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Academic literature on the topic 'Littérature mondialisée'
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Journal articles on the topic "Littérature mondialisée"
Kirouac Massicotte, Isabelle. "Mondialiser la littérature québécoise : la collaboration d’Hubert Aquin à Liberté (1961-1969)." Mens 21, no. 2 (January 18, 2022): 63–84. http://dx.doi.org/10.7202/1085227ar.
Full textMockle, Daniel. "La gouvernance publique et le droit." Les Cahiers de droit 47, no. 1 (April 12, 2005): 89–165. http://dx.doi.org/10.7202/043881ar.
Full textPetetin, Véronique. "L’« afrophonie » de Léonora Miano." Études Septembre, no. 9 (August 24, 2017): 83–92. http://dx.doi.org/10.3917/etu.4241.0083.
Full textNgadi, Laude. "Traduction et circulation transnationale : le cas de la littérature gabonaise." Études littéraires africaines, no. 53 (August 17, 2022): 27–44. http://dx.doi.org/10.7202/1091412ar.
Full textFermi, Elena. "Littératures francophones: oralité et mondialités, dir. L. Carvigan-Cassin." Studi Francesi, no. 196 (LXVI | I) (April 1, 2022): 205–6. http://dx.doi.org/10.4000/studifrancesi.49098.
Full textBernard, Isabelle. "Les résidences d’écrivains : « Ça ne veut pas rien dire ! » Le cas de la MEET de Saint-Nazaire." French Cultural Studies 30, no. 1 (February 2019): 80–92. http://dx.doi.org/10.1177/0957155818810677.
Full textDURU, M., C. DONNARS, J. RYCHAWY, O. THEROND, and B. DUMONT. "La « grange » : un cadre conceptuel pour appréhender les bouquets de services rendus par l’élevage dans les territoires." INRA Productions Animales 30, no. 4 (June 25, 2018): 273–84. http://dx.doi.org/10.20870/productions-animales.2017.30.4.2259.
Full textGermain, Nathan. "Une poétique des espaces : lecture écocritique des géographies et langages hybrides dans Verre Cassé." ALTERNATIVE FRANCOPHONE 2, no. 4 (February 14, 2019): 61–76. http://dx.doi.org/10.29173/af29374.
Full textHarel, Simon. "Les trahisons montréalaises dans Le manteau de la femme de l’Est." Canada and Beyond: A Journal of Canadian Literary and Cultural Studies 3, no. 1-2 (December 19, 2013). http://dx.doi.org/10.33776/candb.v3i1-2.3051.
Full textBaron, Christine. "Littérature et géographie : lieux, espaces, paysages et écritures." Fabula-Lht : Le Partage des disciplines, no. 8 (May 16, 2011). http://dx.doi.org/10.58282/lht.221.
Full textDissertations / Theses on the topic "Littérature mondialisée"
Bablee, Pascaline. "La déconstruction de l'exotisme insulaire dans la littérature indianocéanique." Thesis, Bordeaux 3, 2016. http://www.theses.fr/2016BOR30009/document.
Full textPrimary exoticism as defined by Victor Segalen is still very relevant to the modern society mainly when it refers to insularity. This phenomenon is not only maintained by the numerous literary productions of the periods of colonial conquest and the establishment of empires but also by the media and the cinema overusing indefatigably the idyllic imaging of the island. However, this representation recedes widely in Indian Ocean literature where the second generation of writers in particular frees itself from the colonial ideals always perceptible in the first generation. The initial objective of our study is therefore to highlight the insular archetypes forged during the colonial period and to demonstrate the various processes of their erosion in the literature of the Indian Ocean over the generations. It is then a question of understanding why are the island paragons deconstructed in this literary field. Through their approach, do the authors of the Indian Ocean want to express the desire of an identity, linguistic, territorial and historic reappropriation ? Do they besides wish to assert their inscription in a regional literature to open better to the mondialité as defined by Édouard Glissant ? With the support of postcolonial theories, mouvements and concepts at the same time taken up by different studies on Exoticism, Insularity, Creoleness and Littérature-Monde, we so want to propose avenues for analysis and reflection leading to a better comprehension if not apprehension of the aesthetic universes found in the Indian Ocean basin
Long, Jia. "De l’instance poétique au discours métadramatique dans la trilogie espagnole de Beaumarchais." Electronic Thesis or Diss., Sorbonne université, 2023. http://www.theses.fr/2023SORUL109.
Full textBeaumarchais made his dramaturgical entry when French theatre was undergoing a crisis. How to write as a playwright? He solved this issue on three levels and developed a theory of fusion already started by other precursors: Fontenelle, Nivelle de la Chaussée, Destouches, Voltaire and Diderot. First of all, by advocating the fusion of the comic and the dramatic, he stimulated the effects of gaiety and tenderness in his audience, officially announcing the birth of the new genre: Drama. This overcomes the clear separation between the tragic and the comic, thus taking the first step within the theatrical genre towards a revolution that opens up a whole range of possibilities. Then, by introducing narrative elements into the theatrical genre, he achieved the fusion between the novel and the theatre, revolutionising the concept of dramatic genre. For him, dramatic poetics was not just a question of formal aesthetics, but of the literary extension of his life as a fighter, which relates to the historic, social and political context of his time. From a reception perspective, his use of metadramatic discourse allowed his audience to be constantly wavering between distance and illusion. This revolutionised the relationship between stage and audience, and had a considerable influence on his posterity. In the broadest sense, Beaumarchais’ metatheatrical discourse transcended his time. The secular circulation of the Spanish trilogy will enable Chinese audiences to study Beaumarchais' singular address on his dramatic poetics and its rich ideological connotations, which will blend into Chinese history, society and aesthetics. In this way, Beaumarchais and his works will become part of the genealogy of classical foreign literature in China, and a typical event in the world literature
Soukaï, Caroline. "De l’insularité en tant que mode de décryptage : Patrick Chamoiseau, Ananda Devi, V. S. Naipaul." Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040208.
Full textThe Caribbean and Indian Ocean literatures of the last few decades has brought to light, through its poetic journey, the inherent ambivalence of the circumscription of island geographical reality, which allows access to the island consciousness. Insularity appears as the metaphor of a chronic pain caused by the torn between geographical and memory issues. The island, the place from which the imaginary emerges, is established as a common breeding ground for the texts of Patrick Chamoiseau, Ananda Devi and V. S. Naipaul who, through their poetic process, show the conflict of anchoring and escape, of confinement and openness. Thus in a diachronic approach, the aim is to grasp the inscription of this founding element of poetry and its praxis in order to hear the overtake initiated by these poetics of Mondialité, a key concept of Edouard Glissant's poetic philosophy. Glissant’s work echoes with Naipaul’s writing, as they are contemporaries, while Chamoiseau and Devi have inherited of Glissant’s poetic and philosophical thought. Then, the poetics of the Relation constitutes the exegetical arsenal that allows access to the authors'propositions of contemporaneity. The description of the malemort, the creating process of a memorial masterpiece, the poetic praxis of the monstrosity which release the body (physical, social, and literature), are the « unpredictable » generated. Creation thus tends to free itself from categorizations and assignments, because it is an echo of the movement of the world