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Journal articles on the topic 'Look magazine'

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Author: Grafiati

Published: 26 July 2024

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1

Städtler, Lisa. "»Der Aufsatz […] war gar nicht so ›sexy‹ wie das Bild.«." PeriodIcon 3, no. 2 (April 19, 2024): 67–82. http://dx.doi.org/10.46586/peric.2023.2.67-82.

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TThe present essay features Das Magazin, a popular East German monthly magazine that appeared in the GDR for the first time in 1954. The author analyzes the photographic depiction of women in issues of the 1950s. This analysis starts with the magazine’s prominent and well-researched nude photographs, but later focuses on other images of female bodies, i.e. in photo montages, to explore the different variations in which women were depicted in Das Magazin. A close examination of the images in question, their position and contextualization within Das Magazin allows for a look beyond the pages of the printed product and sheds light on the work of the layout artists. In doing so, the author argues that its creators revived certain visual strategies that had already been cultivated by the popular press in the interwar period and which were also existent beyond the boundaries of the GDR press. Thus, the notion of GDR magazines’ production practices can be enriched by transnational and historical perspectives.

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2

Dajnowicz, Malgorzata. "Successful women in the Polish People’s Republic in the light of publications of the magazine «Zwierciadło: Pismo Ligi Kobiet Polskich»." Journal of the Belarusian State University. History, no. 4 (October 31, 2019): 64–71. http://dx.doi.org/10.33581/2520-6338-2019-4-64-71.

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The aim of the scientific research included in the paper was to show the issue of Polish women and the cultural changes in the Polish People’s Republic in the end of 1980s. These transformations were reflected in women’s magazines, including in «Zwierciadło», being also a platform for disseminating the activities of the only official women’s movement at that time – League of Polish Women among readers. The research studies are new; so far scientific research on the importance of the women’s press on the subject of «Zwierciadło» has been conducted only by the author of this study. The method of press analysis, analysing individual studies of the «Zwierciadło» magazine, and the historical method of analysing source documents and literature on the subject were used in the study. As a result of the study, an image of women achieving professional, social and, thus, personal success, disseminated in «Zwierciadło», was shown. The image also demonstrated some role models for women – what the women’s success which Polish women should strive for can and should look like. «Zwierciadło: Pismo Ligi Kobiet Polskich», a magazine addressed to women, was published in 1982–1990 and promoted the organization and its achievements. The magazine sought to present issues concerning the life of Polish women, their everyday problems, but also successes to be enjoyed by Polish women and women from abroad. The magazine provided examples of women’s careers. Professional work was to be a way to personal success and social advancement. The image of successful women presented in the magazine differed from the possibility to achieve the success by typical magazine’s readers, including League of Polish Women members.

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3

O'Hanlon, Ann, Therese Mendez, and Melissa Morrissette. "Gender Codes and Aging: Comparison of Features in Two Women's Magazines." Innovation in Aging 4, Supplement_1 (December 1, 2020): 324. http://dx.doi.org/10.1093/geroni/igaa057.1039.

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Abstract Magazines and other media promote beauty standards and gender roles in feature articles and advertising. Publications present idealized images of women often in contrast to the average reader’s appearance. Analyses of such images suggest gender roles are reinforced through subtle cues embedded in hand gestures, eye gaze, head posture, and body position (Goffman, 1976). This study analyzed a recurrent feature in two different magazine presenting an idealized standard of aging to mature women. The first magazine, MORE, featured mature women, typically between the ages of 40 and 60, with the banner of “This is what (woman’s age) looks like.” MORE magazine is no longer in press, but another magazine, Women’s Day, began a similar recurrent column featuring a women between 40 and 60 with the title “Own Your Age—Yes, I am (women’s age).” Both features included copy describing the woman’s perspective on life and aging and a listing of specific beauty products that she uses. These features were analyzed as advertisements, because they promote a message about being a woman of a certain age and the specific products used to achieve that look. Three researchers coded 43 images from MORE magazine and 30 images from Woman’s Day for physical characteristics of aging and evidence of Goffman’s gender codes. Most photos presented women who appeared younger than their stated age. Images showed the presence of Goffman’s gender codes including feminine touch, ritualization of subordination, licensed withdrawal, and infantilization and were more prevalent in the MORE feature than Woman’s Day column.

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4

Couture, Jesse. "Triathlon Magazine Canada and the (Re-)Construction of Female Sporting Bodies." Sociology of Sport Journal 33, no. 2 (June 2016): 124–34. http://dx.doi.org/10.1123/ssj.2015-0010.

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This paper provides a critical look at the ways in which the female sporting body is discursively constructed within Triathlon Magazine Canada (TMC), Canada’s only triathlon-exclusive magazine. By exploring both visual and narrative representations of the athletic female sporting body, this paper exposes some of the discursive tensions that seem to persist in this popular triathlon-specific text. Both the sport of triathlon and the bodies of triathletes may each be understood as sites where essentialist ideas about the body can be effectively disrupted or challenged but TMC represents a façade of gender progressivism insofar as it (re)produces many of the same heteronormative representations of gender found in other popular sport magazines.

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5

Fröhlich, Vincent, and Madleen Podewski. "DDR-Zeitschriften." PeriodIcon 3, no. 2 (December 6, 2023): 19–45. http://dx.doi.org/10.46586/peric.2023.2.19-45.

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To this day, GDR magazines have hardly been found worthy of a closer analytical look. As the present essay will argue, they have been treated primarily as containers for propaganda. In the introduction to this special issue on GDR magazines, the authors discuss why this has been the case so far and why GDR magazines in particular would be worth an examination. The preface pleads for a conscious and more differentiated approach to the history and the cultural relevance of a central media format of the GDR: its magazines. Periodical and magazine studies deal mostly with magazines from Western capitalist societies. GDR magazines, however, originated in a completely different environment. The authors explain why, when exploring these objects, long-established and proven methods of periodical research must always be questioned first. To complement this, the introduction draws on a number of exemplary short analyses in an attempt to make initial suggestions of dealing academically with GDR magazines. Based on these observations, theses are developed and presented on what could distinguish GDR magazines or what might be the focus of future GDR magazine research. And finally, the essay will feature selected GDR magazines as well as insights from the workshop that gave birth to this special issue.

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6

Bogdanović, В. "The Gender Perspective of the Women's Press in Socialist Yugoslavia – the Representation of Masculinity in the Women's Magazine „Bazar“." Вестник антропологии (Herald of Anthropology), no. 2023 №4 (2023): 106–17. http://dx.doi.org/10.33876/2311-0546/2023-4/106-117.

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The paper examines the way in which a male figure is portrayed in one of the oldest (at the same time, the most widely circulated) Yugoslav women's magazines, „Bazar“. In a methodological sense, the work is based on the data obtained from the analysis of textual and visual messages in the editions published in the tenth anniversary year (1973). The aim of the paper is to provide insight into 25 issues of an exemplary socialist magazine in order to 1) look at the media portrayal of men in the socialist women's press, 2) discuss some aspects of the construction of masculinity in the socialist media discourse, and 3) review the way gender relations in Yugoslav society were portrayed in the narratives of the women's magazine „Bazar“.

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7

Dukut, Ekawati Marhaenny. "THE TRANSNATIONAL SUCCESS OF COSMOPOLITAN MAGAZINE." Rubikon : Journal of Transnational American Studies 1, no. 2 (September 1, 2014): 38. http://dx.doi.org/10.22146/rubikon.v1i2.34222.

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Studying about an American popular culture product such as the Cosmopolitan magazine for American Studies’ scholars can no longer be framed in studying how it is operated within the U.S. only. Instead, a look at how it is being transferred across nation’s borders and how it is regulated in other nations become a concern also to scholars. Time and space is no longer a border for a world that is transnational, so global values that are being sold in the magazine’s advertisements are being made continually popular by inserting local ideas. How has Cosmopolitan successfully achieved its globality? The following article discusses on the transnational culture that Cosmopolitan and its magazine advertisement brings and howit has taken in the local to support the global.Key words: Cosmopolitan, Global, Local, Transnational, Popular culture

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8

Preston, Teresa. "Look Back: How Kappan authors have addressed stress." Phi Delta Kappan 101, no. 3 (October 28, 2019): 5–7. http://dx.doi.org/10.1177/0031721719885908.

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Teresa Preston, managing editor of Kappan magazine, summarizes how Kappan authors have addressed student and educator stress in its past issues. Stress and anxiety were not frequent topics in the magazine’s early years, but they began being covered more frequently beginning in the 1980s. Authors sought to understand the roots of student anxiety and how teachers might help students manage their feelings of stress. Some looked at the climate of schools themselves and suggested that standardized tests, a focus on ambitious goals, and increased academic content in kindergarten were causing more stress among students — and sometimes teachers. Stress in school was not limited to students, and Kappan articles considered how educators could manage their own stress.

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Preston, Teresa. "A Look Back: Preschool perspectives in Kappan." Phi Delta Kappan 103, no. 2 (September 27, 2021): 5–7. http://dx.doi.org/10.1177/00317217211051135.

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In this monthly column, Kappan managing editor Teresa Preston looks back at how the magazine has covered early childhood education. Since the 1960s, authors have largely agreed about the benefits of high-quality early childhood education, and there has been general consensus about what such a program should look like. However, expanding access to such programs has remained a challenge.

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Preston, Teresa. "A Look Back." Phi Delta Kappan 100, no. 3 (October 22, 2018): 5–7. http://dx.doi.org/10.1177/0031721718808256.

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This exploration of Phi Delta Kappan’s archives shows how the magazine has covered questions related to the purposes, governance, and funding of the public schools. Articles have discussed the role of schools in a democratic society, how schools should relate to the public, whether public funds should be diverted to private and religious schools, and whether charter schools and other vehicles for school choice are beneficial to families and schools.

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11

Meckl, Peter. "Looking Back Over the 6+ Years of the DSC Magazine." Mechanical Engineering 141, no. 06 (June 1, 2019): S3—S6. http://dx.doi.org/10.1115/1.2019-jun4.

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12

Moysinovich, Anna N. "Reflection of everyday life of the common man on the pages of the "Satyricon" magazine. Part 1." Vestnik Yaroslavskogo gosudarstvennogo universiteta im. P. G. Demidova. Seriya gumanitarnye nauki 17, no. 4 (December 14, 2023): 494. http://dx.doi.org/10.18255/1996-5648-2023-4-494-503.

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The article is devoted to the satirical weekly "Satyricon", published in 1908-1914 in St. Petersburg. The magazine had not only literary but also artistic significance; prominent writers, poets and artists took part in its creation. Particular attention in the article is paid to the structure, design and content of the Satyricon. An attempt was made in the article, based on the analysis of the magazine’s publications, to look at the world of the everyman through the prism of satire and humor, to understand his interests and pressing problems. The author comes to the conclusion that the magazine «Satyricon» in one form or another reflected almost all aspects of everyday life of the everyman: culture, entertainment, fashion, showing not only its positive, but also negative sides. The study noted the importance of the magazine among other periodicals of those years, having made it the constant companion of a Russian in his daily life.

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13

Barnes, Lyn, and Jeremy Olds. "‘We look after our own’: The cultural dynamics of celebrity in a small country." Pacific Journalism Review 19, no. 2 (October 31, 2013): 86. http://dx.doi.org/10.24135/pjr.v19i2.219.

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Unlike the United Kingdom, the United States and Australia, where celebrities are often subjected to derision in the tabloid media, the New Zealand Woman’s Weekly, the country’s longest-running women’s magazine, respects and values its local celebrities. A content analysis of cover lines on the magazine over the past eight decades reveals that although the magazine has adhered to a steadfast formula of celebrating mothers and wives, there has been a steady shift to a focus on the love lives and scandals of foreign celebrities. More recently, however, the magazine has turned its attention to well-known New Zealanders and developed its own brand of celebrity news.

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14

Calvo, Roque J. "Pennington Corner: On Its Own." Electrochemical Society Interface 7, no. 1 (March 1, 1998): 6. http://dx.doi.org/10.1149/2.002981if.

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It’s hard to believe we are celebrating five years of publishing Interface. It seems like only yesterday that we were putting the finishing touches on the first table of contents and Paul Kohl (the first editor of Interface) declared, “We have a magazine.” We certainly did have a magazine, and in December 1992, we published a 64-page, four-color, quarterly magazine that had a fresh point of view and an elegant new look. The five-year growth of Interface has been meteoric, and I am extremely proud of how the magazine has developed and how effectively it communicates Society information and ideals.

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15

Ningtyas, Dito Anjasmoro, Haikal Haikal, Yogi Ariska, and Eddy Kusnadi. "Makna Karikatur Cover Majalah Tempo Edisi September 2019 Studi Semiotika Roland Barthes." Jurnal Media Penyiaran 3, no. 01 (June 22, 2023): 09–16. http://dx.doi.org/10.31294/jmp.v3i01.1934.

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The tempo magazine is one example of mass media that is much in demand by the public. The contents are interesting, making the magazine still exist today. The widespread use of caricature drawings on uncover ethical magazine covers raises polemic for the public, but also to find caricature meaning on the cover of the September 16, 2019 edition of Tempo, to uncover what the purpose of using pictures or messages to look for is to create a magazine cover, research methods used is qualitative with Roland Barthes theory where Roland Barthes theory discusses semiotics and myths. One of the results of this research is the balanced tempo magazine in conveying the conclusions of a story. It is hoped that the magazine will continue to be consistent in presenting balanced and factual data.

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16

Wigginton, Eliot. "Foxfire Grows Up." Harvard Educational Review 59, no. 1 (April 1, 1989): 24–50. http://dx.doi.org/10.17763/haer.59.1.x195p1480477p765.

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For more than twenty years, students at Rabun Gap High School, a conservative, traditionally organized public school in Appalachian Georgia, have published Foxfire books and magazines. Conceived by students in Eliot Wigginton's English classes, the project's publication of oral history grew into what was called cultural journalism. The national recognition and financial success of the Foxfire books and magazines led to the adoption of the approach by teachers throughout the country. However, many who attempted such projects did not recognize that Foxfire is not really a magazine, but a philosophy of education firmly grounded in principles of democratic, experiential education. Using the magazine as a device without the principles upon which Foxfire had been based often resulted in methods as traditional and teacher centered as those they were meant to replace. Recognizing this, Wigginton and the Foxfire staff began to carefully define the ingredients that led to the success of the Foxfire approach in Rabun County, and to look for ways to assist other teachers in adopting the philosophy and the approach in their classrooms. In this article, Wigginton describes Foxfire's core educational practices and the major aspects of the Foxfire staffs current work with teachers.

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17

Liserre, Marco. "A Look at IEEE Industrial Electronics Magazine [Editor's Column]." IEEE Industrial Electronics Magazine 1, no. 99 (2007): x5. http://dx.doi.org/10.1109/mie.2007.4375293.

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Liserre, Marco. "A Look at IEEE Industrial Electronics Magazine [Editor's Column]." IEEE Industrial Electronics Magazine 1, no. 4 (2007): 2. http://dx.doi.org/10.1109/mie.2007.909723.

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19

Wagner, Larry. "EDFAS 10 Year Anniversary: A Look Back at EDFAN → EDFA." EDFA Technical Articles 10, no. 4 (November 1, 2008): 34–35. http://dx.doi.org/10.31399/asm.edfa.2008-4.p034.

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20

Preston, Teresa. "A Look Back: Church, state, and Kappan." Phi Delta Kappan 102, no. 5 (January 26, 2021): 5–7. http://dx.doi.org/10.1177/0031721721992557.

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In this monthly column, Kappan managing editor Teresa Preston looks back at how the magazine has covered questions related to the role of religion in public schools. Authors considered how Supreme Court rulings affected school policy and practice, whether religious instruction is necessary for promoting positive values, and how to encourage respect in a religiously diverse world.

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21

Kamynska, Sofiia, and Nataliia Voitovych. "CHARACTERISTICS OF THE GRAPHIC DESIGN OF WOMEN’S MAGAZINES OF GALICIA (late 19th – early 20th centuries)." Presoznavstvo. Press Studies, no. 2 (2023): 118–33. http://dx.doi.org/10.37222/2786-7552-2023-2-7.

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The study focuses on women’s periodical magazines in Galicia from the end of the 19th century and up to 1939, with the aim of analyzing the peculiarities of the graphic concept of printed editions and their design, which influenced the time and genre features of printing. The object of the study is the women’s periodicals of Galicia, in particular the editions «Nova Khata», «Zhinocha dolia», «Zhinocha Volia», «Zhinoche Dilo», «Zhinochyi Holos». The article pays attention to the graphic design of women’s magazines of that period, which, although they were not richly illustrated, used various graphic elements, portraits and fashionable clippings. Editors were aware of the importance of the appearance of magazines as a supplement to textual content, especially given the growing competition among magazines. In this context, the development of printing technologies, the growing interest in art and the modernization of design influenced the creation of aesthetically attractive magazines with unique features of graphic design. The cover of the magazine plays a key role in its graphic face, encouraging readers to pick the magazine up. It consists of the title, main photo, logo and other graphic elements. White space is an important element of design, creating a sense of space and facilitating the convenient perception of information. The use of symbols and icons helps to highlight special sections and emphasize key points. Graphic effects add depth and expressiveness to the design. Ensuring design consistency between different issues is an important aspect, creating unity and logical coherence throughout the publication. Categorization and structure help organize content and make it easier for readers to navigate. The compositional and graphic complex of the cover is crucially important, advertising the concept of the publication and reflecting the level of content. The results of the study indicate that editorial offices used a variety of typographic techniques to give magazines an original look, contributing to the strengthening of national consciousness and cultural self-expression. The study will contribute to understanding the development of the women’s press and its impact on the public life of Ukrainian society in Galicia in the specified period. Keywords: graphic design, women’s magazines, magazines of Galicia, design, graphic effects, magazine cover.

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22

WILLIAMS, MEGAN E. "“Meet the Real Lena Horne”: Representations of Lena Horne in Ebony Magazine, 1945–1949." Journal of American Studies 43, no. 1 (April 2009): 117–30. http://dx.doi.org/10.1017/s0021875809006094.

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Following World War II, Ebony's creator and editor, John H. Johnson, sought to create a popular black magazine in the vein of Life and Look that would reflect the accomplishments and joys, “the happier side,” of African American life.1 Throughout the first four years of its publication, Lena Horne appeared on the magazine's cover three times – the only woman to do so during this period. In this paper, I argue that the fledgling Ebony magazine drew on Lena Horne's wartime status as a beautiful black icon and represented her as a symbol of its ideological project, broadly, and as the Ebony image of postwar black womanhood, specifically. The magazine's representation of Lena Horne acts as a useful trope for understanding how Ebony imaged postwar black femininity in terms of motherhood, work, and civil rights activism; additionally, Ebony's representation of Horne and Ebony readers' letters to the editor reveal central issues of respectability, pinup photography, colorism, hair care, and interracial relationships as they were debated within the magazine's pages.Behind the lavish make-up, gay tinsel and brilliant glitter of American's most popular Negro entertainer, Lena Horne is a wonderfully human, somewhat lonesome, amazingly-honest, militant-minded personality who is relatively unknown to a vast audience of millions of movie, radio, and night club fans.2

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23

Katrina, Ninfa Topacio. "Competing gender discourses: A multi-modal analysis of gender representations and femininity in a philippine magazine." i-manager's Journal on Humanities & Social Sciences 1, no. 2 (2020): 19. http://dx.doi.org/10.26634/jhss.1.2.16910.

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Recent studies in gender representation tackle issues that no longer deal with the under representation, invisibility, powerlessness, and silence of women in the media. Hence, it is aim of this study to analyze women's representation in a new light following the principles of feminism of difference. This study sought to prove that competing gender discourses and the notion of varying femininities are discursive practices that can be observed as strategies in representation in modern magazines. To prove this, multimodal analysis was used to analyze the verbal and non-verbal text of the magazine in question. Moreover, feminist critical analysis was applied to see how the use of diverse and competing discourses in the magazine are intertwined with the text producer's consumerist agenda. The analysis also shows how seemingly neutral or harmless discussions about feminine activities are actually embedded with biased ideologies about gender. A critical discourse analysis is deemed important in raising the awareness of readers regarding this manipulative process. It is through a critical look into language and discourse that one may find how unequal power relations do exist in social discourse.

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24

Fitzpatrick, Orla. "Vox magazine: Dublin street fashion and photography in an early 1980s magazine." Punk & Post Punk 9, no. 2 (June 1, 2020): 267–85. http://dx.doi.org/10.1386/punk_00042_1.

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This article explores the editorial and photographic content of Vox, a Dublin magazine that covered the musical, artistic and sartorial tastes adopted by various subcultures on the streets of the Irish capital. Edited and published by Dave Clifford between 1980 and 1983, the magazine featured local and international post-punk bands, performance artists, writers and those on the scene. Particular reference is paid to the role of markets, such as the Gaiety Green, the Ivy and the Dandelion, as sites for the exchange of both ideas and goods. The creativity and self-expression embodied within these photographic spreads is analysed. The article draws upon scholarship on fanzines, subcultures and fashion and also augments the author’s research into the subject with additional oral histories and interviews conducted with market traders. National and international networks are traced and tracked with especial reference to London and Berlin as sites of culture and experimentation. It concludes with a look at the street as the locus for creative expression through music and clothes.

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25

Moon, Brian. "eLearn Magazine Special Issue: Beyond Multiple Choice." eLearn 2021, Special Issue (September 2021): 1–4. http://dx.doi.org/10.1145/3471910.

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26

Mayer, Ruth. "Periodically Queer: Sexology and Non-Normative Sexualities in the Little Magazine The Masses." Modernist Cultures 15, no. 4 (November 2020): 442–63. http://dx.doi.org/10.3366/mod.2020.0308.

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This paper will be concerned with the special affordances of periodical writing, taking the modernist little magazine The Masses as its example. This magazine was instrumentally involved in promoting sexual liberation and ‘sex radicalism’ in the United States of the 1910s, and I argue that the – contracted, serial, and contingent – structure of periodical publishing had an incisive impact on the ways in which the magazine responded to and transfigured the contemporary rhetoric of sexology. Focusing on the enactment of non-normative sexualities in the little magazine, I aim to show that the iterative and kaleidoscopic form of presentation yields effects that are different from the aesthetics of queer modernism as manifest in the ‘closed’ literary forms of the episodic novel or the short story collection. I will cast a close look at Floyd Dell's writing in the magazine to argue my case, and end with a reflection on (the publication history of) Sherwood Anderson's ‘Hands’.

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27

Behshad, Azam, and Saeed Ghaniabadi. "Visual Analysis of Magazine Covers." International Journal of Linguistics 7, no. 5 (October 19, 2015): 20. http://dx.doi.org/10.5296/ijl.v7i5.8445.

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<p>The aim of this paper is to look into ways in which modes are chosen if signs are produced for interpretation and presentation of theories and meanings. Magazine is a complex collection of signs that can be extensively decoded and analyzed by different factors. The most spectacular components are documentary photos, manipulated images and portrait photos. According to the results, many processes (action, symbolic, reaction, and analytical processes), and strategies (e.g. top vs. bottom strategies and margin vs. center), modality modification and color differentiation, are required in representing and interpreting concepts and meanings in this type of discourse. The discourse analysis used here is accomplished based on Halliday’s model of functional-systematic grammar (1976, 2004), which uses three meta functions to describe different communicational modes.</p>

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28

Trinkaus, John. "Contemporary Opinions on Health Issues: An Informal Look." Perceptual and Motor Skills 69, no. 3-1 (December 1989): 867–71. http://dx.doi.org/10.1177/00315125890693-128.

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An informal look at the opinions of a convenience sample of business students and faculty on health-care-related issues suggests some departure from a set of national norms reported in Hippocrates, a general-interest magazine in the field. The nature of the differences appears to imply a greater willingness by business students and faculty to allow patients more discretion in determining courses of action.

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McGowan, Alan H. "A Look Back at the Early History of Environment Magazine." Environment: Science and Policy for Sustainable Development 60, no. 5 (August 17, 2018): 32–36. http://dx.doi.org/10.1080/00139157.2018.1500212.

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30

Yess, Mary. "Interface: The First Five Years." Electrochemical Society Interface 7, no. 1 (March 1, 1998): 16–19. http://dx.doi.org/10.1149/2.f03981if.

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31

Vasic, Aleksandar. "The reception of west European music in Belgrade between world wars: On the examples of “Muzicki glasnik” and “Muzika” magazines." Muzikologija, no. 11 (2011): 203–18. http://dx.doi.org/10.2298/muz1111203v.

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The very first music magazines started in Belgrade between World Wars were ?Muzicki glasnik? (issued monthly from January to December 1922) and ?Muzika? (also issued monthly in the period January 1928 - March 1929). These magazines used to publish music essays, researches, debates, notes, news and other kind of articles. This paper brings an analysis of texts on West European music in these two journals. ?Muzicki glasnik? published only few articles on European music. Those were on bibliographical news concerning editions on musicology in England and on French music magazines. There was a report on the concert held in Leipzig in1922 in honour of late Arthur Nikisch. ?Glasnik? also published an obituary to Camille Saint-Sa?ns containing, by contemporary standards, excessively complimentary evaluation of his music. West European music was far more present on the pages of ?Muzika? magazine. The editorial board used to publish thematic issues dedicated to jubilees of great European composers (such as Franz Schubert, Ludwig van Beethoven). One issue was dedicated to English music and this magazine also wrote about Puccini. Essays on European music were translated from foreign languages and the authors of some were coming from Yugoslavia. ?Muzika? magazine was addressing wide, educated audience, not only musicians. Therefore the texts giving biographical and psychological portraits of composers used to prevail over musicological analyses of their works. Serbian music community was not highly developed thus ?Muzika? moderately used expert terminology. Essays, as dominant forms in Serbian musicography up to 1941, were often written in a literary manner. This is evident in ?Muzika? as well. ?Muzika? and ?Muzicki glasnik? adopted different aesthetics and ideology. The fact that the reception of West European music in ?Glasnik? was minimal was not only due to the insufficient number of associates. The editorial board of ?Glasnik? was more concerned with domestic music and problems of music institutions. Besides, the editors of this magazine were of opinion that the Serbian music should not solely look up to West European composers but even more to the Slav and domestic music exemplars. The editors of ?Muzika? were, however, strongly adhering to West European tradition. They thought that only high culture and knowledge could bring the Serbian music to a serious level, both technique and art wise. The editors of this magazine did not desire our composers to be epigones of Western musicians, but wanted to provide domestic musicians and readers with information on European art. In this regard, ?Muzika? used to have an enlightening mission in our country.

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Marcus, Gary, Francesca Rossi, and Manuela Veloso. "Beyond the Turing Test." AI Magazine 37, no. 1 (April 13, 2016): 3–4. http://dx.doi.org/10.1609/aimag.v37i1.2650.

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The articles in this special issue of AI Magazine include those that propose specific tests, and those that look at the challenges inherent in building robust, valid, and reliable tests for advancing the state of the art in AI.

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Moysinovich, Anna M. "Reflection of Everyday Life of the Common Man on the Pages of the "Satyricon" Magazine. Part 2." Vestnik Yaroslavskogo gosudarstvennogo universiteta im. P. G. Demidova. Seriya gumanitarnye nauki 18, no. 1 (March 17, 2024): 46. http://dx.doi.org/10.18255/1996-5648-2024-1-46-59.

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The article is devoted to the satirical weekly «Satyricon», published in 1908-1914 in St. Petersburg. It set the vector for the development of Russian satirical and humorous journalism for many years to come. Based on the analysis of the materials published in the magazine, the article attempts to look at the world of the layman through the prism of satire and humor, to understand his interests and pressing problems. The author comes to the conclusion that the magazine «Satyricon» reflects almost all aspects of everyday life of the layman: culture, social life, fashion, entertainment. Particular attention in the periodical was given to the political events in Russia at the beginning of the 20th century, the activities of the State Duma, and representatives of the political parties of the time. The vivid images of political leaders created by the satirists of the magazine could transform over time, change and be filled with new details, which were followed with great attention by the readers of the magazine.

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Sari, Noviana. "Imperialisme Budaya dalam Media." Jurnal Penelitian Pers dan Komunikasi Pembangunan 19, no. 3 (February 21, 2016): 167–82. http://dx.doi.org/10.46426/jp2kp.v19i3.35.

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Discourse is a production base of power, legitimacy and hegemony of the dominant classes that produce things such as the idea or knowledge that contains the ideology of which reproduces the discourse, as well as in families, schools, workplaces, social organization and activities of daily life, including in it is a lifestyle. The process of hegemonic discourse of lifestyle is one of the strategies of the dominant classes to do politics of cultural imperialism. With an attractive and persuasive language offered in the magazine, the political process of cultural imperialism obtain justification, because the magazine as an agent not only inform the lifestyle of a particular culture but were able to define where the lifestyle is considered correct. This research is based to unpack the meaning of discourse lifestyle offered in a franchise magazine USA to Indonesia, namely CosmoGirl! Indonesia, through the rubric of fashion The CG! Look: Celebrity Style and trend model as a form of cultural imperialism orientation of the west to the eastern culture. In the rubric The CG! Look: Celebrity Style, CosmoGirl! not only presents fashion-fashion fads and used by foreign artists recommended for adoption, but also hide explicit messages and unconsciously. The values introduced by CosmoGirl! seen in themes at fashion rubric The CG Look: Style Celebrity look how CosmoGirl! presents a model that is a trend of fashion and of course backed up with strategies to show the positive side of the style of dress western style. These strategies are carried out by CosmoGirl! by attacking the image of ourselves as young women who definitely wants to appear as attractive as possible. Keywords: discourse analysis, Cultural Imperialism, lifestyle, fashion, magazines, rubrics. ABSTRAK Wacana merupakan basis produksi kekuasaan, legitimasi dan hegemoni dari kelas dominan yang memproduksi hal-hal seperti gagasan atau pengetahuan yang mengandung ideologi dari yang mereproduksi wacana, seperti halnya dalam keluarga, sekolah, tempat kerja, organisasi sosial dan aktivitas kehidupan sehari-hari, termasuk juga di dalamnya adalah gaya hidup. Proses hegemoni wacana gaya hidup adalah salah satu strategi dari kelas dominan untuk melakukan politik imperialisme budaya. Dengan bahasa yang menarik dan persuasif yang ditawarkan dalam majalah, proses politik imperialisme budaya memperoleh pembenaran, karena majalah sebagai agen tidak hanya menginformasikan gaya hidup dari suatu budaya tertentu tetapi mampu mendefinisikan mana pola hidup yang dianggap benar. Penelitian ini didasari untuk membongkar makna wacana gaya hidup yang ditawarkan dalam sebuah majalah franchise USA yang masuk ke Indonesia, yaitu Cosmogirl! Indonesia, melalui rubrik fashion The CG! Look: Gaya Seleb dan trend modelnya sebagai bentuk orientasi dari proses imperialisme budaya barat ke budaya timur. Dalam rubrik The CG! Look: Gaya Seleb, Cosmogirl! tidak hanya menyajikan fashion-fashion yang sedang menjadi trend dan digunakan para artis luar negeri yang disarankan untuk diadopsi, namun juga menyembunyikan pesan-pesan secara eksplisit dan tidak disadari. Nilai-nilai yang dikenalkan oleh Cosmogirl! terlihat dalam tema-tema pada rubrik fashion The CG Look: Gaya Seleb terlihat bagaimana Cosmogirl! menyajikan model fashion yang sedang trend dan tentu saja didukung dengan strategi-strategi yang menampilkan sisi positif dari gaya berbusana ala barat. Strategi-strategi tersebut dilakukan oleh Cosmogirl! dengan cara menyerang citra diri kita sebagai remaja wanita yang pastinya ingin tampil semenarik mungkin. Kata Kunci: analisis wacana, Imperialisme Budaya, gaya hidup, fashion, majalah, rubrik.

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COUPLAND, JUSTINE. "Time, the body and the reversibility of ageing: commodifying the decade." Ageing and Society 29, no. 6 (July 6, 2009): 953–76. http://dx.doi.org/10.1017/s0144686x09008794.

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ABSTRACTContemporary popular culture proposes new ideological associations between time, ageing, the body and personal identity projects. In a range of magazine texts, television shows and associated websites, several commercialised discourses equate ageing, and women's ageing in particular, with the ‘look’ of ageing. They project a version of personal ageing that is reversible and repairable, on the presumption that looking younger is universally a desirable goal and one that can be reached through regimes of control operating on skin, body shape and weight, hair and clothing. Different moral stances are established in these discourses. One set offers magazine readers putative control over acknowledged risks and threats deemed inherent to ageing. Such texts invoke personal responsibility for maintaining and indeed for re-claiming a youthful appearance in middle and old age. Another set shames and vilifies people who ‘look older than they should’. In those cases, visible ageing needs to be urgently dealt with, on the gerontophobic assumption that the look of ageing renders the individual progressively less socially desirable or even less acceptable. Different frames of mediation, such as the keying of personal censure and humiliation as play, complicate the moral critique of these discourses, even though their ageist orientations are often stark. The decade is constructed as an important unit of bodily ageing, when the target is to look or in some ways to be ‘ten years younger’.

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Pope, Jon. "The Autonominer." Industrial Vehicle Technology International 26, no. 2 (June 2018): 16–17. http://dx.doi.org/10.12968/s1471-115x(23)70504-7.

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BY THE TIME iVT MAGAZINE IS CELEBRATING ITS 50TH BIRTHDAY, IT'S SAFE TO ASSUME THAT AUTONOMOUS SYSTEMS WILL BE PLAYING A MUCH LARGER ROLE IN VEHICLE DESIGN THAN THEY DO TODAY. WHAT WILL SUCH MACHINES LOOK LIKE? AND WHERE WILL WE FIND THEM WORKING?

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Preston, Teresa. "A Look Back: What Kappan readers have learned about learning." Phi Delta Kappan 100, no. 4 (November 26, 2018): 5–7. http://dx.doi.org/10.1177/0031721718815665.

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This exploration of Phi Delta Kappan’s archives shows how the magazine has explored education research and science across its 100 volumes. Articles have advocated better research and a stronger connection between research and practice, while celebrating strides that have been made. Kappan has also presented multiple perspectives on the value of neuroscience to education, with some authors recommending a brain-based approach and others expressing skepticism about how the research is being interpreted and applied.

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Andreyeva, Valeriya G. "Motif of struggle in the chronicles "The Cathedral Clergy" by Nikolai Leskov." Vestnik of Kostroma State University, no. 3 (2019): 89–93. http://dx.doi.org/10.34216/1998-0817-2019-25-3-89-93.

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The author of the article addresses history of the publication of the chronicles "The Cathedral Clergy" by Nikolai Leskov; she notes that the subject and the core conflict of the work collided with its publication in a number of magazines, and that only Mikhail Katkov realised the chronicle's importance and accepted it in his magazine "The Russian Messenger". In "The Cathedral Clergy", Nikolai Leskov looks at the world from a special perspective which opens his point of view as an eternity look, whereas what becomes the core conflict in the work, is confrontation of belief and unbelief of global, if not universal, scale. Realisation of one of the book's most significant motifs – motif of struggle – is analysed in the article. It is considered how Nikolai Leskov on a set of examples illustrates the heroes' active and energetic strength that is shown in advocacy of belief, in resistance to meanness and premeditated deception. The writer very thinly and skillfully shows that fight is not an intrinsic basis of righteous people, that all of them live under the law of love, however they cannot be passive observers in the world where the truth is profaned.

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Preston, Teresa. "A Look Back: Taking stock of public school choice in Kappan." Phi Delta Kappan 103, no. 1 (August 23, 2021): 6–7. http://dx.doi.org/10.1177/00317217211043617.

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In this monthly column, Kappan managing editor Teresa Preston explores how the magazine has covered the questions and controversies about school choice. Although many authors across the decades objected to the use of vouchers to pay private school tuition, those same authors lent support to the idea of choice among public schools. Advocates of public school choice have endorsed various models for providing choices, from alternative schools, to magnet schools, to charter schools.

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Stevens, Lise Millay. "Andrew Paul Leonard: Capturing the Cover of Time Magazine." Microscopy Today 14, no. 6 (November 2006): 40–43. http://dx.doi.org/10.1017/s1551929500058879.

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If beauty is in the eye of the beholder, then microscopic photographer Andrew Paul Leonard might have a lot to explain. After all, touting the aesthetic merits of an eosinophil (picture that let alone pronounce it) hardly brings to mind the rugged splendor of Ansel Adam's “El Capitan” or the quirky languidness of Richard Avedon's “Dovima with Elephants.” Yet, one look at these starkly detailed images reveals a textured, beautiful world reminiscent of the fancy of Yellow Submarine and the graphic logic of M.C.Escher.

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Floyd, Lanny. "A Fresh Look for IEEE Industry Applications Magazine [From the Editor's Desk]." IEEE Industry Applications Magazine 23, no. 1 (January 2017): 3. http://dx.doi.org/10.1109/mias.2016.2614391.

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Corke, Peter. "New Look for IEEE Robotics & Automation Magazine [From the Editor's Desk]." IEEE Robotics & Automation Magazine 18, no. 1 (March 2011): 4. http://dx.doi.org/10.1109/mra.2010.940141.

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Harris, Donal. "Look: How a Highly Influential Magazine Helped Define Mid-Twentieth Century America." Journal of Modern Periodical Studies 13, no. 2 (December 2022): 309–14. http://dx.doi.org/10.5325/jmodeperistud.13.2.0309.

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Scheffels, Gerald. "End of the Line." Industrial Vehicle Technology International 26, no. 2 (June 2018): 72–78. http://dx.doi.org/10.12968/s1471-115x(23)70513-8.

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DURING THE HISTORY OF iVT MAGAZINE, THERE HAVE BEEN SEVERAL EXPERT PREDICTIONS CONCERNING THE DECLINE, AND EVEN DEATH, OF MOBILE HYDRAULICS - BUT SMART ELECTRONIC UPGRADES AND REDESIGNS HAVE MEANT THEY ARE NOW JUST AS INDISPENSABLE TO VEHICLE DESIGNERS AS THEY WERE 25 YEARS AGO. WE LOOK AT WHY - AND ATTEMPT TO PREDICT WHAT THE FUTURE HOLDS

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Raft, Zeb. "Sound and Sense – A Musical Look at Chinese Poetry in 1916." TranscUlturAl: A Journal of Translation and Cultural Studies 1, no. 3 (March 23, 2011): 94. http://dx.doi.org/10.21992/t9v637.

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This essay examines two contributions related to “Chinese poetry” from Eunice Tietjens, an early editor of and contributor to the Chicago-based magazine Poetry. In the first, Tietjens uses western musical notation to transcribe the “tunes” of two Chinese scholars chanting a short poem. The second is a group of Tietjens’s own poetic sketches of the China she witnessed on her 1916 visit. Taken together, these projects provide a useful commentary on the translation of Chinese poetry in the early 20th century.

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Salas, Xavier Motilla, and Sara González Gómez. "RESEARCH AND TEACHING WITH PHOTOGRAPHS: HISTORICAL AND EDUCATIONAL PHOTOGRAPHY RESOURCES IN ILLUSTRATED MAGAZINES (MAJORCA, SPAIN, 1902-1936)." História da Educação 22, no. 56 (December 2018): 38–56. http://dx.doi.org/10.1590/2236-3459/79878.

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Abstract The origins of the illustrated press on the island of Majorca (Spain) date to the last two decades of the 19th century when visual records received a major push thanks to the consolidation of new graphic printing techniques, favouring more illustration and photography in the local press - an aspect that further strengthened in the early 20th century in news magazines. Subsequently, and running parallel to the development of international print media, photography was introduced into different media publications in Majorca, often adopting the term 'illustrated magazine'. And the news reports in these general or specialised illustrated publications are precisely where we come across different photographic and/or photojournalism reports on schools and education in general in Majorca, as well as illustrated advertising for education establishments. This article will offer an approach and analysis of the photographic resources contained in the different illustrated magazines on the island from the first three decades of the 20th century. We will also look at the image of schools from the period and the out-of-school education they provided, as well as the possible potential and uses the images represent for didactics in the history of education field.

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Preston, Teresa. "A Look Back: Purposes and plans for gifted education in Kappan." Phi Delta Kappan 102, no. 4 (November 23, 2020): 5–7. http://dx.doi.org/10.1177/0031721720978054.

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In this monthly column, Kappan managing editor Teresa Preston explores how the magazine has covered current issues in the past. This column looks at how authors have discussed the best ways to educate the most advanced students. Ensuring that students are appropriately challenged at school has interested Kappan authors since as far back as the 1940s. Programs have had the goal of improving students’ abilities, helping them with social challenges, and building a better workforce. Although some have decried these programs for elitism, educators have long sought ways to expand the definition of giftedness to bring in more students.

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Günther, Christoph. "Presenting the Glossy Look of Warfare in Cyberspace – The Islamic State's Magazine Dabiq." CyberOrient 9, no. 1 (January 2015): 130–57. http://dx.doi.org/10.1002/j.cyo2.20150901.0006.

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Webb, Melissa J. "Kubrick Becoming: An Interview with Philippe Mather on Stanley Kubrick at Look Magazine." Film Matters 8, no. 2 (September 1, 2017): 15–19. http://dx.doi.org/10.1386/fm.8.2.15_1.

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Hidayati, Okta Nurul. "CILUKBA: Popular Learning dan Akhlak Inklusif dalam Majalah Anak Islam." MIQOT: Jurnal Ilmu-ilmu Keislaman 42, no. 1 (August 25, 2018): 129. http://dx.doi.org/10.30821/miqot.v42i1.500.

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<p><strong>Abstrak:</strong> Tulisan ini merupakan upaya untuk memahami pola pendidikan Islam sehari-hari dalam rubrik majalah Cilukba. Pendidikan Islam yang diajarkan di sekolah selama ini cenderung dengan doktrinasi buku-buku pelajaran. Sementara di luar sekolah, media populer berkembang pesat seperti Cilukba sebagai representasi majalah anak Islam yang inklusif yang dapat menjadi alternatif media pembelajaran keseharian untuk anak-anak. Namun, di sisi lain majalah Cilukba dapat mengkonstruksi doktrin baru bagi anak. Tulisan ini menggunakan pendekatan diskriptif kualitatif dengan teknik analisis konten majalah Cilukba. Hasil penelitian menunjukkan bahwa majalah Cilukba berisi materi-materi pembelajaran Islam keseharian seperti pembela-jaran adab, akhlak dan keteladanan yang tergambarkan dalam rubrik-rubrik dalam majalah, dengan tampilan desain yang modern. Penelitian ini menyimpulkan bahwa majalah Cilukba mengkonstruksi pendidikan melalui visualisasi idealisme Islam. Pemahaman terhadap isi rubrik Cilukba memberikan edukasi alternatif yang ber-gandengan tangan dengan pendidikan formal Islam di Indonesia.</p><p><strong>Abstract: Cilukba: Popular Learning and Inclusive Character in Muslim Child Magazine.</strong> This paper is an effort to understand the pattern of daily Islamic education Cilukba magazine. Islamic education in Indonesia has continuously taught students in the schools by providing the doctrines of textbooks, whereas popular media significantly increases such as Cilukba that represents Islamic children magazine. On one hand, the existence of Cilukba magazine can be an alternative media for daily learning for children, on the the other hand, however, it might construct a new doctrine for children. This paper uses a qualitative descriptive approach with content analysis techniques Cilukba magazine. The results showed that Cilukba magazine contains daily Islamic learning materials, such as learning adab, morals and exemplary are described in the rubrics in the magazine, with a modern design look. The author argues that Cilukba magazine constructs education through visualizing of Islamic idealism. In addition, Cilukba rubrics provides an alternative education which run hand in hand with formal Islamic education in Indonesia. <br /> <br /><strong>Kata Kunci:</strong> pendidikan, majalah, anak, agama, akhlak</p>

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