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Books on the topic 'Load sensors'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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1

Moshasrov, V. Luminescent pressure sensors in aerodynamic experiments. Zhukovsky, Russia : Central Aerohydrodynamic Institute (TsAGI): CWA 22 Corporation, 1998.

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2

Too loud, too bright, too fast, too tight: What to do if you are sensory defensive in an overstimulating world. New York: Quill, 2003.

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3

Libra, Anna. Why does loud music hurt my ears?: An inside look at the ear. Sioux Falls, SD: Lake Street Publishers, 2003.

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4

M, Bahm Catherine, Heinle Robert A, and United States. National Aeronautics and Space Administration. Scientific and Technical Information Program., eds. Determination of stores pointing error due to wing flexibility under flight load. [Washington, DC]: National Aeronautics and Space Administration, Office of Management, Scientific and Technical Information Program, 1995.

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5

Encyclopedia of Electronic Components Volume 3: Sensors for Location, Presence, Proximity, Orientation, Oscillation, Force, Load, Human Input, Liquid ... Light, Heat, Sound, and Electricity. Maker Media, Inc, 2016.

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6

Center, Langley Research, ed. Analysis and testing of plates with piezoelectric sensors and actuators. Hampton, Va: National Aeronautics and Space Administration, Langley Research Center, 1998.

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7

Center, Langley Research, ed. Analysis and testing of plates with piezoelectric sensors and actuators. Hampton, Va: National Aeronautics and Space Administration, Langley Research Center, 1998.

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8

Sperlich, Billy, Hans-Christer Holmberg, and Kamiar Aminian, eds. Wearable Sensor Technology for Monitoring Training Load and Health in the Athletic Population. Frontiers Media SA, 2020. http://dx.doi.org/10.3389/978-2-88963-462-0.

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9

Heller, Sharon. Too Loud, Too Bright, Too Fast, Too Tight: What to Do If You Are Sensory Defensive in an Overstimulating World. Harper Paperbacks, 2003.

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10

Heller, Sharon. Too Loud, Too Bright, Too Fast, Too Tight: What to Do If You Are Sensory Defensive in an Overstimulating World. HarperCollins Publishers, 2002.

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11

Heller, Sharon. Too Loud, Too Bright, Too Fast, Too Tight: What to Do If You Are Sensory Defensive in an Overstimulating World. Harper Paperbacks, 2003.

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12

Heller, Sharon. Too Loud, Too Bright, Too Fast, Too Tight: What to Do If You Are Sensory Defensive in an Overstimulating World. HarperCollins Publishers, 2002.

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13

This Beach Is Loud! Penguin Publishing Group, 2019.

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14

Austin, Richard Cartwright. Beauty of the Lord: Awakening the Senses/Environmental Theology. Creekside Press, 1988.

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15

(Illustrator), Phyllis V. Saroff, ed. Taste and See the Goodness of the Lord. Paulist Press, 1999.

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16

Face of the Lord: Contemplating the Divine Son Through the Four Senses of Sacred Scripture. Franciscan Academic Press, 2020.

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17

Brooke, Alice. The Constant Prince. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198816829.003.0004.

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The final chapter of this study analyses Sor Juana’s most perplexing auto, El mártir del Sacramento, San Hermenegildo. It argues that the key to understanding the play lies in its engagement with Neostoic writings on constancy. Thus, the play can be seen to present Hermenegild as the ideal Lipsian prince who develops this virtue until he rejects all worldly power and accepts his martyrdom. However, a careful examination of the treatment of sensory perception in the play, in particular its use of optical devices, demonstrates how Sor Juana sought to reconcile this promotion of Neostoic morality with a tempered epistemological optimism. Furthermore, an examination of the loa and its connection to the Carta atenagórica and the Respuesta sheds further light on the relationship between this play and the New Philosophy, and Sor Juana’s defence of her own participation in this circulation of new ideas.
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18

Brooke, Alice. The autos sacramentales of Sor Juana Inés de la Cruz. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198816829.001.0001.

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Abstract:
This study analyses the autos sacramentales, or Eucharistic plays, by Sor Juana Inés de la Cruz (1651–95). It focusses on their relationship to the changing currents of philosophical thought in the late-seventeenth century Hispanic world, from a mindset characterized by scepticism, Neostoicism, and suspicion of the material world as a source of truth, to an empirical approach to the natural world that understood the information received by the senses as a fallible, yet useful, provisional source of knowledge. By examining each play in turn, along with the introductory loa with which they were intended to be performed, the study explores how each drama seeks to integrate empirical ideas with a Catholic understanding of transubstantiation. At the same time, each individual study identifies new sources for these plays, and demonstrates how these illuminate, or nuance, present readings of the works. The study of El divino Narciso employs a previously little-known source to illuminate its Christological readings, as well as Sor Juana’s engagement with notions of wit and conceptism. The analysis of El cetro de José explores her presentation of different approaches to perception to emphasize the importance of both the material and the transcendent in understanding the sacraments. The final section, on San Hermenegildo, explores the influence of the Christianized stoicism of Justus Lipsius, and demonstrates how Sor Juana used this work to attempt her most ambitious reconciliation of an empirical approach to the material world with a Neostoic approach to Christian morality and orthodox Catholic sacramental theology.
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