Relevant bibliographies by topics / Liminality in literature

Academic literature on the topic 'Liminality in literature'

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Published: 4 June 2021
Last updated: 20 February 2023

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Journal articles on the topic "Liminality in literature"

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Mulyani Supriatin, Yeni. "TEKS TARLING: REPRESENTASI SASTRA LIMINALITAS (ANALISIS FUNGSI DAN NILAI-NILAI) (Tarling Text : Representation of Liminality Literature [Functional Analysis and Values])." METASASTRA: Jurnal Penelitian Sastra 5, no. 1 (March 14, 2016): 92. http://dx.doi.org/10.26610/metasastra.2012.v5i1.92-101.

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Sastra lisan Jawa-Cirebon cukup beragam, tetapi yang menarik dicermati adalah seni tarling. Dua hal yang menarik dalam tarling, pertama, ia dipandang sebagai hasil budaya hibrid, kedua, jika dibandingkan dengan jenis sastra lisan Jawa-Cirebon lainnya, seni tarling dipandang paling representatif mewakili sastra Jawa-Cirebon sebagai sastra liminalitas. Makalah ini akan menggambarkan sastra Jawa- Cirebon khususnya teks tarling sebagai representasi sastra liminalitas. Melalui representasi tarling yang merupakan sastra liminalitas akan tergambarkan bagaimana sifat-sifat atau watak masyarakat liminalitas, seperti sikap toleran, menghargai budaya orang lain, atau menghargai perbedaan, dan merasa memiliki seni tradisi sebagai kekayaan budaya sendiri tanpa memperhitungkan asal-usulnya. Selain itu, melalui lirik-lirik dan filosofi yang melekat dalam tarling juga terungkap fungsi seni tarling dalam masyarakat. Penelitian ini menggunakan metode kualitatif dengan menerapkan teknik wawancara dan studi pustaka.Abstract:Oral literature of Javanese-Cirebon is quite divers. However, but the thing that should be taken into concerned is tarling. Two interesting things in tarling are described in this paper. First, it is considered as a product of a hybrid culture. Second, compared to other types of other oral literature of Javanese-Cirebon, tarling considered the most suitable representation of Javanese-Cirebon literature as literary liminality. This paper will describe the Javanese-Cirebon literature particular in tarling texts in as liminality literary representation. Through a tarling rep- resentation as literary liminality, it will be illustrated how the characters of public liminality are, including, tolerance, respecting other culture, or appreciating the difference, realizing to have a art tradition as their own cultural richness regardless of its origin. In addition, through the lyrics and the philosophical inherent it is revealed in tarling that there is the function of it in the society. This study uses qualitative methods by applying interview techniques and literature.
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Gilead, Sarah. "Liminality, Anti-Liminality, and the Victorian Novel." ELH 53, no. 1 (1986): 183. http://dx.doi.org/10.2307/2873153.

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MacGregor, Martin. "The Campbells: Lordship, Literature, and Liminality." Textual Cultures 7, no. 1 (April 2012): 121–57. http://dx.doi.org/10.2979/textcult.7.1.121.

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Soncul, Yiğit, and Grant Bollmer. "Networked liminality." Parallax 26, no. 1 (January 2, 2020): 1–8. http://dx.doi.org/10.1080/13534645.2019.1685775.

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Mikulskaitė, Eglė. "Liminalumas šiuolaikinėje lietuvių (e)migracinėje literatūroje." OIKOS: lietuvių migracijos ir diasporos studijos 32, no. 2 (2021): 113–34. http://dx.doi.org/10.7220/2351-6561.32.7.

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Hess, Natalie. "Code switching and style shifting as markers of liminality in literature." Language and Literature: International Journal of Stylistics 5, no. 1 (February 1996): 5–18. http://dx.doi.org/10.1177/096394709600500102.

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This article focuses on the artistic function of code switching in literature. In particular, it showcases code switching as a marker of liminality - the state of creative in-betweenness which serves as an underpinning for unconscious literary designs. Particular examples of liminality in literature are illustrated through the works of John Steinbeck, Harper Lee, and Charlotte Bronte. The states of transition that form the central core of the works analysed are bolstered through the use of code switching, which.underscores the love/hate alliances, gender placements, and cultural dissonances of literary craft.
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Mueller-Greene, Claudia. "The Concept of Liminality as a Theoretical Tool in Literary Memory Studies: Liminal Aspects of Memory in Salman Rushdie’s Midnight’s Children ." Journal of Literary Theory 16, no. 2 (August 30, 2022): 264–88. http://dx.doi.org/10.1515/jlt-2022-2025.

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Abstract There is something peculiar about memory insofar as it tends to be formed across boundaries. We can think of it as located in an in-between zone, on the threshold »where the outside world meets the world inside you« (Salman Rushdie, Midnight’s Children). Somehow, memory oscillates between the inside and the outside, connecting the subjective and the objective, the imaginary and the real, the self and the other, the individual and the collective. Memory involves all aspects of human life, be they biological, psychological, social, or cultural. Due to its omnipresence, memory is the object of a diverse range of disciplines. Correspondingly, the field of memory studies is situated at the intersection of a bewildering variety of disciplines, which creates exciting interdisciplinary opportunities, but also epistemological and methodological challenges. According to Mieke Bal, interdisciplinarity »must seek its heuristic and methodological basis in concepts rather than methods«. Liminality is a concept that seems particularly well-suited to address problems that arise from the distinctive in-between position of memory. So far, however, it has been largely ignored in memory studies. The concept of liminality deals with ›threshold‹ characteristics. Liminal phenomena and states are »betwixt and between«; they are »necessarily ambiguous« and »slip through the network of classifications« (Victor Turner). The concept of liminality helps to avoid »delusions of certainty« (Siri Hustvedt) by drawing attention to interstitial entities and processes that resist clear-cut categorizations and are inherently blurry and impalpable. »Every brain is the product of other brains« (Hustvedt) and so is memory: »we always carry with us and in us a number of distinct persons« (Maurice Halbwachs). Instead of being able to distinguish clearly between individual, social, and cultural memory, we are confronted with their dynamic interactions and complex entanglements: »to understand me, you’ll have to swallow a world« (Rushdie, Midnight’s Children). There is »the constant ›travel‹ of mnemonic contents between media and minds« (Astrid Erll), as well as their ›migration‹ from one culture to another (Aby Warburg). Memory is deeply relational and always in motion in regions of the ›between‹. This contribution focuses on these qualities through the lens of liminality. Its purpose is to introduce the concept of liminality as an analytical tool in literary memory studies and to put it to the test by applying it to a paradigmatic literary text about memory. Section one provides an introduction to the concept of liminality as it was developed by the anthropologist Victor Turner. The second section brings liminality and memory together and reflects on liminal, relational, and complex aspects of memory, with the main emphasis on complexity. In section three, the focus shifts to literature and the applicability of liminality as a concept in literary memory studies. Theories implicitly dealing with liminality are given special consideration: the triadic model of Wolfgang Iser’s literary anthropology, Paul Ricœur’s circle of threefold mimesis, and Homi Bhabha’s theory of ›Third Space‹. Section four examines liminal aspects of memory in Midnight’s Children, using the concept of liminality as a tool for literary analysis. The article ends with a brief conclusion and outlook. This contribution argues that liminality is an innovative concept in literary theory and literary memory studies. Liminality facilitates processual approaches and helps to avoid false certainties created by static concepts. Two different perspectives on liminality can be taken in literary memory studies: we can either study the mnemonic liminality of literature itself or the mnemonic liminality represented in literature. The ›fictional privileges‹ of literature in dealing with mnemonic liminality receive particular attention. Literature’s experientiality and its unique freedom in the depiction of consciousness allow fictional texts to portray the subjective experience of mnemonic liminality. Literature can represent mnemonic liminality in practically all of its aspects. Such representations concern, for instance, the multi-layered overlappings between memory and imagination, the complex interactions between the individual and collective levels of memory, the intricacies of communication and the crucial role of language and media in these processes. As a theoretical tool in literary memory studies, the concept of liminality enables us to identify and interpret the literary staging and reflection of these liminal aspects of memory as well as the narrative techniques involved. Although the variety of techniques is potentially unlimited, some devices seem especially effective. The analysis of Midnight’s Children shows that magic realism as well as metaphors and allegories are particularly powerful means of representing the liminality of memory. Furthermore, the narrator’s behavior plays a crucial role in the staging of mnemonic liminality. In the case of Midnight’s Children, the narrator’s partial unreliability as well as his numerous intertextual and intercultural references signify liminal aspects of his memory. The narrator crosses certain boundaries when his remembering self overlays his remembered self or when he oscillates between his first-person perspective and a miraculous omniscience that makes him appear to be the receptacle of other people’s memories. Moreover, structural means of representation such as leitmotifs and the semanticization of space and objects are forceful techniques to depict mnemonic liminality.
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Dass, Minesh. "Beyond the threshold: Explorations of liminality in literature." English Academy Review 30, no. 1 (May 2013): 124–28. http://dx.doi.org/10.1080/10131752.2013.783395.

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Rubenstein, Jeffrey. "Purim, Liminality, And Communitas." AJS Review 17, no. 2 (1992): 247–78. http://dx.doi.org/10.1017/s0364009400003688.

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“Fever is no sickness and Purim is no holiday.” So runs a surprisingly self-reflective proverb concerning the festival of Purim, the strangest Jewish holiday. Ostensibly the celebration of the triumph of the Jews over the wicked Haman described in the Book of Esther, at a popular level something much larger and far more complex is going on. Folk customs throughout history have always transcended the celebration of the triumph of Mordecai and Esther. Elaborate pageants, grotesque masks, drunken revelry, noisemaking, buffoonery, burning of effigies, costume parades, feasts with special delicacies, and every manner of carousing and merrymaking have characterized Purim since rabbinic times. A diverse body of Purim literature has accumulated, including drinking songs, short stories, parodies, and intricate plays.
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Colona, Jaclyn, and Guillermo J. Grenier. "Structuring Liminality: Theorizing the Creation and Maintenance of the Cuban Exile Identity." Ethnic Studies Review 33, no. 2 (January 1, 2010): 43–61. http://dx.doi.org/10.1525/esr.2010.33.2.43.

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In this article, we examine the exilic experience of the Cuban-American community in South Florida through the dual concepts of structure and liminality. We postulate that in the case of this exilic diaspora, specific structures arose to render liminality a persistent element of the Cuban-American identity. The liminal, rather than being a temporal transitory stage, becomes an integral part of the group identity. This paper theorizes and recasts the Cuban-American exile experience in Miami as explicable not only as the story of successful economic and political incorporation, although the literature certainly emphasizes this interpretation, but one consisting of permanent liminality institutionalized by structural components of the exiled diaspora. We argue that the story of exemplary incorporation so prevalent in the academic literature is a result of structured liminality. We apply Turner's conceptualization to the creation and maintenance of the Cuban-American Exile Identity (Grenier and Perez, 2003). While testing the theoretical postulates is beyond the scope of this article, we interpret previous research through our new theoretical lens.
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Dissertations / Theses on the topic "Liminality in literature"

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Crowley, Adam. "Liminality in Popular Fiction." Fogler Library, University of Maine, 2003. http://www.library.umaine.edu/theses/pdf/CrowleyA2003.pdf.

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Palaska, Maria. "Female liminality in twentieth-century Mediterranean literature." Thesis, University of Essex, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.577559.

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Beckham, Rosemary Elizabeth. "War of words : liminality, revelation and representation in apocalyptic literature." Thesis, University of Exeter, 2008. http://hdl.handle.net/10036/73693.

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The focus of this study is revelation at the limits of communication. It considers the way in which (biblical) apocalyptic literature prominently figures the interconnection between liminality, revelation, and representation. The methodology asserts an indissoluble association between theology, philosophy and literature. As such it is interdisciplinary. A preliminary theory (and theology) of liminality interweaves the theological and philosophical contributions of, amongst others, Karl Barth, Graham Ward, Jürgen Moltmann and Jacques Derrida, thereby initiating a revised perspective on the constitution of literary apocalyptic text production and interpretation. Theorising the limen begins to describe the Trinitarian economy at work in Christian apocalyptic processing of scripture. I begin with the idea that revelation (apokalypsis) is the experience of the limen itself (in a coincidence of opposites). Thus the limen (as an actively divine space) incorporates that which stands on both sides, in vertical and horizontal, linear and cyclical, spatial and temporal movements. I then propose that apocalyptic literature re-presents this complex economy in which the end is rehearsed simultaneously as limit, threshold, and rupture. Theologically, this complicates inter-relational notions of ‘apocalyptic’ and eschatology, and stimulates a debate on a metaphysics of violence in communication (between God, man and Creation). I conclude that, at the extreme limit of human understanding (where words fail), those with faith in God’s love are opened out to revelation in the apocalyptic textual performance of the liminal economy, and thus to hope and forgiveness. Stressing the importance of reading apocalyptically, I begin to demonstrate the relationship between Christian-canonical narratives and the broader western literary canon, the critical process having invited an exploration of those literary characteristics (of tone, mode and genre) shared by (biblical, modern and postmodern) texts. An important principle in the literary analyses is the association between apocalyptic text production and hermeneutics. Christopher Rowland’s description of a ‘visionary mode’ explains how this process works. Thus the preliminary theory leads into a close reading of recent Russian and American works by Mikhail Bulgakov and Thomas Pynchon. These are compared to, and worked through, Mark’s and John’s gospels and the Book of Revelation. The interpretative approach widens the often self-limiting study of apocalyptic literature, and broadens theological debate on revelation. Thus it begins to show how the rhetoric of apocalyptic makes belief compelling.
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Ellasante, Ian, and Ian Ellasante. "Bridges Between Me: Liminality, Authenticity, and Re/integration in American Indian Literature." Thesis, The University of Arizona, 2013. http://hdl.handle.net/10150/293493.

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With both its inherent alienation and freedom, the experience of liminality, or the occupation of transitional spaces, is in many ways universally human. However, by nature of their bicultural liminality and the oppressive and pervasive demand for what Paula Gunn Allen terms "Indianness" American Indian authors must also confront and negotiate questions of authenticity. In so doing, many have taken the opportunity to subvert those demands, to juxtapose their actual multifaceted identities against them, to make meaning from the contrast, and to create from that re/integrated space. This thesis elucidates these points as an introduction to the body of poems that follow. The poems, often instruments of my own liminality, explore the broad themes of place, family, and identity.
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Meagher, Stephen. "Subjects, Inscriptions, Histories: Sites of Liminality in Three Canadian Autobiographical Fictions." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=92142.

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This thesis explores how Beatrice Culleton's In Search of April Raintree, JoyKogawa's Obasan, and Michael Ondaatje's Running in the Family trouble, by emulating and transgressing the protocols of the literary autobiography, formulations of the historical "subject" aligned to those conventions. Consequently, the primary site of interpretation of this thesis is the delineation of the se texts' narrators as "subjects" who both write and are written by history. This thesis will demonstrate how these "autobiographical fictions" in scribe histories which question "official" accounts and probe gender and race articulations both within those official inscriptions as weIl as in their own historically constructed communities. These textual (dis )placements are interpreted in the context of the critical discourses of postmodernism and post-colonialism.
Cette thèse examine comment les ouvrages In Search of April Raintree, de Beatrice Culleton, Obasan, de Joy Kogawa, et Running in the Family, de Michael Ondaatje, perturbent, par leur respect et leur transgression des règles de l'autobiographie littéraire, les formulations du "sujet" historique liées aux conventions propres à ce genre. Le site principal d'interprétation réside donc dans la délimitation des contours des narrateurs de ces textes en tant que "sujets" qui, tout à fois, écrivent l'histoire et sont écrits par elle. Cette thèse démontre que ces "fictions autobiographiques" inscrivent des récits qui remettent en question les comptes rendus "officiels" et examinent les articulations au sexe et à la "race", tant à l'intérieur de ces inscriptions officielles que dans leurs propres collectivités historiquement constituées. Ces dé(placements) textuels sont interprétés à la lumière des discours critiques du post-modernisme et du post-colonialisme. fr
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Quarterman, Kayleigh. "W. H. Auden's liminality among antithesis during an age of anxiety." Thesis, California State University, Long Beach, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10111183.

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This thesis focuses primarily on W. H. Auden’s last book-length poem, The Age of Anxiety, as well as several of Auden’s shorter poems extending throughout the modern, anxiety-ridden age. My second chapter argues that Auden blurs the distinctions between mythology and history and asserts that history is truly more subjective than seemingly objective, while my third chapter discusses Auden’s liminality between psychoanalysis and theology. After Auden’s conversion to the Anglican faith in 1939, Auden transitions from a Freudian to a more Jungian discourse, since Jung’s psychoanalyses incorporate theology, while Freud’s theories use psychoanalysis to determine religion’s implausibility. This thesis maintains that Auden presents readers with various antitheses throughout his canon as a way to challenge us to decipher beyond a binate understanding of larger, existential ideas and suggest, instead, that these ideas’ significance reside in liminality rather than in opposition.

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Parson, Kathryn Taylor. ""Across the threshold" queer performativity and liminality in Edith Wharton's Summer /." View electronic thesis (PDF), 2009. http://dl.uncw.edu/etd/2009-1/parsonk/kathrynparson.pdf.

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Crowley, Dale Allen. "Eldritch Horrors: The Modernist Liminality of H.P. Lovecraft's Weird Fiction." Cleveland State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=csu1496326220734249.

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Murray, Joshua M. "No Definite Destination: Transnational Liminality in Harlem Renaissance Lives and Writings." Kent State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=kent1461257721.

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Adams, Jennifer Persinger. "Christina Rossetti, Sarah Grand, and the expression of sexual liminality in Nineteenth Century literature." Huntington, WV : [Marshall University Libraries], 2006. http://www.marshall.edu/etd/descript.asp?ref=650.

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Books on the topic "Liminality in literature"

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Jacobson, Kristin J., Kristin Allukian, Rickie-Ann Legleitner, and Leslie Allison, eds. Liminality, Hybridity, and American Women's Literature. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-73851-2.

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Firmat, Gustavo Pérez. Literature and liminality: Festive readings in the Hispanic tradition. Durham: Duke University Press, 1986.

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Walker, Carol Cavness. Social drama, liminality, and the age of transition: Bennett, Ford, and Chesterton. Ann Arbor, MI: UMI., 1998.

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Burrichter, Brigitte, Roland Borgards, and Jochen Achilles. Liminale Anthropologien: Zwischenzeiten, Schwellenphänomene, Zwischenräume in Literatur und Philosophie. Würzburg: Königshausen & Neumann, 2012.

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Liminality in fantastic fiction: A poststructuralist approach. Jefferson, NC: McFarland & Co., 2011.

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The wreath of wild olive: Play, liminality, and the study of literature. Albany, NY: State University of New York Press, 1997.

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Nardelli, Jean-Fabrice. Homosexuality and liminality in the Gilgameš and Samuel. Amsterdam: Adolf M. Hakkert, 2007.

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Henitiuk, Valerie. Embodied boundaries: Images of liminality in a selection of women-authored courtship narratives. Madrid: Gateway Press, 2007.

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Aguirre, Manuel. The thresholds of the tale: Liminality and the structure of fairytales. Madrid: Gateway Press, 2007.

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Aguirre, Manuel. The thresholds of the tale: Liminality and the structure of fairytales. Madrid: Gateway Press, 2007.

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Book chapters on the topic "Liminality in literature"

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Radulescu, Raluca. "Liminality and Gender in Middle English Arthurian Romance." In Medieval English Literature, 30–44. London: Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-137-46960-1_3.

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Bode, Rita, and Kristin J. Jacobson. "Introduction: Threshold Thinking." In Liminality, Hybridity, and American Women's Literature, 1–16. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-73851-2_1.

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Rudolph, Kerstin. "Contesting Sentimentalism: Human–Animal Bonds and Boundaries in Grace Greenwood’s History of My Pets." In Liminality, Hybridity, and American Women's Literature, 145–63. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-73851-2_10.

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Jessee, Margaret Jay. "“The Third Sex”: Nineteenth-Century Women Physicians in Queer, Liminal Literary Spaces." In Liminality, Hybridity, and American Women's Literature, 165–81. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-73851-2_11.

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Durrans, Stéphanie. "“Costume de ghost”: Liminality in Grace King’s Balcony Stories." In Liminality, Hybridity, and American Women's Literature, 183–99. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-73851-2_12.

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Allison, Leslie. "A Fragile Optimism: Writing Liminality and Hybridity in the Twentieth and Twenty-First Centuries." In Liminality, Hybridity, and American Women's Literature, 203–8. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-73851-2_13.

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Ruiz, Sandra. "La mujer en llamas: Legal Storytelling in Lucha Corpi’s Black Widow’s Wardrobe." In Liminality, Hybridity, and American Women's Literature, 209–25. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-73851-2_14.

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Spengler, Birgit. "States of Exception and Arab American Women’s Poetry After 9/11: Liminality and Community in Suheir Hammad’s “first writing since” and D. H. Melhem’s “September 11, 2001, World Trade Center, Aftermath”." In Liminality, Hybridity, and American Women's Literature, 227–46. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-73851-2_15.

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Kwa, Shiamin. "Still Moving: Gabrielle Bell’s Graphic Auto-Fiction." In Liminality, Hybridity, and American Women's Literature, 247–63. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-73851-2_16.

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Hanrahan, Heidi M. "“A Mash-Up World”: Hybridity and Storytelling in Ruth Ozeki’s A Tale for the Time Being." In Liminality, Hybridity, and American Women's Literature, 265–82. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-73851-2_17.

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Conference papers on the topic "Liminality in literature"

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Abdulla, Farzanna Yashera, and Jabil Mapjabil. "REVIEW OF THEORIES AND MODEL OF RESEARCH ON LIMINALITY IN TOURISM." In GLOBAL TOURISM CONFERENCE 2021. PENERBIT UMT, 2021. http://dx.doi.org/10.46754/gtc.2021.11.048.

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Liminality is important in the tourism field to measure the tourist experience from their satisfaction, whether the actual reality experienced meets their expectations. Conceptual research method using secondary data are used in this study. This paper reviews some selected theories and models to comprehend more on the concept of liminality with tourism. For that, the theories and models that would be examined are Five Phases Tourism Model (1966), SERVQUAL Model (1988), Liminality Tourism Structure Model (2019) and Classical and Post-modern Liminality Comparative Theory (2016). The Five Phases Tourism Model is a model used to describe the experience in various phases: expectation, away trip, tourist destination, return trip, and memories, while a SERVQUAL Model is used to measure the quality of service. The Liminality Tourism Structure Model describes the tourist experience from various elements such as physical, social, and emotional. Finally, the Classical and Post-modern Liminality Comparative Theory compares the classical liminal experience of society in ancient times and the liminal experience of post-modern society. The literature review results show that the theories and models aid in explaining tourist experience using five phases and was influenced by several aspects. Thus, the combination of all these existing models related to liminality will help to understand tourists more deeply and measure the level of tourist satisfaction that are seen from their experience, expectation, and the actual reality being experienced by them.
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