Academic literature on the topic 'Liszt, Franz, 1811-1886 – Criticism and interpretation'
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Dissertations / Theses on the topic "Liszt, Franz, 1811-1886 – Criticism and interpretation"
Van, Dine Kara Lynn. "Musical Arrangements and Questions of Genre: A Study of Liszt's Interpretive Approaches." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc28488/.
Full textGoodchild, Neil John English Media & Performing Arts Faculty of Arts & Social Sciences UNSW. "Liszt's technical studies: a methodology for the attainment of pianistic virtuosity." Awarded by:University of New South Wales, 2007. http://handle.unsw.edu.au/1959.4/38153.
Full textCloutier, David 1948. "A Comparison of the Transcription Techniques of Godowsky and Liszt as Exemplified in Their Transcriptions of Three Schubert Lieder." Thesis, North Texas State University, 1987. https://digital.library.unt.edu/ark:/67531/metadc331767/.
Full textLin, Wan-yu, and 林菀榆. "The Analysis and Interpretation of “Ballade in b Minor, No. 2” by Franz Liszt (1811-1886)." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/80177884569003242026.
Full text東吳大學
音樂學系
99
Abstract The purpose of this thesis is to analyze and discuss the interpretation of Ballade in b Minor by Franz Liszt. Liszt is one of the most important musicians in the Romantic Period. He composed two ballades. His first ballade, Ballade No. 1 in D-flat major, started in 1848 and completed in 1849. His second ballade was finished in 1953. At the same year, he also composed Piano Sonata in b minor. This thesis is going to situate the context of Liszt’s music and explore the composition background of this piece. Furthermore, this thesis is to discuss the prevailing romanticism, virtuosity at his time, and the influence of Chopin’s ballade on Liszt’s works. This thesis also analyzes the creation through different perspectives, including skills, interpretation, related background, and performance interpretation. The b Minor Ballade(1853), based on the ancient Greek love story of Hero and Leander composed by three themes. He developed the method of "transformation of themes" as part of his revolution in form which shows his unique music texture and style. In tonality and harmony, this piece has abundant sonority. Concerning transformation of major and minor, the composer uses common-tone modulation, enharmonic modulation, and some featured chords, including Neapolitan Sixth, and Diminished 7th chords. Liszt’s music shows incredibly difficult piano skill by dazzling notes and exaggerating contrast. Nevertheless, this piece is still visually vivid and poetic: not only does the listener see the stories depicted in the music, but also the emotional worlds are palpable. Keyword: Liszt, Romanticism, Virtuosity, Ballade, Ballade in b Minor
Books on the topic "Liszt, Franz, 1811-1886 – Criticism and interpretation"
1963-, Hamilton Kenneth, ed. The Cambridge companion to Liszt. Cambridge: Cambridge University Press, 2005.
Find full text1930-, Walker Alan, Saffle Michael 1946-, and Deaville James Andrew 1954-, eds. New light on Liszt and his music: Essays in honor of Alan Walker's 65th birthday. Stuyvesant, N.Y: Pendragon Press, 1997.
Find full textRevolution and religion in the music of Liszt. Cambridge [Cambridgeshire]: Cambridge University Press, 1987.
Find full textLiszt: A listener's guide to his piano works. New York: Amadeus Press, 2009.
Find full textLiszt: A chorus of voices. Hillsdale, NY: Pendragon Press, 2011.
Find full textLiszt's legacies: Based on papers presented at the International Liszt Conference held at Carleton University, Ottawa, Canada, 28-31 July 2011. Hillsdale, New York: Pendragon Press, 2014.
Find full textLiszt's transcultural modernism and the Hungarian-gypsy tradition. Rochester: University of Rochester Press, 2011.
Find full textLiszt as transcriber. New York: Cambridge University Press, 2010.
Find full textMonumentale Erinnerung, ästhetische Erneuerung: Beethovenrezeption und die Ästhetik der Intermedialität in den Schriften der Neudeutschen Schule. Göttingen: V&R unipress, 2012.
Find full texteditor, Saffle Michael 1946, ed. Liszt and England. Hillsdale, NY: Pendragon Press, 2015.
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