Dissertations / Theses on the topic 'Literature fiction drama history'
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齊曉楓 and Hsiao-feng Chi. "Patterns of husband selection in traditional Chinese fiction and drama." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31238312.
Full textNweba, Lena. "Characterisation in isiXhosa drama with specific reference to two isiXhosa dramas." Thesis, Stellenbosch : Stellenbosch University, 2004. http://hdl.handle.net/10019.1/49878.
Full textENGLISH ABSTRACT: The main aim of study is to investigate characterisation in two of Ngewu's dramas. Ngewu's dramas are contemporary and many scholars have not yet had time to research them. The story in the drama Amadada la afunani ezintsaneni ?( 1998), is about the sexual abuse of children. This is new because the abuse of small children is not seen to indicate culture especially now that even fathers abuse their children. In the olden days children used to look to grown -ups for protection of every kind. The story in the second drama Yeha Mfazi Obulala Indada (1997) , is about a wife who hires assassins to kill her husband. In the past wives were submissive to their husbands. It was unheard of a wife challenging the husband's authority, let alone hiring assassins to kill him. Chapter 1 introduces the aim, the scope, the theories and the methods of the study. Chapter 2 deals with the plot structure of the dramas Amadada la afunani ezintsaneni? (1998) and Yeha Mfazi Obulala Indada (1997) Chapter 3 deals with characterisation in isiXhosa dramas, Amadada la afunani ezintsaneni(1998) and Yeha Mfazi Obulala lndoda (1997) Chapter 4 deals with language and the pattern of stylistic devices Chapter 5 concludes the findings of the study.
AFRIKAANSE OPSOMMING: Die hoofdoel van hierdie studie is om die karakterisering in twee van Ngewu se dramas te ondersoek. Ngewu se dramas is hedendaagse daarom is daar nog veel navorsing daaroor ezintsaneni (1998) gedoen nie. Die storie in die drama Amadoda la afunani handel hoofsaaklik oor die seksuele molestering van kinders. Seksuele kindemolestering is In relatiewe nuwe versknser want dit is taboe in kultuur veral nou dat die bekend is dat kinders deur hulle vaders gemolesteer word. In vroeer jare was kinders van volwassens afhanklik vir beskermering en welvaart. Die tweede drama Yeha Mfazi Obulala lndoda (1997) handeloor I vrou wat sluipmoordenaars huur om haar man om die lewe te bring. In vroeer jare was vroue aan hul mans onderdaning. Dit was ongewoon dat I vrou haar man se gesag sou ondermyn, en nog meer ondenkbaar die huur van sluipmoordenaars om hom om die lewe te bring. In hoofstuk 1 vind ons die doel van die studie, die omvang ,teoretiese raamwerk en metode van die studie. Hoofstuk 2 handeloor die struktuur van die twee Amadoda la afunani ezintsaneni (1998) en Yeha Mfazi Obulala Indoda ( 1997) Hoofstuk 3 handeloor die karakterisering in die isiXhosa dramas, Amadoda la afunani ezintsaneni (1998) en Yeha Mfazi Obulala Indoda (1997) Hoofstuk 4 handeloor die taal en skryfstyl van die skrywer. Hoofstuk 5 bevat die samevatting van die studie.
Li, Mengjun. "In the Name of A Love Story: Scholar-Beauty Novels and the Writing of Genre Fiction in Qing China (1644-1911)." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1406132481.
Full textWeiss, Katherine. "The Plays of Samuel Beckett." Digital Commons @ East Tennessee State University, 2013. http://amzn.com/140814557X.
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Yantolo-Sotyelelwa, Betty Matase. "The portrayal of characters through dialogue and action in isiXhosa drama : dramatic and cultural perspectives." Thesis, Stellenbosch : University of Stellenbosch, 2005. http://hdl.handle.net/10019.1/3361.
Full textThis study aims at highlighting one of the crucial aspects of Xhosa drama: how women have been regarded by a variety of communities as being inferior to men. This stereotype pervades almost all spheres of life. The low status assigned to women find its way into literature as well. Ngewu’s drama “Yeha mfazi obulala indoda” and Taleni’s drama “Nyana nank’uNyoko” has been examined. In most Xhosa literature, women are portrayed as submissive, obedient and minor characters. The advent of Ngewu’s work changed this scenario by portraying women as independent characters. This has led to great conflict with male characteristics and this demonstrates clearly that partriarchal domination is deep rooted in Xhosa culture.
Campbell, Stephanie 1983. "Le sublime, le grotesque et le meurtre spectaculaire : l'esthétique de la violence dans le drame romantique." Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=116056.
Full textMtsotsoyi, Edith Ntombizodwa. "Impixano njengoyena ndoqo kwidrama yesixhosa." Thesis, Stellenbosch : University of Stellenbosch, 2006. http://hdl.handle.net/10019.1/1061.
Full textENGLISH ABSTRACT: The aim of this study is to explore conflict in the two dramas under study. Conflict is one of the cornerstones of drama and it is the most significant element of plot. An investigation is done of the two dramas under study: Inene nasi isibhozo by Mthingane (1965) and Buzani Kubawo by Tamsanqa (1958). Both dramas depict Xhosa cultural properties, and its impact on character portrayal in the dramas. The study has the following organization: Chapter 1: Purpose and aims of the study. Chapter 2: Review of literature on conflict. Chapter 3: Deals with the development of plot within episodes. A critical evaluation of the dramas is undertaken. Chapter 4: Presents culture and conflict in the dramas and an investigation of the portrayal of these aspects is undertaken. Chapter 5: Summary of the findings of the study.
Green, Michael. "Fiction as a historicizing form : uses of history in modern South African fiction." Thesis, University of York, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.316162.
Full textWydenbach, Joanna Susan. "Irish women's fiction 1900-1924 : literature and history." Thesis, Queen's University Belfast, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.437734.
Full textWalsh, Maeve. "Re:vision : the interpretation of history in contemporary Irish drama." Thesis, Goldsmiths College (University of London), 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.286613.
Full textDavies, Sian Martin. "The language of Hardy's fiction : realism and history." Thesis, Cardiff University, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.359236.
Full textHolton, Robert. ""Jarring witnesses"; : modern fiction and the representation of history." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=74577.
Full textSchmersahl, Carmen Brosius. "History or fiction? : a study of Caxton's narratives /." The Ohio State University, 1985. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487259580264263.
Full textSlagle, Judith Bailey. "Recovering the Works of Margaret Wrench Holford (1757-1834): Dramatic Fiction and Drama." Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/etsu-works/5435.
Full textIngham, Michael Anthony. "Theatre of storytelling : the prose fiction stage adaptation as social allegory in contemporary British drama /." Thesis, Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20275961.
Full textSherlow, Lois Juanita. "Towards interculturalism: A critical history of contemporary drama in Canada." Thesis, University of Ottawa (Canada), 1996. http://hdl.handle.net/10393/10363.
Full textPrescott, Lynda. "Reading V.S. Naipaul : fiction and history, 1967-1987." Thesis, n.p, 1990. http://ethos.bl.uk/.
Full textOnions, J. "The ideal of heroism in English fiction and drama about the First World War, 1918-1939." Thesis, Keele University, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.373170.
Full textPruitt, John. "British drama museums : history, heritage, and nation in collections of dramatic literature, 1647-1814 /." View abstract, 2005. http://wwwlib.umi.com/dissertations/fullcit/3203336.
Full textCavanagh, Dermot Paul. "Covert enmity : history and the dramatic imagination in the Tudor drama." Thesis, University of Sunderland, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.333928.
Full textNeilson, Lucy Elizabeth. "The fiction of history : Gore Vidal, from Creation to Armageddon." Thesis, University of Oxford, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.314437.
Full textOgunfolabi, Kayode Omoniyi. "History, horror, reality the idea of the marvelous in postcolonial fiction /." Diss., Connect to online resource - MSU authorized users, 2008.
Find full textHart, Christopher. "'Fiction is the mask of history' : contextual readings of Byron's poetry." Thesis, University of Cambridge, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.243001.
Full textSharp, Krista. "The Epistolary Form| A Familiar Fiction." Thesis, The George Washington University, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10118620.
Full textDuring the 18th century, the novel was criticized for a lack of representation of reality and in turn a public distrust of fiction was established. The epistolary form addressed these issues by presenting a narrative that was bound by a real-life structure that allowed for the illusion of reality and authenticity. Today, this distrust of fiction is nonexistent but the epistolary form is still present and a frequently used literary device, providing the real-life structure for an escape from reality. However, while commercial fiction has embraced the form and moved past the historical justification of the epistolary novel, most artists’ books have not. This paper will prove how the artist book has struggled to move past the historical epistolary form and what lessons it can take from the world of contemporary commercial fiction.
Davis, Ben Jr. "History, Race and Gender in the Science Fiction of Octavia Estelle Butler." The Ohio State University, 1992. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392045358.
Full textNEWMAN, CHINA RAE. "GENDER PERFORMANCE IN DYSTOPIAN LITERATURE THROUGHOUT THE HISTORY OF SCIENCE FICTION." Thesis, The University of Arizona, 2016. http://hdl.handle.net/10150/613347.
Full textBerlatsky, Eric L. "Fact, fiction, and fabrication history, narrative, and the postmodern real from Woolf to Rushdie /." College Park, Md. : University of Maryland, 2003. http://hdl.handle.net/1903/307.
Full textThesis research directed by: English Language and Literature. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
Kerr, Matthew P. M. "With many voices : the sea in Victorian fiction." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:873709c4-cc2e-4679-a7c3-12ddcca7c02e.
Full textJolly, Roslyn. "History and fiction : modes of narrative in the works of Henry James." Thesis, University of Oxford, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.304887.
Full textMerrifield, Jeff. "Ken Campbell and the Science Fiction Theatre of Liverpool : an analytical history." Thesis, University of Liverpool, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.250438.
Full textMaynes-Aminzade, Elizabeth. "Macrorealism: Fiction for a Networked World." Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:11157.
Full textBruhm, Steven. "Gothic bodies : the politics of pain in romantic fiction." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=39416.
Full textHoussais, Yvon. "Histoire et fiction dans les Chroniques italiennes de Stendhal." Villeneuve d'Ascq : Presses universitaires du Septentrion, 1999. http://books.google.com/books?id=oo1cAAAAMAAJ.
Full textJorgensen, Darren J. "Science fiction and the sublime." University of Western Australia. English, Communication and Cultural Studies Discipline Group, 2005. http://theses.library.uwa.edu.au/adt-WU2005.0116.
Full textCerniglia, Kenneth James. "Becoming American : a critical history of ethnicity in popular theatre, 1849-1924 /." Thesis, Connect to this title online; UW restricted, 2001. http://hdl.handle.net/1773/10236.
Full textChan, Wai-ying, and 陳惠英. "Chinese lyrical fiction in the period 1919-1989." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1995. http://hub.hku.hk/bib/B31212864.
Full textBuscemi, Nicole Desiree. "Diagnosing narratives: illness, the case history, and Victorian fiction." Diss., University of Iowa, 2009. https://ir.uiowa.edu/etd/282.
Full textTerry, Jennifer Ann. ""Shuttles in the rocking loom of history" : dislocation in Toni Morrison's fiction." Thesis, University of Warwick, 2003. http://wrap.warwick.ac.uk/1265/.
Full textGevers, Nicholas David. "Mirrors of the past : versions of history in science fiction and fantasy." Doctoral thesis, University of Cape Town, 1997. http://hdl.handle.net/11427/10511.
Full textBardien, Faiza. "Fiction, ideology and history : a critical examination of Hans Grimm's novel 'Kaffernland'." Master's thesis, University of Cape Town, 1988. http://hdl.handle.net/11427/21877.
Full textThis dissertation aims to place Hans Grimm's uncompleted epic, Kaffernland, eine deutsche Sage (Kaffraria, a German Legend) within the context of the historical discourse of the nineteenth-century as it has been challenged by presentday critical historiography. Central to Grimm's text is the problematic relationship between fiction and historical reality. It reproduces historical documents and relies on the scientific aura of a bourgeois realist discourse to present itself as having reference to an extra-textual reality. These truth-claims are examined with Roland Barthes' structuralist techniques. I locate Grimm's text within an intertext dominated by the ideologies of German nationalism, colonial space and fate. His portrayal of mid-nineteenth century political questions is shown as a contradictory amalgam of partisanship for both the bourgeoisie and the small peasantry, of romantic anti-capitalism and pro-imperialism. The authoritarian narrative discourse affirms Britain's colonial subjugation of the Xhosa and negates Xhosa resistance. I focus on speaking positions in the text and the power of the colonizer's practice of designating and signifying. The rhetoric of the text is seen as a continuation of politics against Britain's exploitation of the British German Legion and of German missionary work in British Kaffraria. Grimm reproduces and embellishes the mythology of the German Legion as saviours of Kaffraria and Germany. He inverts history to re-make the negative record of the German Military Settlement. I show how mythic signs and a moralizing discourse stimulate an envisaged pre-World War I readership to recognize Kaffraria as a German colony and to reflect on how, in its own times, Germany can be regenerated through acquiring colonial space. The mythological discourse is also viewed in the light of the text's attempts to manifest the external factual reliability and inner truth of bourgeois realism. While Grimm deploys the literary conventions of the modern novel, as an epigone he draws on the forms of legend, saga and epic cultivated in the nineteenth century. He alludes to the Icelandic saga also to legitimize a claim to Xhosaland. This first book of the epic, presented as complete, attains a measure of cohesion through techniques of parallelism and contiguity. The text parallels the fate of the German and Xhosa nations and simultaneously signifies the Xhosa as destroyers of Xhosaland and the cattle-killing movement of 1856-57 as a diabolical plan. I see this mythologization of history as the ideological justification for the expropriation of the Xhosa and show that Grimm's colonialist fiction is in fact a colonizing discourse.
Brown, Ian. "History as theatrical metaphor : history, myth and national identities in modern Scottish drama." Thesis, University of Glasgow, 2018. http://theses.gla.ac.uk/30714/.
Full textColleran, Jeanne M. "The dissenting writer in South Africa : a rhetorical analysis of the drama of Athol Fugard and the short fiction of Nadine Gordimer." The Ohio State University, 1988. http://rave.ohiolink.edu/etdc/view?acc_num=osu1287430526.
Full textMckee, Jessica. "Ghosts, Orphans, and Outlaws: History, Family, and the Law in Toni Morrison's Fiction." Scholar Commons, 2014. https://scholarcommons.usf.edu/etd/5071.
Full textO'Donnell, David O'Donnell, and n/a. "Re-staging history : historiographic drama from New Zealand and Australia." University of Otago. Department of English, 1999. http://adt.otago.ac.nz./public/adt-NZDU20070523.151011.
Full textMolin, Peter Castle. "Middling fiction Antebellum magazine story style, substance, and sensibility /." [Bloomington, Ind.] : Indiana University, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3276693.
Full textBoettcher, Anna Margarete. "Through Women's Eyes: Contemporary Women's Fiction about the Old West." PDXScholar, 1995. https://pdxscholar.library.pdx.edu/open_access_etds/4966.
Full textHutchison, Lorna. "Strategies of the grotesque in Canadian fiction." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=100627.
Full textAlthough I provide a concise definition of the term "grotesque," my focus is on feminist theoretical approaches to the grotesque. However, whereas feminist theory on the grotesque examines the binary opposition of woman to man, this study shows that the grotesque bypasses the "male/female" dichotomy in the representation of fictional characters. Instead, the sustained contradiction of the central opposition "woman/monster" works to undermine the notion of fictional characterization.
Specifically, this study focuses on the grotesque as a narrative strategy and examines the use of the grotesque in the portrayal of female narrators. The prevalence of female grotesque characters in recent Canadian fiction combined with the rapid growth of interest in the critical concept of the "female grotesque" requires a theoretical analysis of the literature.
In the fiction I examine by Canadian authors Margaret Atwood, Lynn Coady, Barbara Gowdy, Alice Munro, and Miriam Toews, narrators are contradictory. As subjects, they have doubled identities. Authors situate identity ("subjectivity") in the realm of paradox, rather than in the realm of clarity and resolution. As a result, readers and critics must rely on ambiguity and subversion as guides when posing the ultimately irresolvable question "who is speaking?" Through analysis of this fiction, then, I argue for nothing short of a new conceptualization of subjectivity.
Palmer, Marcus S. "History, humor, and introspection experiencing "Argentinidad" /." abstract and full text PDF (free order & download UNR users only), 2007. http://0-gateway.proquest.com.innopac.library.unr.edu/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:1442853.
Full textReilly, Kara. "Automata : a spectacular history of the mimetic faculty /." Thesis, Connect to this title online; UW restricted, 2006. http://hdl.handle.net/1773/10235.
Full text彭文慧 and M. W. Petti Pang. "The image of physics and physicists in modern drama: portraits and social implications." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31225056.
Full text