Relevant bibliographies by topics / Louis Criticism and interpretation

Academic literature on the topic 'Louis Criticism and interpretation'

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Published: 10 December 2022
Last updated: 28 January 2023

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Journal articles on the topic "Louis Criticism and interpretation"

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Puyal, Alfonso. "Primary sources for a definition of Cubism in cinema." Journal of Romance studies 22, no. 1 (March 1, 2022): 133–62. http://dx.doi.org/10.3828/jrs.2022.6.

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The article presents four documentary sources in order to elucidate the impact of Cubism and its interpretation in French narrative avant-garde cinema between 1918 and 1923: ‘Cinema and Cubism’, by Louis Delluc; ‘Cubism and Cinema’, by Louis Vauxcelles; ‘Cubist Films’, by Yvan Goll; and ‘Cubism in Cinema’, by Robert Mallet-Stevens. Although filmmaking took certain influences from Cubism after it had been absorbed by other aesthetic movements (Art déco, Purism), the role played by film criticism and theory in the definition of Cubism applied to the cinema is decisive, given that the filmmakers of the French school developed a whole theoretical corpus through which they defended the entry of this new medium into the world of art.
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Rebrov, Sergey. "LOUIS ALTHUSSER’S CRITIQUE OF THE POLITICAL THEORY." Political Expertise: POLITEX 18, no. 2 (2022): 199–214. http://dx.doi.org/10.21638/spbu23.2022.206.

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The article analyzes various projects of hybridization of materialism and political theory in one conceptual system. Special attention is paid to the critical analysis of the phenomenon of economic materialism of the nineteenth century, which for a long time remained the only example of a materialistic analysis of politics. The subsequent development of materialism that became a new limit of economic determinism, put new problems in the context of the capabilities of materialistic policy. The author proposes to follow the argument of the French philosopher Louis Althusser as a philosophy of aleatory materialism created by the thinker himself, including to substantiate the variations of materialistic understanding of the political. The article consistently disassembled the prerequisites for the crisis of the Marxist economic interpretation of history, which, at the original stage of its own formation, had extremely few common with philosophical materialism. The further struggle of new materialists with the idea of a universal explanatory principle ultimately allowed them to create a new type of philosophical knowledge that is not related to the idea of universal history. The focus in this case is chained to the political aspect of Althusser's Materialism regarding the theory of conjuncture as a genuine object of any materialistic politics. Finally, the author compares aleatory materialism with a number of other directions of post-modern materialistic ontology, whose representatives direct their own criticism towards the anthropological component of the political theory, which, however, leads to the denial of this discipline in principle. Thus, it is Althuserianism that in couple with Schmitterism, are the only examples of a successful project to create a materialistic theory of politics.
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Adiyanto, Johannes. "Archi-text-ture: Architecting Through Writing." Architectural Research Journal (ARJ) 1, no. 1 (May 12, 2021): 1–7. http://dx.doi.org/10.22225/arj.1.1.3296.1-7.

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Architecture is often understood as a real and tangible science, in the form of space and form. This understanding is associated with the origin of the word ‘techne’ which refers to the engineering in the construction process of a building, an architectural work. Writing on new architecture developed around 1968, at a time when architectural criticism by Louis Huxtable became known although the form of writing, identification both in pictures and description, had been done since the time of the Roman Empire by Vitruvius and later interpreted by Leon Battista in the Renaissance. This paper describes descriptively several examples and categories of writing about architecture, especially in Indonesia. The study uses an exploratory study approach with reference to the theory of architectural criticism from Attoe’s understanding. The descriptive exploration of this paper shows there are at least four categories of architectural writing in Indonesia, from those aimed at creating architectural narratives to making architectural texts which are then called archi-text-ture in the paper. The paper is not a final paper, because it is the start of a long textual journey, so it is made as an archi-text-ture construction process and to open up opportunities for further interpretation and development
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Hrachov, Artem. "Louis Mallet in the Crosshairs of “the Times”: Criticism of Actions of the British Diplomacy in Constantinople at the Beginning of the First World War." Mìžnarodnì zv’âzki Ukraïni: naukovì pošuki ì znahìdki, no. 31 (December 12, 2022): 242–54. http://dx.doi.org/10.15407/mzu2022.31.242.

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The article is devoted to the publication of “A Mortifying Disclosure” in the British newspaper “The Times” on August 24, 1917, with criticism of British foreign policy towards the Ottoman Empire, in particular the actions of Louis Mallet, the British ambassador in Constantinople. The mentioned publication, as well as the discussion caused by it, are little covered in historiography. Much more information is provided by the primary sources, represented by the documents of the British National Archives (The National Archives, TNA), and also by the memoirs of the participants of researched events. In the mentioned article, Louis Mallet was criticized for short-sightedness and excessive credulity. According to the author of the publication, the Turkish grand vizier deceived the British ambassador, even when the choice of the Ottoman Empire in favor of entering the war on the side of the Central Powers became obvious. In turn, the fact that British diplomats failed to find out about the existence of the German-Turkish treaty became the basis for sharp criticism of the Foreign Office at all. In response to this publication, Louis Mallet spoke in defense of his actions in Constantinople. He was supported by other Foreign Office officials, including former Foreign Secretary Edward Grey. They argued that the Foreign Office was fully aware of the pro-German course of the Porte, but intended to delay the state of war with her as far as possible in order to prepare for the defense of Egypt, the Suez Canal and India. These circumstances led to the accommodating position of British diplomacy. The characteristics of both Mallet himself and the grand vizier of the Ottoman Empire, Said Helim, are separately analyzed from the point of view of historiography and their contemporaries. Also the importance of the defense of India and Egypt, its importance as a key factor in shaping the course of British diplomacy was researched. Finally, the work contains the author's interpretations and evaluations of the analyzed events
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Smirnova, Natal’ya N. "Image in Mikhail Gershenzon’s Theory of Reading." Vestnik of Kostroma State University 26, no. 4 (January 28, 2021): 148–54. http://dx.doi.org/10.34216/1998-0817-2020-26-4-148-154.

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The work is devoted to the theory of reading by Mikhail Gershenzon in a double reflection – on the one hand, ideas about myth-creatin specific to the period at the turn of the 19th–20th centuries, on the other hand, critical statements on interpretation strategy, suggested by the scholar. The article discusses the principles of constructing Mikhail Gershenzon’s theoretical ideas in the double focusing view. Considering slow reading not as a method, but as the art of revealing the poet’s vision, Mikhail Gershenzon drew the myth-making potential of poetry (in a broad sense) in the process of interpretation to the interpreted work itself. The art of reading is akin to the art of poetry (artistic creativity), designed to find in the word its living source – myth – to revive the “mystery of the word”. Thus, the poetic image becomes at the same time a way of thinking, merging with it, influencing the very form of thought. Mikhail Gershenzon developed, on the one hand, the theory of the poetic word of Alexander Potebnja, on the other hand, relies on Henri-Louis Bergson’s concept of médiatrice image. Poetic image becomes the dominant feature of Mikhail Gershenzon's reading theory. The criticism of the principles of slow reading reflected the transition to a formalists view on of evolution of artistic creativity as erasure of metaphor and obsolescence of technique.
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van Miert, Dirk. "Making the States’ Translation (1637): Orthodox Calvinist Biblical Criticism in the Dutch Republic." Harvard Theological Review 110, no. 3 (July 2017): 440–63. http://dx.doi.org/10.1017/s0017816017000177.

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In the study of the history of biblical scholarship, there has been a tendency among historians to emphasize biblical philology as a force which, together with the new philosophy and the new science of the seventeenth century, caused the erosion of universal scriptural authority from the mid-seventeenth century onwards. A case in point is Jonathan Israel's impressive account of how biblical criticism in the hands of Spinoza paved the way for the Enlightenment. Others who have argued for a post-Spinozist rise of biblical criticism include Frank Manuel, Adam Sutcliffe, and Travis Frampton. These scholars have built upon longer standing interpretations such as those of Hugh Trevor-Roper and Paul Hazard. However, scholars in the past two decades such as Anthony Grafton, Scott Mandelbrote and Jean-Louis Quantin have altered the picture of an exegetical revolution inaugurated by Thomas Hobbes (1588–1679), Spinoza (1632–1677), and Richard Simon (1638–1712). These heterodox philosophers in fact relied on philological research that had been largely developed in the first half of the seventeenth century. Moreover, such research was carried out by scholars who had no subversive agenda. This is to say that the importance attached to a historical and philological approach to the biblical text had a cross-confessional appeal, not just a radical-political one.
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Dreon, Roberta. "Dewey After the End of Art." Contemporary Pragmatism 17, no. 2-3 (July 31, 2020): 146–69. http://dx.doi.org/10.1163/18758185-01701154.

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This article explores the significance of Hegel’s aesthetic lectures for Dewey’s approach to the arts. Although over the last two decades some brilliant studies have been published on the “permanent deposit” of Hegel in Dewey’s mature thought, the aesthetic dimension of Dewey’s engagement with Hegel’s heritage has not yet been investigated. This inquiry will be developed on a theoretical level as well as on the basis of a recent discovery: in Dewey’s Correspondence traces have been found of a lecture on Hegel’s Aesthetics delivered in 1891 within a summer school run by a scholar close to the so-called St. Louis Hegelians. Dewey’s deep and long-standing acquaintance with Hegel’s Aesthetics supports the claim that in his mature book, Art as Experience, he originally appropriated some Hegelian insights. First, Dewey shared Hegel’s strong anti-dualistic and anti-autonomistic conception of the arts, resisting post-Kantian sirens that favored instead an interpretation of art as a separate realm from ordinary reality. Second, they basically converged on an idea of the arts as inherently social activities as well as crucial contributions to the shaping of cultures and civilizations, based on the proximity of the arts to the sensitive nature of man. Third, this article argues that an original re-consideration of Hegel’s thesis of the so-called “end of art” played a crucial role in the formulation of Dewey’s criticism of the arts and of the role of aesthetic experience in contemporary society. The author suggests that we read Dewey’s criticism of the removal of fine art “from the scope of the common or community life” (lw 10, 12) in light of Hegel’s insight that the experience of the arts as something with which believers or citizens can immediately identify belongs to an irretrievable past.
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Sholekah, Imroatul, and Nurhadi Sasmita. "Djawa Baroe sebagai Media Propaganda Jepang di Jawa (1943-1945)." Historia 4, no. 1 (July 30, 2021): 25. http://dx.doi.org/10.19184/jhist.v4i1.28442.

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This study discusses Djawa Baroe as a Japanese Propaganda Media in Java in 1943-1945. Djawa Baroewas a pictorial magazine published during the Japanese Occupation Government in Java as a medium for transferring information to the Dutch East Indies population containing propaganda news. The problems studied in this study are the press policy of the Japanese Occupation Government in Java, the form of Japanese Occupation Government propaganda in the fields of education, literature and art, socio-culture, and military as appearing in Djawa Baroe, as well as examining the impact of Japanese Occupation Government propaganda in the fields. The method used in this study was the historical method from Louis Gottschalk, which includes the stages of data collection, source criticism, interpretation and historiography. This study uses a political science approach and propaganda theory developed by Miriam Budiarjo and Laswell. When controlling the Dutch East Indies, the Japanese Occupation Government used the press as a means of propaganda, one of which was through Djawa Baroe. The pictures displayed in Djawa Baroe form a picture of every activity carried out by the Dutch East Indies in the fields of education, literature and art, socio-culture and military as an activity that seemed perfect for wartime. In fact, in real life, the activities displayed in Djawa Baroe are not the same, because the Javanese people experienced many hardships in life during the war.
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Perloff, Marjorie. "What Really Happened? Kenneth Goldsmith’s “7+ Deaths and Disasters,” Sophie Calle’s, Take Care of Yourself." Synthesis: an Anglophone Journal of Comparative Literary Studies, no. 11 (October 18, 2019): 72. http://dx.doi.org/10.12681/syn.20894.

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In Seven American Deaths and Disasters (2013), Kenneth Goldsmith recounted a set of tragic and unanticipated events in recent American history by using transcriptions of radio and TV broadcasts, usually from minor networks. Designed to be an “eighthAmerican disaster,” Goldsmith presented The Body of Michael Brown, a performance based on the St. Louis autopsy report at the “Interrupt 3” conference at Brown University(13 March 2015), eliciting widespread criticism and controversy. Seemingly very different from Goldsmith—Sophie Calle’s projects, for the past few decades, set up particularprocedural processes that raise pressing epistemological questions, especially about the nature of relationships, personal and political. One of her recent projects, Prenez soin de vous (Take Care of Yourself) that was based on her installation for the Venice Biennale in 2007, comprises comments by 107 women on an email that Calle received from her then lover. In this project, Calle uses the “real” words of others to create a montage of possible interpretations of the discourse that confronts us in our daily lives. For Calle, as for Goldsmith, the most troubling gap is that between information and knowledge, while the issue, that a conceptual poetics can take as a premise, is that the body most difficult to getinside of turns out to be one’s own.
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Flandrin, Jean-Louis. "Histoire de la famille et histoire des mentalités." Historical Papers 18, no. 1 (April 26, 2006): 136–49. http://dx.doi.org/10.7202/030903ar.

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Asbtract This year's Distinguished Historian, Professor Jean-Louis Flandrin of the Université de Paris 8 - Vincennes and the Ecole des Hautes Études en Sciences Sociales, surveyed the state of his major field of interest, the inter-relationship between family and psychological history. These are relatively new fields, and the links between them are comparatively unexplored as a result. Yet, in spite of some false starts, much has been accomplished, the work-in-progress contains great promise and the possible avenues for future work are almost limitless. Much will be achieved if the crossfertilization of the various disciplines continues. The author then reviews the sub-fields of family history, and cites those works, both published and unpublished, which appear to offer fresh insights and/or research approaches. Problems and weaknesses are also considered. For example, while Georges Duby's book, Le chevalier, la femme et le prêtre is highly praised as a pathfinding study which should be the inspiration for much future work in the area of the study of the evolution of Christian marriage, Professor Flandrin outlines his reservations regarding certain of Duby's theses. Similarly, the work of Edward Shorter and Elizabeth Bandinter receives more than passing criticism. Professor Flandrin devotes the greatest amount of comment to the topic of the quality and nature of interfamily relations over time - a topic which, he concludes, has roused much sterile and unproductive debate but which is richly documented in the sources and ought to be the object of considerable research in the future. Other topics of comment include a) the size and structure of the domestic unit b) the nature of family ties c) the intermarriage of family members d) the various motivations for marriage over time e) the evolution of the notion of a Christian marriage f) the mores surrounding sexual relations within marriage g) feelings between and among family members The author concludes with a warning of the need to be sensitive to the variety of interpretation possible in assessing historical behaviour which may vary widely from our own contemporary cultural norms.
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Dissertations / Theses on the topic "Louis Criticism and interpretation"

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Yap, Joaquin Choy. "Word and wisdom in the ecclesiology of Louis Bouyer." Thesis, University of Oxford, 2003. http://ora.ox.ac.uk/objects/uuid:82c95c9f-26ba-4fb4-89bb-de0ba93f9e10.

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Chapter Five finally argues that Bouyer's construal of the Church's principal actions (liturgical celebration, evangelical witness, and the total life of prayer and Christian discipleship) is consistent with his christological and trinitarian horizon, and that these ecclesial actions respond most appropriately to the divine initiative manifested in the Word and Wisdom.
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Latouche, Pierre-Edouard. "L' art de choisir un sujet dans la peinture d'histoire de Jacques-Louis David (1748-1825)." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26236.

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The choice of subject for a history painting, long considered motivated by dramatic considerations, appears to be also, in the light of numerous documents, the expression of the painter's craft. The following study will attempt to demonstrate this aspect in the oeuvre of Jacques-Louis David and, in particular, in The Oath of the Horatii.
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Choinière, Paul. "Etude sur la rhétorique des premièrs écrits de Louis-Ferdinand Céline (1924-1944)." Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=28252.

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Since Celine's death, the pamphlets he wrote at the beginning of World War II always presented great difficulties for those who studied him. But in the last few years, for various reasons the pamphlets have stirred up researcher's interest. Following this movement, this thesis is an attempt to integrate these pamphlets to the prose of the author of Journey to the End of the Night in a general pattern of analysis.
In order to do this analysis, is developed an hermeneutic model of analysis which divides Celine's work into a poetical investigation and a polemic pursuit that demonstrate that these two genres use the same rhetorical strategies.
Part I of this thesis investigates the distinct rhetoric used by Celine in mixing poetry and polemic. Part II examines the poetic investigation and the polemic pursuit separately, Celine having separated these two genres after Journey to the End of the Night.
Without eliminating the differences between poetry and polemic, this thesis aims at demonstrating the continuity and coherence of Celine's work which is particularly well suited for putting an hermeneutic model of analysis to the test because it is a work that is torn more than any other between the ravishing and the horrific, between the beautiful and the terrifying. And that is where in this profound humanity Celine's work is so rich in interpretation.
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Lynch, Éadaoín. "'This may be my war after all' : the non-combatant poetry of W.H. Auden, Louis MacNeice, Dylan Thomas, and Stevie Smith." Thesis, University of St Andrews, 2018. http://hdl.handle.net/10023/16566.

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This research aims to illuminate how and why war challenges the limits of poetic representation, through an analysis of non-combatant poetry of the Second World War. It is motivated by the question: how can one portray, represent, or talk about war? Literature on war poetry tends to concentrate on the combatant poets of the First World War, or their influence, while literature on the Second World War tends to focus on prose as the only expression of literary war experience. With a historicist approach, this thesis advances our understanding of both the Second World War, and our inherited notions of 'war poetry,' by parsing its historiography, and investigating the role critical appraisals have played in marginalising this area of poetic response. This thesis examines four poets as case studies in this field of research-W.H. Auden, Louis MacNeice, Dylan Thomas, and Stevie Smith-and evaluates them on both their individual explorations of poetic tone, faith systems, linguistic innovations, subversive performativity, and their collective trajectory towards a commitment to represent the war in their poetry. The findings from this research illustrate how too many critical appraisals have minimised or misrepresented Second World War poetry, and how the poets responded with a self-reflexivity that bespoke a deeper concern with how war is remembered and represented. The significance of these findings is breaking down the notion of objective fact in poetic representations of war, which are ineluctably subjective texts. These findings also offer insight into the 'failure' of poetry to represent war as a necessary part of war representation and prompt a rethinking of who has the 'right' experience-or simply the right-to talk about war.
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Massie, Eric. "Stevenson, Conrad and the proto-modernist novel." Thesis, University of Stirling, 2002. http://hdl.handle.net/1893/21610.

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This thesis argues that Robert Louis Stevenson's South Seas writings locate him alongside Joseph Conrad on the 'strategic fault line' described by the Marxist critic Fredric Jameson that delineates the interstitial area between nineteenth-century adventure fiction and early Modernism. Stevenson, like Conrad, mounts an attack on the assumptions of the grand narrative of imperialism and, in texts such as 'The Beach of Falesa' and The Ebb Tide, offers late-Victorian readers a critical view of the workings of Empire. The present study seeks to analyse the common interests of two important writers as they adopt innovative literary methodologies within, and in response to, the context of changing perceptions of the effects of European influence upon the colonial subject.
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Dunsmore, Patricia Berard. "Robert Louis Stevenson and Scotland: A most complicated relationship." CSUSB ScholarWorks, 1991. https://scholarworks.lib.csusb.edu/etd-project/847.

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Howitt, Caroline Ailsa. "Romance in the prose of Robert Louis Stevenson." Thesis, University of St Andrews, 2013. http://hdl.handle.net/10023/4208.

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This thesis provides a wide-ranging account of the work of Robert Louis Stevenson, tracing an unyielding preoccupation with the mode of romance throughout his famously diverse body of writing. It argues that Stevenson's prose retools romance in several important ways; these include modernization, disenchantment, and the reinterpretation of romance as a practical force able to reach beyond textual confines in order to carve out long-lasting psychological pathways in a reader. In its pursuit of these arguments, the thesis draws upon and appends a significant amount of archival material never before used, including excerpts from The Hair Trunk – Stevenson's first extended piece of fiction, still unpublished in English. More widely, it analyses the appearance of romance within four major aspects of Stevenson's prose: aesthetic theme, structure, setting, and heroism, each of which is the focus of a discrete chapter. The introduction engages with the history and definition of romance itself, arguing that it is most usefully approached as mode rather than genre in the context of Stevenson's writing. Chapter I then assesses Stevenson's direct critical engagement with romance, and appraises his wider literary aesthetic in that light. Romance is shown to be built in to the way he writes about writing, adventure being intrinsic to his authorial quest for adequate expression. Chapter II goes on to examine Stevenson's relationship with structure, and argues that self-reflexivity interacts with romance to form the habitual core of his creative writing. Chapter III investigates the use of cities, forests and seas as sites of modern romance within Stevenson's oeuvre, arguing that he eschews descriptive Romanticism and instead lauds a primarily practical approach towards the navigation of these environments. Finally, Chapter IV demonstrates Stevenson's perception of a relationship between authorship and the heroic, charting his use of romance as part of a progressive evocation of the failure of heroism itself as a sustainable modern ideal.
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Wilkins, Peter Duncan. "The transformation of the circle : an exploration of the post-encyclopaedic text." Thesis, University of British Columbia, 1986. http://hdl.handle.net/2429/26939.

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Any text which criticizes, undermines and/or transforms the encyclopaedic ideal of ordering and textualizing the world in a closed, linear fashion can be defined as a post-encyclopaedic text. This thesis explores both theoretical and artistic texts which inhabit the realm of post-encyclopaedism. In the past, critical speculation on encyclopaedism in literature has been concerned with the ways in which artistic texts attempt to live up to the encyclopaedic ideal. In some cases, this effort to establish an identity between the artistic text and the encyclopaedia has led to an ignorance of the disruptive or even deconstructive effects of so-called fictional encyclopaedias. Once we recognize the existence of such effects, we must begin to examine the techniques and possibilities of post-encyclopaedism. Hence we can see post-encyclopaedic qualities in the condensed meta-encyclopaedism of Jorge Luis Borges' "Tlön, Uqbar, Orbis Tertius", the disrupted quests for encyclopaedic revelation in Herman Melville's Moby Dick and Thomas Pynchon's Gravity's Rainbow, and the principle of textualized world as fugue in Louis Zukofsky's "A"-12. In addition, we can create a theoretical space for the post-encyclopaedic text by weaving together Mikhail Bakhtin'sideas on the novel as opposed to the epic, Michel Foucault's notion of restructuring the closed circle of the text through mirrored writing, Jurij Lotman's theory of internal and external recoding in texts, and Umberto Eco's concept of the open text. By combining an investigation of theoretical and artistic texts which lend themselves to post-encyclopaedism, we can create a generic distinction between texts which attempt to be encyclopaedic in themselves: and texts which disrupt and/or transform the encyclopaedic ideal
Arts, Faculty of
English, Department of
Graduate
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Richholt, Heather, and University of Lethbridge Faculty of Arts and Science. "Noble comportment and the evolution of social order in the work of M. de la Chetardye." Thesis, Lethbridge, Alta. : University of Lethbridge, Faculty of Arts and Science, 2001, 2001. http://hdl.handle.net/10133/361.

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Lee, Hyun Kyung (Organist). "Louis Vierne’s Pièces de Fantaisie, Opp. 51, 53, 54, and 55: Influence from Claude Debussy and Standard Nineteenth-Century Practices." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849666/.

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The purpose of this research is to document how Claude Debussy’s compositional style was used in Louis Vierne’s organ music in the early twentieth century. In addition, this research seeks standard nineteenth-century practices in Vierne’s music. Vierne lived at the same time as Debussy, who largely influenced his music. Nevertheless, his practices were varied on the basis of Vierne’s own musical ideas and development, which were influenced by established nineteenth-century practices. This research focuses on the music of Louis Vierne’s Pièces de fantaisie, Opp. 51, 53, 54, and 55 (1926-1927). In order to examine Debussy’s practices and standard nineteenth-century practices, this project will concentrate on a stylistic analysis that demonstrates innovations in melody, harmony, and mode compared to the existing musical styles.
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Books on the topic "Louis Criticism and interpretation"

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Parsell, David B. Louis Auchincloss. Boston: Twayne, 1988.

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Prédal, René. Louis Malle. Paris: Edilig, 1989.

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1943-, Cane Louis, ed. Louis Cane. Paris?]: Ceysson, 2010.

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Jean, Marie-Louise, and Laouchez Louis, eds. Louis Laouchez. Paris: HC Éditions, 2009.

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Louis Auchincloss. New York: Ungar, 1986.

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Patrick, Bailly-Maître-Grand, ed. Louis-Ferdinand Céline. Paris: Marval, 1991.

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Blais, Jacques. Louis Fréchette, épistolier. Québec: Nuit blanche, 1992.

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Kilian, Gerald. Studien zu Louis Spohr. Karlsruhe: M. Wahl, 1986.

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Roudaut, Jean. Louis-René Des Forêts. [Paris]: Seuil, 1995.

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Longley, Edna. Louis MacNeice: A study. London: Faber, 1988.

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Book chapters on the topic "Louis Criticism and interpretation"

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Bogel, Fredric V. "New Formalist Interpretation." In New Formalist Criticism, 102–52. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137362599_4.

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Cohen, Ralph. "Literary Criticism and Artistic Interpretation." In Reason and Imagination, 279–306. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003222996-14.

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Bonelli, Paolo, Giorgio Guidotti, Enrico Paolini, and Giulio Spinucci. "Pacemaker Stimulation Criticism at ECG." In New Concepts in ECG Interpretation, 175–85. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-91677-4_16.

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Wang, Fengzhen. "Marxist Literary Criticism in China." In Marxism and the Interpretation of Culture, 715–22. London: Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19059-1_49.

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Capellmann, Herbert. "Later Criticism of the Copenhagen Interpretation." In SpringerBriefs in History of Science and Technology, 77–81. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-61884-5_10.

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Amesbury, Richard. "Norms, Interpretation, and Decision-Making: Derrida on Justice." In Morality and Social Criticism, 46–64. London: Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230507951_3.

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Clinton, Alan Ramón. "Louis Zukofsky and Quantum Criticism (A/One Conclusion)." In Intuitions in Literature, Technology, and Politics, 165–88. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137006974_8.

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Mallinson, Jane. "Objects of Attention: The Literary Criticism." In T.S. Eliot’s Interpretation of F.H. Bradley, 23–34. Dordrecht: Springer Netherlands, 2002. http://dx.doi.org/10.1007/978-94-017-0411-3_3.

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Gutiérrez Pozo, Antonio. "Subjectivity and Transcendence: Husserl’s Criticism of Naturalistic Thought." In Man’s Self-Interpretation-in-Existence, 379–85. Dordrecht: Springer Netherlands, 1990. http://dx.doi.org/10.1007/978-94-009-1864-1_30.

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Barrett, Michèle. "The Place of Aesthetics in Marxist Criticism." In Marxism and the Interpretation of Culture, 697–713. London: Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19059-1_48.

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Conference papers on the topic "Louis Criticism and interpretation"

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Al-dabbagh, Asma. "The Nature of Interpretation in Architectural criticism." In INTERNATIONAL CONFERENCE ON ARCHITECTURAL AND CIVIL ENGINEERING 2020. Cihan University-Erbil, 2021. http://dx.doi.org/10.24086/aces2020/paper.256.

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The expressive systems in architecture consists of two components: the system of forms and the system of meanings, these systems are linked together by unwritten rules, which are a matrix of correlations / implications that determine any meanings associated with any forms. The designer remains unsure of the possible interpretations of his design, because of the variation in the nature of meaning, discovered by the recipient, and this stems from the variation of reliance on the theory of interpretation in this regard. Many studies of architectural semiology indicate some of these theories; Classical theory believes in the natural meaning, which influenced by form's geometry, Pragmatic theory believes in the common meaning, which stems from the use of form within different contexts and according to social custom. The research attempts to explore the aspects of interpretation adopted by two critics, in order to determine the theory adopted by them, so the designer will be aware to the nature and type of meaning comprehended by viewers. The results showed the adoption of common and inclusive meanings, also showed the variation in the role of architectural Expressions in confirming or multiplying the meaning, influenced by contexts and signal types. The conclusion emphasized the importance of historical references, stylistic trend, and spatial contexts in form interpretation.
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"Interpretation of "Wuthering Heights" from the Perspective of Eco-criticism." In 2018 4th International Conference on Economics, Management and Humanities Science. Francis Academic Press, 2018. http://dx.doi.org/10.25236/ecomhs.2018.126.

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Chung, David. "The port de voix in Louis Couperin's Unmeasured Preludes: A Study of Types, Functions and Interpretation." In Selected Proceedings of the 2009 Performer's Voice International Symposium. IMPERIAL COLLEGE PRESS, 2011. http://dx.doi.org/10.1142/9781848168824_0004.

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Kenyhercz, Róbert. "Interpretation of data and sources in etymological research." In International Conference on Onomastics “Name and Naming”. Editura Mega, 2022. http://dx.doi.org/10.30816/iconn5/2019/39.

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The aim of the paper is to emphasize the importance of source criticism in etymological research. It is widely known that the main sources for the early history of toponyms in the Carpathian Basin are the charters created in the medieval Hungarian Kingdom, because these official documents contained a large number of vernacular proper names embedded in the Latin text. However, it is important to mention that the medieval charters were produced by the chancery and places of authentication along specific principles and needs. I argue that this circumstance must always be considered during the interpretation of the data. I will show some examples illustrating that – in certain cases – we have to take into account the nature of the sources in the reconstruction of the genesis of place names. My goal is to offer a brief outline of this issue through my own investigations.
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Verner, Inna. "The legacy of Maximus the Greek in the biblical revision of Euthymius Chudovsky (1680s)." In Tenth Rome Cyril-Methodian Readings. Indrik, 2020. http://dx.doi.org/10.31168/91674-576-4.04.

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The paper explores the use by Euthymius Chudovsky of Maximus the Greek’s achievements in the linguistic revision of biblical texts. Correction and translation of the New Testament by Euthymius in the 1680s demonstrates not only the appeal to the texts translated by Maximus as language patterns, but also the development of his philological criticism of the text of Holy Scripture and its interpretation.
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Fateeva, I. "“AN EVERLASTING DAY” (IN RELATION TO THE PAINTING “HUNTERS IN THE SNOW” BY PIETER BRUEGEL)." In Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2554.978-5-317-06726-7/93-96.

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The article gives an aesthetic interpretation of the art criticism judgment - “An everlasting day” in relation to the painting “Hunters in the Snow” by the Dutch artist, representative of the Northern Renaissance (16th century) Pieter Bruegel (Muzhitsky). In the context of the ideas of phenomenological aesthetics, the type of painting is determined, a conclusion is made about the applicability of the considered judgment to paintings of a certain type, examples of such works from Russian art are given.
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Xu, Manyan. "A New Interpretation of Chinese Versions of Stray Birds Based on Reiss's Translation Criticism A Case Study of the Translations by Feng Tang and Zheng Zhenduo." In Proceedings of the 2nd International Conference on Contemporary Education, Social Sciences and Ecological Studies (CESSES 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/cesses-19.2019.128.

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Aravot, Iris. "An Attempt at Making Urban Design Principles Explicit." In 1995 ACSA International Conference. ACSA Press, 1995. http://dx.doi.org/10.35483/acsa.intl.1995.42.

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Since its rise as an autonomous field in the seventies, Urban Design has been a conglomerate of diverse concepts and value outlooks.The present approach, which is an a posteriori propositional expression of applications in actual practice and education, presents both theory and method by means of ten points. The approach is basically generated by formal considerations, thus originating in and focussing on aspects which cannot be expressed through theory and methods of other disciplines. It starts with systematic, conventional and objective studies which are then connected to a system of manipulations – the rules of game – which emphasize interpretation and are clarified by narrative and formal metaphors. The ‘rules of game’ set a framework of no a priori preferred contents, which is then applied according to local characteristics, needs and potentials. This conceptual – interpretative framework imposes a structural, consistent and hierarchical system on the factual data, so as to assure the realization of two apparently opposed values: (1) unity and phenomenological qualities and (2) free development and unfolding of the design that .The propositional expression of the approach aims at its exposure to explicit evaluation and criticism.
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Aslandogan, Y. Alp. "PRESENT AND POTENTIAL IMPACT OF THE SPIRITUAL TRADITION OF ISLAM ON CONTEMPORARY MUSLIMS: FROM GHAZALI TO GÜLEN." In Muslim World in Transition: Contributions of the Gülen Movement. Leeds Metropolitan University Press, 2007. http://dx.doi.org/10.55207/mnsp5562.

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Western analysts of trends in the contemporary Islamic world often overestimate the impact of contemporary Sufi orders and/or underestimate the impact of the spiritual tradition of Islam. Among the elements of the spiritual tradition conducive to religious pluralism is the ‘mirror’ concept: every human is seen as a mirror of God in three aspects: reflecting the at- tributes and names of God as His work of art, reflection through dependence on God, and reflection through actions God commands or commends. Since only the last aspect is vol- untary, every human, regardless of creed, is a mirror of God in at least the first two aspects. This is a potent argument for peaceful coexistence in religious diversity. The perspective of the spiritual tradition is emphatically inclusive and compassionate and naturally lends itself to non-violence, going beyond mere tolerance to hospitality and friendship. There are impor- tant impediments that prevent this perspective from having a greater impact: (1) the literalist opposition to flexible interpretation of concepts from the Qur’an and the Prophetic tradition, and the wide definition of innovation or heresy (‘bid`a’); (2) deviations of some Sufi orders and subsequent criticisms by orthodox Muslims; and (3) the impact of the politicisation of religion by some groups and political moves by certain Sufi orders. This paper argues that the only approach that has a chance of influencing the majority of contemporary Muslims in positive ways without being open to criticism is the ‘balanced’ spiritual tradition, after the style of the Companions, sometimes called tasawwuf, which strives to harmonise the outer dimensions of Islamic law and worship with the inner dimen- sion of spiritual disciplines firmly rooted in the Qur’an and Prophetic tradition. This paper will present an analysis of this ‘balanced’ spiritual tradition in Islam, from Ghazali, through Rumi, to Gülen.
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Георгиев, Павел. "Princeps Avarum and Cani Zauci in Aachen in the autumn of 811. Towards the Bulgarian-Frankish relations under the rules Krum (802?–814) and Omurtag (814–831)." In Hadak útján. A népvándorláskor kutatóinak XXIX. konferenciája. Budapest, 2019. november 15–16. 29th. Bölcsészettudományi Kutatóközpont Magyar Őstörténeti Kutatócsoport, 2022. http://dx.doi.org/10.55722/arpad.kiad.2021.4.1_10.

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The author offers new possibilities for interpretation of Frankish, domestic and Byzantine sources regarding the Bulgarian political control over territories of Avar Khaganate, destroyed by Charlemagne. The main focus is placed on the certificate of embassy led by Princeрs Avarum and Canizauci in Aachen in November 811. Coordinating it with Bulgarian and Byzantine sources, leads to the following conclusions. 1. It is likely that the diplomatic mission to Charlemagne in 811, involving representatives of the Avar com­munity, led by its Tudun and Slavic tribal princes, was led by the Bulgarian prince – Omurtag, the younger brother of the ruler Krum (802? – 814), in his capacity as prince (princeps) and ombritag. i. e. Avars hegem­on, in the northwestern borders after 803 and „Khan’s beloved younger brother” (khani sev`ingi or khani sev(inč) ingi). In Aachen, he introduced himself as a cani zautzi, that is, with his post of „Khan’s envoy”. 2. The khanas uvigi Omurtag (814–831) missions to Emperor Louis in 824 and 825–826 appear to have also been led by a member of the ruling family in Plisk oba (Pliska), maybe from his second son – Zvinitsa/Zvinichis. They also appear to have had a representative/s of settlers between 813 and 837 in Trans­Danubian Bulgaria (probably in the Lower Tisza region) of Bulgarian captives of Eastern Thrace of Armenian origin. One of their leaders in 837 was named Tzantzès, and his son, Stilian, and his descendants gained fame in Byzantium under the surname Ζαούτζης, Ζαούτζας. It coincides exactly with the pro­Bulgarian official title (position) zautzi (tzautci), (=chaush) and probably derived from it. On this basis, we conclude that Τζάντζην (Öан¤·þ воеводэ) was performing the carrier of messages or emissary functions of the Bulgarian state before 837. 3. The considered evidence, facts and circumstances surrounding the Bulgarian diplomatic missions of 811, 824 and 825/6 provide new testifies for the Bulgarian state’s control over the south-eastern parts of the Avar Khaganate after its collapse in the period 791–803. They have a contribution to clarify important aspects of the Bulgarian state’s relations with the East Frankish Kingdom, as well as with the local population of Avars, Bulgarians and Slavs there.
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