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Relevant bibliographies by topics / Literature of Derrida and Davidson

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Academic literature on the topic 'Literature of Derrida and Davidson'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

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Journal articles on the topic "Literature of Derrida and Davidson"

1

Dasenbrock, Reed Way. "Philosophy After Joyce: Derrida and Davidson." Philosophy and Literature 26, no. 2 (2002): 334–45. http://dx.doi.org/10.1353/phl.2003.0004.

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Pradhan, S., Donald Davidson, Jacques Derrida, and Samuel Weber. "Minimalist Semantics: Davidson and Derrida on Meaning, Use, and Convention." Diacritics 16, no. 1 (1986): 65. http://dx.doi.org/10.2307/464651.

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Novitz, David. "Metaphor, Derrida, and Davidson." Journal of Aesthetics and Art Criticism 44, no. 2 (1985): 101. http://dx.doi.org/10.2307/430513.

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NOVITZ, DAVID. "Metaphor, Derrida, and Davidson." Journal of Aesthetics and Art Criticism 44, no. 2 (December 1, 1985): 101–14. http://dx.doi.org/10.1111/1540_6245.jaac44.2.0101.

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Nulty, Timothy. "Davidson and Derrida on Intentions." Symposium 7, no. 2 (2003): 159–71. http://dx.doi.org/10.5840/symposium20037213.

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Olivier, Bert. "Derrida: Philosophy or literature?" Journal of Literary Studies 10, no. 2 (June 1994): 151–64. http://dx.doi.org/10.1080/02564719408530073.

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Gross, David S., and Christopher Norris. "Derrida." World Literature Today 62, no. 4 (1988): 737. http://dx.doi.org/10.2307/40144798.

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Rapaport, Herman, and Christopher Norris. "Derrida." SubStance 18, no. 2 (1989): 125. http://dx.doi.org/10.2307/3685319.

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Jones, L. "Derrida." Common Knowledge 10, no. 1 (January 1, 2004): 152–53. http://dx.doi.org/10.1215/0961754x-10-1-152-a.

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Norris, Christopher, Geoffrey Bennington, and Jacques Derrida. "Jacques Derrida." Comparative Literature 48, no. 1 (1996): 74. http://dx.doi.org/10.2307/1771631.

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Dissertations / Theses on the topic "Literature of Derrida and Davidson"

1

Richmond, Sarah. "Derrida and Davidson." Thesis, University of Oxford, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.335675.

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Tiplady, Jonathan. "Derrida and the problem of literature." Thesis, University of Sussex, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.414785.

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Hynd, Hazel. "Tradition and rebellion : the poetry of John Davidson." Thesis, University of Glasgow, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.366340.

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Chapman, Edmund William. "Afterlives : Benjamin, Derrida and literature in translation." Thesis, University of Manchester, 2017. https://www.research.manchester.ac.uk/portal/en/theses/afterlives-benjamin-derrida-and-literature-in-translation(9d8f0d0e-bf19-44cb-97a3-a4120942f64a).html.

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This thesis argues that all literature is subject to ‘afterlife,’ a continual process of translation. From this starting point, this thesis seeks to answer two questions. Firstly, how texts demonstrate this continual translation; secondly, how texts should be read if they are understood as constantly within translation. To answer these questions, this thesis seeks to develop a model of textuality that holds afterlife as central, and a model of reading based on this concept of textuality. Chapter One explores how following through the implications of Walter Benjamin’s and Jacques Derrida’s usages of the term ‘afterlife’ in their writings on translation, language and history necessarily implies a model of textuality. The model of reading that this thesis seeks to develop focuses on language and history, as Benjamin and Derrida define these as the parameters within which translation takes place. This study emphasises textuality itself as a third parameter. Chapter One also describes how, following Benjamin and Derrida, language and history are conceived as inescapable, repressive systems. This, paradoxically, allows for the concept of ‘messianicity’ – the idea that all language, and every historical event, has the potential to herald an escape from language or history. By definition, because language and history are all-encompassing, this potential cannot be enacted, and remains potential. An innovation of this thesis is to understand textuality itself as having ‘messianic potential’; all texts have the potential to escape textuality and afterlife, by reaching a point where they could no longer be translated. Understanding texts as having messianic potential, but always being subject to afterlife, is the basis of the model of reading described at the end of this chapter. Due to the ways Benjamin and Derrida suggest we recognise messianic potential, texts are read with a dual focus on their singularity and their connections to other texts. This is achieved through the ‘text-in-afterlife,’ a concept this thesis develops that understands texts as inextricable from the texts they translate and the texts that translate them. Chapters Two, Three and Four test and complicate this model of reading in response to texts by James Joyce, Aimé Césaire and Jorge Luis Borges. Concepts of textuality and reading are therefore developed throughout the thesis. The three key texts are read with focus on their individual relationships with language, history and textuality, and their connections to the texts they translate. Critics have linked Joyce’s Ulysses to multiple other texts, making it seem exceptional. However, the concept of messianicity shows that Ulysses is important precisely because it is not exceptional. Césaire’s Une Tempête demonstrates how a text can interact with several translations of ‘the same’ text simultaneously, and also that, although language and history are structured by colonialism and are inescapable, there is a huge potential for translation within these terms. Borges’ ‘Pierre Menard, Autor del Quijote’ demonstrates the form of texts’ continual translation in afterlife by describing a text that is verbally identical to the text it ‘translates,’ yet is nevertheless different in ‘meaning’ from its original. Borges’ fiction also highlights the endless potential for translation that is inherent to all texts. Through four chapters, this thesis develops a model of textuality that understands literature as defined by an almost endless potential for translation. The value of reading texts in the terms of ‘afterlife’ is to emphasise literature’s immense potential: all texts are continually translated in relation to language, history and textuality, and continually reveal further texts.

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Dick, Maria-Daniella. "Dante ... Joyce : Derrida." Thesis, University of Glasgow, 2010. http://theses.gla.ac.uk/2494/.

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James Joyce remains a logocentric figure, a position confirmed in his perceived relation to Dante within a patriarchal canonical lineage and its philosophical implications. Joyce also occupies this position within the writing and thought of Jacques Derrida, for whom his work then represents both the logos and its own deconstruction. In contrast, this thesis proposes that Joyce in fact is not a logocentric author, and that his writing is explicitly directed towards a deconstruction of the idea of the logos. This claim is advanced through the suggestion that there is in Joyce a deconstruction rather than a validation of the phonocentric linguistic theory and practice of Dante, and concomitantly of a patriarchal Joyce construed through that Dante. In this interrogation of the Dantean logos by Joyce’s writing the thesis then reads the Derridean view on Joyce and examines its investments, proposing that in it there are wider implications for a critical reading of Derrida’s work and for an understanding of his grammatology. It does so in three imagined papers on Joyce and Dante, an insert, a lecture and an essay. They constitute phantom artefacts in which to read deconstructively, and to read deconstruction, by unbinding Derrida’s Joyce. The first chapter is an imagined insert from Joyce and Dante into Of Grammatology and its first chapter, ‘The End of the Book and the Beginning of Writing’. In the folds of the insert it is proposed that Derrida cleaves to the idea of the book and is bound to it in Joyce. This binding initiates a retrospective reading of ‘The End of the Book and the Beginning of Writing’ and of the wider grammatological opening; its implications are unfolded in the insert. By then unbinding the thread of a logocentric Dante in Joyce, the insert unbinds Joyce from the Derridean idea of the book and furthermore suggests that Joyce, read in the deconstruction of Dante, represents the closure of the book as imagined in that essay. Building upon the proposal of a Joycean closure of the book as unfolded in chapter one, the second chapter advances and outlines the shape of that closure in an imagined lecture by Joyce. The chapter follows the displaced letter a in Ulysses as it interrogates mimesis, tracing the development of a subject in différance. The lecture performs that deconstruction of mimesis and, in doing so, announces not the apotheosis but the death of the realist novel in Ulysses. The final chapter draws together the conclusions of the previous two chapters in an imagined essay that arche-writes ‘Two Words for Joyce’ as an example of its own thesis. It does so in a previously untraced Dantean connection, through a conversation between Joyce and Beckett on Dante that finds its way into Finnegans Wake and is archived in the two words Derrida extracts as the spur for his essay. The imagined essay brings together Derrida, Beckett and Joyce in Dante as a concatenation of pairs within the pair of essays; it also shadows another pair, the Derridean Joyce and his other from whom the imagined essay comes. It both performs a deconstructive reading of Derrida in ‘Two Words for Joyce’ and then, through that reading, more widely affirms a Derridean grammatology. The argument of the thesis as it has advanced through the three chapters is here brought to a conclusion, suggesting that in Joyce’s writing it can be proposed that the relationship of deconstructive reading to its own practice is mediated through literature; it also proposes what might be a relationship between deconstructive reading and literature beyond those consequences.

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Lane, Richard J. "Functions of the Derrida Archive : philosophical receptions." Thesis, University of Sussex, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320418.

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Chan, Wai-chung, and 陳慧聰. "The insistence of literature in Blanchot and Derrida." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2008. http://hub.hku.hk/bib/B40887819.

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Chan, Wai-chung. "The insistence of literature in Blanchot and Derrida." Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B40887819.

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Currie, Mark. "Deconstruction and critical authority differences between Derrida and de Man." Thesis, University of Cambridge, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.386011.

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Jarvis, Stephen. "Derrida with de Man : the specificity of literature in deconstruction." Thesis, University of Sussex, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.390084.

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Books on the topic "Literature of Derrida and Davidson"

1

Nicholas, Royle. After Derrida. Manchester: Manchester University Press, 1995.

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2

Deconstruction, Derrida. New York: St. Martin's Press, 1998.

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3

For Derrida. New York: Fordham University Press, 2009.

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4

Champagne, Roland A. Jacques Derrida. New York, USA: Twayne Publishers, 1995.

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5

Deconstruction: Derrida. Basingstoke: Macmillan, 1998.

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6

Wolfreys, Julian. Deconstruction: Derrida. Basingstoke: Macmillan, 1998.

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7

John Davidson. Edinburgh: Scottish Academic Press, 1987.

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Harley-Davidson. Minneapolis, MN: ABDO Publishing Company, 2014.

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9

Harley-Davidson motorcycles. Mankato, Minn: Capstone Books, 1995.

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10

Reading Derrida reading Joyce. Gainesville: University Press of Florida, 1999.

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Book chapters on the topic "Literature of Derrida and Davidson"

1

Miller, J. Hillis. "Sovereignty Death Literature Unconditionality Democracy University." In Deconstructing Derrida, 25–36. New York: Palgrave Macmillan US, 2005. http://dx.doi.org/10.1057/9781403980649_3.

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Weller, Shane. "Bad Violence: Jacques Derrida." In Literature, Philosophy, Nihilism, 111–36. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230583528_6.

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Eaglestone, Robert. "Philosophy’s Metaphors: Dennett, Midgley, and Derrida." In Literature and Philosophy, 194–203. London: Palgrave Macmillan UK, 2006. http://dx.doi.org/10.1057/9780230598621_15.

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Hagberg, Garry L. "Autobiographical Memory: Wittgenstein, Davidson, and the Descent into Ourselves." In Literature and Philosophy, 53–65. London: Palgrave Macmillan UK, 2006. http://dx.doi.org/10.1057/9780230598621_5.

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Aquilina, Mario. "Derrida and Counter-Institutional Style." In The Event of Style in Literature, 130–82. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137426925_5.

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McNab, Chris. "Derrida, Rushdie and the Ethics of Mortality." In The Ethics in Literature, 136–51. London: Palgrave Macmillan UK, 1999. http://dx.doi.org/10.1007/978-1-349-27361-4_9.

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Leonard, Philip. "Divine Horizons: Levinas, Derrida, Transcendence." In Trajectories of Mysticism in Theory and Literature, 219–38. London: Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1057/9780230596597_10.

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McKeane, John. "‘Périmer d’avance’: Blanchot, Derrida and Influence." In Questions of Influence in Modern French Literature, 111–25. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137309143_9.

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Vescio, Bryan. "The Pattern that Literature Makes: Davidson, Pragmatism, and the Reconstruction of the Literary." In Literature and Philosophy, 41–52. London: Palgrave Macmillan UK, 2006. http://dx.doi.org/10.1057/9780230598621_4.

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Earlie, Paul. "Figuring Influence: Some Influential Metaphors in Derrida, Valéry and Freud." In Questions of Influence in Modern French Literature, 126–39. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137309143_10.

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