Journal articles on the topic 'Liminal landscape'

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1

Ride, David. "The Liminal Landscape of John Cowper Powys." Time and Mind 2, no. 1 (January 2009): 71–76. http://dx.doi.org/10.2752/175169709x374281.

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Van Zyl, D. "'Ek is besig om iemand heeltemal anders te word ...': die ontginning van liminaliteit in Vaselinetjie deur Anoeschka von Meck." Literator 27, no. 1 (July 30, 2006): 39–56. http://dx.doi.org/10.4102/lit.v27i1.178.

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'I am becoming someone completely different …': the utilisation of liminality in Vaselinetjie (Little Vaseline) by Anoeschka von Meck The concepts of liminality, transition and borders are utilised extensively in “Vaselinetjie” by Anoeschka von Meck (2004). This is especially the case regarding her use of characterisation, focalisation, time and space (including place and landscape) in the construction of identity. As a liminal character, Vaseline finds herself in different kinds of liminal spaces on a regular basis, like the children’s home, which is foregrounded in the novel, as well as in consecutive preliminal, liminal and postliminal phases. The children’s home is an essentially liminal space, but from the perspective of Vaseline it is firstly gradually transformed into a place to which meaning is attached, and secondly to a landscape of belonging, as she expresses her solidarity with the scorned group of children in the home. On the one hand the children’s home is characterised by a certain liminal essence, but on the other hand it can be regarded as “a realm of pure possibility” (Turner, 1967:97).
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Di Paola, Giorgia. "Central Place and Liminal Landscape in the Territory of Populonia." Land 7, no. 3 (August 3, 2018): 94. http://dx.doi.org/10.3390/land7030094.

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This article aims to outline new data on the urbanization of Populonia starting from its foundation, with particular reference to the results of archaeological surveys carried out by the University of Siena since the 1980s. The landscape archaeology approach has allowed us to reconstruct the Etruscan city’s organization of settlements as well as its management of resources. In addition, this investigative tool has proven the most effective method to detect both places of economic or ideological centrality and specific liminal landscapes in the territory of Populonia. The urban development of the Etruscan city represents an anomalous case for several reasons that are mainly dependent on its shape, which required unconventional choices in the organization and management of its territory and natural resources. Our research leads us to suggest that the Etruscan city’s acropolis seems to have played the role of central place starting right from the establishment of the city. Within some of the new acquisitions coming from my PhD research we have to consider the feature of the hilltop fortresses system and the detection of a “liminal landscape” in the northeastern stretch of the territory between Populonia and Volterra. This particular part of the landscape had been a sacred district with a strong peripheral character and possibly close connections to the central place thanks to the significant availability of natural resources.
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Tufi, Stefania. "Liminality, heterotopic sites, and the linguistic landscape." Linguistic Landscape. An international journal 3, no. 1 (June 18, 2017): 78–99. http://dx.doi.org/10.1075/ll.3.1.04tuf.

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Abstract This paper is an investigation into the construction of Venice as a heterotopia – another place – characterised by a liminal linguistic landscape (LL) against a background of mass tourism seen as the enactment of different tourist subjectivities converging onto a peculiarly transnational space. The first part of the study contextualises mass tourism and outlines the concepts of liminality, deterritorialisation and heterotopia. The second part presents and discusses the data, which lay the basis for a linguistic and semiotic reading of Venice’s public space. The conclusion proposes an interpretation of Venice’s LL as a deterritorialised, heterotopic and liminal space, and, importantly, highlights that LL studies have much to contribute to an understanding of late modernity.
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Chen, Albert. "Walking and staying in constructed imagination: three liminal experiences in history of walking in the landscape." Ri-Vista. Research for landscape architecture 20, no. 1 (July 1, 2022): 44–65. http://dx.doi.org/10.36253/rv-12492.

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Walking treads not only on the palpable site but also through the stroller’s imaginary territory. This dual nature of walking is frequently illustrated in historical literature and pictures. These two forms of walking create a liminal and absorptive movement between the palpable and imaginary landscapes through the body-mind as a living medium. The essay examines this subject in three folds: first, discerning three modes of liminal experiences in a range of selected historical materials: namely, approaching, lingering, and wandering in reverie, following an increasing extent in the scale of absorption; second, presenting the three effects of absorption and their agencies and media; third, assessing how these effects were received by the historical walkers. Overall, this cross-cultural reading shows that walking in imagination is not a theoretical idea but an empirical form of absorptive experience that involves both external and internal media. The essay further implies that, with adequate studies on this subject, we could rethink the rapport between materials and their meanings and associations in Landscape Architecture and envision a humanistic landscape of constructed imagination that not only appeals to the senses but also touches our soul and mind.
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McGregor, Andrew. "Liminal lieux de mémoire." Francosphères 10, no. 1 (June 1, 2021): 79–90. http://dx.doi.org/10.3828/franc.2021.6.

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This article examines the representation of postcolonial memory in Tony Gatlif’s 2004 film Exils / Exiles. The constant movement that occurs in the film through travel, music, and dance reinforces the permanent dislocation of the film’s pied-noir and beurette protagonists. The film’s road-movie narrative represents, on the one hand, a gravitational pull away from the French Republican integrationist ‘centre’ towards an increasingly complex and diverse landscape of cultural identities linked by France’s colonial history, and on the other, a sense of nostalgia for an Algeria that no longer exists and may never have existed. In so doing, Exils represents modern metropolitan France as a dynamic and polycentric postcolonial space whose lieux de mémoire can and should be positioned not only in geographical and cultural territories that lie outside its contemporary national borders, but also in the liminal spaces that characterize the migrant experience. In line with the title of Gatlif’s film, the protagonists find themselves in a state of permanent exile, both from Algeria and from France. The ‘destination’ of the return to cultural origin, Algeria, emerges as a fundamental but nevertheless mirage-like lieu de mémoire that, notwithstanding its cultural and geographical significance, serves primarily to facilitate a deeper understanding by the protagonists of their personal and collective identity that has long been internalized in the unanchored liminal space of the postcolonial migrant journey.
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Makeda, Lillian. "Visions of a Liminal Landscape: Mythmaking on the Rainbow Plateau." Journal of the Southwest 58, no. 4 (2016): 633–96. http://dx.doi.org/10.1353/jsw.2016.0015.

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8

Rodriguez-Corral, Javier. "Hillforts, rocks and warriors." Documenta Praehistorica 45 (January 3, 2019): 154–65. http://dx.doi.org/10.4312/dp.45-12.

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During the Late Iron Age, monumental stone statues of warriors were established in the northwest of Iberia, ‘arming’ landscapes that ultimately encouraged specific types of semiotic ideologies in the region. This paper deals with how these statues on rocks not only worked in the production of liminality in the landscape – creating transitional zones on it –, but also how they functioned as liminal gateways to the past, absorbing ideas from the Bronze Age visual culture up to the Late Iron Age one, in order to create emotional responses to a new socio-political context.
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Rodriguez-Corral, Javier. "Hillforts, rocks and warriors." Documenta Praehistorica 45 (December 29, 2018): 154–65. http://dx.doi.org/10.4312/dp.45.12.

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During the Late Iron Age, monumental stone statues of warriors were established in the northwest of Iberia, ‘arming’ landscapes that ultimately encouraged specific types of semiotic ideologies in the region. This paper deals with how these statues on rocks not only worked in the production of liminality in the landscape – creating transitional zones on it –, but also how they functioned as liminal gateways to the past, absorbing ideas from the Bronze Age visual culture up to the Late Iron Age one, in order to create emotional responses to a new socio-political context.
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10

Chloupek, Brett R. "Post-communist city text in Košice, Slovakia as a liminal landscape." Miscellanea Geographica 23, no. 2 (April 30, 2019): 71–75. http://dx.doi.org/10.2478/mgrsd-2019-0009.

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Abstract During the communist period in Slovakia (1948-1989), street toponyms and monuments were a few of the many realms of ideological infusion by the communist government. Renaming streets and establishing monuments in honor of local and international socialist figures was intended to have an aggregate effect on public consciousness in a way that helped legitimize the political rule of the communist regime. However, because the nature of socialist commemorations is fundamentally more complex that those of other competing ideologies like nationalist movements, these commemorations took on complex and sometimes contradictory meanings in the public memory that, in some cases, cause them to persist to this day. This paper utilizes Turner’s (1975) concept of ‘liminality’ to examine elements of city text like toponyms and statues in the eastern Slovak city of Košice to demonstrate why many of these communist-era elements of city text remain as leftover landscapes of the communist period.
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Noeva (Karmanova), Sargylana E. "Liminal World in Yakut Culture: The Role and Place of Man in the Space of the Road." NSU Vestnik. Series: Linguistics and Intercultural Communication 19, no. 1 (2021): 40–52. http://dx.doi.org/10.25205/1818-7935-2021-19-1-40-52.

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The relevance of this article is dictated by the need to study one of the main components of the Yakut geocultural landscape - the liminal road space, which is considered to be an fictional system of its own. In this regard the scientific novelty of the article is obvious: the need to view the liminal (intermediate) space as a semantic structure manifested in the constancy of images, universals that have cultural, historical, and mental commonality. The study of one of the interesting aspects of the local text, the intermediate space, has not received detailed development in Yakut science to this day. The purpose of this article is to identify the borderlines and space boundaries in particular in the context of the chronotopic system of the Yakut novel. The author emphasizes the interest in the liminal chronotope and the road as a special chronotopic complex that strengthens other spatial structures, or rather topos of the alas (villages) and cities, without which it is impossible to build a complete geopoetic picture of the Yakut world. In the context of the above theme, the image of a literary hero, whose consciousness is extremely responsive to modifications of the surrounding landscape, acquires a new semantic function. The author of the article adheres to the viewpoint that the process of evolution of the hero of the path, which is fully revealed in the space of the road, most clearly shows cultural signs of the perception of the problem of life and death which in different literary periods acquire unexpectedly interesting properties. The results of the research undertaken in this article can be used in the fictional landscape study, which is becoming the most relevant in recent times in Russian Text Linguistics.
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Bettis, Pamela J., Michael Mills, Janice Miller Williams, and Robert Nolan. "Faculty in a Liminal Landscape: A Case Study of a College Reorganization." Journal of Leadership & Organizational Studies 11, no. 3 (March 2005): 47–61. http://dx.doi.org/10.1177/107179190501100304.

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13

Sims, Lionel, and David Fisher. "Through the Gloomy Vale: Underworld Alignments at Stonehenge." Culture and Cosmos 21, no. 1 and 2 (2017): 11–30. http://dx.doi.org/10.46472/cc.01221.0203.

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Three recent independently developed models suggest that some Neolithic and Bronze Age monuments exhibit dual design properties in monument complexes by pairing obverse structures. Parker Pearson’s1 materiality model proposes that monuments of wood are paired with monuments of stone, these material metaphors respectively signifying places of rituals for the living with rituals for the dead. Higginbottom’s2 landscape model suggests that many western Scottish megalithic structures are paired in mirror-image landscape locations in which the horizon distance, direction and height of one site is the topographical reverse of the paired site – all in the service of ritually experiencing the liminal boundaries to the world. Sims’3 diacritical model suggests that materials, landscapes and lunar-solar alignments are diacritically combined to facilitate cyclical ritual processions between paired monuments through a simulated underworld. All three models combine in varying degrees archaeology and archaeoastronomy and our paper tests them through the case study of the late Neolithic/EBA Stonehenge Palisade in the Stonehenge monument complex.
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14

Scriven, Richard. "Pilgrim and path: the emergence of self and world on a walking pilgrimage in Ireland." cultural geographies 27, no. 2 (September 16, 2019): 261–76. http://dx.doi.org/10.1177/1474474019876622.

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This article foregrounds the pilgrim, as a relational identity, to explore the co-emergence of self and world through embodied spatial practices. The pilgrim, as a liminal and mobile figure, is aligned with Maurice Merleau-Ponty’s phenomenological concept of the ‘flesh’, which presents subject and object as co-incipient. An auto-ethnographic study of the Croagh Patrick pilgrimage in the west of Ireland combines interview accounts from research participants and my own fieldwork experiences. This journey into the performative and liminal aspects of pilgrimages examines of how pilgrim and path emerge in an intermeshing of body and landscape, the spiritual and material and culture and praxis. In mobilising the figure of the pilgrim, this article contributes to disciplinary discussions concerning phenomenology/post-phenomenology, while highlighting the significance of pilgrimage as a purposeful performance.
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15

van der Voet, Rosanne. "Experiments in sandscaping: Liminal entanglements on the Norfolk and South Holland Coast." Book 2.0 11, no. 1 (August 1, 2021): 95–106. http://dx.doi.org/10.1386/btwo_00046_1.

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This hybrid creative-critical article explores how new ways of living beyond the current environmental crisis are forged on two sandscaping schemes that have been constructed as new experimental measures against coastal erosion. The Zandmotor, created in 2011, is an artificial peninsula built out of sand on the coast of South Holland. The success of this project inspired a similar sandscaping scheme at Bacton on the coast of Norfolk, constructed in 2019. The strange liminal landscapes that are the result of these projects are not just symbols of adaptive, nature-based water management in times of rising sea levels, they also become time machines, making fossils of different times emerge out of the sand taken from the seabed of the North Sea. In addition, the sandscapes are symbols of the artificialization of the coastal landscape, given the fact that sand suppletions disrupt not only life on the beach, but also destroy much bottom-dwelling life on the seabed from which the sand is harvested. However, these unique liminal landscapes between land and sea also create new ecological opportunities. At the Zandmotor, for example, rare bristle worms and Baltic clams have made their unexpected appearance. Moreover, the sandscape invites people not just to look for fossilized mammoth teeth, but also inspires them to create sense-altering art projects specifically adapted to the unique conditions in the area. In this article, I trace these various significances of both sandscaping schemes and argue that they cannot be reduced to any of these different meanings. Instead, I describe the Zandmotor as an example of Donna Haraway’s idea of ‘staying with the trouble’ (2016: 4) and Anna Lowenhaupt Tsing’s concept of ‘contaminated diversity’ (2015: 30). For although enormous amounts of animal and plant life have been destroyed for the creation of the Zandmotor, this does not discredit the fact that this new liminal environment has opened up new ecological opportunities for multispecies flourishing, creating unexpected combinations of landscapes and creatures. These new combinations inspire a shift in thinking about coastal environments and present new ways of living that may emerge beyond the current environmental crisis.
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Guo, Yi. "The Liminal Landscape: The Reception of Western Press Freedom in Late Imperial China." Javnost - The Public 26, no. 1 (January 2, 2019): 17–32. http://dx.doi.org/10.1080/13183222.2019.1539326.

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Nassos Papalexandrou. "Hala Sultan Tekke, Cyprus: An Elusive Landscape of Sacredness in a Liminal Context." Journal of Modern Greek Studies 26, no. 2 (2008): 251–81. http://dx.doi.org/10.1353/mgs.0.0024.

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Harmanşah, Ömür. "‘Source of the Tigris’. Event, place and performance in the Assyrian landscapes of the Early Iron Age." Archaeological Dialogues 14, no. 2 (October 26, 2007): 179–204. http://dx.doi.org/10.1017/s1380203807002334.

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Performative engagements with specific, culturally significant places were among the primary means of configuring landscapes in the ancient world. Ancient states often appropriated symbolic or ritual landscapes through commemorative ceremonies and building operations. These commemorative sites became event-places where state spectacles encountered and merged with local cult practices. The Early Iron Age inscriptions and reliefs carved on the cave walls of the Dibni Su sources at the site of Birkleyn in Eastern Turkey, known as the ‘Source of the Tigris’ monuments, present a compelling paradigm for such spatial practices. Assyrian kings Tiglath-pileser I (1114–1076 B.C.) and Shalmaneser III (858–824 B.C.) carved ‘images of kingship’ and accompanying royal inscriptions at this impressive site in a remote but politically contested region. This important commemorative event was represented in detail on Shalmaneser III's bronze repoussé bands from Imgul-Enlil (Tell Balawat) as well as in his annalistic texts, rearticulating the performance of the place on public monuments in Assyrian urban contexts. This paper approaches the making of the Source of the Tigris monuments as a complex performative place-event. The effect was to reconfigure a socially significant, mytho-poetic landscape into a landscape of commemoration and cult practice, illustrating Assyrian rhetorics of kingship. These rhetorics were maintained by articulate gestures of inscription that appropriated an already symbolically charged landscape in a liminal territory and made it durable through site-specific spatial practices and narrative representations.
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Endsjø, Dag Øistein. "TO LOCK UP ELEUSIS: A QUESTION OF LIMINAL SPACE." Numen 47, no. 4 (2000): 351–86. http://dx.doi.org/10.1163/156852700511595.

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AbstractIn this article, I argue that the geographical periphery, the eschatia, represented an area within the ancient Greek worldview that reflected a territorial parallel to the intermediate state of the Greek rites of passage. There were also a number of mythological ties between the eschatia and this ritual mid state, the most basic aspect of both of them consisting of a simultaneous being and non-being that entailed a sense of profound confusion of all proper categories. Placed not only betwixt and between the land of the dead and polis as the land of the living, but also between an Olympian and a chthonic divine sphere, the uncultivated geographical periphery represented an ambiguous and primordial landscape, where men had still not been distinguished from the realm of the gods, the animals, and the dead. As the geographical periphery thus was considered to reflect a primordial quality, the intermediate phase of various rites of passage was seen as the ritual imitation of this area. Having journeyed to the ends of the earth and the land of the dead, Heracles could therefore suggest closing down the Eleusian mysteries. Operating with a theoretical concept of liminal space, I will in this way try to show how the idea of ritual liminality, as initiated by Arnold van Gennep and Victor Turner, may be transferred to a spatial context.
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Raffield, Ben. "‘A River of Knives and Swords': Ritually Deposited Weapons in English Watercourses and Wetlands during the Viking Age." European Journal of Archaeology 17, no. 4 (2014): 634–55. http://dx.doi.org/10.1179/1461957114y.0000000066.

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This paper discusses the deposition of weapons in English rivers and wetlands during the Viking Age. Such finds have been extensively studied in Scandinavia but have rarely been academically discussed in Britain. It can be argued that the arrival of the Scandinavians in ninth- to eleventh-century Britain precipitated a marked increase in depositions of a ‘pagan’ nature. Despite deep-rooted, institutionalized Christianity having dominated England for some time, it is possible that pagan beliefs were dormant but not forgotten, with the Scandinavian arrival triggering their resurgence. Weapons form a large number of ritual depositions, with seventy deposits being mapped geographically to identify distributional patterns across the landscape. It is suggested here that ‘liminal' depositions in Viking Age Scandinavia provide an interpretative model for these finds. Given the context of endemic conflict and territorial consolidation within which they may have been deposited in England, this material can shed new light on attitudes to landscapes subject to conflict and consolidation.
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Bacola, Meredith A. "“Differing in Status, but one in Spirit”: Renegotiating the Boundaries of St. Brigit’s Double Monastery at Kildare." Hiperboreea 47, no. 2 (July 1, 2021): 139–65. http://dx.doi.org/10.5325/jmedirelicult.47.2.139.

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Abstract The double monastery at Kildare, Ireland, developed from a confluence of holy sites and legends associated with St. Brigit into a major metropolitan center in the seventh century. One of the most interesting sources for this development’s apex remains Cogitosus’s Life of Saint Brigit, a collection of miracle stories immersed in the local landscape that reflect her community’s interests. A reassessment of the last three chapters of his Life, in conjunction with surviving material evidence in the landscape, will emphasize the ways in which hagiographical boundaries shaped Kildare’s development into a City of Refuge. It will argue that Cogitosus did not use ekphrasis, but delineated liminal boundaries functional to the dichotomies that Kildare was negotiating (male and female; lay and consecrated; community and pilgrims; Irish and Roman). Cogitosus’s Life provides a lens through which to view Kildare’s development into a major pilgrimage center.
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Sanmark, Alex. "Sites of Power and Assembly in the Thames Valley in the Middle Ages." Anglo-Saxon Studies in Archaeology and History 22 (2020): 114–31. http://dx.doi.org/10.32028/9781789697865-7.

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This article examines three sites of elite and royal power in the early second millennium AD in the Thames valley: Kingston upon Thames in Greater London, Westminster in the City of London, and Runnymede in Surrey. Using a backdrop of comparative material from medieval Scandinavia, these sites are examined in terms of their landscape qualities, particularly their liminal nature. On this basis, it is shown that they demonstrate attributes and features that are frequently connected to assembly sites. It is therefore argued that these sites may well, earlier in time, have been assembly locations that were consciously adopted and developed as royal ritual sites as part of the legitimising process of power.
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Freikman, Michael. "Into the Darkness: Deep Caves in the Ancient Near East." Journal of Landscape Ecology 10, no. 3 (December 1, 2017): 81–99. http://dx.doi.org/10.1515/jlecol-2017-0027.

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Abstract In this paper I will present the assemblage of pottery vessels and objects of luxury dated to the Neolithic and Chalcolithic periods discovered in the Zarda Cave in Western Samaria, Israel. The context in which this assemblage was found is strongly reminiscent of other proto-historic depositions found in Israel. As determent of objects of value found in the deep and dark caves cannot be explained by means of burial offerings or regular hoards one most provide this remarkable phenomenon by a different theory. In this paper, I claim that these depositions were ritual in nature. They bear physical evidence for rituals performed by specially chosen members of the society, which we call today shamans. These caves were chosen due to their physical properties to become scenes for rituals of rites of passage in the course of which they experienced altered states of consciousness. In the course of time these caves have accumulated considerable social power becoming liminal monuments on the fringes of social landscapes in the local cultures. We may understand deep and dark caves as an element of pre-urban cosmology embedded into the local landscape, traces of which can be detected in much later traditions.
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Henry, Andrew Mark. "Apotropaic Autographs: Orality and Materiality in the Abgar-Jesus Inscriptions." Archiv für Religionsgeschichte 17, no. 1 (December 1, 2016): 165–86. http://dx.doi.org/10.1515/arege-2015-0010.

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Abstract In this paper, I explore the late antique tradition of inscribing the Abgar-Jesus correspondence on stone for protection as attested by seven inscriptions from Greece, Asia Minor, Syria, and Egypt. I first argue that the correspondence’s perceived protective efficacy stems from its claim to preserve an autograph of Jesus. I then explore the implications of embedding such an autograph into an urban landscape. Drawing on recent research on the orality and materiality of epigraphy, I suggest that the epigraphic attestations of the Abgar-Jesus correspondence join in a broader tradition of deploying oral formulae to protect domestic and civic space from harm, and therefore, should be viewed as ritually powerful objects that were “performing” the correspondence at their respective liminal spaces.
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Mírová, Zuzana, and Pavel Fojtík. "The Liminal Passage: A Final Bronze Age hoard found in Dolany-Nové Sady – “Sádek”, District Olomouc (CZ)." Praehistorische Zeitschrift 96, no. 1 (June 1, 2021): 101–24. http://dx.doi.org/10.1515/pz-2021-0015.

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Abstract The article presents a hoard from the Final Bronze Age found in 2005 in the cadastre of Dolany-Nové Sady ‒ “Sádek”, Olomouc District (CZ). It consists of 2 bronze axes, 3 bronze cheek-pieces of a horse’s bit, 2 bronze phalerae, decorated bronze belt sheet, 6 fragments of 3 different plano-convex ingots and a ceramic vessel. The paper deals with the chronological-typological evaluation of the hoard and especially the motivations for its deposition in connection with supra-regional long-distance roads. Authors discuss the model of social organization of the landscape in the Low Jeseník Mountains area and selected adjacent regions.
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Sajdi, Dana. "From Diyārāt to Ziyārāt." Journal of Arabic Literature 53, no. 3-4 (September 21, 2022): 216–45. http://dx.doi.org/10.1163/1570064x-12341459.

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Abstract This essay explores the relationship between two geographical and literary genres, the diyārāt (Books of Monasteries), which disappeared in the 11th century, and the ziyārāt (shrine pilgrimage guides), which appeared in the 13th century. The relationship is discussed in the context of the transformation of the Syrian sacred landscape, which became thoroughly Islamized through the erection of Islamic public buildings including shrines and mausolea between the 11th–13th centuries. I argue that these two genres had a similar function of spatially inscribing the political order through the invitation to liminal practices in the marginal sites of the monastery and the Islamic shrine/mausoleum. The diyārāt registered the caliphal order and courtly culture, while the ziyārāt served to sanctify the professional scholar whose authority emerged in the post-caliphal sultanic age.
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Witt, David, and Kristy Primeau. "Performance Space, Political Theater, and Audibility in Downtown Chaco." Acoustics 1, no. 1 (December 27, 2018): 78–91. http://dx.doi.org/10.3390/acoustics1010007.

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Chaco Canyon, NM, USA, was the center of an Ancestral Puebloan polity from approximately 850–1140 CE, and home to a dozen palatial structures known as “great houses” and scores of ritual structures called “great kivas”. It is hypothesized that the 2.5 km2 centered on the largest great house, Pueblo Bonito (i.e., “Downtown Chaco”), served as an open-air performance space for both political theater and sacred ritual. The authors used soundshed modeling tools within the Archaeoacoustics Toolbox to illustrate the extent of this performance space and the interaudibility between various locations within Downtown Chaco. Architecture placed at liminal locations may have inscribed sound in the landscape, physically marking the boundary of the open-air performance space. Finally, the implications of considering sound within political theater will be discussed.
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Baker, Sally, and Eve Stirling. "Liminal spaces, resources and networks: Facebook as a shaping force for students’ transitions into higher education." Learning and Teaching 9, no. 2 (June 1, 2016): 42–65. http://dx.doi.org/10.3167/latiss.2016.090203.

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As technological developments accelerate, and neoliberal ideologies shift the ways that universities ‘do business’, higher education is facing radical changes. Within this context, students’ need to ‘succeed’ at university is more important than ever. Consequently, understanding students’ transitions within this shifting higher education landscape has become a key focus for universities. It is now pertinent to explore how social-networking sites (SNS) influence students’ experiences as they transition into university. In this article, we offer two ethnographic case studies of how students use one SNS (Facebook) as they travel through their first year of undergraduate study. We suggest that Facebook is used not only for dynamic participation in the social fabric of university life, Facebook is the go-to space to organise their academic and social lives, using it as a hybrid space to negotiate between home and university. As such, Facebook offers student-users a ‘liminal tool’ for negotiating and facilitating resources and networks within the first year at university.
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Gailey, Jeannine A., and Hannele Harjunen. "A cross-cultural examination of fat women’s experiences: Stigma and gender in North American and Finnish culture." Feminism & Psychology 29, no. 3 (January 29, 2019): 374–90. http://dx.doi.org/10.1177/0959353518819582.

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In this manuscript, the voices of women of size in North America and Finland indicate that there is a shared experience of being fat. Based on cross-cultural analysis of our respective empirical findings, we argue that there is a shared Western fat lived experience that perpetuates a stigmatized gendered landscape of living with a fat body. The emergent themes tended to revolve around two similar contradictions—the phenomenon of hyper(in)visibility and a belief their fatness is a temporary or liminal state—both of which lead to an internalization of fat hatred. We argue that these findings stem from the tremendous stigma and mistreatment that both samples of women face in their daily lives. The present study contributes to the literature by addressing two research lacunas: 1) the lack of cross-cultural research in fat studies; and 2) the limited mainstream feminist research from the perspective of fat women.
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Penné, Lesley, and Arvi Sepp. "De verbeelding van moeras en veen." De Moderne Tijd 5, no. 3/4 (December 1, 2021): 292–310. http://dx.doi.org/10.5117/dmt2021.3/4.004.penn.

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Abstract The Representation of Marsh and Bog: Figurations of the Marshy Soil as a Topos of Community in Contemporary German-Language Belgian Literature Literature from border regions is often characterised by a specific transcultural poetics that reflects the liminal as discourse and experience. In contemporary German-language prose from East Belgium (‘Ostbelgien’), the topological representation of swamp and moor occupies an important place. We will show how swamp and moor express the complex definition of national and regional identity of the German-language area in Belgium and become relevant topoi in regard to cultural memory. Literature can be seen as a privileged medium of criticism for expressing the pressures of the unspoken and the closed and for initiating intra-community public discussions. Through a cultural-historical analysis of the various figurations of bog and moor, we will examine how the relationship between landscape and community is represented and conceived in contemporary Germanophone Belgian literature.
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Miller, Alyson. "“Reopening the Grave”: Reading Trauma and Abjection in Hibakusha Poetry." arcadia 53, no. 2 (October 29, 2018): 379–96. http://dx.doi.org/10.1515/arcadia-2018-0023.

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Abstract Representations of the devastation of nuclear annihilation are undoubtedly confrontational, yet crucial to understanding the ongoing trauma and impact of atomic warfare. In examining how survivors “translate into words an extraordinarily painful landscape” (Tōge 1952), this paper explores the abject imagery utilized by hibakusha poets in order to express the violent horrors of the A-bomb. It focuses on how explicitly grotesque images function to give shape to events regarded as ineffable, and to make potently real the experiences of those whose identities were defined by shame and revulsion. Drawing upon Kristevan notions of abjection, and the poetry of hibakusha such as Kurihara Sadako, Tōge Sankichi, Kawamura Sachiko, and Shōda Shinoe, it contends that by seeking to graphically confront that which is ineffable, hibakusha poets are able to contest the liminal spaces to which their bodies and experiences have been relegated; indeed, by “reopening the grave” (Gotō, qtd. in Treat 1995, 29), survivor poets refuse silence, and give form and shape to trauma.
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Halperin, Christina T., and Zachary X. Hruby. "A Late Postclassic (ca. AD 1350–1521) Border Shrine at the Site of Tayasal, Petén, Guatemala." Latin American Antiquity 30, no. 1 (March 2019): 55–69. http://dx.doi.org/10.1017/laq.2018.77.

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Shrines were a regular component of ceremonial architecture in the public plazas of Postclassic Maya centers. Small shrines and natural landmarks such as caves and outcrops at the borders of settlements or in wilderness locations also served, and in some cases continue to serve, as important ritual loci for Maya peoples. These more peripheral locales were not only critical access points to the supernatural, but also served to delineate places. Because these border features, which represent only a given moment in a constantly shifting social and political landscape, are sometimes unmodified or are inconspicuous, they are relatively ephemeral and difficult to identify in the archaeological record. This paper documents a Late Postclassic shrine paired with a natural feature, a small hill, from the site of Tayasal in Petén, Guatemala. We argue that it served as a border shrine. Paired with the small hill, the two embodied a liminal frontier, not only between earthly and spiritual realms but also between settled and unsettled space.
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Martínez Maza, Clelia. "Fearscapes cristianos en el Egipto tardoantiguo." ARYS: Antigüedad, Religiones y Sociedades, no. 14 (May 16, 2018): 153. http://dx.doi.org/10.20318/arys.2017.3989.

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Resumen: En este trabajo se aborda una de las funciones más interesantes que desempeñaron en la hagiografía egipcia los templos paganos y un paisaje de gran carga simbólica como es el desierto. Este escenario se presentó como un espacio liminal en el que se refugiaron los dioses paganos y desde allí continuaron contaminando ahora bajo la forma de demonios. Los templos ubicados en este espacio se convirtieron, por este motivo, en un lugar perfecto para dirimir el conflicto entre monjes y demonios que intentaban aterrorizarlos con gritos, ruidos, o incluso con ataques físicos más agresivos. Precisamente por su naturaleza impía, servía como prueba para comprobar el progreso espiritual en su recorrido monástico. A través de estos relatos con templos y demonios como protagonistas, los hermanos podían aprender los peligros que amenazaban su fe y la mejor forma de derrotar al diablo.Abstract: This paper explores one of the most interesting functions of the pagan temples and the desert as a symbolic landscape in Egyptian Hagiography. The desert represented a liminal place where pagan gods withdrew to continue polluting now in the form of demons and those temples located into this wild and chaotic geography become a perfect place to resolve the conflict between monks and demons. Demons tried to terrify to the monks, with shouts, and noises or even with physical attacks more aggressive. As a place of impiety, temples were a proof for checking their own spiritual progress in the monastic life. The brothers could learn through these accounts about temples and demons the dangers threatening their faith and the best way to defeat the devil.Palabras clave: hagiografía egipcia, paganismo, cristianismo, monjes, templos, Geografía.Key words: Egyptian Hagiography, Monks, Paganism, Christianity, Temples, Geography.
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Crossley, Laura. "An Absence of Modesty: The Male/Female Dichotomy inModesty Blaise." Journal of British Cinema and Television 15, no. 3 (July 2018): 357–74. http://dx.doi.org/10.3366/jbctv.2018.0427.

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This article examines the figure of Modesty Blaise as an action heroine in the canon of British espionage texts. It argues that the character and her stories offer multiple, liminal spaces for investigating and challenging ideas about gender, nation and class. It also addresses the current landscape of action-adventure films at a time when there are increased calls for more female-centric vehicles and gender-blind casting. While the gender politics of the Modesty Blaise franchise make for fascinating analysis, they are also played out against a backdrop of global politics. This can be seen in the first of the novels – simply entitled Modesty Blaise (1965) – and to some extent in Joseph Losey's loose adaptation of the book in 1966. Modesty's employment by the British secret service coincides with the dismantling of the British Empire, and the negotiation of gender identity that is a recurring theme in the stories intersects with the post-imperial, post-colonial concerns that dominated geopolitics at the time the original texts were released.
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Young, Michael J., Yelena G. Bodien, and Brian L. Edlow. "Ethical Considerations in Clinical Trials for Disorders of Consciousness." Brain Sciences 12, no. 2 (February 2, 2022): 211. http://dx.doi.org/10.3390/brainsci12020211.

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As the clinical trial landscape for patients with disorders of consciousness (DoC) expands, consideration of associated ethical challenges and opportunities is of ever-increasing importance. Responsible conduct of research in the vulnerable population of persons with DoC, including those with coma, vegetative state/unresponsive wakefulness syndrome (VS/UWS), minimally conscious state (MCS), covert cortical processing (CCP), and cognitive motor dissociation (CMD), demands proactive deliberation of unique ethical issues that may arise and the adoption of robust protections to safeguard patients, surrogates, and other key stakeholders. Here we identify and critically evaluate four central categories of ethical considerations in clinical trials involving participants with DoC: (1) autonomy, respect for persons and informed consent of individuals with liminal consciousness; (2) balancing unknown benefits and risks, especially considering the epistemological gap between behavior and consciousness that complicates ordinary ascription of subjective states; (3) disclosure to surrogates and clinical teams of investigational results pertaining to consciousness; and (4) justice considerations, including equitable access to clinical trial enrollment across communities and geographies. We outline guiding principles and research opportunities for clinicians, neuroethicists, and researchers engaged in DoC clinical trials to advance ethical study design and deployment in this complex yet crucial area of investigation.
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Spreizer, Alenka Janko, and Nataša Kolega. "Canal of St. Bartholomew in Seča/Sezza: Social construction of the seascape." Open Geosciences 12, no. 1 (October 28, 2020): 1224–36. http://dx.doi.org/10.1515/geo-2020-0023.

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AbstractThis article is based on a combination of anthropological and geographic approaches to seascape as an aspect of the cultural landscape. Following McCall Howard, Wickham-Jones, Ingold, and Arnason, we understand the term seascape as a “holistic term to describe the depth and complexity of human relations with the sea, the modes of human habitation of the sea, the importance of the sea to maintaining livelihoods, and the connections between land and sea.” We analyze the cartographic materials chronologically from the Franziscean Cadaster to present day and determine how the use of the Canal of St. Bartholomew has changed through time. Once a part of saltpans, providing salt water for salt production and a transport route, it is now a scenic place for leisure and a protected area. As a part of the Sečovlje Salina Nature Park, the canal was poorly managed and is now a liminal site of nonregulated berths for pleasure vessels. For these reasons, this contested seascape is represented as “Texas,” an ecological disgrace, and a boat cemetery. This area is used for many contested activities, which at the same time contribute to environmental vulnerabilities and the destruction of natural and cultural heritage.
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Valdés Guía, Miriam A. "Civilising the Eleusinian Sacred Way." Gerión. Revista de Historia Antigua 40, no. 2 (November 22, 2022): 529–52. http://dx.doi.org/10.5209/geri.80525.

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The Sacred Way to Eleusis is one of the most interesting places in Greece for exploring the social and religious construction of the landscape in Ancient Greece. Eleusis was considered to be the borderland of Attica and its incorporation into the chóra of Athens was a long and hazardous process that apparently took place between the eighth and sixth centuries BC. In this paper, the spotlight is placed on the process of constructing this sacred way through myths and rituals. These are linked to some crucial places along the way, built as landmarks or nodes where rites, stories and cults intertwined to shape the religious experience of people and their memory of the past. Special emphasis is placed on the relationship between the liminal/reversal aspects of this space –constructed as an “eschatiá”– and the civilising and ordering elements integrating this potentially dangerous way in the correct and sacred order of the polis, thus sacralising it. Both aspects –reversal and civilisation– are examined in three areas: the ritual domestication of the agrarian space; rites linked to human sexuality and procreation; and the political appropriation of the territory through ritual.
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Rees, Amanda. "Identifying Twentieth Century Dude Ranches in the Teton Valley Region." UW National Parks Service Research Station Annual Reports 31 (January 1, 2008): 133–34. http://dx.doi.org/10.13001/uwnpsrc.2008.3725.

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The states of Wyoming, Montana, and to a lesser extent Colorado are commonly understood as the industrial heartland of U.S. dude ranching in the twentieth and twenty-first centuries (Borne 1983). Though there were earlier small scale efforts to host easterners on ranches in the West from the 1850s onwards, dude ranching is commonly understood to have begun in 1879 in Medora, North Dakota by the Eaton Brothers (Borne 1983, Rothman 1998). Dude ranching--when outsiders pay to stay on a ranch ­ usually demonstrates most/if not all of the following six characteristics: 1). it embraces of the West's nineteenth century agricultural heritage; 2). it celebrates wild, preserved landscapes; 3). it provides an economic vehicle for ranchers to maintain their cultural heritage, and/or investors and managers to have a piece of the American West; 4). it demonstrates a distinct dude ranch aesthetic (architecture, clothing, food, music, stories, education and landscape); 5). it includes horse­related activities; and 6). it provides a safe and contained regional experience transforming the traveler from "mere' tourist status to that of a liminal space in­between outsider and insider. Since the late nineteenth century Wyoming has developed five centers of dude ranch activity located primarily near mountain ranges, within or close to public lands (National Park Service (NPS) or Forest Service (FS)): 1) Medicine Bow Mountain Range in southeastern Wyoming; 2) Big Horn Mountain Range (eastern and western slopes) in north-central Wyoming; 3) eastern gate region of Yellowstone National Park, northwest Wyoming; 4) Wind River Mountain Range (eastern and western slopes), northwestern Wyoming; and 5) Teton Mountain Range in northwestern Wyoming. My work seeks to establish the extent of dude ranching in Teton Valley.
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Gorbunova, Lyudmyla. "Self in a Space of Liminality: Toward the Rationale for Transformative Strategies of Higher Education." Filosofiya osvity. Philosophy of Education 21, no. 2 (December 28, 2017): 71–97. http://dx.doi.org/10.31874/2309-1606-2017-21-2-71-97.

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Transformative strategies for the development of higher education, pointed out in the list of key educational competencies of the 21st century by international organizations of various levels, are associated with the processes of becoming and transformation of individuals as integral subjects of cognition and action within the framework of communicative strategies for the formation of a global civil society. The implementation of transformative educational strategies in a meaningful aspect requires inter- and transdisciplinary methodologies to research the process of transformative adult learning aimed at developing an “integral person”, and not just its rational-cognitive aspects. Within this holistic approach, questions arise about the nature of the transformative changes in the basic ontological and anthropological components of the educational process in the context of the transition epoch, namely, the becoming a global transcultural civil society. In order to clarify the features of such transformations, the dynamics of the phenomena and concepts of identity and self is examined in terms of a change in the conceptual landscape of culture. Various disciplinary and transdisciplinary approaches to their definition are analyzed. The relevance of the concepts of multiple identity (as an open permanent identification process) and the transversal self (as a process-dialogue unity of differences) in the liminal space at the global and individual levels are substantiated.
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Kilpatrick, Kelly. "The Newton Stones and writing in Pictland, part 1." Proceedings of the Society of Antiquaries of Scotland 150 (November 30, 2021): 7–22. http://dx.doi.org/10.9750/psas.150.1285.

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In the grounds of Newton House near Insch in Aberdeenshire are two Pictish monuments. One is an inscribed stone that also has an incised Pictish mirror symbol, and the other is a Pictish symbol stone with a notched double-disc above a serpent and z-rod symbol. The inscribed stone, commonly referred to as the Newton Stone, has an ogham inscription on one edge that continues onto an added stemline, and on the top front is a unique horizontal, six-line alphabetic inscription. This article examines the documentary record for these two monuments, which were moved from their original location in the 18th and 19th centuries respectively. Through analysis of the documentary evidence, and in comparison with the local geology, the area of the original findspot of the Newton Stone and associated symbol stone is identified. The original landscape of these stones is compared with the topographical features of other Pictish monuments, particularly those in Donside. This comparison reveals that the topographical and liminal features in the original vicinity of the Newton Stone and symbol stone correspond with the wider pattern of the siting of Pictish symbol stones and Pictish cemeteries, and the association between a potentially Pictish-age settlement and these monuments may be suggested through examination of local place-names.
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Maddrell, Avril. "‘It Was Magical’: Intersections of Pilgrimage, Nature, Gender and Enchantment as a Potential Bridge to Environmental Action in the Anthropocene." Religions 13, no. 4 (April 2, 2022): 319. http://dx.doi.org/10.3390/rel13040319.

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Centring on embodiment, gendered eco-spiritual responses to nature, enchantment and environmental crises in the Anthropocene, this paper explores engagement with nature as a spiritual experience and resource through ‘Celtic’ Christian prayer walks in the Isle of Man. Web-based and printed materials for the walks are analysed for references to nature and environmental responsibility, and the complexities of personal, gendered and theological relation to nature and the environment are explored through participants’ accounts. The analysis is attentive to participants professing Christian faith and institutional affiliation as well as those without affiliation or faith, and to their gendered experience. Themes identified include nature-inspired ‘Celtic’ spirituality; personal relation to the non-human (the divine, nature and nature-as-divine); the landscape as a liminal ‘thin place’; and social and environmental responsibility. The paper concludes by signalling the potential for bridging between pilgrimage-centred enchantment and eco-spirituality in order to mobilise engagement with and for the environment in the Anthropocene, including environmental conservation activities, lobbying or protest. Whilst eschewing gendered stereotypes, empirical findings evidence gendered patterns of engagement and responses to different expressions of spirituality. Attention to these differences could facilitate the engaging and mobilising of different cohorts of pilgrims with environmental agendas, inspiring personal and collective environmental action.
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Smit-Marais, S., and M. Wenzel. "Subverting the pastoral: the transcendence of space and place in J.M. Coetzee’s Disgrace." Literator 27, no. 1 (July 30, 2006): 23–38. http://dx.doi.org/10.4102/lit.v27i1.177.

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This article investigates how J.M. Coetzee’s “Disgrace” (1999) – portrayed as a postcolonial and postmodern fictional event – embodies, problematises and subverts the vision of the pastoral farm novel tradition by transcending traditional configurations of space and place. The novel offers a rather bleak apocalyptic vision of gender roles, racial relationships and family relations in post-apartheid South Africa and expresses the socio-political tensions pertaining to the South African landscape in terms of personal relationships. As a fictional reworking of the farm novel, “Disgrace” draws on the tradition’s anxieties about the rights of (white) ownership, but within a post-apartheid context. As such, “Disgrace” challenges the pastoral farm novel’s “dream topography” (Coetzee, 1988:6) of the family farm ruled by the patriarch – a topography inscribed – with the help of the invisible labour of black hands – as a legacy of power and ownership to be inherited and cultivated in perpetuity. Accordingly, the concept “farm” is portrayed as a contested and liminal space inscribed with a history of violence and dispossession – a dystopia. This article therefore conceptualises “Disgrace” as an antipastoral farm novel that reconfigures the concept “farm” – within the context of the South African reality – by subverting, inverting and parodying the structures of space and place postulated by the pastoral farm novel.
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Wilmsen, Edwin N. "MYTHS, GENDER, BIRDS, BEADS: A READING OF IRON AGE HILL SITES IN INTERIOR SOUTHERN AFRICA." Africa 84, no. 3 (July 23, 2014): 398–423. http://dx.doi.org/10.1017/s0001972014000370.

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ABSTRACTHomologous origin myths concerning the Tsodilo Hills in north-western Botswana, Polombwe hill at the southern tip of Lake Tanganyika in Zambia and Kaphiri-Ntiwa hill in northern Malawi are examined. Parallels are drawn between the myths, where, in the process of creation, a primal pair in undifferentiated space and time passes through a series of liminal states, thereby bringing structure to the landscape and legitimacy to society in Iron Age Central and Southern Africa. These myths narrate the instituting of social legitimacy in their respective societies based on a resolution of the inherent contradiction between the concepts of authority and power, lineage and land. The structure of rights to possession of land is examined, and the text considers the role of sumptuary goods such as glass beads and metonymic signifiers such as birds within this structure. This study examines the prominence of hilltops as the residence of paranormal power and its association with human authority, and relates this to the archaeological interpretation of the Iron Age site Nqoma (Tsodilo Hills); this is compared with Bosutswe (eastern Botswana), Mapungubwe (Shashe-Limpopo basin), and the Shona Mwari myth recorded by Frobenius as used by Huffman in his analysis of Great Zimbabwe.
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ILOVAN, Oana-Ramona, and Florentina-Cristina MERCIU. "Building Visual Intertextuality and Territorial Identities for the Romanian Danubian Settlements during Socialism." Journal of Settlements and Spatial Planning SI, no. 7 (April 2, 2021): 15–50. http://dx.doi.org/10.24193/jsspsi.2021.7.03.

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The politics of symbolic representation is uncovered by our examining the represented cultural landscape. In this process, semiotics and discourse analysis were the methods complementing each other and enabling us to underline how Romanians’ understanding of power relations, of past and present events and ultimately of reality was shaped by signs, symbols, and stories in official visual materials. This research aims to discuss the geography of Romania’s southern border during the socialist period (1948-1989). This geography is made of the Danube and of the Danubian settlements as represented in images within Geography of Romania school textbooks and picture postcards. Thus, the aim of our article is to decode the visual construction of territorial identity of the Danubian settlements in Romania. To reach this aim, we considered the following research questions: Is the Danube the main subject in these representations or a secondary one? How is the Danube represented? What are the key-themes of its representation? How is the past of the settlements on the Danube integrated into the visual discourse during the socialist period? What was the role played by the Danube in the history of these settlements according to these representations (i.e. textbooks and picture postcards)? Results show that the Danube is a liminal space, changing functions depending on historical, political, economic, and social circumstances. The Danube is represented as landscape, defined through its economic (i.e. transport, commerce) or historical functions (i.e. border to the south or communication route with the west). Due to its representations, also the other elements seem truthful and “natural”. The presence of people and activities in the displayed places inform and educate visitors and inhabitants how to use space (contemplative, for entertainment, for relaxation, to learn, etc.). We provide an informed understanding of Romania through visual imagery: representations are singling out its uniqueness and achievements, fitting into the metanarrative of socialist propaganda.
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Rizk, Philip. "Fatah: Mythific Ation of A Non-state: Critique of the Idea of State." Human Geography 4, no. 1 (March 2011): 57–79. http://dx.doi.org/10.1177/194277861100400105.

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Founded in 1964, the PLO created a space for Palestinians on the world map of liberation struggles. This initially liminal project went through a period of institutionalization during which its vision became one of nation-statist liberation. The PLO thus engaged in a project with a prescribed outcome, entailing a Euro-centric-inspired vocabulary, employing required terminological elements of territoriality and private property, and instituting norms regarding the utility of violence. I argue that this, in turn, placed the Palestinians in a position of submission and weakness. My thesis is that the resulting trajectory of resistance prevented the PLO from carrying out its battle outside the rubric provided by the very hegemonic powers it initially sought to oppose. To these ends, I use the discursive spatial entity of the Gaza Strip as a case study through which to critique the idea of the nation-state. I assess the re-fashioning of the constructed geographic entity's political and social landscape under the governance of the Fatah -dominated Palestinian Authority. My argument is that the transformation of Fatah, from liberation struggle to governing body ostensibly deemed “legitimate,” has prevented the movement from thinking and acting in the framework of liberation. Instead, it led to the submission of the Palestinians to globally-sanctioned paradigms of nation-statism, which deeply undermine their struggle.
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Karpava, Sviatlana, Natalia Ringblom, and Anastassia Zabrodskaja. "Translanguaging space and translanguaging practices in multilingual Russian-speaking families." Russian Journal of Linguistics 25, no. 4 (December 18, 2021): 931–57. http://dx.doi.org/10.22363/2687-0088-2021-25-4-931-957.

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Translanguaging is seen both as a threat and as an opportunity for minority language development and transmission. While the theme of translanguaging has been explored especially in a context of migration, the novelty of this study lies in its investigation of the multiple contexts in which translanguaging is examined. In order to understand the nature of translanguaging, we adopt a novel interdisciplinary approach and view it in all its complexity, including liminal spaces of linguistic landscape. Family language policy affects the home linguistic environment. Our purpose is to investigate language choices by multilingual Russian-speakers in Cyprus, Sweden and Estonia, immigrant and minority settings, and try to understand how they are reflected in the multilingual interaction of the families. Using ethnographic participant observations and oral spontaneous multilingual production, our study attempts to describe how communication is managed through translanguaging practices among multilingual Russian-speaking families members in the cultural and linguistic environments of the three countries. By looking closely at the complexities of translanguaging space, it is our ambition to gain new insights about how it is organised and how translanguaging becomes a valuable linguistic resource in multilingual families. Our results indicate that translanguaging practices can be used in family conversational contexts and contribute to the creation of a rich and positive family repertoire. A new norm of Russian has been developed in all the three settings. A language shift can happen more quickly than expected, and, thus, it is important for parents to provide many opportunities for practising Russian as the L1.
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Johnson, Patricia Claudette. "Writing Liminal Landscapes: The Cosmopolitical Gaze." Tourism Geographies 12, no. 4 (November 26, 2010): 505–24. http://dx.doi.org/10.1080/14616688.2010.516397.

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Palfreyman, Samuel R. "Latter-Day Saint Roots in the American Forest: Joseph Smith’s Restoration Visions in Their Environmental Context." Religions 13, no. 3 (March 9, 2022): 232. http://dx.doi.org/10.3390/rel13030232.

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On 6 April 1830 Joseph Smith Jr. legally established what he claimed to be the restored Church of Jesus Christ that had existed previously during the New Testament times. This bold claim was bolstered by stories of angelic visitations in the hemlock–northern hardwood forest of New York and Pennsylvania by biblical and nonbiblical figures alike. In one of Smith’s supernatural encounters he claims that immediately prior to his theophany the Devil tried to intercede and prevent his communion with God. Thus, Smith and his followers have embraced a complex worldview concerning the nineteenth-century American forest, host to both the Divine and the Devil. The nineteenth-century American forest was complicated by its dangerous elements, its economic opportunities, and the sublime quality popularized in landscape paintings. Forests existed as environments that were equal in their ability to leave one desolate, well-provisioned, or inspired. Navigating these sometimes paradoxical views, Joseph Smith’s stories of otherworldly visitations in forest settings have resonated with many people seeking understanding in a confusing world. The founding story of The Church of Jesus Christ of Latter-day Saints and artistic depictions thereof demonstrate an evolving view of the American forest. The American forest is a malleable, liminal space in which Latter-day Saints have continually combined elements of faith and memory to create a unique faith tradition with roots in a transformative place in American society. This interdisciplinary paper examines the physical appearance of the hemlock–northern hardwood forest, the socioeconomic climate, shifting sentimental values, and the philosophical ideas popularized by transcendentalists and the Hudson River School of painters that provided the scaffolding for this resilient religious movement’s origin story.
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Gullberg, Steven R., and J. McKim Malville. "Caves, Liminality, and the Sun in the Inca World." Culture and Cosmos 21, no. 1 and 2 (2017): 193–214. http://dx.doi.org/10.46472/cc.01221.0221.

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Caves were liminal features of the Inca sacred landscape, connecting this world with the underworld. They were places for making contact with ancestors and the powers of creation. In this paper we examine caves in southeastern Peru for solar orientations and cosmological context, with recourse to the concept of liminality that appears central to cave use. The cave within Kenko Grande has ceremonial steps adjacent to an altar upon which sunlight climbs at midday in June. A rear entrance and altar are illuminated at the time of the solar equinox sunrises. Lacco has three caves which have one solsticial orientation and two light-tubes. A primary opening in the cave at Lanlakuyok faces sunrise at the time of the equinoxes. Tambomachay contains a major fountain and a cave with a platform oriented to December solstice sunrise. Rumiwasi Bajo contains a number of niches and a nine-meter-long passageway oriented close to the June solstice sunset, while the other door opens to December solstice sunrise. Choquequilla is a complex cave opening to December solstice sunrise. The Royal Mausoleum is one of the major shrines of Machu Picchu and opens to June solstice sunrise. Intimachay is a cave with a constructed opening for the December solstice sunrise. The Temple of the Condor contains a cave approximately open to the anti-zenith sunrise. The Gran Caverna includes both an upper and a lower cave oriented for June solstice sunset. There are two caves at the River Intihuatana that, while part of an astronomically oriented complex, don’t have solstitial nor equinoctial orientations, nor do they have interior carvings. We end the paper by considering the role of caves and liminality in Inca cosmology.
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Díaz-Guardamino, Marta, Leonardo García Sanjuán, David W. Wheatley, José Antonio Lozano Rodríguez, Miguel Ángel Rogerio Candelera, Michał Krueger, Marta Krueger, Mark Hunt Ortiz, Mercedes Murillo-Barroso, and Veronica Balsera Nieto. "Rethinking Iberian ‘warrior’ stelae: a multidisciplinary investigation of Mirasiviene and its connection to Setefilla (Lora del Río, Seville, Spain)." Archaeological and Anthropological Sciences 11, no. 11 (September 11, 2019): 6111–40. http://dx.doi.org/10.1007/s12520-019-00909-1.

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Abstract Iberian ‘warrior’ stelae have captured the imagination of researchers and the public for more than a century. Traditionally, stelae were considered ‘de-contextualised’ monuments, and research typically focused on the study of their iconography, paying little or no attention to their immediate contexts. As a result, despite the large number of these stelae known to date (c. 140) and the ample body of literature that has dealt with them, fundamental questions remain unanswered. This paper aims to demonstrate the potential of a multidisciplinary and contextual approach to push forward the research agenda on these monuments through a case study. Firstly, we introduce the Mirasiviene stela and the methods deployed for its investigation, which include a variety of digital imaging techniques, petrography, pXRF, intensive survey and multiscalar spatial analysis. Secondly, we discuss the results in relation to three main topics: stela biography, social practices and landscape context. Comparisons to the well-known nearby Bronze Age and Iron Age site of Setefilla are made throughout the discussion. Ultimately, this paper makes a case for the stelae of Mirasiviene and Setefilla being polyvalent monuments made by local artisans, that served both as landmarks and memorials in connection with dense late second and early first millennium BCE settlement patterns in the region. Probably linked to elites, ‘houses’ or kin groups of this time, stelae were set in symbolically charged places, liminal spaces nearby water, burials and pathways, attracting a range of ritual activities throughout the centuries. The study of the newly discovered Mirasiviene stela shows that multidisciplinary, cutting-edge non-destructive archaeology can shed significant new light on these prehistoric monuments, thus providing a glimpse of what in our opinion is a paradigm shift in the research of similar monuments throughout Europe.
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