Academic literature on the topic 'Liu, Denghan Criticism and interpretation'

In the early 20th century, the interpretation of the poem "Wei Jiao Zhongqing Qi Zuo" or "For Jiao Zhongqing's Wife" was mainly based on the social context at the time, which, however, might deviate from the original purpose of the female writing in the work. The poem once witnessed several modifications from the late Eastern Han Dynasty to the Southern Dynasties when the development of traditional Confucian code of ethics took off. The rewritings of female writing in literature works were to adapt to the male-dominated moral codes and discourse system at that time. Based on that, the female writing in the poem was processed, and evidence would be that from the perspective of content, the persona of Liu (Jiao's wife) portrayed in the poem changed greatly while characters like Jiao Zhongqing and Mother Jiao (Jiao's mother) were enriched. In addition, some new plots and characters were created for example, Brother Liu (Liu's brother) and Mother Liu (Liu's mother). In regard to the narrative strategy, the processed version intentionally emphasized the absence of "father" and "unrighteousness" of the brother to serve to the plot of suicide for love of Liu. This type of narrative poems conveying both criticism and praise was a tool used to complete and consolidate the ethical discourse and restrain women's influence on men, and it also echoed the traditional view of women passed from the Qin and Han Dynasties which for sure further confined women's free choice.

李鳳琼.
"2005年12月"
論文(哲學碩士)--香港中文大學, 2005.
參考文獻(leaves 147-155).
"2005 nian 12 yue"
Abstracts also in English.
Li Fengqiong.
Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2005.
Can kao wen xian (leaves 147-155).
Chapter 第一章 --- 緒論 --- p.4
Chapter 第一節 --- 硏究範圍 --- p.4
Chapter 第二節 --- 硏究目的及意義 --- p.6
Chapter 第三節 --- 硏究方法 --- p.10
Chapter 第二章 --- 「三調之正聲」與「韶夏之鄭曲」 一一劉勰論曹操與當時文體之革新 --- p.11
Chapter 第一節 --- 「區別部類」´ؤ´ؤ《文心雕龍》上篇區分和序列文體的背景與實踐 --- p.12
Chapter 2.1.1 --- 魏晉南北朝辨析文體的風氣 --- p.12
Chapter 2.1.2 --- 《文心雕龍》的文、筆二分法 --- p.16
Chapter 第二節 --- 「務先大體，鑒必窮源」´ؤ´ؤ《文心雕龍》處理文體的原則 --- p.20
Chapter 第三節 --- 《文心雕龍´Ø樂府》篇與曹操樂府眾作 --- p.23
Chapter 2.3.1 --- 《文心雕龍´Ø樂府》篇在書中之地位 --- p.23
Chapter 2.3.2 --- 樂府之「大體」 --- p.25
Chapter 2.3.3 --- 詩與樂府的「大體」比較 --- p.29
Chapter 2.3.4 --- 《文心雕龍´Ø樂府》篇的評論對象 --- p.33
Chapter 2.3.5 --- 曹操雅好音樂 --- p.36
Chapter 2.3.5.1 --- 音樂類型 --- p.39
Chapter 2.3.5.2 --- 集結音樂人才與推動鄴下制樂 --- p.44
Chapter 2.3.6 --- 曹操「傷羈戍」之作 --- p.47
Chapter 2.3.6.1 --- 〈苦寒行〉 --- p.48
Chapter 2.3.6.2 --- 〈薤露〉 --- p.52
Chapter 2.3.6.3 --- 〈蒿里行〉 --- p.55
Chapter 2.3.7 --- 曹操「傷羈戍」之作與漢樂府同題之作比較 --- p.58
Chapter 2.3.8 --- 曹操於樂府創作的革新 --- p.59
Chapter 2.3.8.1 --- 音樂 --- p.60
Chapter 2.3.8.2 --- 題材 --- p.60
Chapter 2.3.8.3 --- 語言風格 --- p.62
Chapter 2.3.8.4 --- 叙事角度 --- p.63
Chapter 2.3.8.5 --- 主題與功能 --- p.66
Chapter 2.3.8.6 --- 小結 --- p.67
Chapter 第四節 --- 劉勰對曹操革新文體之功的評價 --- p.68
Chapter 2.4. 1 --- 有關曹操樂府作品與鄴下樂府創作的論析 --- p.68
Chapter 2.4.2 --- 有關曹操革新詔策與章表的論析 --- p.77
Chapter 2.4.3 --- 小結 --- p.79
Chapter 第三章 --- 「相王之尊，雅愛詩章」 一一劉勰論曹操與鄴下文風之振興 --- p.80
Chapter 第一節 --- 劉勰論曹操在鄴下文風之振興中所擔當的角色與發揮的功能 --- p.81
Chapter 3.1.1 --- 劉勰論「抑丕揚植」的舊談 --- p.82
Chapter 3.1.2 --- 劉勰論曹丕 --- p.83
Chapter 3.1.3 --- 劉勰論曹植 --- p.84
Chapter 3.1.4 --- 曹氏父子的角色與功能 --- p.88
Chapter 第二節 --- 劉勰論曹操雲集文士 --- p.92
Chapter 3.2.1 --- 曹操創造安定的創作環境 --- p.92
Chapter 3.2.2 --- 曹操雅愛文學與禮遇文士 --- p.93
Chapter 3.2.3 --- 鄴下文士的自由選擇與歸附 --- p.95
Chapter 3.2.3.1 --- 文士之歸附 --- p.96
Chapter 3.2.3.2 --- 平等禮遇 --- p.104
Chapter 3.2.4 --- 曹操對「文才」的賞識 --- p.105
Chapter 3.2.4.1 --- 鄴下諸子立功的理想 --- p.106
Chapter 3.2.4.2 --- 鄴下諸子的實際才能 --- p.108
Chapter 3.2.4.3 --- 文學自覺時代與曹操對文學價値的認知 --- p.110
Chapter 3.2.5 --- 本節小結 --- p.114
Chapter 第三節 --- 劉勰論曹操與鄴下創作 --- p.115
Chapter 3.3.1 --- 劉勰論鄴下作家的創作情態 --- p.117
Chapter 3.3.1.1 --- 孤獨無偶之苦 --- p.118
Chapter 3.3.1.2 --- 見知的欣喜 --- p.119
Chapter 3.3.1.3 --- 六朝擬建安詩的題材 --- p.123
Chapter 3.3.2 --- 鄴下作品的特色 --- p.128
Chapter 3.3.3 --- 鄴下作品的風格 --- p.129
Chapter 3.3.4 --- 本節小結 --- p.133
Chapter 第四章 --- 劉勰處理文體的方向和他的文學發展觀 --- p.134
Chapter 第一節 --- 歷史角度：傳統與新變 --- p.135
Chapter 第二節 --- 強調君主態度與文學發展的關係 --- p.139
Chapter 第三節 --- 兩相比照的定位方式 --- p.142
Chapter 第五章 --- 總結 --- p.144
【參考書目舉要】 --- p.147