Relevant bibliographies by topics / LINES

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'LINES'

Author: Grafiati
Published: 4 June 2021
Last updated: 22 February 2023

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Journal articles on the topic "LINES"

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Aronov, Boris, Otfried Cheong, Xavier Goaoc, and Günter Rote. "Lines Pinning Lines." Discrete & Computational Geometry 45, no. 2 (September 21, 2010): 230–60. http://dx.doi.org/10.1007/s00454-010-9288-6.

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Lucero, Jorge. "Lines drawn, lines blurred." Visual Inquiry 10, no. 2 (August 1, 2021): 175–78. http://dx.doi.org/10.1386/vi_00042_1.

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From your perspective, what is the place of social justice education (and politics) in the art classroom? Are these topics a distraction from the disciplinary content of visual arts education, as you understand it? From your perspective, what is the disciplinary content of art education?
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Moyd, Michelle. "Color Lines, Front Lines." Radical History Review 2018, no. 131 (May 2018): 13–35. http://dx.doi.org/10.1215/01636545-4355109.

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Vostrý, L., O. Kracíková, B. Hofmanová, V. Czerneková, T. Kott, and J. Přibyl. "Intra-line and inter-line genetic diversity in sire lines of the Old Kladruber horse based on microsatellite analysis of DNA." Czech Journal of Animal Science 56, No. 4 (April 5, 2011): 163–75. http://dx.doi.org/10.17221/1437-cjas.

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The Old Kladruber horse is the oldest original Czech horse breed &ndash; gene resource, with pedigree records spanning three centuries. Because the population is closed, there is a concern about the loss of genetic variation. The genetic diversity within and amongst sire lines was evaluated using microsatellite markers and based on pedigree information. The DNA analysis, covering 16 microsatellite loci, revealed that the genetic diversity (observed heterozygosity = 0.637, genetic diversity = 0.678 and the mean number of alleles = 8.25) for the Old Kladruber horse is consistent with other populations of horses. Inter-line genetic difference in sire lines reached the mean value (the F<sub>ST</sub> values ranged from 0.020 to 0.017). Differences amongst the sire lines were identified using genetic distances and principal component analysis. One gene cluster comprised black variation sire lines, while the second cluster included the sire lines of the grey variation. In the subjects monitored, the average inbreeding coefficient of 0.076 was estimated on the basis of pedigree information. The highest mean values of the coefficient of relationship were estimated within the colour variations. When comparing the genetic distance and the average coefficient of relationship, differences were found out. These results are useful for the development of breeding strategies which consider classical horse breeding as well as recent achievements of population and conservation genetics.
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Thomas, John V. "Dividing Lines and Bottom Lines." Journal of Planning Education and Research 25, no. 3 (March 2006): 275–93. http://dx.doi.org/10.1177/0739456x05281046.

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Lichtenstein, Daniel A., Gilbert A. Mezière, Jean-François Lagoueyte, Philippe Biderman, Ivan Goldstein, and Agnès Gepner. "A-Lines and B-Lines." Chest 136, no. 4 (October 2009): 1014–20. http://dx.doi.org/10.1378/chest.09-0001.

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Duggleby, Ronald G. "Lines, damned lines, and statistics." Trends in Biochemical Sciences 21, no. 5 (May 1996): 196. http://dx.doi.org/10.1016/s0968-0004(96)80074-0.

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Bromige, David. "Lines." boundary 2 14, no. 1/2 (1985): 69. http://dx.doi.org/10.2307/303496.

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Vogel, Constance. "Lines." English Journal 83, no. 5 (September 1994): 64. http://dx.doi.org/10.2307/820416.

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Krisak, Len. "Lines." English Journal 89, no. 4 (March 2000): 127. http://dx.doi.org/10.2307/822001.

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Dissertations / Theses on the topic "LINES"

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Steele, Jennifer. "Reading between the lines : clothes, linens and washing-lines in film and practice." Thesis, Bangor University, 2017. https://research.bangor.ac.uk/portal/en/theses/reading-between-the-lines-clothes-linens-and-washinglines-in-film-and-practice(bcd82033-772b-422b-8730-80f7ad8f0c5c).html.

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This research investigates the creative use of expressive drapery and textiles, and in particular the line of washing, in three films that have rich displays of fabrics and costume: The Piano (dir. Jane Campion, 1993), The Governess (dir. Sandra Goldbacher, 1998) and Girl with a Pearl Earring (dir. Peter Webber, 2003); and provides the inspiration for a series of short films that explore positive and negative aspects of clotheslines and textiles. The research areas of Film Costume, Fashion Studies and Art History each provide relevant context and background to the study of the clothes and linens in the three films under consideration. Significant themes that are considered include: cinema’s ambivalent relationship with costume; dress, undress and the male gaze; representations of historical and character-coded clothing; the expression of fantasy and desire through textiles and costume; and the contribution of art history towards creating an understanding of fabrics that denote a separation between the ordinary and extraordinary and between reality and an imaginary sphere. Mary Ann Doane’s study of the gaze at the interface of the interior and exterior of the home in the ‘woman’s film’ leads her to consider the frequent portrayal of women waiting by or looking through windows in relation to Freud’s theory of The Uncanny and leads me to recognize that the line of washing in cinema also denotes the limits of a woman’s space within the grounds of her home and marks a formal boundary between the familiar and the unknown. Similarly, the line of washing reflects notions of The 5 Uncanny in displays that portray tensions between the opposing themes of the seen and unseen, the spoken and unspoken, of presence and absence and of purity and contamination. The idea of familiar clothes and linens displayed on the line of washing as alternately comforting and disconcerting has become the focus of my practice. Some of the works have been shown individually during the course of this study in group and open art exhibitions, and a solo exhibition at Galeri Caernarfon 15th January – 24th February 2017 showed the collected short films and supporting material resulting from the research.
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Merryfield, William R. "Lines." Thesis, Virginia Polytechnic Institute and State University, 1990. http://hdl.handle.net/10919/53267.

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The thesis contains a series of ideas & conclusions: The introductory statement suggests four criteria for the pursuit of producing good architecture. These criteria are not in the realm of problem solving. But rather address issues of the heart & mind. It is through a struggle with these measures that architecture becomes true and encompasses a realization larger than the problems at hand. It is only then that architecture exists in a continuum across time. The projects in this book make a meager attempt to begin to understand a pedagogy for spirit. responsibility. making & judgement.
Master of Architecture
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Vergara, Valdés Juan. "Composing lines." Thesis, University of Huddersfield, 2018. http://eprints.hud.ac.uk/id/eprint/34685/.

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My work as a composer over the course of my PhD studies has focused on developing novel approaches to the notion of ‘line’ in music. This portfolio of compositions, composed between 2013 and 2017, is accompanied by a commentary that presents the conceptual ideas underlying my work with lines, from both a technical and aesthetic perspective. In this approach, the most novel element resides in the fact that lines function here often not as metaphor but as literal objects. Throughout the text a range of different conceptions of lines are presented, providing a contextual and explanatory panorama for the compositional work. A line is understood in this context as a sustained sound that changes at a slow but perceptible rate, its ‘line-ness’ defined principally by its continual and smooth character. The approach undertaken consists of first conceiving lines as single entities, thoroughly exploring aspects such as their materiality, physicality, plasticity and fragmentability, in which their objective quality is gradually revealed and exploited further compositionally. The commentary is divided roughly in half, initially proposing a series of types or families of lines, and then moving on to discuss the behaviour of those lines and the ways in which lines can be organized compositionally. First, various linemodels are addressed, including the geological-line, the polychromatic-line, the thread-line, and the drawing-line, each typified in relation to a particular piece from the portfolio. I then present the idea of the ‘pixelation’ of lines from both vertical and horizontal perspectives, unveiling the extended resonant potential of fragmented lines. Later, certain combinatorial possibilities are pursued, giving rise to emergent behaviours of blurriness or in fluid-like textures characterized by permeability and motion. Throughout, I contextualize these musical approaches with references to other disciplines—especially the visual arts—helping to illustrate the ideas and concepts presented.
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Dulaney, Laura Jaques. "Fault Lines." Thesis, Virginia Tech, 2008. http://hdl.handle.net/10919/42110.

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Fault Lines is a collection of nine stories that explore the themes of otherness, isolation, and transitions. In most of these stories I explore the concept of isolation in its many forms— emotional, physical, social, and spiritual. Many of my characters are people who have been "othered" for one reason or another, and many of them are people on the cusp, not only of society but also their own lives. I also explore characters who are on the verge of transition, either staring one down with fear and denial, moving hesitantly and trepidatiously toward one, or, in rare instances, jumping gleefully toward that next big moment in their lives. Many of my characters yearn for something to transcend their ordinary, material lives, whether through a spiritual encounter or simply an ordinary yet unusual one. Some of these characters are stuck in the mire of their current lives, and we see an uncomfortable mix of lethargy and longing. Primarily, I explore exactly what catalysts people require in order to move from a state which, though unsatisfying, might be comfortable, to one that is unknown and risky but potentially fulfilling. The title of the collection refers to those moments or events in one's life that indicate or cause shifts or transitions, whether mental, physical, or emotional.
Master of Fine Arts
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Karlovec, Joe Buffett. "Horizon Lines." Kent State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=kent1448884169.

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Weeks, Elizabeth K. "Dotted Lines." Miami University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=miami1531909104613623.

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Yoon, Hyun Kyung. "Indeterminate Lines." VCU Scholars Compass, 2007. http://scholarscompass.vcu.edu/etd/1147.

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My thesis work is about flow. Indeterminate lines symbolize the developing plant form and explore the perception of space by experimenting with the subject's proportion and shape. Movement is also a vital factor of space, a notion found in the early forms of cursive script (grass script) of Far Eastern calligraphy. My individual plant pieces work as dots and lines of cursive script. An installation's ceramic pieces illustrate similar flow and movement when viewed as a whole.
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Schnelle, Robert C. Jr. "Fault lines." Cincinnati, Ohio : University of Cincinnati, 2001. http://www.ohiolink.edu/etd/view.cgi?ucin987170789.

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Brown, Kevin. "Exit Lines." Digital Commons @ East Tennessee State University, 2009. http://amzn.com/1935514342.

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"A refreshing and candid look at the emotions and pitfalls of our current society. These works are carefully crafted, as not to overuse a word, a phrase, or a piece of punctuation. (Thomas J. Doan, poetry editor of "Paradigm")--BACK COVER.
https://dc.etsu.edu/alumni_books/1012/thumbnail.jpg
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La, Marca Anna. "Crossing Lines : A study about lines and their translations." Thesis, Konstfack, Inredningsarkitektur & Möbeldesign, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-7860.

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Lines are everywhere and as humans we produce lines all the time. In this project I used the line as a method, a metaphor, and a material to explore what are the elements that influence and condition the way we move and behave around different spaces. Lines can be read as many things and for this project I choose to work with lines that could be understood as boundaries and limits. How do we deal with lines in our everyday life? How do lines and bodies influence each other? How is the space choreographed and experienced according to the boundaries that exist in it?   However not all boundaries are made of matter. In fact, some of them are invisible and manifest as prohibitions, regulations, prejudice, or just cultural norms. These limits can also be understood as non-matter lines that have an impact on one's experiences. Through several explorations, the project proposes an installation that seeks to embody the spatial boundaries that cannot always be seen. Using light and sound as catalyzers for these experiences, the installation is a reflection on what happens when we meet those invisible lines, how they have the power to change our usual path and to make us move differently around a space.
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Books on the topic "LINES"

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1942-, Gerber Margaret, ed. Lishman Coach Lines, 1916-1980: Elmira, Kitchener and beyond. Waterloo, ON: Marion Roes and Margaret Gerber, 2009.

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Strachan, Michael. The Ben Line, 1825-1982: An anecdotal history. Wilby, Norwich: M. Russell, 1992.

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Strachan, Michael. The Ben Line, 1825-1982: An anecdotal history. Wilby: Russell, 1992.

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Rinman, Thorsten. The Johnson Line, 1890-1990. Gothenburg: Rinman & Lindén for Johnson Line AB, 1990.

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Gardiol, Fred E. Lossy transmission lines. Boston: Artech House, 1987.

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Puckett, Caleb. Fate lines / desire lines. Lawrence, Kansas: Mammoth Publications, 2014.

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Sandford, Fleming. Letter to Sir John Lubbock, Bart., president: Second congress of Chambers of Commerce and boards of trade of the empire, 1892. [S.l: s.n., 1986.

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Dodds, Richard J. S. The Eastern Shore's own steamboat company: The Wheeler Transportation Line of Maryland. St. Michaels, MD: Chesapeake Bay Maritime Museum, 1990.

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Sautner, Randolph J. American Mail Line, Limited 1926-1974, a historical reference. Oakland, Calif: American President Lines, 1993.

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Lines. [New York: Priv. print., 1995.

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Book chapters on the topic "LINES"

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Hamann, Sabine, Hauke Hell, Detlef Pankow, and Robert Wunderer. "Lines." In DigiScript™, 225–31. Berlin, Heidelberg: Springer Berlin Heidelberg, 1997. http://dx.doi.org/10.1007/978-3-642-46829-2_25.

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Tolimieri, Richard, Myoung An, and Chao Lu. "Lines." In Signal Processing and Digital Filtering, 71–89. New York, NY: Springer New York, 1997. http://dx.doi.org/10.1007/978-1-4612-1948-4_6.

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Joarde, Rita, and Neil Crundwell. "Lines." In Chest X-Ray in Clinical Practice, 74–89. London: Springer London, 2009. http://dx.doi.org/10.1007/978-1-84882-099-9_7.

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Scarfo, Bob. "Lines." In Landscape Architecture as Storytelling, 72–99. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003286981-5.

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Tolimieri, Richard, Myoung An, and Chao Lu. "Lines." In Signal Processing and Digital Filtering, 89–113. New York, NY: Springer US, 1993. http://dx.doi.org/10.1007/978-1-4684-0205-6_6.

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Westphal, Laurie E. "Lines." In Differentiating Instruction With Menus Geometry, 121–33. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003234364-9.

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Spurling, Nicola. "Lines." In Routledge Handbook of Social Futures, 180–88. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429440717-16.

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Iocchi, Alessio. "Lines." In Living through Crisis by Lake Chad, 17–44. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003244530-3.

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Madison, James H. "Lines of Color, Lines of Community." In A Lynching in the Heartland, 43–61. New York: Palgrave Macmillan US, 2001. http://dx.doi.org/10.1007/978-1-137-05393-0_5.

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Frank, J. Howard, J. Howard Frank, Michael C. Thomas, Allan A. Yousten, F. William Howard, Robin M. Giblin-davis, John B. Heppner, et al. "Phyletic Lines." In Encyclopedia of Entomology, 2863. Dordrecht: Springer Netherlands, 2008. http://dx.doi.org/10.1007/978-1-4020-6359-6_2932.

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Conference papers on the topic "LINES"

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Thompson, Ramona Su, Esa M. Rantanen, William Yurcik, and Brian P. Bailey. "Command line or pretty lines?" In the SIGCHI Conference. New York, New York, USA: ACM Press, 2007. http://dx.doi.org/10.1145/1240624.1240807.

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Hayes, Jared, Samuel Moyle, Antoni Moore, and B. L. William Wong. "Lines vs. no lines." In the 4th Annual Conference of the ACM Special Interest Group. New York, New York, USA: ACM Press, 2003. http://dx.doi.org/10.1145/2331829.2331848.

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Bazaunery, G. "Underground links by gas insulated transmission lines." In APSCOM 2000 - 5th International Conference on Advances in Power System Control, Operation and Management. IEE, 2000. http://dx.doi.org/10.1049/cp:20000410.

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Дворецкий, Александр, Aleksandr Dvoreckiy, Татьяна Денисова, and Tat'yana Denisova. "Quasifocal Lines." In 29th International Conference on Computer Graphics, Image Processing and Computer Vision, Visualization Systems and the Virtual Environment GraphiCon'2019. Bryansk State Technical University, 2019. http://dx.doi.org/10.30987/graphicon-2019-1-181-184.

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The article proved that the highest concentration of reflected rays from the surface of the reflector is located along the quasifocal line. The quasifocal line belongs to the caustic surface of the congruence of reflected rays. The parameters of the shape and position of the quasifocal lines are described by equations. Computer visualization of reflecting surfaces, congruences of reflected rays and their caustics, quasifocal lines and maps of isolines of local concentrations on the surface of the receiver of reflected rays are presented.
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Sakagami, Iwata, Takatugu Munehiro, Hiroyuki Tanaka, and Tatsuo Itoh. "Branch-Line Hybrid-Rings with Coupled-Lines." In 24th European Microwave Conference, 1994. IEEE, 1994. http://dx.doi.org/10.1109/euma.1994.337290.

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Langerak, Thomas R., Joris S. M. Vergeest, and Yu Song. "Parameterising Styling Lines for Reverse Design Using Free Form Shape Analysis." In ASME 2005 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2005. http://dx.doi.org/10.1115/detc2005-84391.

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Styling lines are elongated areas of abrupt curvature that have some meaning for the styling of a shape. Although many methods have been developed to extract these lines on a purely geometrical level, few methods exist to give the user the control of modifying such a styling line on a higher level of abstraction. In this paper, a method is proposed for the automatic extraction of control elements from free form shapes. These control elements are: the trajectory curve, which lies along the direction of the styling line, and the profile curve, which lies perpendicular to the styling line in the area in which the styling line is embedded. These control elements are simple, intuitive handles for modifying the styling line, which can be controlled by the user in a simple sketching action. The extraction method makes use of curvature analysis, and finds critical points where the curvature has an extreme. By setting several parameters, the user is able to control the extraction method to fine-tune it according to his/her wishes. The method is demonstrated on the digital representation of a computer mouse and is discussed for use in the parameterisation of other features.
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Usubamatov, Ryspek, Tan Chan Sin, and Mohd Fidzwan B. Md Amin Hamzas. "Productivity Theory for Industrial Automated Lines." In ASME 2013 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/imece2013-62722.

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The basic attributes of any industrial machines and systems are productivity rate and quality of products. Attributes of productivity are related to the theory of reliability let alone the theory of efficiency of machines. Publications in area of productivity of the industrial systems enable to write the productivity theory for the industrial machines and systems. This theory shows the links between productivity, reliability, technological and technical parameters and the structure of machines with complex designs. Automated production lines are considered industrial systems for the collection of serial and parallel stations arranged according to a certain structure that depends on a technological process of machining parts. Manufacturers require correct and clear mathematical models to calculate the productivity of the automated lines with high accuracy. The mathematical models for productivity rate of industrial systems with complex design define their structures according to the level of output. This paper presents an analytical approach to the productivity rate of automated lines with stations and mechanisms that display different failure rates and processing times. The typical designs of industrial automated lines are considered by three types of structure: multi-station ’s automated line of serial, parallel action and serial-parallel action. All designs can be presented using linear, circular and rotary arrangements. The analytical equations allow for the output of the automated lines to be modeled with different failure rates for the stations and mechanisms yielding results close to the actual productivity values.
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Lianqiang, Niu, and Feng HaiWen. "A Line Segments Approximation Algorithm of Grating Lines." In 2009 International Forum on Computer Science-Technology and Applications. IEEE, 2009. http://dx.doi.org/10.1109/ifcsta.2009.130.

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Basch, Julien, Leonidas J. Guibas, and G. D. Ramkumar. "Sweeping lines and line segments with a heap." In the thirteenth annual symposium. New York, New York, USA: ACM Press, 1997. http://dx.doi.org/10.1145/262839.263089.

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Berlijn, Sonja, Jan Lundquist, and Steinthor Gislason. "Estimating the line performance of voltage upgraded lines." In 2013 IEEE Grenoble PowerTech. IEEE, 2013. http://dx.doi.org/10.1109/ptc.2013.6652245.

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Reports on the topic "LINES"

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Amidan, Brett G., Alexander M. Venzin, and Lisa M. Bramer. Multiple Lines of Evidence. Office of Scientific and Technical Information (OSTI), June 2015. http://dx.doi.org/10.2172/1339923.

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Bergey, John, Sholom Cohen, Lawrence Jones, and Dennis Smith. Software Product Lines: Experiences from the Sixth DoD Software Product Line Workshop. Fort Belvoir, VA: Defense Technical Information Center, March 2004. http://dx.doi.org/10.21236/ada443501.

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Bergey, John K., Sholom Cohen, Patrick Donohoe, and Lawrence G. Jones. Software Product Lines: Experiences from the Eighth DoD Software Product Line Workshop. Fort Belvoir, VA: Defense Technical Information Center, December 2005. http://dx.doi.org/10.21236/ada447059.

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Mayer, Michael, and Helmud Purcell. Separable Results for Multiplicative Lines. Web of Open Science, April 2020. http://dx.doi.org/10.37686/ejai.v1i1.30.

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Bachmann, Felix, and Paul C. Clements. Variability in Software Product Lines. Fort Belvoir, VA: Defense Technical Information Center, September 2005. http://dx.doi.org/10.21236/ada450337.

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Christodoulou, Christos. Self-Shielding Of Transmission Lines. Office of Scientific and Technical Information (OSTI), March 2017. http://dx.doi.org/10.2172/1347887.

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Nelson, Thomas R., John P. Loehr, Joseph Van Nostrand, and Ralph E. Sherriff. Electrically Tunable Optical Delay Lines. Fort Belvoir, VA: Defense Technical Information Center, April 2003. http://dx.doi.org/10.21236/ada416235.

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Johnk, Robert T. Crosstalk between microstrip transmission lines. Gaithersburg, MD: National Institute of Standards and Technology, 1993. http://dx.doi.org/10.6028/nist.ir.5015.

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Troy, Eugene F. Security for dial-up lines. Gaithersburg, MD: National Bureau of Standards, 1986. http://dx.doi.org/10.6028/nbs.sp.500-137.

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Matarrese, Vincent. Tapered radio frequency transmission lines. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.6213.

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