Books on the topic 'Littérature photographique'

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1

Garnier, Marie-Dominique. Jardins d'hiver: Littérature et photographie. Paris: Presses de l'Ecole normale supérieure, 1997.

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2

Soulages, François, and Pascal Bonafoux. Portrait anonyme: Peinture, photographie, cinéma, littérature. Paris: L'Harmattan, 2013.

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3

Paul, Edwards. Soleil noir: Photographie & littérature des origines au surréalisme. Rennes: Presses universitaires de Rennes, 2008.

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4

Gironde, Michel. Les mémoires de la violence: Littérature, peinture, photographie, cinéma. Paris: Harmattan, 2009.

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5

Erbetta, Alejandro. Pour une poétique de la mémoire: Photographie, littérature & arts. Paris: L'Harmattan, 2019.

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6

Gironde, Michel. Les mémoires de la violence: Littérature, peinture, photographie, cinéma. Paris: Harmattan, 2009.

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7

Université de Picardie. Centre d'études du roman et du romanesque, ed. Photographie et romanesque. Amiens: Centre d'études du roman et du romanesque, Université de Picardie-Jules Verne, 2006.

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8

Flinz, Carolina, Elena Carpi, and Annick Farina, eds. Le guide touristique: lieu de rencontre entre lexique et images du patrimoine culturel. Vol. I. Florence: Firenze University Press, 2018. http://dx.doi.org/10.36253/978-88-6453-693-4.

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Ce livre est le premier volume d’un recueil d’articles consacré au guide touristique en tant que lieu de rencontre entre lexique et images du patrimoine culturel, ouvrage issu du colloque qui s’est déroulé le 11 et 12 juin 2015 à Pise et Florence, organisé par l’Unité de recherche Lessico dei Beni Culturali. Les textes présentés sont le fruit d’une réflexion commune à des spécialistes de différents domaines: linguistique, histoire de l’art, architecture, photographie, littérature et géographie pour n’en citer que quelques-uns. Les deux volumes analysent le guide touristique et les autres ouvrages qui accompagnent le voyage comme autant de lieux de formation et de transformation de l'expérience du voyage réel ou virtuel, participant en tant que tels à la création de l’imaginaire touristique des lieux et des objets culturels qu'ils décrivent.
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9

Albers, Irene. Claude Simon, moments photographiques. Villeneuve d'Ascq: Presses Universitaires du Septentrion, 2007.

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10

1947-, Heron Liz, and Williams Val 1949-, eds. Illuminations: Women writing on photography from the 1850s to the present. London: I.B. Tauris Publishers, 1996.

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11

Contrucci, Jean. Marseille culture[s]: Arts visuels, musique, danse, théâtre, architecture, cinéma, photographie, littérature et poésie. Paris: HC éditions, 2012.

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12

Taminiaux, Pierre. Du surréalisme à la photographie contemporaine: Au croisement des arts et de la littérature. Paris: Honoré Champion éditeur, 2016.

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13

Ritter, Daniel, Wolfram Nitsch, and Jacqueline Maria Broich. Terrains vagues: Les friches urbaines dans la littérature, la photographie et le cinéma français. Clermont-Ferrand: Presses universitaires Blaise Pascal, Maison des sciences de l'homme, 2019.

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14

Boyd, William. Les vies multiples d'Amory Clay: Roman. Paris: Éd. du Seuil, 2015.

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15

Fauchereau, Serge. La fin des avant-gardes de l'entre-deux-guerres: Arts plastiques, littérature, architecture, photographie, cinéma, arts du spectacle, musique. Paris: Hermann, 2019.

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16

Image and word: The interaction of twentieth-century photographs and texts. Cambridge, Mass: Harvard University Press, 1987.

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17

Glacet, Aymeric. Claude Simon chronophotographe ou les onomatopées du temps. Villeneuve d'Ascq: Presses universitaires du septentrion, 2007.

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18

Glacet, Aymeric. Claude Simon, chronophotographe ou Les onomatopées du temps. Villeneuve-d'Ascq: Presses universitaires du Septentrion, 2007.

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19

Guichard, Jean-Paul. L'âme déployée: Images et imaginaire du corps dans l'œuvre de Michel Tournier. [Saint-Étienne]: Publications de l'université de Saint-Étienne, 2006.

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20

David, Cunningham, Fisher Andrew, and Mays Sas, eds. Photography and literature in the twentieth century. Newcastle: Cambridge Scholars, 2005.

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21

Albers, Irene. Photographische Momente bei Claude Simon. Würzburg: Königshausen & Neumann, 2002.

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22

Hutcheon, Linda. The politics of postmodernism. 2nd ed. London: Routledge, 2005.

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23

Ohlbaum, Isolde. Anges: Un lien avec l'éternité. Paris: Éditions de La Martiniere, 2007.

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24

Vescia, Monique. Depression glass: Documentary photography and the medium of the camera-eye in Charles Reznikoff, George Oppen, and William Carlos Williams. New York, NY: Routledge, 2006.

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25

Vescia, Monique. Depression glass: Documentary photography and the medium of the camera-eye in Charles Reznikoff, George Oppen, and William Carlos Williams. New York: Routledge, 2005.

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26

Méaux, Danièle. Livres de photographies et de mots. Caen: Lettres modernes Minard, 2009.

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27

Hutcheon, Linda. The politics of postmodernism. London: Routledge, 1989.

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28

Larkin, Áine. Proust writing photography: Fixing the fugitive in À la recherche du temps perdu. London: Legenda, 2011.

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29

Lindsay, Smith. Victorian photography, painting, and poetry: The enigma of visibility in Ruskin, Morris, and the Pre-Raphaelites. Cambridge: Cambridge University Press, 1995.

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30

Green-Lewis, Jennifer. Victorian Photography, Literature, and the Invention of Modern Memory: Already the Past. Taylor & Francis Group, 2020.

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31

Green-Lewis, Jennifer. Victorian Photography, Literature, and the Invention of Modern Memory: Already the Past. Bloomsbury Publishing Plc, 2017.

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32

Edwards, Elizabeth, Jennifer Tucker, Jennifer Green-Lewis, and Patricia Hayes. Victorian Photography, Literature, and the Invention of Modern Memory: Already the Past. Taylor & Francis Group, 2017.

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33

Green-Lewis, Jennifer. Victorian Photography, Literature, and the Invention of Modern Memory: Already the Past. Taylor & Francis Group, 2020.

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34

Colberg, Jörg. Understanding Photobooks: The Form and Content of the Photographic Book. Taylor & Francis Group, 2016.

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35

Understanding Photobooks: The Form and Content of the Photographic Book. Taylor & Francis Group, 2016.

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36

Ortel, Philippe. La Littérature à l'ère de la photographie : Enquête sur une révolution invisible. Jacqueline Chambon, 2002.

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37

Translatio: Transmédialité et transculturalité en littérature, peinture, photographie et au cinéma : Amériques, Caraïbes, Europe, Maghreb. Paris: L'Harmattan, 2013.

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38

Communications, numéro 71 : Le parti pris du document : Littérature, Photographie, Cinéma et Architecture au XXe siècle. Communications (Revue), 2001.

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39

Durden, Mark. Fifty Key Writers on Photography. Taylor & Francis Group, 2013.

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40

Durden, Mark. Fifty Key Writers on Photography. Taylor & Francis Group, 2013.

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41

Durden, Mark. Fifty Key Writers on Photography. Taylor & Francis Group, 2013.

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42

Fifty key writers on photography. 2013.

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43

Littérature de l'intime et photographie: Lectures de: Georges Perec, Patrick Modiano, Marguerite Duras, Georges-Arthur Goldschmidt et Roland Barthes. Lille: A.N.R.T, Université de Lille III, 1998.

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44

Jack, Ian. Australia (Granta: The Magazine of New Writing). Granta Books, 2000.

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45

In visible light: Photography and the American writer, 1840-1940. New York: Oxford University Press, 1987.

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46

Siegel, Steffen. First Exposures: Writings from the Beginning of Photography. Getty Publications, 2017.

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47

Molesworth, Helen, Hamza Walker, Glenn Ligon, and Robin Lewis. Glenn Ligon: Untitled /Debris Field/Synecdoche/Notes for a Poem on the Third World. Regen Projects, 2020.

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48

Ligon, Glenn. Glenn Ligon: Work, Work, Work, Work, Work, Work. Verlag der Buchhandlung Walther Konig, 2022.

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49

Glenn Ligon: Some Changes. Power Plant, 2005.

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50

Vescia, Monique. Depression Glass: Documentary Photography and the Medium of the Camera-Eye in Charles Reznikoff, George Oppen, and William Carlos Williams. Taylor & Francis Group, 2015.

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