Journal articles: 'Literary representation'

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Mitchell, W. J. T. "Space, Ideology, and Literary Representation." Poetics Today 10, no. 1 (1989): 91. http://dx.doi.org/10.2307/1772556.

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Carroll, J. "Organism, Environment, and Literary Representation." Interdisciplinary Studies in Literature and Environment 9, no. 2 (July 1, 2002): 27–45. http://dx.doi.org/10.1093/isle/9.2.27.

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Chamberlain, Kathleen. "Capitalism, Counterfeiting, and Literary Representation." Primary Sources & Original Works 4, no. 3-4 (February 7, 1997): 175–92. http://dx.doi.org/10.1300/j269v04n03_02.

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Yang, Funing. "An Extraction and Representation Pipeline for Literary Characters." Proceedings of the AAAI Conference on Artificial Intelligence 36, no. 11 (June 28, 2022): 13146–47. http://dx.doi.org/10.1609/aaai.v36i11.21709.

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Readers of novels need to identify and learn about the characters as they develop an understanding of the plot. The paper presents an end-to-end automated pipeline for literary character identification and ongoing work for extracting and comparing character representations for full-length English novels. The character identification pipeline involves a named entity recognition (NER) module with F1 score of 0.85, a coreference resolution module with F1 score of 0.76, and a disambiguation module using both heuristic and algorithmic approaches. Ongoing work compares event extraction as well as speech extraction pipelines for literary characters representations with case studies. The paper is the first to my knowledge that combines a modular pipeline for automated character identification, representation extraction and comparisons for full-length English novels.

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Mlačnik, Primož. "From Minor Literature to Neoliberal Noir: The Detective Novels of Sergej Verč." Caietele Echinox 43 (December 1, 2022): 77–92. http://dx.doi.org/10.24193/cechinox.2022.43.04.

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"In this article, we analyze the politics of representation in the detective tetralogy (1991- 2009) of the late Slovenian and Triestinian writer Sergej Verč. Addressing several aspects of Verč’s primary literary semiotic device of schizophrenia, we trace a simultaneous literary and chronological shift from minor literature to neoliberal noir. We expose the fundamental representational ambiguity by analyzing the detective triad (murder-victim-criminal), the fetishization of detective clues, the erotization of detection, and the underlying binary oppositions. Verč’s detective novels critique the Slovenian capitalist transition but also reproduce culturally conservative representations of gender, sexuality, and family."

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Stockwell, Peter. "Literary dialect as social deixis." Language and Literature: International Journal of Stylistics 29, no. 4 (November 2020): 358–72. http://dx.doi.org/10.1177/0963947020968661.

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The representation of non-standard and regional accent and dialect in literary fiction has been framed mainly sociolinguistically and treated as an index of authenticity, within an account of characterisation. The reader’s attitude to such speakers in literary fiction is manipulated narratorially and authorially. Since readerly effects, impressions and evaluations are the key issues involved, it seems plausible that a cognitive poetic approach to the reading of dialect in literature would also be productive. In the current deictic theory, the dimension of social deixis captures a broad range of stylistic features including register and dialectal representations. Cognitive deictic theory draws on an explicitly spatial metaphor in which characters are positioned in conceptual space. However, insufficient attention has been paid to the effect of readerly positioning and dispositioning. This article revisits social deixis and its points of transition and textural variation from a theoretical perspective. It develops a new angle on the representation and significance of accented and dialectal forms in literary fiction, with some illustrative examples drawn from 19th and 20th century British novels.

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Hampton, Timothy. "Literary Diplomacy: the Margins of Representation." Diplomatica 1, no. 1 (April 10, 2019): 26–32. http://dx.doi.org/10.1163/25891774-00101005.

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Diplomats as consumers and producers of literary texts have a long history. More recent, however, is a literary understanding of dress, ceremony, gifts, and other trappings of the diplomatic profession as essential components of representation – of power, of the state, and of diplomats themselves.

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FERRER, D. "Hypertextual Representation of Literary Working Papers." Literary and Linguistic Computing 10, no. 2 (April 1, 1995): 143–45. http://dx.doi.org/10.1093/llc/10.2.143.

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Jisun Yee. "Experience and Literary Representation of Anniversary:." 아시아문화연구 47, no. ll (August 2018): 225–66. http://dx.doi.org/10.34252/acsri.2018.47..008.

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Chamalah, Evi, Reni Nuryyati, and S. T. Nurbaya. "Representation of Teacher in Andrea Hirata�s Novel Guru Aini: A Study of Literary Psychology." Journal of Advanced Multidisciplinary Research 1, no. 2 (December 31, 2020): 121. http://dx.doi.org/10.30659/jamr.1.2.121-132.

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Novel is one of literary works that is quite enjoyed by people. Novel has an important position in describing the reality of life through its storylines. One of them is Guru Aini novel by Andrea Hirata. The novel, which was just published in 2020, told about a teacher who workedin a remote island in Indonesia. The author's view of the teacher as an educator who could be represented by this literary work is constructed in a novel. Based on this, the study aimed to determine the representation of teachers in the Guru Aini novel by Andrea Hirata. The analysis in the research was conducted through the dimensions of literary psychology. The analysis in this study focused on the role of the teacher as an educator in a literary work. The results in this study indicated that the teacher in the novel Guru Aini by Andrea Hirata was represented in a positively charged construction. In this study, it was found that several teacher representations appeared in the novel, namely the representation of the teacher as an individual status, the representation of the teacher as the status of the teaching force, the representation of the teacher as an educator in the community, the representation of the psychological condition of the teacher, and the representation of the teacher's personality in the novel Guru Aini by Andrea Hirata.

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Leane, Jeanine. "Aboriginal Representation: ConflictorDialoguein theAcademy." Australian Journal of Indigenous Education 39, S1 (2010): 32–39. http://dx.doi.org/10.1375/s1326011100001113.

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AbstractThis research begins with the premise that non-Aboriginal students are challenged by much Aboriginal writing and also challenge its representations as they struggle to re-position themselves in relation to possible meanings within Aboriginal writing. Many non-Aboriginal students come to read an Aboriginal narrative against their understanding of what it means to be an Aboriginal Australian, accumulated via their prior reading of Australian history, literature and more contemporary social analysis and popular commentary. Aboriginal writing is confronting when it disturbs the more familiar representations of Aboriginal experience and characterisation previously encountered. The aim of this paper is to provide a more informed basis from which to consider higher education pedagogy for this area of literary studies. A further aim is to contribute to the literary studies discourse on Aboriginal representation in Australian literature.

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Patoine, Pierre-Louis. "Representation and Immersion. The Embodied Meaning of Literature." Gestalt Theory 41, no. 2 (July 1, 2019): 201–15. http://dx.doi.org/10.2478/gth-2019-0019.

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Summary This article explores the relations among three forms of representations (artistic, mental, and neural) and immersion, considered as an altered state of consciousness, in the context of literary reading. We first define immersive reading as an intensification of our embodied experience of literary representation, in accordance to neuropsychological studies about embodied cognition. We further consider the style of interpretation demanded by such immersive reading and its ethical and ecological underpinnings.

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Dynarowicz, Ewa. "Het geheimzinnige spijkerschrift van de doofstomme analfabete dichter: de voorstelling van de gehandicapte vader in Kader Abdolahs autorepresentatie." Neerlandica Wratislaviensia 32 (December 2, 2021): 75–88. http://dx.doi.org/10.19195/0860-0716.32.5.

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When commenting on his literary work, Kader Abdolah regularly links it to his biography, his novels and short stories becoming an important part of his self-representation as a writer. One of the prominent motives in this self-representation is the story of his deaf father, which appears repeatedly in interviews as well as in his literary work, the most significant example being the novel Spijkerschrift [Cuneiform, 2000]. The purpose of this article is to investigate how the deaf father is being portrayed here and what implications this image has for the way Abdolah presents himself to his readership. The analysis is anchored in the theoretical framework provided by disability studies, focusing on literary representations of disability.

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Clark, Matthew. "The cognitive turn." Narrative Inquiry 22, no. 2 (December 31, 2012): 405–10. http://dx.doi.org/10.1075/ni.22.2.11cla.

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Corresponding to the “narrative turn” in the human and cultural sciences, this paper advocates a “cognitive turn” in the study of literary narratives. The representation of the self in literary narratives, for example, is in some ways similar to the representation of the self represented in philosophic, psychological, and sociological theory, but the narrative models extend and enrich the understanding of the self. The tradition of literary narrative includes the monadic, dyadic, and triadic models of the self, as well as representations of agent, patient, experiencer, witness, instrumental, and locative selves. Narrative is thus a kind of worldmaking, and the making of complex worlds, such as the worlds of the self, lead towards narrative.

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Nguyen Thi Mai, Chanh. "Literary Representation Structure in Gao Xingjian’s Soul Mountain." Journal of Science Social Science 67, no. 1 (February 2022): 3–10. http://dx.doi.org/10.18173/2354-1067.2022-0001.

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Gao Xingjian (1940 - ) is one of the most outstanding writers that was awarded the Nobel Prize for Literature in 2000. His novel - Soul Mountain - marks his name as it can be considered one of the “pioneers” of modern Chinese novels. Soul Mountain is exceptional due to its unique narrative which revolves around autobiographical elements of “the traveler - the quest - the storyteller”. The reflection of the stories told by several protagonists: “I” - “You” - “He” elevates the above mentioned auto-biographical elements into artistic representations. So far, there exists a number of researches on the art of the narrative in Soul Mountain which already yields certain results. Therefore, this essay is aimed to explore Soul Mountain from a different angle in which the representation structure of “the traveler”, “the quest” and “the storyteller” would be profoundly analyzed to cast light on the novel’s narrative structure.

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Shi, Long, and Qingwei Zhu. "Urban Space and Representation in Literary Study." Open Journal of Social Sciences 06, no. 09 (2018): 223–29. http://dx.doi.org/10.4236/jss.2018.69015.

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Hwang, Byeonghoon. "Wordsworthian Representation of Literary Imagination through Idiocy." Comparative Literature 69 (June 30, 2016): 285–313. http://dx.doi.org/10.21720/complit.69.10.

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Yun, Jung-hwa. "The Diachronic Inquiry of adoptee’s Literary representation." Journal of Language & Literature 60 (December 31, 2014): 289. http://dx.doi.org/10.15565/jll.2014.12.60.289.

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Levine, Madeline G. "Two Warsaws: the Literary Representation of Catastrophe." East European Politics and Societies: and Cultures 1, no. 3 (September 1987): 349–62. http://dx.doi.org/10.1177/0888325487001003002.

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McHugh, Susan. "Modern Animals: From Subjects to Agents in Literary Studies." Society & Animals 17, no. 4 (2009): 363–67. http://dx.doi.org/10.1163/106311109x12474622855309.

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AbstractAdvancing theories of literature and animality requires both recognizing the failures of traditional humanist models that separate and elevate people over all "things" animal as well as identifying and developing alternative forms. Along with providing fresh readings and important insights about representative texts in the literary canon, two new books—Carrie Rohman's Stalking the Subject: Modernism and the Animal (2009) and Philip Armstrong's What Animals Mean in the Fiction of Modernity (2008)—illustrate how this challenge is being addressed. Strategically, Rohman works within established textual forms of modern humanity to expand the parameters of who counts as a subject in literature. Armstrong takes a more tactical approach, extending ideas of nonhuman agency in order to frame this very discourse of representation itself as a problem that modern narrative forms bring to a crisis. What thus emerges is a range of textual actions and actors that exceed traditional humanist calculations of the subject. Together these studies frame questions with broader implications for humanistic scholarship: how do textual forms of subjectivity, even of discourse, become historical, and historically flexible, through animal involvements in literary representations?

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Seidel, Kevin. "A Secular for Literary Studies." Christianity & Literature 67, no. 3 (May 17, 2018): 472–92. http://dx.doi.org/10.1177/0148333117736197.

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This essay criticizes two prevailing ways of thinking about the relationship between the secular and the religious—the way of enmity and the way of paradox—and affirms a third, more open-ended approach to the secular that looks to literature for what William Connolly calls “mundane transcendence.” The essay then shifts the focus of critical attention from the representation of religion in Marilynne Robinson’s Gilead and Orhan Pamuk’s Snow to their representation of “the secular.”

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Dušanić, Dunja. "Serbian modernists and the experience of World War I." Transcultural Studies 10, no. 2 (2014): 1–12. http://dx.doi.org/10.1163/23751606-01002004.

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This article seeks to briefly revisit the connection between World War I and Serbian literary modernism. The argument is that this connection is subtler, deeper and more enduring than it is usually presented. To illustrate it, the literary development of three key writers of Serbian modernism, Miloš Crnjanski, Ivo Andrić and Rastko Petrović, is taken as an example, and their attitudes regarding the literary representation of World War I compared to the actual representations of war in their poetry and fiction.

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McLure, Paul Reed Roger. ""La Nausee" and the Problem of Literary Representation." Modern Language Review 82, no. 2 (April 1987): 343. http://dx.doi.org/10.2307/3728429.

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YULIAWATI, Dwi Widyaningrum. "REPRESENTATION OF KOREAN TEENAGERS IN INDONESIAN LITERARY WORKS." International Journal of Korean Humanities and Social Sciences 3 (July 8, 2017): 85–103. http://dx.doi.org/10.14746/kr.2017.03.05.

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It can be said that Korean Wave has triggered the appearance of a new chapter in Indonesian literature works, namely the emergence of literature works related to Korea. Indonesian writes all of these fictions and majority featuring Korean, especially Korean teenagers as the character and use Korea related problems as story theme, setting, etc. This paper is discussing how Korean teenagers represented in Indonesian teenage literature works. Representation is meant here is as the depiction or reflection that symbolizes social reality. Of course, reality reflected in a literary work is not always an actual fact, there is frequent a tendency of reality idealized by the author, in this case is Indonesian author’s idealism. From the examination undertaken on Summer in Seoul and Oppa and I: Love Signs teenage fictions showed the following results. Seen from the perspective of adolescence developmental psychology, Korean teenagers are constructed as figure who have had mature personality, who have achieved emotional, moral, social, and intellectual independence. As a member of a family, Korean adolescent represented as a son, daughter, brother, and sister who do not only take responsibility for themselves but also for others. Then from the perspective of their relation with peers group, they are described as teenagers who have been able to expand their social relationships and have also been able to maintain those relationships. Furthermore, within in the context of education, Korean teenagers are described as young people who have been able to draw up a clear plan for the future.

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Roman, Luke. "The Representation of Literary Materiality in Martial's Epigrams." Journal of Roman Studies 91 (November 2001): 113–45. http://dx.doi.org/10.1017/s0075435800015884.

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Yi, Tin Moe. "Gender Representation in Myanmar Literary Works in English." MANUSYA 20, no. 2 (2017): 101–21. http://dx.doi.org/10.1163/26659077-02002005.

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Gender representation is significant in every country in South East Asia. In Myanmar, an Asian country, men and women have equal rights under Myanmar customary law, but there is still inequality in some situations. However, gender discrimination is not a prominent social feature; and awareness and understanding of this feature cannot be reached without a course to literary work, which is a reflection of Myanmar culture and Myanmar society. Therefore, to see how gender is represented in Myanmar society, short stories which reflect Myanmar real culture are chosen to be analyzed in this study. That is why, speech acts and some specific linguistic features are investigated and analyzed on the topic of how men and women are represented and portrayed in Myanmar short stories. Both quantitative and qualitative methods are conducted for analyzing the data; descriptive statistical analysis is used for quantitative method and sociolinguistic explanation is presented for qualitative method. Through speech act theory, it is found that there is no difference between males and females in using directives and assertive speech acts. In terms of linguistic features, it is found that reporting verbs, adverbs and adjectives used to portray male characters are described negatively rather than the features used for portraying the female characters. This seems to suggest that males have more negative images than females. Moreover, that the subjects of sentences in the data refer to males more than females is likely to imply that males are leaders and females followers in Myanmar society.

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Lewis, Janaka B. "Reconstruction, Reunion, and Representation in American Literary Histories." Reviews in American History 46, no. 2 (2018): 245–52. http://dx.doi.org/10.1353/rah.2018.0037.

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Dodson, Charles B. "Colleen McCullough'sTim: A Literary Representation of Mental Retardation." Mental Retardation 37, no. 1 (February 1999): 73–76. http://dx.doi.org/10.1352/0047-6765(1999)037<0073:cmtalr>2.0.co;2.

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Roman, Luke. "The Representation of Literary Materiality in Martial's Epigrams." Journal of Roman Studies 91 (November 2001): 113–45. http://dx.doi.org/10.2307/3184773.

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Around the world, covers have become advertisements for their books. The dignity that characterizes something self-contained, lasting, hermetic — something that absorbs the reader and closes the lid over him, as it were, the way the cover of the book closes on the text — has been set aside as inappropriate to the times. The book sidles up to the reader; it no longer presents itself as existing in itself, but rather as existing for something other, and for this very reason the reader feels cheated of what is best in it. Theodor AdornoIn his last book, at the end of a successful, literary career, Martial asks in regard to his own genre of epigram: ‘quid minus esse potest?’ (‘What can be humbler?’, 12.95). Such self-disparagement is not necessarily surprising, since there is no reason to imagine that Martial's success as an epigrammatist would alter his genre's place in the traditional hierarchy of literary seriousness. Martial's denigration of his own oeuvre, however, goes beyond consciousness of epigram's status as a low genre. The epigrammatist not only registers his genre's formal rank, he develops fully articulated fictional scenarios depicting the nature of his writing and its role in society. According to the most salient and pervasive fiction characterizing Martial's work, epigram is an ephemeral form of literature embedded in specific, social contexts, and dedicated to immediate uses.

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Rabinovich, Irina. "Unpacking Rachel Félix's “constructed” and “self-constructed” Jewishness." French Cultural Studies 33, no. 1 (November 3, 2021): 19–39. http://dx.doi.org/10.1177/09571558211045052.

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This paper aims at unpacking the cultural, historical and political significance behind the representations (including pictures, caricatures, journalistic articles, etc.) and self-representations of Rachel Félix (1821–1858), the first prominent Jewish performer on the French and British and American stage, as a prism which may afford a broader discussion about the literary formations of the figure the Jewish female artist Félix, renowned for her exquisite beauty and daring sensuality, serves as an excellent paradigm of how Jewish artists used and, at times, manipulated their “biblical"/"oriental"/ “sensual” beauty with the aim of promoting their artistic career. My discussion, adopting a New Historicist outlook, also aims at explaining the correlation between such literary formations and their political implications with regards to the representation of Jewish artists. Since the identity of an actress is so obviously “constructed,” and because of the intricate relationship between the Jewishness, artistic vocation and femininity, the figure of Félix provides a direct engagement with a particular set of cultural and political assumptions about Jewish female artists. Looking at Félix's literary and artistic representations by her contemporaries and at her own self-representation as reflected on the stage and in her letters leads us to a better understanding of the relationship between the cultural, political and artistic constructs of Jewish female artists.

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McGuire, Sarah. "The representation of machismo in literary journalism: How Luis Alberto Urrea, Ruben Martinez, and Mexicans narrate stories of machismo." SURG Journal 6, no. 2 (July 9, 2013): 49–54. http://dx.doi.org/10.21083/surg.v6i2.2062.

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This article uses critical discourse on the genre of literary journalism to conceptualize machismo as a primary means of representing the male gender in Mexico. The way gender and machismo are socially constructed and the stories Mexican men tell themselves about machismo influences their performance of it. This article addresses issues of gender representation and discusses what literary techniques authors of literary journalism employ to investigate the construction of Mexican masculinity. Modern day conceptions of machismo are still associated with traditional connotations of hyper-masculinity; it is a socially prescribed role internalized as the public ideal acting to inform women of societal expectations of men. Engrained deep in the culture, machismo is to a degree exacerbated by alcohol, leading to violence and spousal abuse. One major question is whether literary journalism can lead to a greater truth if authors use stylistic techniques that limit the reader’s understanding of how conclusions were formed. However, this question is inconsequential if it can lead people to find their own truths and start social change. Whether the actual connotations of machismo within the Mexican culture are changing is minor compared to whether Mexicans can reach a higher truth by negotiating the representation of gender and machismo in their own lives. How machismo is represented can lead to social change as stories are constantly changing. Keywords: machismo (representations of); male gender (social constructions of); gender representation; Mexico; stylistic techniques (writing); literary journalism

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Bronfen, Elisabeth. "Violence of representation—representation of violence." Lit: Literature Interpretation Theory 1, no. 4 (May 1990): 303–21. http://dx.doi.org/10.1080/10436929008580039.

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Khatib Nur Ali, Ahmad Jum’a. "Novel Covers As Literary Art." KnE Social Sciences 1, no. 3 (April 6, 2017): 505. http://dx.doi.org/10.18502/kss.v1i3.848.

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Literary art is a translation, interpretation, transmutation of literary text from language system to another signs system. It is a perception product, interpretation and translation of its original works, not to be duplication but as a form of work of art. This research is intended to reveal Novel covers system of representation. The aim is to find out whether it represents the novel values or not as a literary art. In doing so, this research used qualitative method with Negeri van Oranje and Ayah covers as primary data. The data are chosen using purposive sampling with two basic standards: popularity and Myers design standards. Using representation theory and semiotic as tools of analysis, the research then finds that Negeri van Oranje and Ayah covers have two aspects of presentation: novel content values or theme and marketing aspect. It is presented using two elements: textual and visual. The marketing aspect mostly uses texts elements and the novel content uses visual elements. They are using symbolic signs to build future reader impression and perception of the novel. The symbolic signs and concept are constructed to represent the novel content messages or values. Text features explain the visual features, and the visual features express the text features. Covers have different representation system from the novel but it is not an independent system. In conclusion, not every novel cover can be literary art but Negeri van Oranje and Ayah novel covers can be included as literary art. Keywords: Literary arts, Novel Cover, Representation

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Hodson, Jane, and Alex Broadhead. "Developments in literary dialect representation in British fiction 1800–1836." Language and Literature: International Journal of Stylistics 22, no. 4 (November 2013): 315–32. http://dx.doi.org/10.1177/0963947013497876.

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This study draws on findings from the ‘Dialect in British Fiction 1800–1836’ project to describe changes in literary dialect representation in novels published during the second half of the Romantic Period. We identify an overall increase in literary dialect representation, and trace the different trajectories of Scots, Irish English, Welsh English, London English and Regional English varieties. We consider why literary dialect representation increased in the novel during this period, and why some literary dialects proved more popular than others. In conclusion we argue that while the overall picture presented by this project is one of increased speech by characters from the lower classes, this increase should not be interpreted as de facto evidence of greater acceptance of dialect and dialect speakers.

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Dewar, Kenneth C. "Varieties of Historical Representation." Journal of the Canadian Historical Association 26, no. 2 (August 9, 2016): 3–10. http://dx.doi.org/10.7202/1037218ar.

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This paper sketches the evolution of thinking about historiography from its focus on method and the history of historical thought some fifty years ago to Mark Salber Phillips’s highly original study, On Historical Distance, with its focus on “literariness” and its reconception of the meaning of “distance.” The paper notes the approaches of historian J.H. Hexter, literary critic Ralph Cohen, and philosopher Hans-Georg Gadamer as benchmarks along the way.

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Wardana, Muhammad Aditya Wisnu, and Chafit Ulya. "The Image of Women in the Poetry of The Marsinah Fall by Sapardi Djoko Damono." PIONEER: Journal of Language and Literature 13, no. 2 (December 30, 2021): 288. http://dx.doi.org/10.36841/pioneer.v13i2.1298.

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The poem Dongeng Marsinah by Sapardi Djoko Damono is one of the literary works that comes with an approach to the study of feminism and the image of women to respond to people's lives today. The data collection technique uses document analysis based on feminist literary theory. The interesting thing in the poem entitled Dongeng Marsinah by Sapardi Djoko Damono is the emergence of a women's movement against injustice or patriarchy through a literary work. The theory used is based on feminism literary theory with a sociological approach to literature. The view of literary works in the poem entitled Dongeng Marsinah by Sapardi Djoko Damono has a reflection on today's social life. The representation of women in the poem Dongeng Marsinah by Sapardi Djoko Damono include: (1) the representation of women from a psychological perspective; (2) the representation of women in society; (3) the representation of women in terms of behavior; and (4) the representation of women from a physical point of view. The hope is that by understanding the meaning of the image of women in the poem, a woman should not be treated with violence physically, mentally, or sexually.

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Grøn, Rasmus. "Literary experience and the book trailer as intermedial paratext." SoundEffects - An Interdisciplinary Journal of Sound and Sound Experience 4, no. 1 (December 15, 2014): 90–107. http://dx.doi.org/10.7146/se.v4i1.20330.

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The article explores the characteristics and variations of the book trailer genre in light of the different ways in which book trailers stage the literary experience of their source texts. The book trailer’s intermedial character as audiovisual representation of linguistic texts raises a ‘question of representation’ that poses a significant artistic challenge and potentially violates the virtual quality of the literary reading experience. On the basis of an extensive sample, a number of book trailers are analysed and a tentative book trailer typology is established based on different modes of addressing the genre’s inherent ‘question of representation’.

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Rogan, Alcena Madeline Davis. "Alien Sex Acts in Feminist Science Fiction: Heuristic Models for Thinking a Feminist Future of Desire." PMLA/Publications of the Modern Language Association of America 119, no. 3 (May 2004): 442–56. http://dx.doi.org/10.1632/003081204x20226.

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Even at their most bizarre, representations of alien sex are bound to reinscribe the terms of human desire. Thus there can be no representation of an alien sex act that is radically alien. However, for certain writers, this representational impasse provides an occasion for thinking through the limits of fictional and feminist representation. Through a reading of Monique Wittig's Les Guérillères, Samuel Delany's Trouble on Triton and Stars in My Pocket like Grains of Sand, and Angela Carter's The Passion of New Eve, I explore how alien sex is represented not only or even primarily in literal terms but also as an act that takes place in a fictional discursive milieu that critiques contemporary human sexual relations. I also describe how these writers' creative imaginings of alien sex function as a dialectical corollary to their theoretical investigations into the limits of representation.

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Shilova, N. L. "ART AND ARTISTS IN LITERARY REPRESENTATION OF KIZHI ISLAND." Учёные записки Петрозаводского государственного университета 175, no. 6 (September 2018): 46–52. http://dx.doi.org/10.15393/uchz.art.2018.209.

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Stetz, Margaret D., Helen M. Cooper, Adrienne Auslander Munich, and Susan Merrill Squier. "Arms and the Woman: War, Gender, and Literary Representation." Tulsa Studies in Women's Literature 11, no. 2 (1992): 377. http://dx.doi.org/10.2307/464314.

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Chon, YoungEui. "Marin City Yeosu’s Literary representation and Locality of Space." Journal of Korean Fiction Research 82 (June 30, 2021): 487–518. http://dx.doi.org/10.20483/jkfr.2021.06.82.487.

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Chkhartishvili, Mariam. "LITERARY FICTION AND REPRESENTATION OF HISTORY: GEORGIAN CASE STUDY." PEOPLE: International Journal of Social Sciences 5, no. 3 (May 28, 2020): 598–609. http://dx.doi.org/10.20319/pijss.2019.53.598609.

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Kang, Jin-gu. "Studies on the Kwangju-daedanji Uprising and Literary Representation." Journal of Language & Literature 64 (December 31, 2015): 205. http://dx.doi.org/10.15565/jll.2015.12.64.205.

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Ettobi, Mustapha. "Cultural Representation in Literary Translation: Translators as Mediators/Creators." Journal of Arabic Literature 37, no. 2 (July 1, 2006): 206–29. http://dx.doi.org/10.1163/157006406778660340.

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Choi, Sukjae. "The representation of war in Shiga Naoya’s literary work." Hankuk University of Foreign Studies Literature Studies 66 (May 30, 2017): 193–208. http://dx.doi.org/10.22344/fls.2017.66.193.

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Cirillo, Nancy Rockmore. "Historical Thought and Literary Representation in West Indian Literature." MFS Modern Fiction Studies 45, no. 2 (1999): 493–96. http://dx.doi.org/10.1353/mfs.1999.0032.

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Findlay, Cassie. "The Boundaries of the Literary Archive: Reclamation and Representation." Archives and Manuscripts 45, no. 1 (January 2, 2017): 46–48. http://dx.doi.org/10.1080/01576895.2016.1276847.

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Piggott, Michael. "The Boundaries of the Literary Archive: Reclamation and Representation." Australian Academic & Research Libraries 46, no. 1 (January 2, 2015): 63–64. http://dx.doi.org/10.1080/00048623.2014.993450.

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Tinney, Cheryl. "The boundaries of the literary archive: Reclamation and representation." Australian Library Journal 63, no. 2 (April 3, 2014): 168–69. http://dx.doi.org/10.1080/00049670.2014.930391.

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Hogeterp, Albert. "Trauma and Its Ancient Literary Representation: Mark 5,1–20." Zeitschrift für die neutestamentliche Wissenschaft 111, no. 1 (April 1, 2020): 1–32. http://dx.doi.org/10.1515/znw-2020-0001.

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Abstract:

AbstractThis article revisits Mark 5,1–20 from the perspective of trauma theory, in light of historical contexts of Gerasa’s collective trauma and the cultural contexts of ancient perceptions of demons and their exorcism. The interplay between individual and collective levels of the story sheds light on symbolic overtones of an unresolved trauma about Roman military presence in the country of the Gerasenes. The story represents this trauma through literary indirection, including not only the enigmatic relation between “Legion” and the drowning swine, but also the paradoxical contrasts between individual and collective requests to Jesus. Mark 5,1–20 evokes meanings not only as pre-Markan tradition, but also as Markan redaction which intersect in crucial ways with the prelude to Jerusalem’s destruction (68–70 C.E.).

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Journal articles on the topic 'Literary representation'

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