Relevant bibliographies by topics / Light

Academic literature on the topic 'Light'

Author: Grafiati

Published: 4 June 2021

Last updated: 22 June 2024

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Journal articles on the topic "Light":

Hee, Miriam van, Stefaan van den Bremt, Marco Antonio Campos, and Judith Wilkinson. "licht / luz / light." Sirena: poesia, arte y critica 2007, no. 1 (2007): 112–13. http://dx.doi.org/10.1353/sir.2007.0040.

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Supriya Shashikant Kumar, N. "Urban Light Plan-Light Pollution in Urban Areas & Light Pollution Control." International Journal of Science and Research (IJSR) 12, no. 7 (July 5, 2023): 572–80. http://dx.doi.org/10.21275/sr23706150651.

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Houser, Kevin W. "Light, Light, Light." LEUKOS 8, no. 1 (July 1, 2011): 5–7. http://dx.doi.org/10.1080/15502724.2011.10732153.

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Shiffman, Saul, Janine L. Pillitteri, Steven L. Burton, Jeffrey M. Rohay, and Joe G. Gitchell. "Smokers' beliefs about “Light” and “Ultra Light” cigarettes." Tobacco Control 10, suppl 1 (December 1, 2001): i17—i23. http://dx.doi.org/10.1136/tc.10.suppl_1.i17.

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OBJECTIVETo assess beliefs about the tar and nicotine delivery characteristics and health benefits of Light and Ultra Light cigarettes among cigarette smokers.DESIGNRandom digit dialed telephone survey conducted in September 1999.SUBJECTSDaily smokers (n = 2120) of Regular (46%), Light (39%), and Ultra Light (15%) cigarettes in the USA. The sample was weighted to match the US smoker population on age, sex, and ethnicity.MAIN OUTCOME MEASURESBeliefs about Light and Ultra Light cigarettes were summarised on three dimensions: Safety (reduced health risk), Delivery (lowered tar and nicotine delivery), and Sensation (less harsh).RESULTSMost smokers believed Lights and Ultra Lights were less harsh and delivered less tar and nicotine. On average, smokers believed that Lights afforded a 25% reduction in risk, and Ultra Lights a 33% reduction in risk. Light and Ultra Light cigarette smokers evaluated the risks of their own cigarette types more favourably. Light smokers had greater interest in quitting than Ultra Light smokers. Quitting intention was modestly related to beliefs about these cigarettes. Believing that Lights and Ultra Lights delivered less tar and nicotine and that they were less harsh each independently contributed to the belief that these cigarettes were safer.CONCLUSIONSMany Light and Ultra Light smokers believe that smoking these cigarettes impart a substantial health benefit, due in part to their experience that these cigarettes are less harsh and the belief that these cigarettes deliver less tar.

Raschke, Carl. "The “Light of Light Beyond Light”." Journal for Continental Philosophy of Religion 1, no. 2 (October 4, 2019): 258–76. http://dx.doi.org/10.1163/25889613-00102006.

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Abstract Despite Jürgen Habermas’ famous suggestion that the violence of history might be mitigated by “the liquidation of unconditional claims,” the issue of whether monotheistic religions and the metaphysical rationality they engender are indeed the hidden source of such violence remains an open one. This essay explores how Derrida with his project “deconstruction” sought to deal in a manner unique to philosophy with the question of the relationship between violence, the unconditional, and the ontological. It proposes that Derrida’s “Jew-Greek” dilemma, which encapsulates the problem of the “violence” of metaphysics, is resolved through Levinas’ project of disrupting Husserlian phenomenology with an alterity that is not simply a heteron that disintermediates the logic of predication, but one that challenges what is normally meant by philosophy itself.

Leonard, Daniel L., and Edward J. Swift. "LIGHT-EMITTING-DIODE CURING LIGHTS?REVISITED." Journal of Esthetic and Restorative Dentistry 19, no. 1 (January 2007): 56–62. http://dx.doi.org/10.1111/j.1708-8240.2006.00065.x.

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Rowse, Elizabeth G., Stephen Harris, and Gareth Jones. "Effects of dimming light-emitting diode street lights on light-opportunistic and light-averse bats in suburban habitats." Royal Society Open Science 5, no. 6 (June 2018): 180205. http://dx.doi.org/10.1098/rsos.180205.

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Emerging lighting technologies provide opportunities for reducing carbon footprints, and for biodiversity conservation. In addition to installing light-emitting diode street lights, many local authorities are also dimming street lights. This might benefit light-averse bat species by creating dark refuges for these bats to forage and commute in human-dominated habitats. We conducted a field experiment to determine how light intensity affects the activity of the light-opportunistic Pipistrellus pipistrellus and light-averse bats in the genus Myotis. We used four lighting levels controlled under a central management system at existing street lights in a suburban environment (0, 25, 50 and 100% of the original output). Higher light intensities (50 and 100% of original output) increased the activity of light-opportunistic species but reduced the activity of light-averse bats. Compared to the unlit treatment, the 25% lighting level did not significantly affect either P. pipistrellus or Myotis spp. Our results suggest that it is possible to achieve a light intensity that provides both economic and ecological benefits by providing sufficient light for human requirements while not deterring light-averse bats.

Pile, David F. P. "Light-by-light." Nature Photonics 11, no. 10 (September 29, 2017): 612. http://dx.doi.org/10.1038/s41566-017-0021-3.

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Enwemeka, Chukuka S. "Light is Light." Photomedicine and Laser Surgery 23, no. 2 (April 2005): 159–60. http://dx.doi.org/10.1089/pho.2005.23.159.

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Goodman, Lenn E. "Light on Light." Muslim World 109, no. 4 (October 2019): 477–97. http://dx.doi.org/10.1111/muwo.12305.

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Dissertations / Theses on the topic "Light":

Segovia, Benjamin. "Interactive light transport with virtual point lights." Lyon 1, 2007. http://www.theses.fr/2007LYO10190.

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Depuis maintenant vingt ans, la synthèse d'image par ordinateur s'est tournée vers un désir toujours plus grand de représenter fidèlement la réalité. Le but est donc devenu de calculer des images plus réalistes visuellement et plus précisément, physiquement réalistes: ceci a donc impliqué de décrire avec précision les phénomènes lumineux impliqués dans l'impression de toute photographie, leurs modèles intrinsèques et les équations sous-jacentes qui les régissent. Dans le domaine du rendu hors-ligne, des schémas numériques et des algorithmes de rendu efficaces et performants ont déjà été explorés et mis au point. Par conséquent, même s'il est encore possible de les améliorer, les problèmes les plus attrayants sont aujourd'hui ceux liés à l'affichage en temps réel d'images photo-réalistes qui consiste assurer un taux de rafraîchissement de 20 images par seconde tout en offrant à l'utilisateur un certain degré d'interactivité. Dans le cadre de cette thèse, je me suis donc concentré sur le calcul et la représentation en temps réel ou à défaut, interactive de la simulation des phénomènes physiques liés au transport de la lumière. Plus précisément, j'ai d'une part essayé d'utiliser efficacement le matériel informatique couramment utilisé aujourd'hui, comme les processeurs graphiques spécialisés ou encore les jeux instructions et les possibilités offertes par les processeurs centraux. D'autre part, j'ai proposé de nouvelles méthodes numériques qui peuvent être aisément mises en oeuvre dans de tels systèmes. C'est finalement le rôle de tout numéricien: combiner subtilement et efficacement schémas numériques et algorithmes
Since about twenty years, the field of computer graphics has been striving towards increased realism. The goal is to achieve photorealistic outputs, which actually involves to precisely describe lighting phenomena, their intrinsic models and the light transport equations and to finally propose numerical schemes to solve them. In the field of off-line rendering, efficient and aggressive numerical methods have already been explored and set up. Therefore, even if there is still room for improvement, the most challenging and appealing problems are today related to real-time rendering which consists in ensuring to display at least 20 frames per second with some interactivity offered to the user. In this Ph. D. Thesis, I therefore focus on the real-time or, if not possible, interactive simulation of light transport phenomena. During the three years while I tried to propose new ideas, I thus mainly aimed at efficiently using current existing hardware systems, GPUs or CPUs and designing new numerical schemes which may be easily implemented in such systems. It is finally the most common role of numericians: making a subtle mixture of mathematical and algorithmic methods and efficiently combining them

O, Yin Wan. "White light organic light emitting device." HKBU Institutional Repository, 2008. http://repository.hkbu.edu.hk/etd_ra/907.

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Glenney, Brian Edmund. ""Light, more light" the "Light" newspaper, spiritualism and British Society, 1881-1920 /." Connect to this title online, 2009. http://etd.lib.clemson.edu/documents/1256570535/.

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Mongrut, Steane Andrés. "The shape of light : Light Research Laboratory." Thesis, KTH, Arkitektur, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-155164.

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This project investigates the relationships between form and light in architecture. It explores how light as matter can be manipulated and used in material and spatial practices, to develop into habitable spaces with complex spatial relations.
Detta projekt undersöker förhållandet mellan form och ljus i arkitekturen. Undersökningen fokuserar på ljus som materialiseras och manipuleras som sedan används I materiella och rumsliga metoder. Med målet att utvecklas till beboeliga rum med komplexa rumsliga relationer.

Babuščák, Ladislav. "Light Into The Flesh / Flesh Into The Light." Master's thesis, Akademie múzických umění v Praze. Filmová a televizní fakulta AMU. Knihovna, 2011. http://www.nusl.cz/ntk/nusl-96893.

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LIGHT INTO THE FLESH / FLESH INTO THE LIGHT explores symbols of evil, sin and redemption in the tv series and the movie Twin Peaks. It is not a critical assessment of David Lynch's body of work. Characters and their actions as well as plots are used as symbols which are then explained based on Genesis, the first book of the Old Testimony. Martin Buber's philosophical insight is also used to shed light on the subject. It is not the aim of this analysis to introduce David Lynch's work from a critical standpoint or from a standpoint of film theory. The aim is to introduce director's key theme, which is one's fight for his soul (essence) whilst facing fear, hesitation, failure but also love, faith and hope.

Chen, Tzu. "Light Force: An Exploration of Light Through Design." Thesis, Virginia Tech, 2007. http://hdl.handle.net/10919/32314.

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Larsson, Malin. "Night, light and flight : Light attraction in Trichoptera." Thesis, Linköpings universitet, Institutionen för fysik, kemi och biologi, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-139865.

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Artificial light is an important and necessary part of our urban environment, but has become a threat to biodiversity. It can have substantial direct and indirect effects on populations of all kinds of organisms. While light attraction in bats and moths has been well studied other organisms such as Trichoptera have been largely neglected, despite Trichoptera being one of the most abundant insect orders in freshwater systems. The light attraction of Trichoptera was studied through seasonal data from three different locations in Sweden. The data was examined through meta- and regression analyses to compare catches in light traps and passive traps. The use of relative abundances excluded bias from the species with large populations, and the difference in individuals caught between passive traps and light traps. The results indicated that artificial light could affect Trichoptera populations. Unlike moths, female Trichoptera were more attracted to light than males and attraction to light varied between species. In both cases, size dimorphism could explain the variation. Day-, evening- and night-active species were all attracted to light, but the latter more so. Research has shown that a false flight activity can occur in day-active Trichoptera when a lamp is lit during night, which could explain the capture of day- and evening-active species in a light trap. In all, artificial light could alter Trichoptera populations, changing sex ratios and species composition. This impact should be considered when erecting light sources near waterways.

Larson, Sofia. "Casting Light : The relation between space and light." Thesis, Konstfack, Institutionen för design, inredningsarkitektur och visuell kommunikation (DIV), 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-5570.

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I investigate light as a variable that defines and re-defines space. I develop a technique to implement this theory in physical space. The space becomes a tool to further explore how light affects space, and how I can create a space that interoperates the change in light. I work physically, investigating, in model and full scale. I develop the principal as well as details of the space. Both are of great importance to the impression of the space. My investigation into light begun as a norm-questioning way of measuring space. How can we study space without numbers and hard values? And what spaces can we create if we break free from the flat norm? I study how light can change our perception of a surface. I started investigate in model how I could manipulate the perception of surfaces through changing the light inlet and how I could sculpt surfaces to make them appear different in different light conditions. The relation between inlet and surface became the principal that I started developing space with. I found that the directions of a surface structure is where I can control the appearance of a surface. By casting plaster I develop surfaces with directions and study light on them. I started developing elements with directions that I assemble into one structure. I use plaster to create the elements. Plaster is interesting in the process of casting, the material goes from being able to take any shape, to become static and unchangeable, unless you break it. The plaster has the properties that it copies features from other materials, such as the shiny surface of the rubber. The plaster gets a beautiful surface that in combination with its color reveals light well. The space I’ve created is based on directions and how light changes its appearance. In one light, a veil like structure in gray and in another a contrasting with a shadows casted and fragmented on the surface.

Torres, Tur Elías Torres Tur Elías Torres Tur Elías. "Zenithal light /." Barcelona : Coac, 2004. http://opac.nebis.ch/cgi-bin/showAbstract.pl?u20=8496185435.

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Dracoulis, Wendy Fay, and wdracoulis@gmail com. "Coloured light." RMIT University. Art, 2007. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080102.093428.

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This project involves the examination of abstract, geometric paintings, kinetic sculptures, electronic art and installations that use opticality, perspectival space and colour relationships that destabilise compositional cohesion. Works made between 1964 and 1980, particularly those by Victor Vasarely and Bridget Riley are referenced in the determination of how geometric forms, colour transitions, interactions and juxtapositions have been used to suggest movement. This enquiry includes a review of the usage of planar space and the creation of optical effects. Artworks such as Bridget Riley's Chant 2, (1967) inform new works in which available digital technological processes are utilised. These new works consist mainly of compositions of line and coloured forms and are created in response to the outcomes of the research into the selected works. For example, static works that create movement through the use of colour and geometric form inform the creation of new w ork in media that uses motion. The artworks produced are installation-based works. The works include digital projections and static images that use painting processes as well as digital media. The objective of the project is to produce artworks that reference painting processes and extend explorations into colour usage designed to maximise optical effects and spatial disorientation. The artworks are intended to reflect elements researched whilst maximising the potential for using new media.

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Books on the topic "Light":

Sobel, Michael I. Light. Chicago: University of Chicago Press, 1987.

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Sobel, Michael I. Light. Chicago: University of Chicago Press, 1987.

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Cantalupo, Charles. Light the lights. Trenton NJ: Red Sea Press, 2004.

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International, Biennial for Creative Interior Design (16th 1998 Kortrijk Belgium). Licht / Light & design. Kortrijk: Stichting Interieur, 1998.

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Núñez, Luis Pablo. Luz, light, licht. Madrid: Minobitia, 2010.

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Fischer, Joachim. Light: Licht = Lumiere. Köln: H.f. ullmann, 2008.

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Ditchburn, R. W. Light. New York: Dover Publications, 1991.

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Ditchburn, R. W. Light. New York: Dover, 1991.

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Sobel, Michael I. Light. Chicago: University of Chicago Press, 1987.

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Schober, Helmut. Helmut Schober: Light = licht. Milan: Electa, 1998.

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Book chapters on the topic "Light":

Katsos, Isidoros Charalampos. "‘Light from light’." In T&T Clark Handbook of the Early Church. T&T CLARK, 2022. http://dx.doi.org/10.5040/9780567680419.0032.

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"Light from Light:." In Transparency, 75–95. Yale University Press, 2023. http://dx.doi.org/10.2307/jj.608341.6.

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"Front Matter." In Light from Light, i—iv. Fortress Press, 2016. http://dx.doi.org/10.2307/j.ctt1c84gf1.1.

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"Spirit and Matter in Contemporary Science and Theology." In Light from Light, 183–210. Fortress Press, 2016. http://dx.doi.org/10.2307/j.ctt1c84gf1.10.

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"Interconnection to the Divine in a World of Light and Transcendence." In Light from Light, 211–26. Fortress Press, 2016. http://dx.doi.org/10.2307/j.ctt1c84gf1.11.

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"Bibliography." In Light from Light, 227–44. Fortress Press, 2016. http://dx.doi.org/10.2307/j.ctt1c84gf1.12.

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"Index." In Light from Light, 245–65. Fortress Press, 2016. http://dx.doi.org/10.2307/j.ctt1c84gf1.13.

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"Back Matter." In Light from Light, 266. Fortress Press, 2016. http://dx.doi.org/10.2307/j.ctt1c84gf1.14.

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"Table of Contents." In Light from Light, v—vi. Fortress Press, 2016. http://dx.doi.org/10.2307/j.ctt1c84gf1.2.

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"Introduction." In Light from Light, vii—xvi. Fortress Press, 2016. http://dx.doi.org/10.2307/j.ctt1c84gf1.3.

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Conference papers on the topic "Light":

Patania, F., A. Gagliano, F. Nocera, A. Galesi, and J. Caserta. "The dynamic lighting technique in indoor architecture." In LIGHT 2011. Southampton, UK: WIT Press, 2011. http://dx.doi.org/10.2495/light110011.

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Srisuwan, A. "Street lighting design for a traditional city: a case study of Jesi, Italy." In LIGHT 2011. Southampton, UK: WIT Press, 2011. http://dx.doi.org/10.2495/light110021.

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Ahani, F. "Natural light in traditional architecture of Iran: lessons to remember." In LIGHT 2011. Southampton, UK: WIT Press, 2011. http://dx.doi.org/10.2495/light110031.

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Sabra, J. B., and M. Mullins. "Design of parametric software tools: optimizing future health care performance by integrating evidence-based knowledge in architectural design and building processes." In LIGHT 2011. Southampton, UK: WIT Press, 2011. http://dx.doi.org/10.2495/light110041.

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Nilforoushan, M., R. Hanna, and H. Sadeghi Naeini. "Application of modern models of sustainable architecture in the use of natural light and effective utilization of energy in schools: a comparative study of Glasgow (Great Britain) and Isfahan (Iran)." In LIGHT 2011. Southampton, UK: WIT Press, 2011. http://dx.doi.org/10.2495/light110051.

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Fajkus, M. "Qualitative and quantitative daylight optimisation by shading device experimentation." In LIGHT 2011. Southampton, UK: WIT Press, 2011. http://dx.doi.org/10.2495/light110061.

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Asojo, A. O. "Pedagogical models from a lighting design studio." In LIGHT 2011. Southampton, UK: WIT Press, 2011. http://dx.doi.org/10.2495/light110071.

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Butko, D. J. "The sound of daylight: the visual and auditory nature of designing with natural light." In LIGHT 2011. Southampton, UK: WIT Press, 2011. http://dx.doi.org/10.2495/light110081.

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Mroczkowska, S. "Computer visualizations of architectural building illumination." In LIGHT 2011. Southampton, UK: WIT Press, 2011. http://dx.doi.org/10.2495/light110091.

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Górczewska, M. "Some aspects of architectural lighting of historical buildings." In LIGHT 2011. Southampton, UK: WIT Press, 2011. http://dx.doi.org/10.2495/light110101.

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Reports on the topic "Light":

Vilasi, Silvia, Rosangela Canonico, and Giovanni Sparano. Is the Light too Light? GIQ, 2012. http://dx.doi.org/10.7546/giq-11-2010-211-220.

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Vilasi, Silvia, Rosangela Canonico, and Giovanni Sparano. Is the Light too Light? Journal of Geometry and Symmetry in Physics, 2012. http://dx.doi.org/10.7546/jgsp-19-2010-87-98.

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Brodsky, Stanley J. Light-Front QCD in Light-Cone Gauge. Office of Scientific and Technical Information (OSTI), August 2000. http://dx.doi.org/10.2172/764989.

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Brodsky, Stanley J. Light-Front-Quantized QCD in Light-Cone Gauge. Office of Scientific and Technical Information (OSTI), November 2000. http://dx.doi.org/10.2172/784789.

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Brodsky, Stanley J. Light-Front-Quantized QCD in Light-Cone Gauge. Office of Scientific and Technical Information (OSTI), November 2000. http://dx.doi.org/10.2172/784819.

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Bula, C. Positron production in multiphoton light-by-light scattering. Office of Scientific and Technical Information (OSTI), March 1997. http://dx.doi.org/10.2172/491608.

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Koffas, T. Positron Production in Multiphoton Light-by-Light Scattering. Office of Scientific and Technical Information (OSTI), June 2018. http://dx.doi.org/10.2172/1454240.

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Brodsky, Stanley J. Light-Front-Quantized QCD in Light-Cone Gauge. Office of Scientific and Technical Information (OSTI), September 2000. http://dx.doi.org/10.2172/765017.

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Koffas, Thomas. Positron Production in Multiphoton Light-by-Light Scattering. Office of Scientific and Technical Information (OSTI), July 2003. http://dx.doi.org/10.2172/813362.

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Lemley, James, and Michael Furey. Structural Innovation of Light Valves and Spatial Light Modulators. Office of Scientific and Technical Information (OSTI), May 2010. http://dx.doi.org/10.2172/1001654.

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