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Relevant bibliographies by topics / Liszt, Franz, 1811-1886 – Criticism and interpretation / Books

Books on the topic 'Liszt, Franz, 1811-1886 – Criticism and interpretation'

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Author: Grafiati

Published: 4 June 2021

Last updated: 29 January 2023

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1

1963-, Hamilton Kenneth, ed. The Cambridge companion to Liszt. Cambridge: Cambridge University Press, 2005.

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2

1930-, Walker Alan, Saffle Michael 1946-, and Deaville James Andrew 1954-, eds. New light on Liszt and his music: Essays in honor of Alan Walker's 65th birthday. Stuyvesant, N.Y: Pendragon Press, 1997.

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3

Revolution and religion in the music of Liszt. Cambridge [Cambridgeshire]: Cambridge University Press, 1987.

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4

Liszt: A listener's guide to his piano works. New York: Amadeus Press, 2009.

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5

Liszt: A chorus of voices. Hillsdale, NY: Pendragon Press, 2011.

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6

Liszt's legacies: Based on papers presented at the International Liszt Conference held at Carleton University, Ottawa, Canada, 28-31 July 2011. Hillsdale, New York: Pendragon Press, 2014.

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7

Liszt's transcultural modernism and the Hungarian-gypsy tradition. Rochester: University of Rochester Press, 2011.

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8

Liszt as transcriber. New York: Cambridge University Press, 2010.

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9

Monumentale Erinnerung, ästhetische Erneuerung: Beethovenrezeption und die Ästhetik der Intermedialität in den Schriften der Neudeutschen Schule. Göttingen: V&R unipress, 2012.

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10

editor, Saffle Michael 1946, ed. Liszt and England. Hillsdale, NY: Pendragon Press, 2015.

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11

Saffle, Michael. Liszt in Germany, 1840-1845: A study in sources, documents, and the history of reception. Stuyvesant, NY: Pendragon Press, 1994.

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12

1904-, Abraham Gerald, and Searle Humphrey, eds. The new Grove early romantic masters 1: Chopin, Schumann, Liszt. New York: Norton, 1985.

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13

Nicholas, Temperley. The New Grove early romantic masters 1: Chopin, Schumann, Liszt. London: Macmillan, 1985.

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14

Virtuosity of the nineteenth century: Performing music and language in Heine, Liszt, and Baudelaire. Stanford, Calif: Stanford University Press, 1998.

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15

Liszt, Franz. An artist's journey: Lettres d'un bachelier ès musique, 1835-1941. Chicago, IL: University of Chicago, 1989.

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16

Liszt, Franz. An artist's journey: Lettres d'un bachelier ès musique, 1835-1841. Chicago: University of Chicago Press, 1989.

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17

The Liszt Companion:. Greenwood Press, 2002.

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18

Howard, Gibbs Christopher, and Gooley Dana A. 1969-, eds. Franz Liszt and his world. Princeton: Princeton University Press, 2006.

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19

Franz Liszt and His World (The Bard Music Festival). Princeton University Press, 2006.

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20

Reflections On Liszt. Cornell University Press, 2005.

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21

Revolution and Religion in the Music of Liszt. Cambridge University Press, 2008.

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22

Loya, Shay. Liszt's Transcultural Modernism and the Hungarian-Gypsy Tradition. University of Rochester Press, 2011.

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23

Saffle, Michael. Music of Franz Liszt. Taylor & Francis Group, 2020.

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24

Music of Franz Liszt: Stylistic Development and Cultural Synthesis. Taylor & Francis Group, 2018.

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25

Walker, Alan. Reflections on Liszt. Cornell University Press, 2011.

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26

Walker, Alan. Reflections on Liszt. Cornell University Press, 2011.

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27

Saffle, Michael. Music of Franz Liszt: Stylistic Development and Cultural Synthesis. Taylor & Francis Group, 2018.

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28

Saffle, Michael. Music of Franz Liszt: Stylistic Development and Cultural Synthesis. Taylor & Francis Group, 2018.

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29

Saffle, Michael. Music of Franz Liszt: Stylistic Development and Cultural Synthesis. Taylor & Francis Group, 2018.

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30

Saffle, Michael. Music of Franz Liszt: Stylistic Development and Cultural Synthesis. Taylor & Francis Group, 2018.

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31

Gooley, Dana. Virtuoso Liszt. Cambridge University Press, 2009.

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32

Puslowski, Xavier. Franz Liszt, His Circle, and His Elusive Oratorio. Rowman & Littlefield Publishers, Incorporated, 2014.

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33

Samson, Jim. Virtuosity and the Musical Work: The Transcendental Studies of Liszt. Cambridge University Press, 2003.

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34

Samson, Jim. Virtuosity and the Musical Work: The Transcendental Studies of Liszt. Cambridge University Press, 2007.

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35

Samson, Jim. Virtuosity and the Musical Work: The Transcendental Studies of Liszt. Cambridge University Press, 2003.

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36

Samson, Jim. Virtuosity and the Musical Work: The Transcendental Studies of Liszt. Cambridge University Press, 2003.

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37

Samson, Jim. Virtuosity and the Musical Work: The Transcendental Studies of Liszt. Cambridge University Press, 2009.

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38

Samson, Jim. Virtuosity and the Musical Work: The Transcendental Studies of Liszt. Cambridge University Press, 2005.

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39

Franz Liszt: A Story of Central European Subjectivity. BRILL, 2014.

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40

Quinn, Erika. Franz Liszt: A Story of Central European Subjectivity. BRILL, 2014.

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41

Franz Liszt, His Circle, and His Elusive Oratorio. Rowman & Littlefield Publishers, Incorporated, 2014.

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42

Puslowski, Xavier Jon. Franz Liszt, His Circle, and His Elusive Oratorio. Rowman & Littlefield Publishers, Incorporated, 2014.

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43

Kim, Hyun Joo. Liszt's Representation of Instrumental Sounds on the Piano: Colors in Black and White. University of Rochester Press, 2019.

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44

Liszt's Representation of Instrumental Sounds on the Piano: Colors in Black and White. University of Rochester Press, 2019.

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45

Kim, Hyun Joo. Liszt's Representation of Instrumental Sounds on the Piano: Colors in Black and White. University of Rochester Press, 2019.

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46

Gerald, Abraham, Nicholas Templerley, and Stanley Sadie. The New Grove Early Romantic Masters 1: Chopin, Schumann, Liszt (Composer Biography Series). W. W. Norton & Company, 1985.

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47

Robert Und Clara Schumann in Ihren Beziehungen Zu Franz Liszt: Im Spiegel Ihrer Korrespondenz Und Schriften Teil 1 Und Teil 2. Peter Lang Publishing, 2005.

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