Relevant bibliographies by topics / Liminal landscape

Academic literature on the topic 'Liminal landscape'

Author: Grafiati
Published: 10 December 2022
Last updated: 28 January 2023

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Journal articles on the topic "Liminal landscape"

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Ride, David. "The Liminal Landscape of John Cowper Powys." Time and Mind 2, no. 1 (January 2009): 71–76. http://dx.doi.org/10.2752/175169709x374281.

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Van Zyl, D. "'Ek is besig om iemand heeltemal anders te word ...': die ontginning van liminaliteit in Vaselinetjie deur Anoeschka von Meck." Literator 27, no. 1 (July 30, 2006): 39–56. http://dx.doi.org/10.4102/lit.v27i1.178.

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'I am becoming someone completely different …': the utilisation of liminality in Vaselinetjie (Little Vaseline) by Anoeschka von Meck The concepts of liminality, transition and borders are utilised extensively in “Vaselinetjie” by Anoeschka von Meck (2004). This is especially the case regarding her use of characterisation, focalisation, time and space (including place and landscape) in the construction of identity. As a liminal character, Vaseline finds herself in different kinds of liminal spaces on a regular basis, like the children’s home, which is foregrounded in the novel, as well as in consecutive preliminal, liminal and postliminal phases. The children’s home is an essentially liminal space, but from the perspective of Vaseline it is firstly gradually transformed into a place to which meaning is attached, and secondly to a landscape of belonging, as she expresses her solidarity with the scorned group of children in the home. On the one hand the children’s home is characterised by a certain liminal essence, but on the other hand it can be regarded as “a realm of pure possibility” (Turner, 1967:97).
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Di Paola, Giorgia. "Central Place and Liminal Landscape in the Territory of Populonia." Land 7, no. 3 (August 3, 2018): 94. http://dx.doi.org/10.3390/land7030094.

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This article aims to outline new data on the urbanization of Populonia starting from its foundation, with particular reference to the results of archaeological surveys carried out by the University of Siena since the 1980s. The landscape archaeology approach has allowed us to reconstruct the Etruscan city’s organization of settlements as well as its management of resources. In addition, this investigative tool has proven the most effective method to detect both places of economic or ideological centrality and specific liminal landscapes in the territory of Populonia. The urban development of the Etruscan city represents an anomalous case for several reasons that are mainly dependent on its shape, which required unconventional choices in the organization and management of its territory and natural resources. Our research leads us to suggest that the Etruscan city’s acropolis seems to have played the role of central place starting right from the establishment of the city. Within some of the new acquisitions coming from my PhD research we have to consider the feature of the hilltop fortresses system and the detection of a “liminal landscape” in the northeastern stretch of the territory between Populonia and Volterra. This particular part of the landscape had been a sacred district with a strong peripheral character and possibly close connections to the central place thanks to the significant availability of natural resources.
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Tufi, Stefania. "Liminality, heterotopic sites, and the linguistic landscape." Linguistic Landscape. An international journal 3, no. 1 (June 18, 2017): 78–99. http://dx.doi.org/10.1075/ll.3.1.04tuf.

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Abstract This paper is an investigation into the construction of Venice as a heterotopia – another place – characterised by a liminal linguistic landscape (LL) against a background of mass tourism seen as the enactment of different tourist subjectivities converging onto a peculiarly transnational space. The first part of the study contextualises mass tourism and outlines the concepts of liminality, deterritorialisation and heterotopia. The second part presents and discusses the data, which lay the basis for a linguistic and semiotic reading of Venice’s public space. The conclusion proposes an interpretation of Venice’s LL as a deterritorialised, heterotopic and liminal space, and, importantly, highlights that LL studies have much to contribute to an understanding of late modernity.
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Chen, Albert. "Walking and staying in constructed imagination: three liminal experiences in history of walking in the landscape." Ri-Vista. Research for landscape architecture 20, no. 1 (July 1, 2022): 44–65. http://dx.doi.org/10.36253/rv-12492.

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Walking treads not only on the palpable site but also through the stroller’s imaginary territory. This dual nature of walking is frequently illustrated in historical literature and pictures. These two forms of walking create a liminal and absorptive movement between the palpable and imaginary landscapes through the body-mind as a living medium. The essay examines this subject in three folds: first, discerning three modes of liminal experiences in a range of selected historical materials: namely, approaching, lingering, and wandering in reverie, following an increasing extent in the scale of absorption; second, presenting the three effects of absorption and their agencies and media; third, assessing how these effects were received by the historical walkers. Overall, this cross-cultural reading shows that walking in imagination is not a theoretical idea but an empirical form of absorptive experience that involves both external and internal media. The essay further implies that, with adequate studies on this subject, we could rethink the rapport between materials and their meanings and associations in Landscape Architecture and envision a humanistic landscape of constructed imagination that not only appeals to the senses but also touches our soul and mind.
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McGregor, Andrew. "Liminal lieux de mémoire." Francosphères 10, no. 1 (June 1, 2021): 79–90. http://dx.doi.org/10.3828/franc.2021.6.

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This article examines the representation of postcolonial memory in Tony Gatlif’s 2004 film Exils / Exiles. The constant movement that occurs in the film through travel, music, and dance reinforces the permanent dislocation of the film’s pied-noir and beurette protagonists. The film’s road-movie narrative represents, on the one hand, a gravitational pull away from the French Republican integrationist ‘centre’ towards an increasingly complex and diverse landscape of cultural identities linked by France’s colonial history, and on the other, a sense of nostalgia for an Algeria that no longer exists and may never have existed. In so doing, Exils represents modern metropolitan France as a dynamic and polycentric postcolonial space whose lieux de mémoire can and should be positioned not only in geographical and cultural territories that lie outside its contemporary national borders, but also in the liminal spaces that characterize the migrant experience. In line with the title of Gatlif’s film, the protagonists find themselves in a state of permanent exile, both from Algeria and from France. The ‘destination’ of the return to cultural origin, Algeria, emerges as a fundamental but nevertheless mirage-like lieu de mémoire that, notwithstanding its cultural and geographical significance, serves primarily to facilitate a deeper understanding by the protagonists of their personal and collective identity that has long been internalized in the unanchored liminal space of the postcolonial migrant journey.
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Makeda, Lillian. "Visions of a Liminal Landscape: Mythmaking on the Rainbow Plateau." Journal of the Southwest 58, no. 4 (2016): 633–96. http://dx.doi.org/10.1353/jsw.2016.0015.

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Rodriguez-Corral, Javier. "Hillforts, rocks and warriors." Documenta Praehistorica 45 (January 3, 2019): 154–65. http://dx.doi.org/10.4312/dp.45-12.

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During the Late Iron Age, monumental stone statues of warriors were established in the northwest of Iberia, ‘arming’ landscapes that ultimately encouraged specific types of semiotic ideologies in the region. This paper deals with how these statues on rocks not only worked in the production of liminality in the landscape – creating transitional zones on it –, but also how they functioned as liminal gateways to the past, absorbing ideas from the Bronze Age visual culture up to the Late Iron Age one, in order to create emotional responses to a new socio-political context.
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Rodriguez-Corral, Javier. "Hillforts, rocks and warriors." Documenta Praehistorica 45 (December 29, 2018): 154–65. http://dx.doi.org/10.4312/dp.45.12.

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During the Late Iron Age, monumental stone statues of warriors were established in the northwest of Iberia, ‘arming’ landscapes that ultimately encouraged specific types of semiotic ideologies in the region. This paper deals with how these statues on rocks not only worked in the production of liminality in the landscape – creating transitional zones on it –, but also how they functioned as liminal gateways to the past, absorbing ideas from the Bronze Age visual culture up to the Late Iron Age one, in order to create emotional responses to a new socio-political context.
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Chloupek, Brett R. "Post-communist city text in Košice, Slovakia as a liminal landscape." Miscellanea Geographica 23, no. 2 (April 30, 2019): 71–75. http://dx.doi.org/10.2478/mgrsd-2019-0009.

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Abstract During the communist period in Slovakia (1948-1989), street toponyms and monuments were a few of the many realms of ideological infusion by the communist government. Renaming streets and establishing monuments in honor of local and international socialist figures was intended to have an aggregate effect on public consciousness in a way that helped legitimize the political rule of the communist regime. However, because the nature of socialist commemorations is fundamentally more complex that those of other competing ideologies like nationalist movements, these commemorations took on complex and sometimes contradictory meanings in the public memory that, in some cases, cause them to persist to this day. This paper utilizes Turner’s (1975) concept of ‘liminality’ to examine elements of city text like toponyms and statues in the eastern Slovak city of Košice to demonstrate why many of these communist-era elements of city text remain as leftover landscapes of the communist period.
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Dissertations / Theses on the topic "Liminal landscape"

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Iyengar, Varsha G. "Liminal Landscapes: Conditioning Climates on the Chicago Riverfront." University of Cincinnati / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1553618489377804.

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Miller, Catherine Annalisa. "Earth. Water. Sky. The Liminal Landscape of the Maya Sweatbath." Diss., Virginia Tech, 2013. http://hdl.handle.net/10919/52636.

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This dissertation investigates the ancient healing tradition of the Maya sweatbath, its landscape, and rituals, which after three millennia is still practiced today among the contemporary Maya. Frequently overlooked because of its size, the ancient Maya sweatbath's location in ancient ceremonial cores, royal courts, and near important ritual structures and sacred water features accentuates its importance and need to understand its role, siting, and connection with the landscape. A three step approach of rooting, projecting, and transcending is applied to the investigation's structure for examining the sweatbaths conception as the womb of Mother Earth, the structure as a replica of the cosmos, the liminal landscape tethering together water, topography, and the celestial domain, and rituals of purification, healing, and transformation. In addition, the ancient Maya site of Yaxchiln and its three sweatbaths serves as the epicenter, the investigation's initial point of beginning, from where projections are made outward to twenty-eight additional sweatbaths augmenting and defining the scope of sweatbath features and site conditions. A combination of archeological drawings, architectural and landscape plans and sections, ethnographic and ethnohistoric texts, and epigraphic interpretations are examined, in combination and juxtaposition, as a means for integrating the symbolic and physical layers, which in union compose a complimentary narrative highlighting liminality as a principal quality encompassing the sweatbath. Liminality, associated with transition and transformation and fundamental to the Maya notion of gestation and creation of the cosmos, is revealed and demonstrated through the cyclical and everchanging nature of the sweatbath landscape of earth, water and sky, and reflected in man's inherent life processes and fundamental to the sweatbath rituals' symbolism of rebirth and renewal.
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Parrott, Jennifer Mae. "Ghostly Faces and Liminal Spaces: Landscape, Gender, and Identity in the Plays of Marina Carr." OpenSIUC, 2010. https://opensiuc.lib.siu.edu/dissertations/196.

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In my dissertation, I argue that Marina Carr creates liminal spaces in her plays, exploring the tensions inherent in the issues of landscape, gender, and identity. She uses these liminal spaces to expose her audiences to more complex conceptions of Ireland in the twenty-first century. For example, Carr frequently challenges perceived notions of gender identity, drawing attention to gender as performance and creating female protagonists who resist their roles as wives and mothers. Landscape is also an important element of Carr's plays; most frequently she uses the landscape of the Irish Midlands as a space that is liminal both in terms of its geography in the center of the country and in terms of the bogs, which are neither land nor water. Finally, throughout her plays she combines elements of the Irish dramatic tradition with non-Irish elements as a way of expressing Ireland's complicated post-Celtic Tiger identity. I address Carr's plays chronologically in an attempt to trace her development of her use of liminality, which begins primarily with gender in Low in the Dark and expands to include landscape and identity through the Midlands plays. Most recently, plays like Woman and Scarecrow and The Cordelia Dream are set in the liminal moments between life and death and in the unconscious world of the characters' dreams, illustrating Carr's continuing exploration of new liminal spaces.
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Burdick, Elizabeth. "Rediscovering the Ruderal: An Alternative Framework for Post-Industrial Sites of Accumulation." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1306868718.

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Foster, Jeremy Adrian. "The poetics of liminal places : landscape and the construction of white identity in early 20th century South Africa." Thesis, Royal Holloway, University of London, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.287901.

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Zandi, Sophia. "Grotesque, Bodily, and Hydrous: The Liminal Landscapes of the Underworld In Homer, Virgil, and Dante." Oberlin College Honors Theses / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1625864941501779.

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Sola, Jiménez Rocío. "El País de los Sueños de Alfred Kubin: Cartografías del paisaje interior del artista." Doctoral thesis, Universitat Pompeu Fabra, 2020. http://hdl.handle.net/10803/670941.

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El portfolio Traumland (1922) de Alfred Kubin es el más personal y complejo, aunque olvidado, de los trabajos del artista. Tras un exhaustivo análisis de la vida, obra, contexto y escritos íntimos de Kubin, esta tesis presenta el portfolio como un proyecto para cartografiar sus paisajes interiores, que beben de sus experiencias oníricas y del vínculo con su entorno. El marco contextual abarca desde el origen del Expresionismo hasta 1920, señalando la importancia de la obra kubiniana dentro del mismo. Se analiza la imagen de la ciudad en el Expresionismo mediante tipologías compartidas por Arte y Literatura de las que Kubin participó. A través de conceptos como Stimmung, heterotopía y “memoria colectiva”, se explica la permuta de ciudad por naturaleza, aspecto que une a Kubin con otros artistas de entreguerras. La síntesis de nuestros hallazgos culmina en un análisis técnico y simbólico del Traumland y del modelo de paisaje kubiniano.
Alfred Kubin’s Traumland portfolio (1922) is the most personal and complex, yet understudied, work of the artist’s career. By comprehensively analysing his life and works, context and personal writings, this thesis explains Kubin’s portfolio as a project for mapping his inner landscapes, which draw directly from his oneiric experiences and from the bond with his environment. The study is framed within the context that embraced the beginning of Expressionism until 1920, and assesses the importance of the Kubinian works within that period. The image of the city in Expressionism is analysed through different typologies exhibited in Art and Literature, to which Kubin contributed. Concepts of Stimmung, heterotopia, and ‘collective memory’ are applied to explore his artistic shift from city to nature, something shared with other artists of the interwar period. The synthesis of findings culminate in the technical and symbolic analysis of Traumland and the prototype of the Kubinian landscape.
Alfred Kubins Traumland Mappe (1922) ist das persönlichste und komplexeste, denoch das am selten berücksichtigste Werk des Künstlers. Nach einer ausführlichen Analyse von Kubins Leben, Werk, Zeitrahmen und privaten Schriften, präsentiert diese Doktorarbeit die Mappe als Projekt zur Abbildung seiner Innenlandschaften, die sich aus seinem Traumerleben und der Verbindung mit seiner Umgebung schöpfen. Diese Untersuchung wird zwischen dem Ursprung des Expressionismus bis 1920 eingerahmt, unter besonderer Hervorhebung des kubinischen Werkes. Das Bild der Stadt im Expressionismus wird durch verschiedene Typologien analysiert, die Kunst und Literatur betreffen, an denen Kubin beteiligt war. Durch Konzepte wie Stimmung, Heterotopie und „kollektives Gedächtnis“ wird der Wandel vom Stadtbild zur Natur untergesucht, der Kubin mit anderen Künstlern aus der Zwischenkriegszeit teilte. Die Synthese unserer Ergebnisse gipfelt in einer technischen und symbolischen Analyse des Traumlandes und des Modells der kubinischen Landschaft.
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Burton, Carrol Duane. "Off the page, on the page, and into the cyberspace screen, bringing together liminal states and the pedagogy of bricolage on virtualized landscapes." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ40134.pdf.

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Hanley, Roger. "Margin walker - a theatre of disembodied poetics." Thesis, 2014. http://hdl.handle.net/1959.13/1042424.

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Research Doctorate - Doctor of Philosophy (PhD)
This exegesis, which is essentially an auto-ethnographic account, examines the particularities of my photographic practice, which has been forged and elaborated over a period of years, and which coalesced into an exhibition titled Margin Walker - A Theatre of Disembodied Poetics. The questions and concepts that are inevitably and tangentially raised by its singular style are interrogated. Margin Walker invites investigations into the nature of photographic truth, which are approached through applying pataphysical and surrealistic constructions in the directorial mode, using analogue large-format photography. Time and space are distorted and elevated to unfamiliar dimensions by what I call the process-exposure, an ever-evolving method whereby a dense temporal layering on the negative occurs. This enables me to create an unfamiliar, or even recondite, vision of the liminal landscape. It is one which, given that I do not apply post-production manipulations to the images, I argue is a literal recording of time and light, and thus, even impossible photographs are available for the interpretation of being truthful. An overview of the nature and style of Margin Walker is given in the first chapter, A Theatre of Disembodied Poetics. Here, the notion of a fundamental paradox upon which my photographs hinge, which structures and enables the work, is introduced. In the following chapter, Estrangement, Displacement, Belonging, I explore the primary motivations of the work, which derive from personal psychology. That very private realm is not just motivation, but it shapes the work in conceptual and practical terms as well. The chapters Nothing and Beingness, and then Periphery and Centre, ponder, respectively, the qualitative temperament of the photograph, and of the landscape, especially as they exist in the peculiar milieu of Margin Walker. I then, in Thinking Sideways, Building Backwards, use a number of ‘case studies’ of individual photographs as a matrix in which to explore not only their particular idiosyncrasies, but also the ways in which they serve more generally to illustrate and illuminate themes and motifs which occur throughout the larger body of work. Lastly, I consider the work of some contemporary photographic artists whose work I find of special interest; and I then review how my work has, over the years, been received in the wider world, and how it is shown in a culminating exhibition, in December, 2013.
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Barber, Natalie. "The Way They Never Were: Nationalism, Landscape, and Myth in Irish Identity Construction." 2014. http://scholarworks.gsu.edu/rs_theses/47.

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The fairy figure has had a long association with Ireland in popular cultural discourse. While often the source of children's fairy tales, their history in Ireland is far from kitsch. Their enduring association with the Irish has been one of adaptation in the face of colonialism and is linked to the land itself as well as Irish identity. The Gaelic Revival and emerging field of archaeology in the nineteenth century pulled from a strong tradition of myth and storytelling to craft a narrative of authentic Irishness that could resist the English culturally and spiritually. This paper explores the relationship between nationalism, landscape, and mythology that created a space that the fairy survived in as a product of colonial resistance and identity.
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Books on the topic "Liminal landscape"

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Les, Roberts, ed. Liminal landscapes: Travel, experience and spaces in-between. New York: Routledge, 2012.

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Liminal Infrastructure: The Optics Division of the Metabolic Studio. University of Chicago Press, 2015.

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Gardiner, Mark, and Susan Kilby. Perceptions of Medieval Settlement. Edited by Christopher Gerrard and Alejandra Gutiérrez. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780198744719.013.10.

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Medieval archaeologists, possessing elements of the landscape and the buildings of the past, together with a good knowledge of the historical context, can recover many aspects of the way that space was perceived in the past. A phenomenological approach has been applied not only to castles, but also to the mundane world of peasants. Phenomenology emphasizes the experience of the world whereas archaeologists have been no less interested in the way in which that experience was manipulated and also in the competing ideas of space. Examples of encultured landscapes examined include natural places, gentry houses, village tofts, liminal places, and sites of pilgrimage. Drawing upon the evidence of place-names and documents, as well as the archaeological remains, it has been possible to reconstruct how people conceived of and experienced the world around them.
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Roberts, Les, and Hazel Andrews. Liminal Landscapes: Travel, Experience and Spaces In-Between. Taylor & Francis Group, 2017.

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Roberts, Les, and Hazel Andrews. Liminal Landscapes: Travel, Experience and Spaces In-Between. Taylor & Francis Group, 2012.

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Roberts, Les, and Hazel Andrews. Liminal Landscapes: Travel, Experience and Spaces In-Between. Taylor & Francis Group, 2012.

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Roberts, Les, and Hazel Andrews. Liminal Landscapes: Travel, Experience and Spaces In-Between. Taylor & Francis Group, 2012.

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Roberts, Les, and Hazel Andrews. Liminal Landscapes: Travel, Experience and Spaces In-Between. Taylor & Francis Group, 2012.

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Roberts, Les, and Hazel Andrews. Liminal Landscapes: Travel, Experience and Spaces In-Between. Taylor & Francis Group, 2012.

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Roberts, Les, and Hazel Andrews. Liminal Landscapes: Travel, Experience and Spaces In-Between. Taylor & Francis Group, 2012.

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Book chapters on the topic "Liminal landscape"

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Doroszewska, Julia. "The liminal space." In Landscapes of Dread in Classical Antiquity, 185–208. Abingdon, Oxon : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315101941-10.

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Swart, J. A. A. "Comment: Sharing Our World with Wild Animals." In The International Library of Environmental, Agricultural and Food Ethics, 483–91. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-63523-7_26.

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AbstractWild animals are falling increasingly under threat as their habitats are being disrupted by human activities and global warming. At the same time, we see wild animals such as wolves actually settling in human landscapes. This forces us to rethink how we can live together with other living beings, with whom we share one earth. The contributions in this book section can be seen as attempts to do just that. However, these developments also challenge the traditional ethical approach towards wild animals, concisely worded as “Let them be”. That falls short in the current era, in which semi-wild, contact zone, and liminal animals are recognized. Animals, whether living in natural or human landscapes, all make opportunistic use of all sorts of resources – including human ones. If circumstances change, either due to natural or human-made causes, they will enter into new interactions with their environment to survive. They are nodes in a dynamic, heterogeneous network of dependency relationships that increasingly includes humans. In this chapter a framework is proposed to indicate the presence of wild animals in the human landscape based on the species’ adaptability and their degree of dependence on humans. The framework shows that species strongly differ in their vulnerability and that a diversity of measures is required in a world in which human and animal domains increasingly merge. Recognizing that we do not have exclusive rights to the earth implies an impersonal care perspective for wild animals as fellow-earthlings. It requires the reconsideration of our ethics, philosophies, culture and politics.
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Crowther, Rebecca. "The Liminal Loop." In Wellbeing and Self-Transformation in Natural Landscapes, 185–236. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-97673-0_5.

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Gunne, Sorcha. "Liminal Landscapes and Segregated Spaces." In Space, Place, and Gendered Violence in South African Writing, 91–139. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137442680_3.

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Bristow, Robert S., and Ian S. Jenkins. "Spatial and temporal tourism considerations in liminal landscapes." In Liminality in Tourism, 1–10. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003169857-1.

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Ewert, Alan W., Denise S. Mitten, and Jillisa R. Overholt. "Human perceptions of nature." In Health and natural landscapes: concepts and applications, 10–24. Wallingford: CABI, 2021. http://dx.doi.org/10.1079/9781789245400.0002.

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Abstract This book chapter discuss various world views, i.e. worldviews and science, worldviews and natural landscapes, nature embodiment stage (enchanted cosmos: valuing birth, death, reciprocity), Nature-culture duality stage (power over nature, including other humans), mechanical universe stage (resource extraction), modern technology stage (estrangement from nature), and crossroads (liminal state).
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Lois González, Rubén C., and Lucrezia Lopez. "Liminality Wanted. Liminal landscapes and literary spaces: The Way of St. James." In Liminality in Tourism, 215–35. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003169857-12.

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"The Liminal Landscape." In Freedom of the Press in China, 87–116. Amsterdam University Press, 2020. http://dx.doi.org/10.2307/j.ctv18zhcx6.9.

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Guo, Yi. "The Liminal Landscape." In Freedom of the Press in China. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463726115_ch03.

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This chapter explores the reception of the Western concept of press freedom by Chinese intellectuals when they first encountered it at the turn of the twentieth century. It argues that, during this process of knowledge transfer, the meaning of press freedom as received by Chinese intellectuals was different from Western conceptions at that time. It shows how the introduction of this concept was closely related to the developing realities of Chinese society and echoed Chinese social and cultural pursuits in the late nineteenth century. Due to their specific socio-cultural milieu, Chinese intellectuals misinterpreted the moral discourse and liberal meanings of the Western concept of freedom of the press.
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Dark, Ken. "A liminal landscape?" In Roman-Period and Byzantine Nazareth and its Hinterland, 42–72. Routledge, 2020. http://dx.doi.org/10.4324/9780367809249-3.

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Reports on the topic "Liminal landscape"

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Atkinson, Dan, and Alex Hale, eds. From Source to Sea: ScARF Marine and Maritime Panel Report. Society of Antiquaries of Scotland, September 2012. http://dx.doi.org/10.9750/scarf.09.2012.126.

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The main recommendations of the panel report can be summarised under four headings: 1. From Source to Sea: River systems, from their source to the sea and beyond, should form the focus for research projects, allowing the integration of all archaeological work carried out along their course. Future research should take a holistic view of the marine and maritime historic environment, from inland lakes that feed freshwater river routes, to tidal estuaries and out to the open sea. This view of the landscape/seascape encompasses a very broad range of archaeology and enables connections to be made without the restrictions of geographical or political boundaries. Research strategies, programmes From Source to Sea: ScARF Marine and Maritime Panel Report iii and projects can adopt this approach at multiple levels; from national to site-specific, with the aim of remaining holistic and cross-cutting. 2. Submerged Landscapes: The rising research profile of submerged landscapes has recently been embodied into a European Cooperation in Science and Technology (COST) Action; Submerged Prehistoric Archaeology and Landscapes of the Continental Shelf (SPLASHCOS), with exciting proposals for future research. Future work needs to be integrated with wider initiatives such as this on an international scale. Recent projects have begun to demonstrate the research potential for submerged landscapes in and beyond Scotland, as well as the need to collaborate with industrial partners, in order that commercially-created datasets can be accessed and used. More data is required in order to fully model the changing coastline around Scotland and develop predictive models of site survival. Such work is crucial to understanding life in early prehistoric Scotland, and how the earliest communities responded to a changing environment. 3. Marine & Maritime Historic Landscapes: Scotland’s coastal and intertidal zones and maritime hinterland encompass in-shore islands, trans-continental shipping lanes, ports and harbours, and transport infrastructure to intertidal fish-traps, and define understanding and conceptualisation of the liminal zone between the land and the sea. Due to the pervasive nature of the Marine and Maritime historic landscape, a holistic approach should be taken that incorporates evidence from a variety of sources including commercial and research archaeology, local and national societies, off-shore and onshore commercial development; and including studies derived from, but not limited to history, ethnology, cultural studies, folklore and architecture and involving a wide range of recording techniques ranging from photography, laser imaging, and sonar survey through to more orthodox drawn survey and excavation. 4. Collaboration: As is implicit in all the above, multi-disciplinary, collaborative, and cross-sector approaches are essential in order to ensure the capacity to meet the research challenges of the marine and maritime historic environment. There is a need for collaboration across the heritage sector and beyond, into specific areas of industry, science and the arts. Methods of communication amongst the constituent research individuals, institutions and networks should be developed, and dissemination of research results promoted. The formation of research communities, especially virtual centres of excellence, should be encouraged in order to build capacity.
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