Dissertations / Theses on the topic 'Literary style and technique'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the top 50 dissertations / theses for your research on the topic 'Literary style and technique.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.
Williams, Denise Rochelle. "The vagaries of voice in the composing process." CSUSB ScholarWorks, 1989. https://scholarworks.lib.csusb.edu/etd-project/445.
Full textRoche, Paul, and n/a. "De bello civili, Book 1." University of Otago. Department of Classics, 2006. http://adt.otago.ac.nz./public/adt-NZDU20060911.112204.
Full textRadojkovich, Leanne. "The literary benefits of linguistic and cultural hybridity." AUT University, 2010. http://hdl.handle.net/10292/868.
Full textGrieve, Jack William. "Quantitative authorship attribution : a history and an evaluation of techniques /." Burnaby B.C. : Simon Fraser University, 2005. http://ir.lib.sfu.ca/handle/1892/2055.
Full textMackay, Raymond George. "Stylistics: foregrounding and the search for objectivity (with particular reference to Edwin Muir's ��Variations ona time theme')." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1994. http://hub.hku.hk/bib/B31234379.
Full textMahoney, Ann White. "Tutoring toward style." CSUSB ScholarWorks, 1989. https://scholarworks.lib.csusb.edu/etd-project/507.
Full textMoran, David andrews. "The Technique of the Poquoson-Style Log Canoe." W&M ScholarWorks, 2014. https://scholarworks.wm.edu/etd/1539626751.
Full textAmrine, William James. "The plenary address: A rhetorical analysis." CSUSB ScholarWorks, 2007. https://scholarworks.lib.csusb.edu/etd-project/3127.
Full textMackay, Raymond George. "Stylistics : foregrounding and the search for objectivity (with particular reference to Edwin Muir's V̀ariations on a time theme') /." Hong Kong : University of Hong Kong, 1994. http://sunzi.lib.hku.hk/hkuto/record.jsp?B13857770.
Full textMatthews, Alastair. "Middle High German Narrative Technique : The Kaiserchronik in its Literary Context." Thesis, University of Oxford, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.504115.
Full textGregg, V. M. "Jean Rhys, Europe and the West Indies : A literary study." Thesis, University of Kent, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.379406.
Full textWilliams, Rachel Griffiths. "A literary commentary on Lucan, De Bello Civili, lines 1-401." Thesis, University of Oxford, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.303988.
Full textIfejika-Obukwelu, Kate Omuluzua. "Igbo pottery in Nigeria : issues of form, style and technique /." Access Digital Full Text version, 1990. http://pocketknowledge.tc.columbia.edu/home.php/bybib/10939362.
Full textLee, Jacob Zan Adachi. "Style, Discourse, and the Completion of the Vernacular Style in Modern Japanese Literature." BYU ScholarsArchive, 2013. https://scholarsarchive.byu.edu/etd/3629.
Full textShah, Uttamlal T. "The solo songs of Edward MacDowell : an examination of style and literary influence." Virtual Press, 1987. http://liblink.bsu.edu/uhtbin/catkey/515624.
Full textRutherford, Ian C. "Canons of style in the Antonine age : idea-theory in its literary context /." Oxford (GB) : Clarendon press, 1998. http://catalogue.bnf.fr/ark:/12148/cb376740641.
Full textEpstein, Hugh. "Hardy, Conrad and the senses : epistemiology and literary style in the early fiction." Thesis, St Mary's University, Twickenham, 2013. http://research.stmarys.ac.uk/413/.
Full textWaters, Nigel Bruce. "An examination of the literary quality of two reading schemes." Thesis, Rhodes University, 1988. http://hdl.handle.net/10962/d1001411.
Full textSILVA, DAVID MUSSEL DA. "TIMING IN ANIMATION: THE INTERSTICE BETWEEN THE TECHNIQUE AND THE STYLE." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2017. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=33773@1.
Full textCOORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR
PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO
O presente estudo analisa a aplicação da temporização de animação japonesa para TV nos filmes brasileiros que a utilizaram como recurso estético. Buscou-se, para tanto, mapear as diferentes aplicações de temporização por diferentes estúdios, que fizeram escola. Inicialmente, foi estudada a aplicação da temporização nos filmes de longa-metragem realizados pelo estúdio de Walt Disney, passando pelos curta-metragens da UPA e chegando até o trabalho para TV de Osamu Tezuka. A pesquisa tem como conceitos norteadores a Aura de Walter Benjamin, Legitimidade e Performance de Jean-Francois Lyotard, o estudo da mise-en-scéne no cinema por David Bordwell, e a atualização deste conceito para animação por Maureen Furniss. Com base no estudo prévio da temporização descrito no presente trabalho, pôde-se analisar três obras brasileiras de animação representativas quanto à aplicação da temporização japonesa, a saber: Uma História de Amor e Fúria, de Luiz Bolognesi, O Menino e o Mundo, de Alê Abreu, e Menina, de Pedro Eboli. A análise dos filmes foi confrontada com as informações obtidas em entrevistas semi-estruturadas feita com os autores, a fim de conseguir um quadro mais completo do uso da temporização japonesa nesses filmes, das intenções nessas aplicações e dos resultados obtidos.
This study analyzes the applications of Japanese s TV animation timing in the Brazilian films that used it as a aesthetic tool. In order to do so, it was researched the different applications of timing from the Disney movies to UPA and Osamu Tezuka s TV series. The research has as a guilding concepts the Walter Benjamin s Aura, Lagitimacy and Performance of Jean-François Lyotard, the study of mise-en-scène in the cinema by David Bordwell, and the updating of this concept for animation by Maureen Furniss. Based on the previous study of the timing, it was possible to analyze three representative Brazilian animation movies regarding the application of Japanese timing, namely: Rio 2096, by Luiz Bolognesi, The Boy and the World, by Alê Abreu, and Menina, by Pedro Eboli. The analysis of the films was compared with the information obteained in semistructured interviews with the authors, in order to obtain a more complete picture of the use of the Japanese timing in these works, the intentions in these applications and the results.
羅璇. ""新序"文體研究 = A study of literary style of Xin Xu." Thesis, University of Macau, 2011. http://umaclib3.umac.mo/record=b2456365.
Full textHawes, Clement. "Mania and literary style : the rhetoric of enthusiasm from the Ranters to Christopher Smart /." Cambridge [GB] : Cambridge university press, 1996. http://catalogue.bnf.fr/ark:/12148/cb36959074h.
Full textCook, John. "The philosopher masked as literary theorist : 'cunning intelligence' (metis) instantiated in Bakhtin's rhetorical style." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:61c605c3-33f2-4a41-adb9-e4c3530aacfc.
Full textErkazanci, Hilal. "Heteroglossia in Turkish translations : locating the style of literary translation in an audience-design perspective." Thesis, University of East Anglia, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.429673.
Full textPotter, Sarah. "Changing vocal style and technique in Britain during the long nineteenth century." Thesis, University of Leeds, 2014. http://etheses.whiterose.ac.uk/8345/.
Full textDingle, Christopher Philip. "Understated charm : style and technique in the last works of Olivier Messiaen." Thesis, University of Sheffield, 2000. http://etheses.whiterose.ac.uk/10233/.
Full textNguyen, Huong Tra. "Lisibilité des écrits scientifiques des Vietnamiens: étude de l'influence du vietnamien sur les mémoires en français des étudiants en agroalimentaire à Can Tho (Vietnam)." Doctoral thesis, Universite Libre de Bruxelles, 2013. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209380.
Full textDe plus, nous remarquons des traces de la langue vietnamienne dans la production en français des étudiants. Or, les apprenants sont obligés de consulter les articles scientifiques en vietnamien de leurs enseignants lors de la préparation du mémoire. De plus, l’étude des articles montre que les auteurs formulent aussi des phrases très longues de plusieurs informations.
Ainsi, toutes ces constatations nous orientent vers une analyse contrastive des phrases longues en vietnamien des scientifiques avec celles trouvées dans les mémoires en français des étudiants.
Selon notre revue de littérature des recherches précédentes, des auteurs prédécesseurs mesurent la lisibilité d’un texte en se basant statistiquement sur la familiarité du vocabulaire, la longueur des mots, la longueur des phrases, ou la longueur des sous-phrases.
Toutefois, la mesure par le comptage du nombre de mots par phrase des auteurs semble inappropriée à notre travail par la différence des objectifs.
Nous avons donc essayé de trouver une unité de mesure de la longueur des phrases pertinente à notre propre corpus :« informations enchâssées ».
Selon les auteurs prédécesseurs, une phrase sera vue comme longue si elle contient plus de trois sous-phrases. Quant à nous, les phrases seront jugées longues si elles dépassent trois informations enchâssées.
Après la collecte des phrases longues, nous avons utilisé l’approche qualitative pour les analyser. Après l’analyse du corpus, nous avons obtenu des résultats suivants :la production des phrases longues ainsi que la présence des erreurs morphosyntaxiques dues à l’interférence du vietnamien constituent des caractéristiques typiques des mémoires des étudiants francophones à Can Tho. Ce sont ces traits représentatifs qui ont compromis la lisibilité des phrases de nos apprenants.
Face aux difficultés de nos apprenants, nous essayons de trouver quelques esquisses didactiques adéquates à notre propre public.
Doctorat en Langues et lettres
info:eu-repo/semantics/nonPublished
Chan, Kam-wing Philip, and 陳錦榮. "The stylistic analysis of literary language in relation to English teaching in Hong Kong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1987. http://hub.hku.hk/bib/B31948935.
Full textDetrell, Jordi Comella. "Language in combat : literary style as a response to cultural and political constraints in Franco's Catalonia." Thesis, Lancaster University, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.485111.
Full textThöne, Sebastian. "Dynamic software architectures : a style based modeling and refinement technique with graph transformations." kostenfrei, 2005. http://deposit.ddb.de/cgi-bin/dokserv?idn=977862356.
Full textJones, Margaret H. "The principle of "Langsamkeit" in Peter Handke's In einer dunklen Nacht ging ich aus meinem stillen Haus." Bowling Green, Ohio : Bowling Green State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1194280656.
Full textFortin, Alexandra. "L'invention de l'identité : lecture en miroir de Au-delà de cette limite votre ticket n'est plus valable de Romain Gary et de La Vie devant soi d'Émile Ajar /." Thèse, Chicoutimi : Université du Québec à Chicoutimi, 2001. http://theses.uqac.ca.
Full textKhamis, Said A. M. "Implication as a literary technique in Mohamed S. Mohamed`s novels: Kiu and Nyota ya Rehema." Universitätsbibliothek Leipzig, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-93535.
Full textKing, Richard Jay. "Immediate passage : the narrative of Joel H. Brown, with a critical essay on form and style in the sea voyage narrative." Thesis, St Andrews, 2008. http://hdl.handle.net/10023/550.
Full textKotarcic, Ana. "Aristotle's concept of lexis : a theory of language and style." Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/7754.
Full textDutsch, Dorota. "Boundless nature : the construction of female speech in Plautus." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36765.
Full textGreek and Roman literary theory stipulated that the speech of women in drama had to be constructed so as to reveal the speakers' feminine nature. Philosophical doctrines that construed gender as a polar opposition evince a fundamental distinction, defining male as 'bond' and female as 'boundless'. The association of female with boundlessness, it is argued, also determines woman's position with respect to speech. A study of Greek New Comedy reveals that the reflections on female nature and expression found there depict woman as adverse to limits, a concept which Plautus seems to have subsequently adapted from his sources.
Donatus's scholia to Terence characterize female speech as disorderly and disrespectful of the norms of verbal interaction. Concrete linguistic patterns are rationalized as symptoms of 'softness' and querulousness, both representing the female propensity to violate interpersonal limits. The text of Plautus, examined for meta-textual asides on female speech, confirms the scholiast's observations. An inquiry into the Plautine perception of blanditia reveals that female mannerisms are interpreted as tokens of a contagious moral disorder, and that they earmark the feebleness of female (and effeminate) personae. The otherness of female complaints, emphasized during the performance of palliata by both verbal and para-verbal means, is intimately associated in the text of the comedies with the chaos within women's minds. Female speech patterns in Plautus thus illustrate the concept of infirmitas sexus.
Ludovico, Roberto. "Le città invisibili di Italo Calvino : le "ragioni" dello scrittore." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=27952.
Full textThis study is an analysis of the literary techniques used in the text. It posits Calvino's critical and theoretical evolution as the source of the specific stylistic choices that determine the originality of the work.
Youdale, Roy. "Translating literary style : close and distant reading in the translation of Gracias por el Fuego by Mario Benedetti." Thesis, University of Bristol, 2017. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738225.
Full textArredondo, Daniel. "Style: A new perspective on Kate Chopin." CSUSB ScholarWorks, 2005. https://scholarworks.lib.csusb.edu/etd-project/2786.
Full textPappas, Paul Alexander. "The narrative thematics of the late style of Henry James : incorporating an analysis of The wings of the dove." Master's thesis, University of Cape Town, 1989. http://hdl.handle.net/11427/17685.
Full textThis paper represents a study of contemporary narrative theory in relation to the late style of Henry James. Using the work of various narrative theorists it examines the concepts of the Narrator, Speech Representation, Focalization and Figural Narration. This is the main emphasis of part I. The work of the different theorists is examined selectively in order to give a concise but comprehensive summary of the chosen narrative concepts. Part II of the dissertation deals with the relationship of Henry James to the ideology of modernism. The modernist notions of 'showing' and 'telling' are discussed in relation to the narrative theory of part I. This section also deals with James's notions of dramatization, foreshortening and impersonal narration. The narrative style of Henry James's later novels is discussed in relation to the concepts of narrative theory examined in part I. Furthermore, part II examines the difficulties James faced m constructing his narratives and how they are manifested as discrepancies in his novelistic project. The specific facets discussed are those of the effacement of the authorial narrator and the representation of consciousness; this discussion also deals with James's approach to these facets of narrative representation. Part III consists of an examination of selected 'Prefaces' to James's novels, and discusses these as a reflection of James's ideas of narrative. It combines parts 1 and II in a discussion of James's notions of narrative, and utilizes the contemporary narrative theory to order to illuminate some of these notions. In order to show how James utilized certain narrative techniques an analysis of extracts from The Wings of the Dove is undertaken. This section examines James's use of the Narrator, Speech Representation, Focalization and Figural Narration. Part III also deals with the extent to which James succeeds in his project and furthermore, shows that certain narrative devices James employed contradict his notions of dramatization and objectivity.
Yu, Wei-Shuan. "A Comparison of Cello and Viola da Gamba Bow Technique and Style from 1600–1750." University of Cincinnati / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1627667722072256.
Full textMorris, Geraldine. "A network of styles : discovering the choreographed movement of Frederick Ashton (1904-1988)." Thesis, Roehampton University, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.326826.
Full textChan, Kam-wing Philip. "The stylistic analysis of literary language in relation to English teaching in Hong Kong." Click to view the E-thesis via HKUTO, 1987. http://sunzi.lib.hku.hk/hkuto/record/B31948935.
Full textBrown, Tamara. "On a women's language." PDXScholar, 1990. https://pdxscholar.library.pdx.edu/open_access_etds/3995.
Full textCui, Yan. "The style of Lao She and modern Chinese : a study of Lao She's literary language in his fictional works." Thesis, SOAS, University of London, 2009. http://eprints.soas.ac.uk/29580/.
Full textHamel, Sébastien. "La rhétorique de l'extrême chez Anne Hébert /." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26736.
Full textRhetoric, in the modern sense of the word (following the work of the Groupe Mu, Gerard Genette and Roland Barthes) enables, on the one hand, a lexical analysis of the vocabulary of the extreme (such as "toujours", "rien", "pas un", etc.), and on the other, through the character analysis of Elisabeth Rolland, heroine of Kamouraska, renders the repeated use of the oxymoron meaningful.
Finally, the adoption of a holistic viewpoint highlights an evolution in her style. Given the possible juxtapositions inherent in a Manichean universe (opposition in her earliest and latest works, union in her three novels from the 1970s), two different worldviews are revealed which correspond, for the author, to two stylistic modes.
Roy, Alain. "L'écriture minimaliste; suivi de Journée programmée." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59429.
Full textKnapper, Daniel. "The Tongue of Angels: Pauline Style and Renaissance English Literature." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1574171968581074.
Full textMasters, Benjamin Scott. "The ethics of excess : style and morality in British fiction since the 1960s." Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648740.
Full textBrams, Janis A. "Writing and the unconscious." CSUSB ScholarWorks, 1987. https://scholarworks.lib.csusb.edu/etd-project/409.
Full textAllan, Stu. "Passive be damned : the construction that wouldn't be beaten : a thesis submitted in partial fulfilment of the requirements for the Degree of Master of Arts in Linguistics at the University of Canterbury /." Thesis, University of Canterbury. Languages, Cultures and Linguistics, 2009. http://hdl.handle.net/10092/2265.
Full text