Books: 'Long narrative'

1

As long as it's big: A narrative poem. Baltimore: Johns Hopkins University Press, 2005.

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2

Bohannon, Catherine Ridder. Found Things: Variations in information density in long-form narrative. [New York, N.Y.?]: [publisher not identified], 2022.

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3

Narrative means, lyric ends: Temporality in the nineteenth-century British long poem. Columbus: Ohio State University Press, 2009.

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4

Morgan, Monique R. Narrative means, lyric ends: Temporality in the nineteenth-century British long poem. Columbus: Ohio State University Press, 2009.

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Morgan, Monique R. Narrative means, lyric ends: Temporality in the nineteenth-century British long poem. Columbus: Ohio State University Press, 2009.

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6

Baker, Nicholas Philip. The 'long march through the institutions', its metamorphoses and political functions: An analytical narrative. Birmingham: University of Birmingham, 2001.

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7

Adam, Roberts. Romantic and Victorian long poems: A guide. Aldershot, Hants, England: Ashgate, 1999.

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8

KC, Kul Bahadur. Aalok: Khandakabya. Pokhara, Nepal: Chandrakanta Baral, Birauta, 2011.

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9

E, Reed William. Narrative of the march of Morgan's Mounted Volunteers from Fort Atkinson, Iowa, to Long Prairie, Minnesota, guarding removal of the Winnebago Indians. San Francisco, Calif: The Chapter, 1988.

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10

Zuccala, Brian. A Self-Reflexive Verista Metareference and Autofiction in Luigi Capuana’s Narrative. Venice: Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-398-4.

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With a Preface by Edwige Comoy Fusaro, this volume is one of few monographs on Italian post-Risorgimento author Luigi Capuana, and the first one written in English in more than forty years. Narratology and critical theory are combined with more ‘traditional’, historical-philological criticism to offer a radical rereading of the author’s narrative. Central to this study is the seemingly counter-intuitive notion of artistic self-reflexivity, which represents an innovative take on an author like Capuana, who has long been ‘canonised’ as a verista.

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11

Seven long times. 2nd ed. Houston, Tex: Arte Publico Press, 1994.

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12

The long wait and other psychoanalytic narratives. New York: Summit Books, 1989.

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13

Weise, Donald. The long walk to freedom: Runaway slave narratives. Boston, Mass: Beacon Press, 2012.

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14

Dorothy Kunhardt. Twenty days: A narrative in text and pictures of the assassination of Abraham Lincoln and the twenty days and nights that followed--the nation in mourning, the long trip home to Springfield. San Bernardino, Calif: Borgo Press, 1985.

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15

Fujiwara, Shigeo. Yōmei Bunko-zō maie "Bugaku sangakuzu.": Hōryūji kyūzō kaiko = Mai-e [bugaku sangaku-zu] from the collection of Yōmei Bunko and a kaiko (Ch. kaigu) drum body formerly held by the Nara temple Hōryū-ji = Yangming wen ku cang wu hui "Wu le san le tu." Fa long si jiu cang kai gu. Kyōto-shi: Kabushiki Kaisha Shibunkaku Shuppan, 2016.

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16

Kujawski, Benjamin. My long road to freedom. Montréal, Qué: Concordia University Chair in Canadian Jewish Studies, Montreal Institute for Genocide and Human Rights Studies, 2002.

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17

The long road back. Pittsburgh, Pa: Dorrance Pub., 1994.

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18

The long walk. New York, NY: Lyons Press, 1997.

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19

Medcraft, Mollie A. The Long, Long Miles: A Narrative Poem. Kessinger Publishing, LLC, 2007.

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20

Long remembered: Favorite narrative poems. Boston, Mass: G.K. Hall, 1992.

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21

Long Take: A Noir Narrative. Knopf Doubleday Publishing Group, 2020.

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22

Long remembered: Favorite narrative poems. Boston, Mass: G.K. Hall, 1992.

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23

Garrett, Greg. A Long, Long Way. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190906252.001.0001.

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Hollywood films are perhaps the most powerful storytellers in American history, and their depiction of race and culture has helped to shape the way people around the world respond to race and prejudice. Over the past one hundred years, films have moved from the radically prejudiced views of people of color to the depiction of people of color by writers and filmmakers from within those cultures. In the process, we begin to see how films have depicted negative versions of people outside the white mainstream, and how film might become a vehicle for racial reconciliation. Religious traditions offer powerful correctives to our cultural narratives, and this work incorporates both narrative truth-telling and religious truth-telling as we consider race and film and work toward reconciliation. By exploring the hundred-year period from The Birth of a Nation to Get Out, this work acknowledges the racist history of America and offers the possibility of hope for the future.

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24

Shabalov, Anna. Long road in the dunes: Latvia and the Soviet historical narrative. 2010.

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25

Long Remembered: Favorite Narrative Poems (G K Hall Large Print Book Series). Macmillan Publishing Company, 1993.

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26

R, L. K. Long Walks to Nowhere: A True Narrative of Closure That Never Was. Independently Published, 2017.

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27

Adam, Roberts. Romantic and Victorian Long Poems. Taylor & Francis Group, 2019.

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28

Romantic and Victorian Long Poems: A Guide. Taylor & Francis Group, 2019.

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29

Adam, Roberts. Romantic and Victorian Long Poems: A Guide. Taylor & Francis Group, 2019.

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30

Linafelt, Tod. Poetry and Biblical Narrative. Edited by Danna Nolan Fewell. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199967728.013.6.

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Although virtually all other long narratives from the ancient world take the form of verse, biblical authors pioneered a prose style that, for reasons unknown, came to dominate ancient Hebrew narrative, relegating verse to nonnarrative genres. In other words, extended biblical Hebrew narrative always takes the form of prose, and biblical Hebrew poetry is nearly always nonnarrative. And yet, one finds authors and editors of the narratives dropping poems into the stories at key points, often because poetry provides literary resources unavailable in prose. By exploring both the form and function of these poetic insets, we may see the intentionality with which the ancient authors treated literary form and the crucial roles that nonnarrative poetic genres came to play in the biblical stories.

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31

Roche, Gerald. Long Narrative Songs from the Mongghul of Northeast Tibet: Texts in Mongghul, Chinese, and English. Open Book Publishers, 2017.

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32

Li, Dechun. Long Narrative Songs From the Mongghul of Northeast Tibet: Texts in Mongghul, Chinese, and English. Saint Philip Street Press, 2020.

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33

Szalontay, Tibor. The art of war during the Ottoman-Habsburg Long War (1593--1606) according to narrative sources. 2004.

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34

The art of war during the Ottoman-Habsburg Long War (1593--1606) according to narrative sources. University of Toronto, 2004.

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35

The art of war during the Ottoman-Habsburg Long War (1593--1606) according to narrative sources. 2008.

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36

Long Lives of Short Sagas: The Irrepressibility of Narrative and the Case of Illuga Saga Gríðarfóstra. University Press of Southern Denmark, 2020.

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37

Guldi, Jo. The Long Land War. Yale University Press, 2022. http://dx.doi.org/10.12987/yale/9780300256680.001.0001.

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This book offers the definitive account of the rise and fall of land rights around the world over the last 150 years. The book tells the story of a global struggle to bring food, water, and shelter to all. Land is shown to be a central motor of politics in the twentieth century: the basis of movements for giving reparations to formerly colonized people, protests to limit the rent paid by urban tenants, intellectual battles among development analysts, and the capture of land by squatters taking matters into their own hands. The book describes the results of state-engineered “land reform” policies beginning in Ireland in 1881 until U.S.-led interests and the World Bank effectively killed them off in 1974. It provides a definitive narrative of land redistribution alongside an unflinching critique of its failures, set against the background of the rise and fall of nationalism, communism, internationalism, information technology, and free-market economics. In considering how we could make the earth livable for all, the book works out the important relationship between property ownership and justice on a changing planet.

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38

Josselson, Ruthellen. Narrative and Cultural Humility. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197512579.001.0001.

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This is a story of the decade-long collision of cultures as the American author teaches group therapy in China. The basic assumptions of the two cultures become visible when clashes in understanding human experience and human relationships become the focus of attention. The author learned about the need for cultural humility in trying to narrate both her own experience and the experiences of her students. The author examines deep psychological encounters between people with radically different worldviews. In China, many people thought of her as “a Good Witch” and a magical being because her approach to therapy was profoundly healing for many. Her efforts to teach her theories and techniques, not at all magical to her, revealed cultural differences both subtle and pervasive. The author discusses what it means to deeply encounter people of a different culture, what it taught her about herself and her Western mind—and also what is universally human. In closely observed, sometimes momentary, interpersonal exchanges, culture emerges from the shadows. Because psychotherapy is such an intricately relational process, it reveals taken-for-granted ways of being in the world. Only in narrative can these processes be illuminated, and this book details the micro-level of encounters with the “Other.” The author invites readers to learn from the challenges she experienced as people from different cultures try to make sense of one another. The author compares her experience with existing scholarship on East/West differences in cognition and social organization and argues that the hegemonic individualistic/collectivistic distinction is not useful.

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39

Fishbane, Eitan P. The Art of Mystical Narrative. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199948635.001.0001.

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This book studies the Zohar as a work of literature. While the Zohar has long been recognized as a signal achievement of mystical theology, myth, and exegesis, this monograph presents a poetics of zoharic narrative, a morphology of mystical storytelling. Topics examined include mysticism and literature; fiction and pseudepigraphy; diaspora and exile; dramatic monologue and the representation of emotion; voice, gesture, and the theatrics of the zoharic tale; the wandering quest for wisdom; anagnorisis and the poetics of recognition; encounters with the natural world as stimuli for mystical creativity; the dynamic relationship between narrative and exegesis; magical realism and the fantastic in the representation of experience and Being; narrative ethics and the exemplum of virtuous piety in the Zohar; the place of the zoharic frame-tale in the comparative context of medieval Iberian literature, both Jewish and non-Jewish.

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40

George W. (George Wallace) 18 Melville and M. (Melville) Ed Philips. In the Lena Delta; a Narrative of the Search for Lieut. -Commander de Long and His Companions. Creative Media Partners, LLC, 2018.

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41

Wickerson, Erica. The Architecture of Narrative Time. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198793274.001.0001.

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Time matters to all of us. It dominates everyday discourse: diaries, schedules, clocks, working hours, opening times, appointments, weekdays and weekends, national holidays, religious festivals, birthdays, and anniversaries. But how do we, as unique individuals, subjectively experience time? The slowness of an hour in a boring talk, the swiftness of a summer holiday, the fleetingness of childhood, the endless wait for pivotal news: these are experiences to which we all can relate and of which we commonly speak. How can a writer not only report such experiences but also conjure them up in words so that readers share the frustration, the excitement, the anticipation, are on tenterhooks with a narrator or character, or in melancholic mourning for a time long since passed which we never experienced ourselves? This book suggests that the evocation of subjective temporal experience occurs in every sentence, on every page, at every plot turn, in any narrative. It offers a new template for understanding narrative time that combines close readings with analysis of the structural overview. It enables new ways of reading Thomas Mann, but also suggests new ways of conceptualizing narrative time in any literary work, not only in Mann’s fiction and not only in texts that foreground the narration of time. The range of Mann’s novels, novellas, and short stories is compared with other nineteenth- and twentieth-century works in German and in English to suggest a comprehensive approach to considering time in narrative.

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42

Historical boundaries, narrative forms: Essays on British literature in the long eighteenth century in honor of Everett Zimmerman. Newark, DE: University of Delaware Press, 2007.

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43

Historical Boundaries, Narrative Forms: Essays on British Literature in the Long Eighteenth Century in Honor of Everett Zimmerman. University of Delaware Press, 2007.

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44

Henry, Brown. Narrative of Henry Box Brown: Who Escaped Slavery Enclosed in a Box 3 Feet Long and 2 Wide. Work Books, Rare, 2021.

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45

(Editor), Lorna Clymer, and Robert Mayer (Editor), eds. Historical Boundaries, Narrative Forms: Essays on British Literature in the Long Eighteenth Century in Honor of Everett Zimmerman. University of Delaware Press, 2007.

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46

Historical Boundaries, Narrative Forms: Essays on British Literature in the Long Eighteenth Century in Honor of Everett Zimmerman. Rowman & Littlefield Publishers, Incorporated, 2007.

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47

Berman, Joshua A. Blending Discordant Laws in Biblical Narrative. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190658809.003.0009.

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This chapter highlights a peculiar phenomenon in biblical literature outside of the Pentateuch: a biblical writer will invoke iterations of a given law from two or more of the Pentateuch’s four corpora. Scholars have assumed that this phenomenon was limited to post-exilic literature, and stemmed from the exigencies of exile and return that created an urgent need to create a vehicle that would grant legitimacy to various communities and their legal traditions. However, the broad array of books in which such legal blending is found mandates us to question whether the legal blend is strictly a literary phenomenon of the post-exilic period. Moreover, the phenomenon obliges us to question the long-standing assumption that diverging iterations of the same law in two (or more) of the Torah’s law corpora are inherently mutually exclusive. Sources: Josh 20:1–9; Judg 6:25–31; 1 Sam 15:2, 1 Sam 28:3–25; 2 Kgs 4:1–7; Jer 34:12–17; Neh 5:1–12.

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48

Brown, Henry Box. Narrative of Henry Box Brown: Who Escaped from Slavery Enclosed in a Box 3 Feet Long and 2 Wide. Independently Published, 2022.

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49

Elkins, Kathleen Gallagher, and Julie Faith Parker. Children in Biblical Narrative and Childist Interpretation. Edited by Danna Nolan Fewell. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199967728.013.36.

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This chapter maintains that child characters have been long overlooked in biblical scholarship and calls attention to their critical roles in shaping the texts of the Hebrew Bible and New Testament. After a summarizing overview of recent scholarship, the chapter briefly discusses Hebrew and Greek terms that indicate children and youth. It proposes a new methodology, calledchildist interpretation, which offers tools for discovering the role and importance of young characters in biblical narratives. This six-step process then serves as a vehicle for analyzing the stories of Naaman’s slave girl (2 Kings 5:1–14) and Herodias’s daughter (Mark 16:7–29). By questioning traditional hegemonic interpretive assumptions from a fresh perspective, childist interpretation heralds an innovative and significant development in biblical narrative analysis.

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50

Seymour, Nicole. Trans Ecology and the Transgender Road Narrative. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199935338.013.152.

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This article identifies a particular subgenre of the road narrative, the transgender road narrative, analyzing the filmTransamericaand the novelNevadaas representative examples. The first part draws on transgender studies scholarship, showing how these texts both depict a long history of trans (im)mobility and engage with the affective geographies of gender transitioning, including the idea of the body as home. The second part draws on ecocriticism and environmental humanities scholarship, comparing howTransamericaandNevadadepict landscapes and environments in relation to trans bodies. This article thus takes this subgenre as an opportunity to explore the intersection of transgender issues and environmental issues and subsequently to develop a new line of inquiry that we might call “trans ecology.” (This article has been commissioned as a supplement toThe Oxford Handbook of Ecocriticism, edited by Greg Garrard.)

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Books on the topic 'Long narrative'

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