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Academic literature on the topic 'Loi (philosophie) – France – 20e siècle'
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Journal articles on the topic "Loi (philosophie) – France – 20e siècle"
FRANCE, JÉRÔME. "LA LOI DE HIÉRON ET LES ROMAINS DE JÉRÔME CARCOPINO: ALTERTUMSWISSENSCHAFT ET HISTOIRE ÉCONOMIQUE EN FRANCE AU DÉBUT DU 20E SIÈCLE." Bulletin of the Institute of Classical Studies 50, Supplement_97 (September 1, 2007): 135–53. http://dx.doi.org/10.1111/j.2041-5370.2007.tb02497.x.
Full textde Villeneuve, Camille. "Geneviève Fraisse , Féminisme et philosophie , Gallimard, « Folio – essais », n° 655, 2020, 368 pages, 8 €. Cristina Lindenmeyer , Les embarras du féminin , PUF, 2019, 256 pages, 21 €. Martine Reid s (dir.), Femmes et littérature. Une histoire culturelle , Gallimard, « Folio – essais », 2020, tome I (n° 657) : Moyen Âge – XVIII e siècle , 1 040 pages, 38 illustrations, 13,50 € ; tome II (n° 658) : XIX e – XXI e siècles et francophonies , 592 pages, 13 illustrations, 10,30 €. Yannick Ripa (dir.), Histoire féminine de la France. De la Révolution à la loi Veil , préface de Michelle Perrot, Belin, 2020, 768 pages, 41 €. Martine Storti , Pour un féminisme universel , Seuil, « La République des idées », 2020, 112 pages, 11,80 €." Études Janvier, no. 1 (December 23, 2020): I. http://dx.doi.org/10.3917/etu.4278.0111a.
Full textKilani, Mondher. "Identité." Anthropen, 2019. http://dx.doi.org/10.17184/eac.anthropen.122.
Full text"Buchbesprechungen." Zeitschrift für Historische Forschung 46, no. 1 (January 1, 2019): 83–218. http://dx.doi.org/10.3790/zhf.46.1.83.
Full textDissertations / Theses on the topic "Loi (philosophie) – France – 20e siècle"
Olivares, Valencia Amanda. "Le dérobement de la loi : littérature et liberté chez Maurice Blanchot." Electronic Thesis or Diss., Paris 10, 2024. http://www.theses.fr/2024PA100003.
Full textThis research argues that the law, which we consider to be the principal element or the most predominant manifestation of the right, is permeated by a literary dimension that composes it. This literary dimension can prevent the law from being reduced to a simple form of language that, as a tool of subjugation, only seeks to control the relationship of consciousness to the world. The literary dimension enables a liberatory dimension to the right. For Blanchot, literature is a form of language that questions its own meaning, a language that experiences the questioning of itself. Thinking of the law as literature opens it to the experience of questioning the meaning that determines the law. This openness to the liberatory dimension of the law allows the law to differentiate itself from itself, to confront its impossibility and to be always open to the irruption of the unknown, the unforeseeable, the absolute other. In this way, the self-questioning that constitutes the literary experience also means opening up the law to an ethical dimension that places it in relation to that other with whom it has nothing in common: the stranger, the sick person, the mad person. Thinking of the law as literature also makes it possible to think of community experience not in terms of identity, but in terms of difference, by preserving the absence for the arriving of an unknown other, a stranger from outside. Thinking of the law as literature opens the law to a liberating dimension and to crucial ethical questioning about its own meaning and justification
Rambeau, Frédéric. "Paradoxe, problème, désidentification : recherches sur la philosophie française contemporaine." Paris 8, 2008. http://www.theses.fr/2008PA083592.
Full textThe difficulty there is in distinguishing the common ground or unity of contemporary French philosophies (Deleuze, Foucault, Derrida) comes from the fact that these philosophies work out through some disjunctive force in thinking. But the power of the disjunctive is also the feature that they share and which produces between them slanted irregular relationships. Paradox produces sense as difference. And on that difference depend both common sense and the specification of the normal rules of communication. The creation of a problem reveals the discontinuous nature of rationalizing processes. Its emphasis shows not a removed foundation but a repeated demonstration of chance. Disidentification in literary or conceptual writing as well as in unconscious desire grows a subject into impersonal forms of Becoming, by force unrelated and broken down. Within the paradox, within the problem, within disidentification, nothing stands before disjunction and the claim of unrelatedness, neither originary question, nor beginning ; and no one knows in advance, for any individual or philosophy, how many lives they are owed. These operations lead to greater stress laid on Deleuze and Foucault rather than Derrida; they are bound to confront this risk: the very difference of philosophy becoming disidentified. Foucault’s questionings of history open up two paths that remain exclusive: angry lucid present-time emancipation, ethical care of the self. Deleuze’s concept is produced by an acceleration of the desiring process triggered inside the thinking by some singular exterior case. But, cut from the case, the infinite speed of the concept gives it but self-referring consistency. The particular drive of these philosophies comes from having themselves laid out those problem features, leaving us to experience them as promontories of thinking
Tawil, Emmanuel. "Du gallicanisme administratif à la liberté religieuse : le Conseil d'État et le régime des cultes depuis la loi de 1905." Paris, EPHE, 2005. http://www.theses.fr/2005EPHEA001.
Full textAudier, Serge. "Machiavel, Tocqueville, Marx, dans la pensée politique française depuis l'Entre-deux-guerres." Caen, 2000. http://www.theses.fr/2000CAEN1302.
Full textFournès, Dattin Christine. "Du Code de commerce de 1807 à la loi de 1966 : la lente émergence du commissariat aux comptes." Nantes, 2012. https://archive.bu.univ-nantes.fr/pollux/show/show?id=3c2d0c19-8d8b-49a2-bb91-e093062b28fd.
Full textHow has legal auditing developed in France from the control of accounts practiced in limited companies during the XIXth century to the 1966 Act which set the current legal framework of auditing in France ? To demonstrate that this simple function turns into a real profession, three key words have been studied : 1) The practice through the articles of association of limited companies during the XIXth century, the Company Acts, the reading of professional and economic press, the examples of two major French industrial firms : Pont-à-Mousson and Saint-Gobain. 2) The professional organisations. From the setting up of the Société Académique de Comptabilité in 1881 to the one of the Compagnie des Experts Comptables de Paris in 1912, from the establishment of the Fédération des associations de commissaires inscrits further to the Act of 1935 to the setting up of the OECCA in 1942, this thesis focuses on the struggles leaded by professionals in order to be recognized. 3) The education. We have analyzed the evolution of accounting education: the setting up of the first business schools, the development of a complete system of accounting education implemented by the SAC, the progress of State accounting certificates concerning experts in accounting and legal auditors. Different sides according to the economic, social and cultural context have been highlighted in order to explain the slowness of the process of emergence and the choices made for the implementation of legal auditing in France
Boulbès, Yves. "L' assistance Publique de la loi Roussel à la Libération : fondements de l'aide sociale à l'enfance : l'exemple du département de l'Aude." Montpellier 3, 2002. http://www.theses.fr/2002MON30069.
Full textThe Department of the Aude is a good place to analyse the action of welfare services from 1874 to 1945. Although local authorities are asked urgently to organize a welfare service, the creation of a public service isn't an obstacle to the maintainance of the private sector. However, public financing varies from one department to another, according to political choices. The Inspector of social services is considered to be an expert, assessing the needs, advising administrative committees and the County Council, but also managing his own career. The help given to mother and child shows 'positive discrimination'. With the foster mother, medical cares, school attendance, clothing and the application of the labour law distinguishes the foster child from the poor child. Fostering also shows the existence of a true relationship between the foster child and the foster mother, but fostering was often simplistically percieved as a job to earn money rather than to improve the life of the children
Fiegle, Thomas. "Von der 'Solidarité' zur 'Solidarität' : der Transfer eines politisch-sozialen Grundbegriffs von Frankreich nach Deutschland (19. und 20. Jahrhundert)." Paris, EHESS, 2002. http://www.theses.fr/2002EHESA119.
Full textThe word ‘Solidarität’ is part, in German, of the traditional key words in politics and society. But in spite – or just because – of its inflationist use in political and social discourse, the concept’s meaning is very ambiguous. In order to clarify the concept, it is necessary to reconstruct it from both a historical and a critical point of view. Such a reconstruction is impossible, however, if the genesis of the concept ‘solidarité’ in France, as well as the conditions and prerequisites of what we call the concept’s ‘transfer process’ from France to Germany isn’t taken into account. The present work combines therefore the method of the ‘history of concept’ (Begriffsgeschichte), as it has been developed especially by R. Koselleck, with the theory of ‘cultural transfer’ (M. Werner/M. Espagne). That allows to find a horizon of philosophical sense which the two at the same time distinct and interrelated ‘histories of concept’ have in common
Pudal, Romain. "Les réceptions du pragmatisme en France (1890-2007) : histoires et enjeux." Paris, EHESS, 2007. http://www.theses.fr/2007EHES0062.
Full textThis thesis tackles the subject of the reception of pragmatism in France, from 1890 to 2007. This american philosophy has been used and appropriated in many ways by french academics, in philosophy just as well as in social sciences. We thought it possible to conceive this reception from a socio-historical and not theoretical point of view. The frame of our interpretation has been inspired by the sociology of intellectuals and we tried to highlight precisely different phenomena relating to international circulation of ideas : first, as Bourdieu says, «texts circulate without their context», so that it is the context of reception that determines the readings and uses of the texts ; secondly, the political dimension of the intellectual field in France since the « Affaire Dreyfus » at last overdetermines the reception of foreign theories ; thirdly, intellectual nationalisms and logic of disciplines must be taken into account. Finally, the idea of a cultural and national subconscious seems to be useful to understand this story. Our work is at the junction of different disciplines : sociology of sciences, sociology of intellectuals and history and sociolgy of social sciences
Villagordo, Éric. "Vers une sociologie de la pratique artistique : observations et entretiens sur la poi͏̈étique : huit plasticiens en Méditerranée." Paris 1, 2004. http://www.theses.fr/2004PA010685.
Full textCorbel, Emmanuelle. "Vladimir Jankélévitch et le mystère de l'interprétation dans la musique française de la fin du XIXème siècle et du début du XXème siècle." Nancy 2, 2004. http://www.theses.fr/2004NAN21002.
Full textVladimir Jankelevitch, philosopher-pianist, intermingles his musical life in his philosophical reflections. His musical culture, listed here, proves his constant interest in the French music from the end of the 19th century to the beginning of the 20th century. His pianist experience in which the reality of musical performance is one, alive and changing is closely akin to his research of a " je-ne-sais-quoi ", a " presque-rien " or to that of the infinite, inaccessibility, the absolute. This thinker provides the reader a thinking about musical interpretation beyond mastered technical speculation. It's therefore necessary to think about the argumentation of this aesthetic around the mystery of interpretation which he attempts to define. It's also a question of clarifying this concept set in the musical language, in creation and in composition, and then in the mystery of performer' reading as well as in audiences' and critics' reception