles-Garnier, 1937-1940, La Rédemption, 1936-1940, Sainte-Jeanne-d'Arc, 1921-1940, Trinité-des-Monts, 1939-1940, Esprit-Saint, 1937-1940, Lac-des-Aigles, 1932-1940, Biencourt, 1932-1940. Rimouski, Québec: Société de généalogie et d'histoire de Rimouski, 2010.

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20

Graham, Leask Ian, and Cassidy Eoin G, eds. Givenness and God: Questions of Jean-Luc Marion. New York: Fordham University Press, 2005.

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21

Lehtinen, Virpi. Luce Irigaray's phenomenology of feminine being. Albany: State University of New York Press, 2014.

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22

Godard, Jean Luc. Cinema: The archeology of film and the memory of a century. Oxford: Berg, 2005.

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23

Luce, Irigaray, ed. Luce Irigaray: Teaching. London: Continuum, 2008.

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24

Farri, Stanislao. Stanislao Farri: Memorie di luce : fotografie 1943-2003. Milano: Skira, 2003.

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25

Bassi, Alberto. La luce italiana: Design delle lampade 1945-2000. Milano: Electa, 2003.

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26

Resch, Raffaella, and Chiara Gatti. L'elica e la luce: Le futuriste : 1912-1944. Milano, Italia: Officina libraria, 2018.

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27

Giacomo, Domenico Di. Antonio Mancini (1852-1930): La luce il colore. Pescara]: Ianieri editore, 2015.

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28

Schekalla, Michael. 18 Jahre "Lux-Lesebogen" 1946-1964: Das visuelle Erscheinungsbild. München: August Dreesbach Verlag, 2013.

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29

Calanca, Daniela. Bianco e nero: L'Istituto nazionale Luce e l'immaginario del fascismo (1924-1940). Bologna: Bononia University Press, 2016.

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30

Hill, Rebecca. The interval: Relation and becoming in Irigaray, Aristotle, and Bergson. New York: Fordham University Press, 2011.

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31

Rohde, Melissa. Labor and Leisure in the “Enchanted Summer Land”. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037153.003.0009.

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Abstract:

Using industrial survey reports, this chapter shows how the entrepreneurial adaptation of Anishinaabe women at Lac Courte Oreilles and Lac du Flambeau in Wisconsin between 1900 and 1940, are vital to the economic transformation from a dependency on extractive logging resource industry to service-based tourism. Women's work within tourism, provisioning a diverse range of services and activities, usefully erodes formerly paternalistic or narrow conceptions of work and workplace. Tourism brought small freedoms by offering a new source of revenue without requiring Native women to conform to the government's program of stamping out what it considered the dangerous and backward aspects of American Indian culture.

32

(Editor), Michael Temple, James S. Williams (Editor), and Michael Witt (Editor), eds. For Ever Godard. Black Dog Publishing, 2007.

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33

Hamburger, Andreas, Gerhard Schneider, Peter Bär, Timo Storck, and Karin Nitzschmann, eds. Jean-Luc Godard. Psychosozial-Verlag, 2020. http://dx.doi.org/10.30820/9783837977158.

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Abstract:

Jean-Luc Godard hat mit seinem Œuvre das Kino revolutioniert. Was er als Kritiker in der Filmzeitschrift Cahiers du cinéma vom französischen Kino forderte, setzte er später als Hauptvertreter der Nouvelle Vague in seinen Werken praktisch um. In Außer Atem (1960) verwendet er als erster Regisseur den Jump-Cut, in Die Verachtung (1963) bricht er immer wieder mit der Realität, indem er seine Schauspieler*innen aus der Rolle fallen lässt und sich selbst in der Rolle des Bildschöpfers mit einbringt. Das reflexive Moment wird zum Charakteristikum seiner Arbeiten. Die Dekonstruktion illusionistischer Bilder zeigt sich auch nach seiner Rückkehr zum Erzählkino in Vorname Carmen (1983) – nun allerdings unterschwelliger und nicht mehr ganz so provokativ. In Adieu au langage (2014) und Bildbuch (2018) nutzt Godard radikal Bild- und Tonmontagen für seine (Psycho-)Analyse der kapitalistischen Welt. Die Autorinnen und Autoren nehmen das Werk des französischen Regisseurs von seinen Anfängen bis zu seinen jüngsten Filmen in den Blick und analysieren seinen radikalen Ansatz, den Film als Denken in Bildern zu verstehen. Mit Beiträgen von Joachim Danckwardt, Andreas Hamburger, Andreas Jacke, Katharina Leube-Sonnleitner, Gerhard Midding, Karin Nitzschmann, Wilfried Reichart, Andreas Rost, Gerhard Schneider, Timo Storck und Dietrich Stern

34

Walker, William O. III. The Rise and Decline of the American Century. Cornell University Press, 2018. http://dx.doi.org/10.7591/cornell/9781501726132.001.0001.

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This book discusses how U.S. officials, influenced by publisher Henry R. Luce in an essay in Life magazine in 1941, strove to create an American Century at the close of World War II, and beyond. The United States, Luce held, must seek comprehensive leadership, that is, global hegemony. The advent of the Cold War hastened that undertaking. Communist victory in China’s civil war in 1949 and the start of the Korean War in June 1950 made the Cold War international. U.S. officials implemented the dual strategy of global containment and multilateralism in trade and finance in order to counter Soviet influence. By the late 1950s, however, a changing world, which the nonaligned movement epitomized, was questioning U.S. leadership and, thus, the appeal of the American Century. International crises and adverse balance of payments meant trouble for Luce’s project in the early 1960s. The debacle of 1968 for Lyndon Johnson, as seen in relations with allies, the Vietnam War, and a weak dollar, cost him his presidency and curtailed the growth of the American Century. Richard Nixon then attempted to revitalize U.S. leadership through détente with the Communist world. At most, there remains today a quasi-American Century, premised largely on military power.

35

Nordling, Klaus. LADY LUCK Volume Four -- All Her Stories from Lady Luck #86-87 (1949-1950). Independently Published, 2019.

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36

Lucy In The Mind Of Lennon. Oxford University Press Inc, 2013.

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37

Kasser, Tim. Lucy in the Mind of Lennon. Oxford University Press, Incorporated, 2013.

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38

Kasser, Tim. Lucy in the Mind of Lennon. Oxford University Press, Incorporated, 2013.

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39

Buard, Jean-Luc, and Maurice Level. Maniaque et Autres Contes de l'Auto 1904-1910 PRéface et Bibliographie Par Jean-Luc Buard. Lulu Press, Inc., 2018.

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40

Kline, T. Jefferson, and Tom Conley. Companion to Jean-Luc Godard. Wiley & Sons, Incorporated, John, 2014.

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41

Kline, T. Jefferson, and Tom Conley. Companion to Jean-Luc Godard. Wiley & Sons, Incorporated, John, 2014.

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42

Kline, T. Jefferson, and Tom Conley. Companion to Jean-Luc Godard. Wiley & Sons, Limited, John, 2014.

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43

Kline, T. Jefferson, and Tom Conley. Companion to Jean-Luc Godard. Wiley & Sons, Limited, John, 2014.

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44

Kline, T. Jefferson, and Tom Conley. Companion to Jean-Luc Godard. Wiley & Sons, Limited, John, 2014.

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45

Morrey, Douglas. Jean-Luc Godard (French Film Directors). Manchester University Press, 2005.

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46

Kline, T. Jefferson, and Tom Conley. Companion to Jean-Luc Godard. Wiley & Sons, Incorporated, John, 2014.

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47

Dixon, Wheeler Winston. Films of Jean-Luc Godard. University of Cambridge ESOL Examinations, 2000.

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48

Dixon, Wheeler Winston. Films of Jean-Luc Godard. University of Cambridge ESOL Examinations, 2000.

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49

Morrey, Douglas. Jean-Luc Godard (French Film Directors). Manchester University Press, 2005.

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50

Guex, Sébastien. La politique monétaire et financière de la Confédération suisse. 1900-1920. 2nd ed. Editions Antipodes, 1993. http://dx.doi.org/10.33056/antipodes.19434.

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Abstract:

Entre 1900 et 1920, la Confédération helvétique a franchi une étape déterminante de son histoire. Le rachat des chemins de fer au tournant du siècle, la création de la Banque nationale en 1907, la Première Guerre mondiale et l'énorme défi financier qu'elle a posé sont autant de jalons qui ont profondément modifié la Suisse pour lui donner son visage actuel: celui d'une place bancaire internationale dans laquelle la conduite des affaires monétaires et financières est devenu le centre nerveux de la politique. Ce livre jette un regard neuf sur l'histoire suisse du XXe siècle, tout en apportant une importante contribution à la compréhension des systèmes financiers européens.