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Journal articles on the topic 'Literature of Derrida and Davidson'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

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1

Dasenbrock, Reed Way. "Philosophy After Joyce: Derrida and Davidson." Philosophy and Literature 26, no. 2 (2002): 334–45. http://dx.doi.org/10.1353/phl.2003.0004.

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2

Pradhan, S., Donald Davidson, Jacques Derrida, and Samuel Weber. "Minimalist Semantics: Davidson and Derrida on Meaning, Use, and Convention." Diacritics 16, no. 1 (1986): 65. http://dx.doi.org/10.2307/464651.

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3

Novitz, David. "Metaphor, Derrida, and Davidson." Journal of Aesthetics and Art Criticism 44, no. 2 (1985): 101. http://dx.doi.org/10.2307/430513.

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4

NOVITZ, DAVID. "Metaphor, Derrida, and Davidson." Journal of Aesthetics and Art Criticism 44, no. 2 (December 1, 1985): 101–14. http://dx.doi.org/10.1111/1540_6245.jaac44.2.0101.

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5

Nulty, Timothy. "Davidson and Derrida on Intentions." Symposium 7, no. 2 (2003): 159–71. http://dx.doi.org/10.5840/symposium20037213.

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6

Olivier, Bert. "Derrida: Philosophy or literature?" Journal of Literary Studies 10, no. 2 (June 1994): 151–64. http://dx.doi.org/10.1080/02564719408530073.

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7

Gross, David S., and Christopher Norris. "Derrida." World Literature Today 62, no. 4 (1988): 737. http://dx.doi.org/10.2307/40144798.

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8

Rapaport, Herman, and Christopher Norris. "Derrida." SubStance 18, no. 2 (1989): 125. http://dx.doi.org/10.2307/3685319.

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9

Jones, L. "Derrida." Common Knowledge 10, no. 1 (January 1, 2004): 152–53. http://dx.doi.org/10.1215/0961754x-10-1-152-a.

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10

Norris, Christopher, Geoffrey Bennington, and Jacques Derrida. "Jacques Derrida." Comparative Literature 48, no. 1 (1996): 74. http://dx.doi.org/10.2307/1771631.

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11

Delacampagne, C. "After Derrida." SubStance 34, no. 1 (January 1, 2005): 18–24. http://dx.doi.org/10.1353/sub.2005.0005.

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12

Perniola, M. "Remembering Derrida." SubStance 34, no. 1 (January 1, 2005): 48–49. http://dx.doi.org/10.1353/sub.2005.0018.

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13

Krapp, Peter. "Derrida Online." Oxford Literary Review 18, no. 1 (July 1996): 159–74. http://dx.doi.org/10.3366/olr.1996.008.

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14

Smith, Joseph H., and William Kerrigan. "Taking Chances: Derrida, Psychoanalysis, and Literature." Journal of Aesthetics and Art Criticism 47, no. 2 (1989): 202. http://dx.doi.org/10.2307/431852.

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15

Conley, Tom, Joseph H. Smith, and William Kerrigan. "Taking Chances: Derrida, Psychoanalysis, and Literature." SubStance 15, no. 2 (1986): 131. http://dx.doi.org/10.2307/3684766.

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16

Funchion, John, and Joseph G. Kronick. "Derrida and the Future of Literature." Journal of the Midwest Modern Language Association 34, no. 3 (2001): 76. http://dx.doi.org/10.2307/1315481.

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17

Tambling, Jeremy, Joseph G. Kronick, and Bruce Lincoln. "Derrida and the Future of Literature." Yearbook of English Studies 32 (2002): 333. http://dx.doi.org/10.2307/3509120.

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18

Selden, Raman, Joseph H. Smith, and William Kerrigan. "Taking Chances: Derrida, Psychoanalysis and Literature." Modern Language Review 83, no. 1 (January 1988): 121. http://dx.doi.org/10.2307/3728549.

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19

Williams. "Derrida and the Censorship of Literature." CR: The New Centennial Review 20, no. 1 (2020): 1. http://dx.doi.org/10.14321/crnewcentrevi.20.1.0001.

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20

GREEN, DAVID D. "Literature without presence: Beckett, Rorty, Derrida." Paragraph 19, no. 2 (July 1996): 83–97. http://dx.doi.org/10.3366/para.1996.19.2.83.

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21

Gaston, Sean. "Derrida and the history – of literature." Textual Practice 21, no. 2 (June 2007): 313–34. http://dx.doi.org/10.1080/09502360701264485.

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22

Wheeler III, Samuel C. "Naturalist Structuralism's Aporia? Essentialism, Indeterminacy, and Nostalgia – a response to Paul Livingston." Konturen 2, no. 1 (October 11, 2010): 43. http://dx.doi.org/10.5399/uo/konturen.2.1.1316.

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This essay argues that what Livingston calls the “structuralist” project, combined with a naturalistic, external approach to language, does not in fact lead to a paradoxical failure to match lived language. Quine’s indeterminacy argument is not a consequence of naturalism and structuralism, but is rather a consequence of thorough anti-essentialism, a thesis he shares with Derrida and Davidson. Contemporary naturalism is in fact not committed to Quine’s thesis. Davidson’s views are a purification of the views of Quine, removing Quine’s empiricist appeal to stimulus meaning and Quine’s scientism. Davidson abandons the conventionalist conception of language but retains the “structuralist” conception of language, as captured by a truth-definition. The indeterminacy thesis is a consequence of anti-essentialism applied to semantics, that is, the denial of transcendental signifieds. The essay concludes by arguing that Quine’s aporia (which is also Davidson’s and Derrida’s aporia) is a discovery rather than a paradox.

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23

Straus, N. P. "Dostoevsky's Derrida." Common Knowledge 8, no. 3 (October 1, 2002): 555–67. http://dx.doi.org/10.1215/0961754x-8-3-555.

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24

Thomson, Stephen. "DERRIDA SOMNAMBULE." Angelaki 26, no. 5 (September 1, 2021): 101–16. http://dx.doi.org/10.1080/0969725x.2021.1963084.

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25

Norris, Christopher, and Henry Staten. "Wittgenstein and Derrida." Comparative Literature 38, no. 4 (1986): 350. http://dx.doi.org/10.2307/1770395.

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26

Lambert, G. "De-Facing Derrida." SubStance 34, no. 1 (January 1, 2005): 53–59. http://dx.doi.org/10.1353/sub.2005.0008.

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27

Jonathan Culler. "Derrida and Democracy." diacritics 38, no. 1-2 (2009): 2–6. http://dx.doi.org/10.1353/dia.0.0043.

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28

Siegumfeldt, I. B. "Re-Circumcising Derrida." Orbis Litterarum 56, no. 1 (February 2001): 1–16. http://dx.doi.org/10.1034/j.1600-0730.2001.d01-30.x.

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29

Mastrogiovanni, Armando. "Reproducing with Derrida." Poetics Today 42, no. 1 (March 1, 2021): 121–24. http://dx.doi.org/10.1215/03335372-8752683.

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30

Cook, E. "Anne Davidson Ferry." Literary Imagination 8, no. 2 (January 1, 2006): 334–36. http://dx.doi.org/10.1093/litimag/8.2.334.

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31

Moi, Ruben, and Thoralf Fagertun. "Acts of Literature." Nordlit 13, no. 1 (March 1, 2009): 241. http://dx.doi.org/10.7557/13.1084.

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Despite the fact that literary theory has sought new orientations since Derrida´s biblioblitz in the late 1960s and early 1970s, this article claims that the French philosopher's multiple approaches to literatureindubitably mark a shift in literary hermeneutics. Although the questioning of philosophy, language, aesthetic institutions, and genre solidities per se spurs much of his intellectual analysis, Derrida responds to a great diversity of what is normally termed literature in his writing. Derrida´s Acts of Literature presents a point of departure for this article, which traces his engagements with literature in large parts of his oeuvre. Throughout discussions of his many subversions of literary traditions and reflections of the extensive dispute that surrounds his work, the authors seek to demonstrate the significance of his interrogations for the field of literary interpretation.Selv om litteraturteorien har beveget seg i ulike retninger siden Derridas biblioblitz på slutten av 1960-tallet og begynnelsen av 1970-tallet, hevder denne artikkelen at den franske filosofens ulike tilnærminger til litteratur utvilsomt har forandret hermeneutikken. Til tross for at skepsis til filosofi, språk, estetiske uttrykksformer og sjangersoliditet utgjør mye av hans intellektuelle analyser, undersøker Derrida i sin skrivning en rekke ulike typer tekster som vi tradisjonelt sett karakteriserer som litteratur. Derridas Acts of Literature utgjør et springbrett for denne artikkelen som prøver å perspektivere undersøkelsene av litteratur i store deler av hans produksjon. Gjennom å diskutere hans mange oppgjør med litterære tradisjoner og å reflektere over den omfattende debatten hans arbeider har skapt, har forfatterne til hensikt å påvise hvilken betydning hans litterære undersøkelser kan ha for litterær fortolkning.

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32

Caputo, John D. "Derrida, a Kind of Philosopher: A Discussion of Recent Literature." Research in Phenomenology 17, no. 1 (1987): 245–59. http://dx.doi.org/10.1163/156916487x00139.

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AbstractRodolphe Gasché, The Tain of the Mirror: Derrida and the Philosophy of Reflection. Cambridge: Harvard University Press, 1986. 348 pp. Irene E. Harvey, Derrida and the Economy of Différance. Studies in Phenomenology and Existential Philosophy. Bloomington: Indiana University Press, 1986. xv & 285 pp. John Llewelyn, Derrida on the Threshold of Sense. New York: St. Martin's Press, 1986. xiii & 137 pp.

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33

Segal, Alex. "Deconstruction, Literature, and Wittgenstein’s Privileging of Showing." Advances in Language and Literary Studies 8, no. 6 (December 25, 2017): 112. http://dx.doi.org/10.7575/aiac.alls.v.8n.6p.112.

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Wittgenstein’s distinction between saying and showing involves a privileging of the latter. This privileging, which is both ethical and aesthetic, emerges in Wittgenstein’s attitudes to literature. Involving the metaphysics of presence and an oppositional hierarchy, it seems to be a possible target of Derrida’s deconstruction. Indeed, in Wittgenstein, Derrida sees an effacement of theory, an effacement that Derrida criticises and that can be construed as part and parcel of Wittgenstein’s privileging of showing. For theory belongs to saying rather than to showing. Focusing on commentators of Wittgenstein who affirm the privileging of showing, this essay explores a tension between Wittgenstein and Derrida that pertains to this privileging.

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34

Docherty, Thomas, Nicholas Royle, and Robert Smith. "After Derrida." Modern Language Review 92, no. 2 (April 1997): 419. http://dx.doi.org/10.2307/3734827.

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35

Hans-Jörg Rheinberger. "Translating Derrida." CR: The New Centennial Review 8, no. 3 (2009): 175–87. http://dx.doi.org/10.1353/ncr.0.0045.

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36

Dutoit, Thomas. "Jacques Derrida, Anglicist1." Oxford Literary Review 25, no. 1 (July 2003): 323–36. http://dx.doi.org/10.3366/olr.2003.019.

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37

Milesi, Laurent. "Saint-Je Derrida." Oxford Literary Review 29, no. 1-2 (July 2007): 55–75. http://dx.doi.org/10.3366/olr.2007.005.

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38

Cixous, Hélène. "Shakespeare Ghosting Derrida." Oxford Literary Review 34, no. 1 (July 2012): 1–24. http://dx.doi.org/10.3366/olr.2012.0027.

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This ‘fabulous’ essay sketches a hauntological bond of debts between Shakespeare and Derrida as a complex intertextual scene of translation across languages and literatures (but also philosophy and psychoanalysis), times and cultures. Starting from Derrida's essay ‘What is a “Relevant” Translation?’, Cixous explores via numerous voices, cloaks and masks (Celan, Joyce, Genet, Blanchot, Marx, Freud, Poe, Socrates but also Cixous's own father Georges, etc.) the spectral ‘visor effect’ of texts and languages concealing one another, or burrowing secretly underground like moles, in Derrida's Hamlet-like passion for the Bard.

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39

Editors, The. "Derek Attridge, Acts of Literature: Jacques Derrida." Journal of French and Francophone Philosophy 4, no. 1 (February 12, 1992): 80. http://dx.doi.org/10.5195/jffp.1992.330.

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40

Sussman, Henry. "Derrida and Autobiography (Literature, Culture, Theory #16)." MLN 110, no. 4 (1995): 957–60. http://dx.doi.org/10.1353/mln.1995.0062.

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41

Michaud, Ginette. "Literature in Secret: Crossing Derrida and Blanchot." Angelaki 7, no. 2 (August 2002): 69–90. http://dx.doi.org/10.1080/0969725022000046189.

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42

Harvey, Irene E. "Derrida and the Future of Literature (review)." Comparative Literature Studies 39, no. 3 (2002): 257–58. http://dx.doi.org/10.1353/cls.2002.0021.

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43

Ionescu, Arleen. "Spacing Literature between Mallarmé, Blanchot and Derrida." Parallax 21, no. 1 (January 2, 2015): 58–78. http://dx.doi.org/10.1080/13534645.2014.988907.

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44

Wortham, Simon Morgan. "Auditing Derrida." Parallax 10, no. 2 (April 2004): 3–18. http://dx.doi.org/10.1080/1353464042000208486.

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45

Koelb, Clayton, and Robert Magliola. "Derrida on the Mend." Comparative Literature 38, no. 4 (1986): 366. http://dx.doi.org/10.2307/1770398.

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46

Lang, B. "Confrontations: Derrida/Heidegger/Nietzsche." Modern Language Quarterly 52, no. 4 (January 1, 1991): 463–66. http://dx.doi.org/10.1215/00267929-52-4-463.

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47

Pierssens, M., and S. Levy. "Foreword: Derrida and SubStance." SubStance 34, no. 1 (January 1, 2005): 3–5. http://dx.doi.org/10.1353/sub.2005.0019.

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48

Martell, James. "Entre Watt et Derrida." Samuel Beckett Today / Aujourd’hui 30, no. 2 (September 24, 2018): 305–19. http://dx.doi.org/10.1163/18757405-03002006.

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Résumé La première partie de cet essai examine le tableau du cercle et du centre dans Watt, et ses résonances dans l’ œuvre beckettienne, en montrant qu’ il est un exemple particulier de ce qu’ on peut nommer la “pensée plastique” chez Beckett. La deuxième partie analyse ce tableau avec son cercle et son centre à côté d’ un tableau similaire dans L’ écriture et la différence de Jacques Derrida, pour montrer que cette “pensée plastique” est un événement commun à un certain modernisme, et à la déconstruction derridienne.

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49

Olivier, G. "Derrida, art and truth." Journal of Literary Studies 1, no. 3 (July 1985): 27–38. http://dx.doi.org/10.1080/02564718508529760.

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50

Colebrook, Claire. "cixous and derrida." Angelaki 13, no. 2 (August 2008): 109–24. http://dx.doi.org/10.1080/09697250802432229.

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