Academic literature on the topic 'Liturgical music reform'
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Journal articles on the topic "Liturgical music reform"
Jakubczyk-Ślęczka, Sylwia. "Reforma żydowskiej muzyki liturgicznej w Galicji na przełomie XIX i XX wieku." Studia Judaica, no. 2 (44) (2019): 235–65. http://dx.doi.org/10.4467/24500100stj.19.011.12394.
Full textFoley, Edward. "Book Review: Sacred Music and Liturgical Reform: Treasures and Transformations." Theological Studies 69, no. 4 (December 2008): 948–50. http://dx.doi.org/10.1177/004056390806900428.
Full textBrowne, Deirdre. "Book Review: Sacred Music and Liturgical Reform: Treasures and Transformations." Pacifica: Australasian Theological Studies 22, no. 3 (October 2009): 356–58. http://dx.doi.org/10.1177/1030570x0902200313.
Full textFidenko, Yulia L. "National Versions of Worship as a Basis for a New Mass to Come." Observatory of Culture, no. 6 (December 28, 2014): 92–97. http://dx.doi.org/10.25281/2072-3156-2014-0-6-92-97.
Full textKopeček, Pavel. "Post-Conciliar Liturgical Reform in the Czech Lands and Music of the Liturgy." AUC THEOLOGICA 8, no. 2 (March 8, 2019): 29–49. http://dx.doi.org/10.14712/23363398.2018.49.
Full textCones, Bryan. "The 78th General Convention of the Episcopal Church and the Liturgy: New Wine in Old Wineskins?" Anglican Theological Review 98, no. 4 (September 2016): 681–701. http://dx.doi.org/10.1177/000332861609800405.
Full textMilsom, John. "English–texted chant before Merbecke." Plainsong and Medieval Music 1, no. 1 (April 1992): 77–92. http://dx.doi.org/10.1017/s0961137100000267.
Full textSwarbrick, John. "Martin Luther: music and mission." Holiness 3, no. 2 (June 16, 2020): 235–56. http://dx.doi.org/10.2478/holiness-2017-0008.
Full textHage, Jan, and Marcel Barnard. "Muziek als missie: Over Willem Mudde en zijn betekenis voor de kerkmuziek." NTT Journal for Theology and the Study of Religion 66, no. 4 (November 18, 2012): 283–98. http://dx.doi.org/10.5117/ntt2012.66.283.hage.
Full textREULAND, JAMIE. "Cantus figuratusand monastic re-figuration in the late medieval Veneto." Plainsong and Medieval Music 28, no. 1 (April 2019): 43–75. http://dx.doi.org/10.1017/s0961137118000220.
Full textDissertations / Theses on the topic "Liturgical music reform"
Calitz, Coenraad Josepheus. "'n Prakties teologiese ondersoek na die vrye lied as 'n wesenlike deel van die Gereformeerde kerklied in die Nederduitse Gereformeerde Kerk." Pretoria : [S.n.], 2004. http://upetd.up.ac.za/thesis/available/etd-03092006-095219/.
Full textByrne, John Henry, and res cand@acu edu au. "Sacred or Profane: The Influence of Vatican Legislation on Music in the Catholic Archdiocese of Melbourne, 1843 - 1938." Australian Catholic University. School of Music, 2005. http://dlibrary.acu.edu.au/digitaltheses/public/adt-acuvp09042006.88.
Full textCampbell, Colin Archibald 1970. "Music ministry in the missional worship service of the Dutch Reformed Church in South Africa / Colin Archibald Campbell." Thesis, North-West University, 2013. http://hdl.handle.net/10394/8998.
Full textThesis (PhD (Music))--North-West University, Potchefstroom Campus, 2013.
Mofokeng, Mokete. "The Belhar Confession and liturgy : a hymnological study." Diss., University of Pretoria, 2017. http://hdl.handle.net/2263/63034.
Full textDissertation (MA Theol)--University of Pretoria, 2017.
Practical Theology
MA Theol
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Smit, Erasmus Johannes. "Die bydrae van die gereformeerde kerklied tot versoening en eenheid in 'n multikulturele Suid-Afrika / Erasmus Johannes Smit." Thesis, North-West University, 2007. http://hdl.handle.net/10394/1310.
Full textCalitz, Coenie (Coenraad Josepheus). "The free song (hymn) as a means of expression of the spirituality of the local congregation with specific focus on the situation of the Dutch Reformed Church in South-Africa." Thesis, 2011. http://hdl.handle.net/2263/28490.
Full textThesis (PhD)--University of Pretoria, 2011.
Practical Theology
unrestricted
Michl, Jakub. "Hudební kultura v konventu alžbětinek na Novém Městě Pražském." Doctoral thesis, 2018. http://www.nusl.cz/ntk/nusl-390377.
Full textFourie, Francois Paul. "'n Geskiedenis van die kerklied in die Nederduitse Gereformeerde Kerk." Thesis, 2000. http://hdl.handle.net/10500/18047.
Full textDie lied en musiekinstrumente speel 'n baie belangrike rol in die Bybel. Die Moseslied (Eks 15) word in die Psalms aangehaal en kulmineer in die 11 nuwe 11 lied van Openbaring - die lied van die "nuwe" hemel en die 11 nuwe 11 aarde wat verlostes saam sal sing. Die brandende vraag wat "reg" of hoegenaamd standpunt ingeneem moet perspektief (die Woord van God) "verkeerd" is en of daar word, word uit 'n Bybelse beantwoord, gegrond op die beginsel van die Reformasie: ecclessia reformata semper reformandum. Die geskiedenis van die lied van die vroee kerk tot by die Ref ormasie word kursories behandel. Die lied wat in die geskiedenis uit die mond van die gelowige, die lidmaat gehaal is en aan die priesters oorgelaat is, word deur Luther weer teruggeplaas in die mond van die gelowige. Dit blyk dat Calvyn, tsv die Ref ormasie slagspreuk, in sommige aspekte van sy beskouing van die kerklied, steeds 'n Roomse standpunt bly handhaaf en net tot by die vroee kerk "gereformeer" het. Slegs sgn "heilige" liedere, direk uit die Bybel, musiek sender instrumentale begeleiding, kon gebruik word. Saam met ons voorsate, wat van oa Nederland gekom het, het ons liederebundels gekom. Van Riebeeck het met die Datheense Psalter (die amptelike Nederlandse kerklied) wat later deur die 1805- "Evangelische Gezangen" aangevul is, geland. Agv die "cuius regio eius religio"-beginsel het die Hollandse kerklied voorkeur bo Lutherse ea kerkliedere gekry. Die 1805-"Evangelische Gezangen", alhoewel dit hartlik verwelkom is, het gelei tot misnoee in Colesberg en later in Rustenburg, wat op sy beurt gelei het tot kerkskeuring. Die "Evangelische Gezangen" was ook, naas die Bybel en die Psalmboek die metgesel van die Trekkers, kommandolede (Anglo-Boereoorlog) en die krygsgevangenes in die konsentrasie- en krygsgevangenekampe. In die kampe was daar baie tyd vir die sing en skep van gewyde liedere. Nie-goedgekeurde bundels en die vertaling van die Bybel in Afrikaans (1933) het aanleiding gegee dat liederebundels hersien moes word. Die 1937 (Totius-beryming), die 1944 Gesangboek, die 76/78-Psalmboek en die 1978 Gesangboek was die resultaat. 'n Dualistiese standpunt, dat sekere liedere geskik is vir kerkgebruik en ander slegs vir buite-kerkgebruik (die 1984- Jeugsangbundel) het aanleiding gegee tot die publikasie van SOM en Jeugsangbundel 2, 1993. Huidig gebruik talle gemeentes 'eie' bundels tsv sinodale besluite dat slegs SOM en JSB2 naas die Psalm- en Gesangboek gebruik mag word. Die verskyning van die Proefsangbundel 1998 (IKSA) lei 'n nuwe fase van die kerklied in SA in as die Ned Herv Kerk ook begin om "nuwe" liedere op die proef te stel. Vos, Strydom, Huisamen, Konig, Kloppers, ea het in resente jare evaluerings oor die kerklied gedoen. Die "ou", die "nuwe" en die kontemporere kerklied (veral met verwysing na die NG Kerk) m6et almal plek kry in die musiekskat van die 21ste eeu.
The hymn and musical instruments play a cardinal role in the Bible. The Song of Moses (Ex 15) is used in Psalms and in Revelation 15:3. The question with regards to what is acceptable and unacceptable and whether it is at all imperative to take a defendant stance, is clarified from a Biblical point of view. It is based on the Reformation-principle: ecclesia reformata semper reformandum. The History of the 'Song' Hymn in the early church up to the Reformation is shortly mentioned. The "songs" (Hymns) of the believer were in the course of history transferred to the priests and were only in the Reformation once again bestowed on the believer by Luther. It would appear that Calvin, despite the slogans of the Reformation continued to postulate a Catholic point of view with regard to the Hymns and that the Reformation was restricted to the early church. Only socalled holy songs, direct from the Bible and songs without instruments/accompaniment could be usedo The collection of 'songs' (Hymns) of the Dutch Reformed Church is an inheritance from the Netherlands. It was Van Riebeeck who brought in the ''Datheense Psalter'' . Later, the 1805 - "Evangelishe Gezangen" were added to it. Owing to the cuius regio eius religio-principle, the Dutch Church Hymn was given preverance. Although heartily welcomed, the "1805-Evangelische Gezangen" lead to a split in the Church. The "Evangelische Gezangen" (Hymns), and the Psalmbook were used by the 'Trekkers' , the 'Kommando' s' , (Anglo Boer war) and in the Consentration and prisoners of war camps. In the camps was ample time for singing and composing new sacred songs. 'Non-approved' song books and the translation of the Bible in Afrikaans (1933) gave rise to the birth of various Hymn and Psalter books. Youth Praise and Worship books were also published. The Dutch Reformed Church opinion that certain songs in the formal Church inappropriate and should gatherings. struggles with the dualistic are suitable for worshipping service while other are only be used at informal
Theology
D.Th. (Theology)
Books on the topic "Liturgical music reform"
Dobszay, Laszlo. The Bugnini-liturgy and the reform of the reform. Front Royal, VA: [Catholic Church Music Associates?], 2003.
Find full textMieczkowski, Janusz. Krakowski Instytut Liturgiczny. Kraków: Wydawn. Naukowe Papieskiej Akademii Teologicznej, 2005.
Find full textMieczkowski, Janusz. Krakowski Instytut Liturgiczny. Krakow: Wydawnictwo Naukowe Papieskiej Akademii Teologicznej w Krakowie, 2005.
Find full textSanctis, Michael Edward De. Some artistic aspects of Catholic liturgial reform: A comparative study of the influence of Vatican Council II on the music and architecture of the liturgy [microform]. Ann Arbor, MI: University Microfilms International, 1986.
Find full textThe language of the Psalms in worship: American revisions of Watts' Psalter. Lanham, Md: Scarecrow Press, 1997.
Find full textRuff, Anthony. Sacred Music and Liturgical Reform: Treasures and Transformation. Liturgy Training Publications, 2007.
Find full textLicon, Peggy Ann. Twentieth-century liturgical reform in the Catholic Church and a sample of current choral literature (1989). 1990.
Find full textUniversity, Ohio, ed. Some artistic aspects of Catholic liturgical reform: A comparative study of the influence of Vatican Council II on music and architecture for the liturgy. 1986.
Find full textNardini, Luisa. In the Quest of Gallican Remnants in Gregorian Manuscripts. Edited by Patricia Hall. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199733163.013.11.
Full textBook chapters on the topic "Liturgical music reform"
"Anglo-Norman Liturgical Reform." In Music in Welsh Culture Before 1650, 187–98. Routledge, 2017. http://dx.doi.org/10.4324/9781315090825-13.
Full textGoldberg, Geoffrey. "Jewish Liturgical Music in the Wake of Nineteenth-Century Reform." In Sacred Sound and Social Change, 59–83. University of Notre Dame Press, 1994. http://dx.doi.org/10.2307/j.ctvpg852z.6.
Full textCohen, Judah M. "Transplanting the Heart Back East." In Rethinking European Jewish History, 221–44. Liverpool University Press, 2008. http://dx.doi.org/10.3828/liverpool/9781904113560.003.0012.
Full textMcCarthy, Kerry. "The Wanley and Lumley Partbooks." In Tallis, 137–46. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190635213.003.0012.
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