Academic literature on the topic 'Literary representations'

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Journal articles on the topic "Literary representations"

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Babana-Hampton, Safoi. "Literary Representations of Female Identity." American Journal of Islam and Society 19, no. 4 (October 1, 2002): 23–41. http://dx.doi.org/10.35632/ajis.v19i4.1914.

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The essay examines the texts of the two women writers - Leila Abouzeid (from Morocco) and Nawal El Saadawi (from Egypt) - as offering two female perspectives within what is commonly referred to as "feminine" writing in the Arab Muslim world. My main interest is to explore the various discursive articulations of female identity that are challenged or foregrounded as a positive model. The essay points to the serious pitfalls of some feminist narratives in Arab-Muslim societies by dealing with a related problem: the author's setting up of convenient conceptual dichotomies, which account for the female experience, that reduce male-female relationships in the given social context to a fundamentally antagonistic one. Abouzeid's novel will be a case study of a more positive but also realistic and complex perspec­tive on female experience ...
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Jason, Philip K. "Vietnamese in America: Literary Representations." Journal of American Culture 20, no. 3 (September 1997): 43–50. http://dx.doi.org/10.1111/j.1542-734x.1997.t01-1-00043.x.

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Carroll, J. "The Deep Structure of Literary Representations." Evolution and Human Behavior 20, no. 3 (May 1999): 159–73. http://dx.doi.org/10.1016/s1090-5138(99)00004-5.

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Han, Ruihui. "Different Literary Modes and Corresponding Representations of Women in Europe and China." Scholars Journal of Economics, Business and Management 3, no. 6 (June 2016): 340–46. http://dx.doi.org/10.21276/sjebm.2016.3.6.5.

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Pifer, Ellen, and Jeffrey Berman. "The Talking Cure: Literary Representations of Psychoanalysis." Modern Language Review 83, no. 3 (July 1988): 653. http://dx.doi.org/10.2307/3731296.

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Balinisteanu, Tudor. "Romanian Folklore and Literary Representations of Vampires." Folklore 127, no. 2 (May 3, 2016): 150–72. http://dx.doi.org/10.1080/0015587x.2016.1155358.

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Trencher, Susan. "The literary project and representations of anthropology." Anthropological Theory 2, no. 2 (June 2002): 211–31. http://dx.doi.org/10.1177/1469962002002002631.

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Parati, Graziella. "Mountain Fish, Occitan Borders, and Literary Representations." Italian Studies 69, no. 3 (October 22, 2014): 311–27. http://dx.doi.org/10.1179/0075163414z.00000000074.

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Lau, Lisa. "Literary Representations of the ‘New Indian Woman’." Journal of South Asian Development 5, no. 2 (October 2010): 271–92. http://dx.doi.org/10.1177/097317411000500204.

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Molofsky, Merle. "The talking cure: Literary representations of psychoanalysis." Arts in Psychotherapy 14, no. 4 (December 1987): 345–46. http://dx.doi.org/10.1016/0197-4556(87)90023-2.

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Dissertations / Theses on the topic "Literary representations"

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Baylis, Gail S. "Literary representations of London 1660-1760." Thesis, University of Ulster, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.481115.

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Odell, Heather Miranda. "Ex manubiis : literary representations of Flavian spectacle." Thesis, University of British Columbia, 2015. http://hdl.handle.net/2429/52866.

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The Roman emperor Vespasian was declared emperor in absentia at the end of 69 CE, the Year of the Four Emperors; he was the first man from outside the Julio-Claudian family to hold imperial power for more than a few months, remaining in power until his death in 79 CE and succeeded by his son Titus. Vespasian won the conflict with military force, but once in power he faced the unique challenge of demonstrating the legitimacy of his reign without the pedigree of an old Roman family name to draw upon, and so he relied on other means of stabilizing his power. Vespasian returned to Rome bearing an influx of wealth from the Judaean War, and he funded lavish spectacles and buildings like the Colosseum from the spoils (ex manubiis). Vespasian’s buildings and spectacles were impressive displays of his wealth and generosity to the people of Rome, but spectacles can only awe and impress the immediately present audience in Rome for the short time that they last; the Colosseum stays standing as a reminder, but it is inert without its shows. Written descriptions of the spectacle, on the other hand, could travel widely and cheaply, extending the reach of Vespasian’s grand displays through time and space. This thesis is concerned with two such pieces of writing: Josephus’ description in Bellum Judaicum of Vespasian and Titus’ double triumph in 71 CE; and Martial’s Liber Spectaculorum, a collection of epigrams about the inaugural games of the Colosseum in 80 CE. I argue that these literary representations of spectacle effectively reproduced the original spectacles for the reading audience through a variety of rhetorical and literary techniques, ultimately presenting an affirmative view of Flavian rule over the Roman empire, and Roman rule over the world.
Arts, Faculty of
Classical, Near Eastern and Religious Studies, Department of
Graduate
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Vaai, Sina Mary Theresa, and n/a. "Literary representations in western Polynesia : colonialism and indigeneity." University of Canberra. Communication, Media & Tourism, 1995. http://erl.canberra.edu.au./public/adt-AUC20061109.163049.

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Images of Oceania and Polynesia have traditionally been exoticised and romanticised by Western representations of a "paradise" populated by primitive natives with grass skirts and ukuleles. However, the movement towards political independence in the 1960s and 1970s has seen the emergence of a corpus of indigenous representations that depict and portray the real situation. These indigenous representations speak of subjugation and moreover testify to the debilitating effects colonialism has on cultural identities. The geographical area covered by this thesis is Western Polynesia, specifically the Pacific Island nations of Fiji, Tonga and Western Samoa and is concerned with literary representations. The thesis examines significant developments and trends in the creative writing of indigenous and migrant writers in these three countries of Western Polynesia: Western Samoa, Tonga and Fiji, seeing these literary representations from within as a writing out of multi-faceted aspects of the shifting identities of Pacific peoples in a post-colonial world. The introduction focuses on the historical colonial/post-colonial context of Western Polynesian writing and the socio-political imperatives for change which have had an impact on these writers and the texts they have produced. It also discusses the literary and anthropological representation of these Islanders from the 'outside', from the perspective of a European hegemonic self, forming the 'orientalist' stereotypes against which the initial texts written by the Pacific's colonised 'others' in the early 1970's reacted so strongly. Chapter One sets out the conceptual framework within which these texts will be discussed and analysed, beginning with indigenous and local concepts which indigenous and migrant Pacific Islanders use to connect and accommodate different 'ways of seeing' this representative body of literature, then moving on to other theorists concerned with literary representation and post-coloniality. Chapters Two to Nine explore the writing of these three countries, beginning with the fiction of Albert Wendt, one of the major writers from Western Polynesia who has an established regional and international literary reputation, and then progressing to focus on other selected representative writers of the three countries, including those in the early stages of attempting publication. The thesis concludes by discussing the texts from all three countries and tying them together in the various thematic strands of cultural clash, the widening of borders, the quest for self-definition and national identity in the contemporary Pacific, reiterating major points and examining possible future directions in Western Polynesian writing. The study takes an interdisciplinary approach to the critical analysis of Western Polynesian literature, maintaining the importance of seeing them as important forms of cultural communication in post-colonial contexts, as literary representations from the inside, writing out of a cultural consciousness which values the various 'pasts' of Polynesia as definitive 'maps' which provide the grids and bridges which Pacific Islanders in this part of Oceania can utilise to mediate their experiences and articulate their identities, to fit the widening boundaries of the Pacific into a post-colonial global context.
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Byrne, Kirsty Nicola. "Literary representations of maternity in the eighteenth century." Thesis, Durham University, 1993. http://etheses.dur.ac.uk/5803/.

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The primary concern of this thesis is the representation, in the eighteenth century, of mothers' bodies. It is also concerned with the treatment of domestic duties which were supposed a consequence of a woman's very nature. Throughout the first seven decades of the century, medical men and virtuosi demonstrated particular interest in the nature of physicality, and especially in women's bodies, pregnancy, and childbirth. 1 will be testing out a widely-held view that dissection and new anatomical findings regarding women's bodies produced a new idealisation of motherhood, and that this was immediately translated into lay-medical and related discourse, and was thus firmly established in middle-class culture by the end of the century. The relationship between primary medical and lay-medical literature raises several questions: my work asks whether lay-medical literature mirrored medical writing, and whether there was a direct translation of material from one to the other. Lay-medical texts for women are especially interesting. They offer an insight into precisely what examples of female nature and correspondingly 'natural' behaviour were intended for women readers. Representations of maternity in specific forms of writing which rely heavily upon women for subject matter are further extended in the second half of this study. 1 have focussed upon two genres, conduct literature and narrative fiction. Neither is conventionally associated with medical or lay-medical discourse, yet both have significant links with these. Conduct literature and narrative fiction have much to offer in this attempt to recover what women were being taught about their bodies and roles; both were concerned with what the body displays externally, and with corresponding ideas of 'naturalness'. Conduct literature for women was enjoying a period of growth and change, and has obvious, direct links with medical texts. Narrative fiction also had important links with medical writing, and 1 will describe these. The dissemination of medical representations of the maternal body was a process which contributed to a contradictory cultural sense of female identity.
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Zuniga, Roxana Guadalupe. "The literary representations and interpretations of La Matanza." Thesis, Wayne State University, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3700700.

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This dissertation examines the literary representations and interpretations of La Matanza, a Salvadoran massacre that occurred in 1932. A peasant-led uprising resulted in the assassination of thousands of campesinos and indigenous people by General Maximiliano Hernández Martínez's repressive military regime. As a result of government repression and censorship, the events surrounding La Matanza were intentionally omitted from Salvadoran history for many decades. Despite these censorship efforts, writers like Roque Dalton, Claribel Alegría, Salarrué and Manlio Argueta defied authoritarian government repression and incorporated the events of La Matanza into their writing. The literary texts that this dissertation analyzes are: Salarrué's "Mi respuesta a los patriotas" (1932), "El espantajo," (1954), Dalton's Miguel Mármol: Los sucesos de 1932 en El Salvador (1971), "Todos," "Viejuemierda," "Hechos, cosas y hombres de 1932," Alegría's Cenizas de Izalco (1966) and Argueta's Un día en la vida (1980) and Cuzcatlán donde bate la mar del sur (1986).

These authors exemplify multiple and often conflicting perspectives concerning the massacre. Each of them offers a unique interpretation of this event, emphasizing issues such as class, identity, gender and race, among others. However, all of them share the attempt to use literature as a vehicle to lend a voice to populations that did not have a place in official historical accounts. This study draws upon subaltern, postcolonial, feminist and other theories, in order to highlight the particular position of each author. Moreover, in this dissertation I argue that, the colonial, racist and patriarchal discourse that was used to justify the massacre was also used to justify the atrocities of the civil war in the 1980s. In addition, this analysis emphasizes the links between the peasant resistance of the 1930s and that of the 1980s. Furthermore, this dissertation stresses the importance of remembering El Salvador's complex history of violence in order to better understand the post-war era.

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Yu, Siu-hung. "Representations of Chinese women in three modern literary texts." Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkuto/record/B31988271.

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Jones, Megan Elizabeth. "Constructing the city : literary representations of Johannesburg, 1921-2006." Thesis, University of Cambridge, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.608486.

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Yu, Siu-hung, and 余小紅. "Representations of Chinese women in three modern literary texts." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B31988271.

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Kennedy, Kathleen Erin. "Maintaining injustice literary representations of the legal system C1400 /." Connect to this title online, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1085059076.

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Thesis (Ph. D.)--Ohio State University, 2004.
Document formatted into pages; contains 213 p. Includes bibliographical references. Abstract available online via OhioLINK's ETD Center; full text release delayed at author's request until 2009 May 29.
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Brennan, Zoe. "Representations of older women in contemporary literature." Thesis, University of the West of England, Bristol, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.271040.

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This study argues that novels by contemporary women writers, such as Doris Lessing, May Sarton, Barbara Pym and Jenny Diski, through their representation of older female protagonists, create alternative discourses of ageing to those that dominate Western society. By placing these figures at the centre of their narratives, the texts counteract the silence and pejorative stereotyping that routinely surrounds the lives of the aged. The technique of studying literary representations of women is not new; in fact, it is a trusted part of feminist methodology. However, one of the assertions of this dissertation is that it is rarely used to investigate texts about the senescent, reflecting feminism's failure to include the older women in their theories. Part one of the dissertation examines such issues in depth, setting out the theoretical orientation of the study. It considers popular representations and paradigms of ageing, as well as considering the power of normalising discourse and dynamics of representation. Part two uses this material to analyse the strategies that British and North American authors have employed, since the 1960's, to challenge common stereotypes of older women. The first three chapters focus on novels that portray protagonists who display emotions, not usually associated with the old, which are revealed in relation to different aspects of ageing: anger and frustration (dependency); passion and desire (sexuality); and contentment (daily life). Chapter 7, 'The Wise and Archetypal Older Woman', shifts its attention away from more realist texts to study characters who emerge from the covers of ratiocinative fiction. It argues that conventional critiques of the genre often negate its more polemical elements, which is a result of their failure to use an age- and gender-aware approach and a problem that generally greets intelligent novels about female senescence. This thesis sees itself as part of a movement that aims to create a space in which older female characters' voices can be heard and recognised. It contends that the authors treated here produce visions of ageing that are not solely concerned with stagnation and decline. They represent a varied and compelling group of protagonists and, in doing so, illustrate that older women are worthy of literary, social and feminist interest.
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Books on the topic "Literary representations"

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Author representations in literary reading. Amsterdam: John Benjamins Pub. Co., 2012.

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International IACLALS Conference on 1857 and After: Colonialism, Violence, and Literature (2007 Dept. of English, Banaras Hindu University). 1857 and after: Literary representations. New Delhi: Pencraft International, 2009.

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International IACLALS Conference on 1857 and After: Colonialism, Violence, and Literature (2007 Dept. of English, Banaras Hindu University). 1857 and after: Literary representations. New Delhi: Pencraft International, 2009.

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Nand, Rai Rama, Singh Anita 1963-, Archana Kumar, and Indian Association for Commonwealth Literature and Language Studies., eds. 1857 and after: Literary representations. New Delhi: Pencraft International, 2009.

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Baylis, Gail S. Literary representations of London 1660-1760. [s.l: The Author], 1990.

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Contemporary Indian diaspora: Literary and cultural representations. Jaipur: Rawat Publications, 2015.

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The talking cure: Literary representations of psychoanalysis. New York: New York University Press, 1985.

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Kelsall, Malcolm. Literary Representations of the Irish Country House. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9781403990457.

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Harish, Trivedi, and Association for Commonwealth Language and Literature Studies., eds. The nation across the world: Postcolonial literary representations. New Delhi: Oxford University Press, 2007.

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Breaking the mould: Literary representations of Irish Catholicism. Bern: Peter Lang, 2011.

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Book chapters on the topic "Literary representations"

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Kitchen, Martin. "Literary Representations of Kaspar Hauser." In Kaspar Hauser, 175–88. London: Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9781403919588_11.

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Scrivener, Michael. "Jewish Representations, Literary Criticism and History." In Jewish Representation in British Literature 1780–1840, 11–25. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230120020_2.

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Brannigan, John. "Power and its Representations: A New Historicist Reading of Richard Jefferies’ ‘Snowed Up’." In Literary Theories, 157–76. London: Macmillan Education UK, 1996. http://dx.doi.org/10.1007/978-1-349-25028-8_9.

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Prescott, Sarah. "Negotiating Authorship: Women’s Self-Representations." In Women, Authorship and Literary Culture 1690–1740, 39–66. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9780230597082_3.

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Bentley, Nick. "Northern Yobs: Representations of Youth in 1950s Writing: Hoggart, Sillitoe and Waterhouse." In The Literary North, 125–44. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137026873_8.

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Mehta, Sandhya Rao. "Finding a Voice: Literary Representations of Indentured Women." In Indentured and Post-Indentured Experiences of Women in the Indian Diaspora, 67–80. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-1177-6_5.

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Gheorghiu, Oana-Celia. "Literary Rewritings of History and Politics After 9/11." In British and American Representations of 9/11, 55–80. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-75250-1_3.

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Kelsall, Malcolm. "Introduction." In Literary Representations of the Irish Country House, 1–28. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9781403990457_1.

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Kelsall, Malcolm. "Edgeworthstown ‘Rebuilding’." In Literary Representations of the Irish Country House, 29–78. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9781403990457_2.

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Kelsall, Malcolm. "Edgeworth’s Heir: Charles Lever." In Literary Representations of the Irish Country House, 79–112. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9781403990457_3.

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Conference papers on the topic "Literary representations"

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Soenarto, Iswahyudi, and Joesana Tjahjani. "Representations of Mother in Indonesian and European Literary Folktales." In 1st International Conference on Folklore, Language, Education and Exhibition (ICOFLEX 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201230.015.

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Panova, Elena P. "Mythologems Of Heroism And Their Literary Representations (A. Rybakov “The Dirk”)." In International Scientific Forum «National Interest, National Identity and National Security». European Publisher, 2021. http://dx.doi.org/10.15405/epsbs.2021.02.02.103.

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Blanchard, Rebecca. "“Militant or moderate? Abd al Malik’s literary representations of the French banlieue”." In Action radicale, sujet radical : racines, représentations, symboles et créations = Radical action, radical subject : roots, representations, symbols and creations. Éditions de l'Université de Sherbrooke, 2015. http://dx.doi.org/10.17118/11143/8369.

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Canonaco, Brunella, and Francesc Bilotta. "Lettura del sistema fortificato della fascia Tirrenica calabrese attraverso le iconografie storiche." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11527.

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Knowledge of fortified centres of the Tyrrhenian coast of Calabria through historical documentsThis paper offers suggestions for the knowledge of fortified centres of the Tyrrhenian coast of Northern Calabria, through a critical reading of ancient graphic representations of this territory. The exegetical reading of these ancient landscapes has been supported by the notes extracted from literary sources and data deduced from analytical procedures conducted on the assets. The essential characters of the fortresses and the areas surrounding castles have been identified, recognizing the dynamics of settlements, explaining their formal, functional and constructive characters, and verifying the signs of permanence and variance through time. In the surveyed area, the castles are commonly located on hilltops, overlooking the sea and controlling the territory and villages. Because of its dense defence fabric, made of manors and towers, this area can be seen as one of the most representative of the whole Region. The study of this heritage is essential for the comprehension of the historical and architectural characters of the area, and therefore for the enhancement of the built landscape of the entire Mediterranean basin.
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Cabalar, Pedro, Jorge Fandinno, and Luis Fariñas del Cerro. "On the Splitting Property for Epistemic Logic Programs (Extended Abstract)." In Twenty-Ninth International Joint Conference on Artificial Intelligence and Seventeenth Pacific Rim International Conference on Artificial Intelligence {IJCAI-PRICAI-20}. California: International Joint Conferences on Artificial Intelligence Organization, 2020. http://dx.doi.org/10.24963/ijcai.2020/653.

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Epistemic logic programs constitute an extension of the stable model semantics to deal with new constructs called "subjective literals." Informally speaking, a subjective literal allows checking whether some objective literal is true in all or some stable models. However, its associated semantics has proved to be non-trivial, since the truth of subjective literals may interfere with the set of stable models it is supposed to query. As a consequence, no clear agreement has been reached and different semantic proposals have been made in the literature. In this paper, we review an extension of the well-known splitting property for logic programs to the epistemic case. This "epistemic splitting property" is defined as a general condition that can be checked on any arbitrary epistemic semantics. Its satisfaction has desirable consequences both in the representation of conformant planning problems and in the encoding of the so-called subjective constraints.
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Zhguleva, Yu A. "SEMASIOLOGICAL DICTIONARY AS A FORM OF REPRESENTATION OF THE CONCEPTOSPHERE OF THE WHITE GUARD’S CULTURE." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. Publishing House of Tomsk State University, 2020. http://dx.doi.org/10.17223/978-5-94621-901-3-2020-21.

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Kaptsova, V. I. "NATIONAL SPECIFICITY OF LINGUISTIC REPRESENTATION OF PROTEST IN TEXTS OF RUSSIAN AND ENGLISH PUNK ROCK SONGS." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. Publishing House of Tomsk State University, 2020. http://dx.doi.org/10.17223/978-5-94621-901-3-2020-35.

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Kazakevich, O. A. "DESCRIPTION OF THE ROUTE TO CHINA IN THE ‘STATEINYI SPISOK’ BY F.I. BAIKOV (LEXICAL MEANS, REPRESENTATION MODELS)." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. Publishing House of Tomsk State University, 2020. http://dx.doi.org/10.17223/978-5-94621-901-3-2020-43.

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Shemyakina, M. A. "THE SONG «SALT» AS A REPRESENTATION OF AUTHOR’S CONCEPTION IN DIPTYCH OF MUSICAL ALBUMS «SALT» AND «TIME N» BY B. GREBENSHCHIKOV." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. Publishing House of Tomsk State University, 2020. http://dx.doi.org/10.17223/978-5-94621-901-3-2020-98.

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Nurhaqiqi, Hanna. "Difable Literacy: Analysis of Difable Representation in Indonesian Media." In Proceedings of the 1st Asian Conference on Humanities, Industry, and Technology for Society, ACHITS 2019, 30-31 July 2019, Surabaya, Indonesia. EAI, 2019. http://dx.doi.org/10.4108/eai.30-7-2019.2287625.

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