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Dissertations / Theses on the topic 'Liepde'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Butcher, John Dudley, and mikewood@deakin edu au. "Lie symmetries of partial differential equations using symbolic computing." Deakin University. School of Information Technology, 2004. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20051110.123208.

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This study presents a theoretical basis for and outlines the method of finding the Lie point symmetries of systems of partial differential equations. It seeks to determine which of five computer algebra packages is best at finding these symmetries. The chosen packages are LIEPDE and DIMSYM for REDUCE, LIE and BIGLIE for MUMATH, DESOLV for MAPLE, and MATHLIE for MATHEMATICA. This work concludes that while all of the computer packages are useful, DESOLV appears to be the most successful system at determining the complete set of Lie symmetries. Also, the study describes REDUCEVAR, a new package for MAPLE, that reduces the number of independent variables in systems of partial differential equations, using particular Lie point symmetries. It outlines the results of some testing carried out on this package. It concludes that REDUCEVAR is a very useful tool in performing the reduction of independent variables according to Lie's theory and is highly accurate in identifying cases where the symmetries are not suitable for finding S/G equations.

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2

Prätorius, Bernd. ""Liebe hat es so befohlen" : die Liebe im Lied der Frühen Neuzeit /." Köln : Böhlau, 2004. http://catalogue.bnf.fr/ark:/12148/cb39224687w.

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3

Unger, Bettina. "Das Lied der Liebe bei Jean Genet /." München [u.a.] : Fink, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=2952572&prov=M&dok_var=1&dok_ext=htm.

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4

Aponius, König Hildegard. "Die Auslegung zum Lied der Lieder : die einführenden Bücher I-III und das christologisch bedeutsame Buch IX /." Freiburg im Breisgau : Herder, 1992. http://catalogue.bnf.fr/ark:/12148/cb35699690k.

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5

Kierkegaard, Søren Veltman Maria. "Søren Kierkegaards Kjerlighedens gjerninger (Daden van liefde) /." Leuven : Garant, 1993. http://catalogue.bnf.fr/ark:/12148/cb35588163p.

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6

Elberfeld, Guido. "Das ungarische Kunstlied zur Zeit der Wiener Klassik /." Frankfurt am Main ; Bern ; Paris : P. Lang, 1998. http://catalogue.bnf.fr/ark:/12148/cb36983041q.

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7

Vaitkutė, Aušra. "Liepos genties žiedadulkių fiksavimo ir mažalapės liepos pražydimo datų lyginamoji analizė." Bachelor's thesis, Lithuanian Academic Libraries Network (LABT), 2012. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20120831_091515-11759.

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Kiekvienais metais, augalams žydint, išbyra žiedadulkių. Augalai skirtingu metu subrandina žiedadulkes, tačiau ir tos paties rūšies žiedadulkėms būdingi fiksavimo kitimai. Žiedadulkių sklaidos tyrimams yra svarbūs ir fitofenologiniai duomenys, todėl detali šių duomenų analizė yra būtina atliekant žiedadulkių kiekių, sezonų trukmės įvertinimus.
Every year, when plants bloom some pollen is spread. Plants mature a different quantity of pollen in different time, though fixing changes are typical even to the pollen of the same species. Phytophenological data is also important to the investigation of the pollen dispersion., thus the detailed analysis of this data is essential for the evaluation of the pollen quantity and duration of the seasons.

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8

Lyke, Saskia Maria van der. "Georganiseerde liefde publieke bemoeienis met zorg in de privésfeer /." Utrecht : Maastricht : Van Arkel ; University Library, Maastricht University [Host], 2000. http://arno.unimaas.nl/show.cgi?fid=6904.

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9

Weber-Bockholdt, Petra. "Beethovens Bearbeitungen britischer Lieder /." München : W. Fink, 1994. http://catalogue.bnf.fr/ark:/12148/cb35716449c.

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10

Genova, Gina 1961. "Carl Philipp Emanuel Bach's Neue Lieder-Melodien nebst einer Kantate zum singen beym Klavier (1789) and the development of the German Lied." Thesis, The University of Arizona, 1995. http://hdl.handle.net/10150/558241.

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11

Amonson, Christina. "Kurt Weill: Lieder to Legend, An Examination of Ofrah's Lieder & Frauentanz, Op. 10." Diss., The University of Arizona, 2012. http://hdl.handle.net/10150/265333.

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Kurt Weill (1900-1950) began his compositional career in Berlin and left his legacy on the American Broadway stage. This study includes an overview of the influences of Lieder composers including Schumann and Strauss on Weill's first song cycle Ofrah's Lieder (1916) and the 20th century influences of Schoenberg and Stravinsky on his chamber music cycle Frauentanz (1923). This study examines how the Weill juvenilia employs diatonic melodies, mood painting, and the integration of vocal and piano parts emulating 19th century models. Next, this study presents ways in which Weill's Frauentanz displays 20th century techniques such as rhythmic texture, non-diatonic melodies, and semi-tonal instability. The Frauentanz vocal line is examined as instrumental in nature, adding textural importance to the interplay of the text with instrumental melodic motives. Kurt Weill's interest in vocal music and modernism directly influenced his legendary theatrical works. His traditional German musical training, rooted in counterpoint, combined with his melodic and modern ingenuity form the basis of the "Weill Style" of theatre music, for which he earned international recognition.

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12

Gustafsson, Linnéa. "Lieder im DaF-Unterricht : Lieder als Förderer der mündlichen Kommunikation im schwedischen DaF-Unterricht." Thesis, Högskolan Dalarna, Tyska, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:du-29363.

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13

Arnold, Elizabeth Packard. "Eleonore Sophia Maria Westenholz (1759-1838) a musico-poetic analysis of selected Lieder and her position in the history of the Classic Lied /." Cincinnati, Ohio : University of Cincinnati, 2006. http://www.ohiolink.edu/etd/view.cgi?acc%5Fnum=ucin1142364141.

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Thesis (Dr. of Musical Arts)--University of Cincinnati, 2006.
Title from electronic thesis title page (viewed Sept. 13, 2006). Includes abstract. Keywords: Women composers; Sophia Westenholz; Eighteen Century Lieder; German Lieder. Includes bibliographical references.

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14

ARNOLD, ELIZABETH PACKARD. "ELEONORE SOPHIA MARIA WESTENHOLZ (1759-1838): A MUSICO-POETIC ANALYSIS OF SELECTED LIEDER AND HER POSITION IN THE HISTORY OF THE CLASSIC LIED." University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1142364141.

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15

Raab, Michael. "Franz Schubert : instrumentale Bearbeitungen eigener Lieder /." München : W. Fink, 1997. http://catalogue.bnf.fr/ark:/12148/cb36967051k.

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16

Keulder, Esmé Stella. "'n Postmoderne, narratiewe ondersoek na diskoerse oor romantiese liefde / Esme Keulder." Thesis, North-West University, 2005. http://hdl.handle.net/10394/2491.

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17

Terborg, Julia Rosini Harjatie. "Liefde en conflict seksualiteit en gender in de Afro-Surinaamse familie /." [S.l. : Amsterdam : s.n.] ; Universiteit van Amsterdam [Host], 2002. http://dare.uva.nl/document/63861.

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18

Petersen, Cornelia. "Die Lieder von Maurice Ravel /." Frankfurt am Main ; Bern ; Paris : P. Lang, 1995. http://catalogue.bnf.fr/ark:/12148/cb35738723d.

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19

Cabral, Clarissa da Costa. "Os Lieder de Clara Schumann." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/27/27158/tde-12032013-165036/.

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Este trabalho tem como objetivo apresentar um modelo de análise musical que fundamenta uma possibilidade interpretativa dos Lieder - gênero musical resultante da fusão das linguagens poética e musical - de Clara Schumann, pianista e compositora alemã do século XIX que teve papel relevante no cenário musical de sua época, realizando a primeira audição e divulgação da obra de muitos dos seus contemporâneos, especialmente de seu marido, Robert Schumann. As análises evidenciam o elevado nível artístico dessas composições, as quais abordam questões relacionadas ao período romântico em um contexto musical extremamente elaborado. A gravação que acompanha esta dissertação pretende oferecer um esboço de possibilidades para a interpretação dos Lieder analisados.
This paper introduces a musical analysis model which underlies an interpretative possibility of the Lieder - musical form resulting from the fusion of poetry and music - by Clara Schumann, German pianist and composer of the 19th Century. Her role in the musical scenario was quite relevant, since she held first auditions and thus disseminated the works of many contemporary composers, specially her husband, Robert Schumann. The analysis corroborates the high artistic level of these compositions, which bring into contact with issues related to the romantic period in a highly elaborated musical work. The included CD offers interpretation possibilities for the analyzed Lieder.

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20

Park, Moon-Sook. "Doubt and Belief: Hugo Wolf’s settings of Geistliche Lieder from Mörike Lieder and Spanisches Liederbuch." University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1281990724.

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21

Hurst, Michael Shane. "Interpreting Richard Strauss's Der Krämerspiegel from the perspectives of the performers and the audience." Thesis, University of North Texas, 2007. https://digital.library.unt.edu/ark:/67531/metadc3962/.

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The purpose of this document is to examine Richard Strauss's 1918 song cycle Der Krämerspiegel in order to discern compositional intent and to address problems performers may face in communicating the work to a contemporary audience. Examining the existing literature, it is never clearly stated why Strauss composed such an anomalous song cycle that defied aesthetic and generic norms of the day. The premise taken in this study is that Strauss, who was litigiously forced to write the work in order to fulfill a contract with the publisher Bote & Bock, composed certain difficulties into the cycle to make it less marketable and thus less profitable for the firm. Furthermore, he commissioned a text that lampooned the publishing industry in general and certain firms and individuals in particular. Following a brief history of Strauss's involvement with the publishing industry, general considerations for interpretation are examined. The individual songs are then explored, keeping in mind the text's word play and parody, Strauss's use of self-quotation, and the challenges performers and audiences face when confronting Krämerspiegel. Finally, the individual songs are explored, and suggestions for preparation and performance of Krämerspiegel are given suggesting a more operatic understanding of the piece, especially given the cycle's relationship to Strauss's opera Der Rosenkavalier.

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22

Brinkman, Herman. "Dichten uit liefde : literatuur in Leiden aan het einde van de Middeleeuwen /." Hilversum : Verloren, 1997. http://catalogue.bnf.fr/ark:/12148/cb376363875.

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23

Schilling, Rainer. "Liebe als Erkenntnisweise : Aspekte der Liebe im Verhältnis zur objektivierenden Naturerkenntnis /." Darmstadt : Wissenschaftliche Buchgesellschaft, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2643056&prov=M&dok_var=1&dok_ext=htm.

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24

Recknagel, Marion. "Truggeweihtes Glück : die Liebe in Opern des 19. und frühen 20. Jahrhunderts /." Kassel : Bärenreiter, 2009. http://opac.nebis.ch/cgi-bin/showAbstract.pl?u20=9783761818763.

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25

Loges, Natasha Catherine. "Text and context in Brahms' Lieder." Thesis, Royal Academy of Music (University of London), 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.429213.

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26

Kim, Koañ-Sun. "Die Lieder in Frank Wedekinds Dramen /." Frankfurt am Main : P. Lang, 1993. http://catalogue.bnf.fr/ark:/12148/cb390127665.

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27

Bayreuther, Rainer. "Perspektiven einer Parodiegeschichte des pietistischen Liedes." Bärenreiter Verlag, 2000. https://slub.qucosa.de/id/qucosa%3A36643.

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28

Lieske, Steffen [Verfasser]. "Diskriminierungsschutz und unternehmerische Freiheit. / Steffen Lieske." Berlin : Duncker & Humblot, 2011. http://d-nb.info/1238425151/34.

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29

Drude, Matthias, and Wolfgang Bittner. "Vier Lieder nach Gedichten von Wolfgang Bittner." Matthias Drude, 2018. https://slub.qucosa.de/id/qucosa%3A17096.

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Die Vier Lieder nach Gedichten von Wolfgang Bittner entstanden 1987-88. Wolfgang Bittner hatte ich während meines Stipendienaufenthalts auf dem Künstlerhof Schreyahn (Niedersachsen) kennen und schätzen gelernt. Die Gedichte sind in dem Sonderband „Kopfsprünge“ (Spectrum-Verlag) mit Gedichten des 1941 geborenen, heute in Göttingen lebenden Schriftstellers erschienen. Nach zwei düsteren, emotional weit gespannten, langsamen Liedern folgt ein lyrisches Intermezzo (Nr. 3) und ein heiter-ironischer Abschluss in der Art eines „humpelnden“ Walzers. Die Lieder wurden 1992 von Andrea Drude (Sopran) und Christopher Oakden (Klavier) auf der Kammermusik-CD mit Werken von Matthias Drude eingespielt, die beim Komponisten erhältlich ist. (Matthias Drude):1. Geräusche beim Atmen 2. Kurz davor, etwas zu begreifen 3. Von weither 4. Sanierung

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30

Lin, Shen-An. "The Lieder of Beethoven: A Stylistic Analysis." Thesis, North Texas State University, 1987. https://digital.library.unt.edu/ark:/67531/metadc500227/.

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Beethoven is generally acknowledged to be the most important composer of the 19th century. However, many critics and musicologists dismiss Beethoven's Lieder as being of less musical value and sophistication than his more instrumentally conceived late vocal writings. The true musical sophistication of Beethoven's Lieder can be discovered by a careful study of the harmonic structure and the relationship between the vocal and the piano part in Beethoven's Lieder. In discussing Beethoven's Lieder style based on analysis, a number of aspects shall be examined: (1) the harmonic idiom and key relationships; (2) the role of the piano; and (3) other stylistic features.

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31

Kaley, Duff. "Discovering Dallapiccola's Suleika in the Goethe Lieder." Thesis, Université d'Ottawa / University of Ottawa, 2014. http://hdl.handle.net/10393/31599.

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This thesis explores text-music relationships in Dallapiccola’s Goethe Lieder. Though the cycle is based on Goethe’s West-östlicher divan, it was Mann’s novel Joseph und seine Brüder that spurred its inception. This seven-song cycle revolves around Suleika, a character from the biblical love story of Joseph and Potiphar’s Wife. Dallapiccola set this text upon reading Mann’s novel, which stems from the same story; however, Mann portrayed the character of Suleika as a sympathetic lover rather than the traditional evil seductress. By conducting a thorough pitch structure analysis of each song, focusing in particular on motives, symmetry and aggregates, this thesis examines text-music relationships to demonstrate how Mann’s Suleika is musically represented. This thesis illustrates that Dallapiccola’s setting is a musical composite of both Goethe and Mann’s Suleikas and thus sheds new analytical and hermeneutic light on an important work by one of the twentieth-century’s most prominent serial composers.

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32

Kölbl, Andrea. "Fiktionen der Liebe : europäische Volksmärchen und populäre Spielfilme im Vergleich." Muenchen Albunea-Verl, 2006. http://bvbr.bib-bvb.de:8991/F?func=service&docl̲ibrary=BVB01&docn̲umber=015435055&linen̲umber=0001&funcc̲ode=DBR̲ECORDS&servicet̲ype=MEDIA.

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33

Wesseling, Berber. "Leven, liefde en dood zelfmoord, vermeende dood, huwelijk en dood : motieven in antieke romans /." [S.l. : [Groningen] : s.n.] ; [University Library Groningen] [Host], 1993. http://irs.ub.rug.nl/ppn/124636810.

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34

Ergen, Gürkan [Verfasser], and Volker [Akademischer Betreuer] Lenhart. "Pädagogik der kritisch-reflektierten LiebeMenschlichkeit : Erziehung und Bildung in Liebe, über die Liebe, für die Liebe und / Gürkan Ergen ; Akademischer Betreuer: Volker Lenhart." Heidelberg : Universitätsbibliothek Heidelberg, 2005. http://d-nb.info/1178855007/34.

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35

Kim, Mi-Young. "Das Ideal der Einfachheit im Lied von der Berliner Liederschule bis zu Brahms /." Kassel : G. Bosse, 1995. http://catalogue.bnf.fr/ark:/12148/cb36958986r.

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36

Kranz, Horst. "Quellen zum Lütticher Steinkohlenbergbau im Mittelalter : Urkunden, Register- und Rechnungseinträge, Bergrecht /." Aachen : Shaker Verl, 2000. http://catalogue.bnf.fr/ark:/12148/cb37678965t.

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37

Kranz, Horst. "Lütticher Steinkohlenbergbau im Mittelalter : Aufstieg, Bergrecht, Unternehmer, Umwelt, Technik /." Aachen : Shaker Verl, 2000. http://catalogue.bnf.fr/ark:/12148/cb372144092.

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38

Baker, Jeffrey T. "The Creation of a Performance Edition of Gustav Mahler's Lieder Und Gesänge Aus Der Jungendzeit and Its Role in Bass Tuba Pedagogy." Thesis, University of North Texas, 2012. https://digital.library.unt.edu/ark:/67531/metadc177175/.

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When the tubist is first introduced to the bass tuba, Mahler's songs can be used as effective solo material. Through transcription, practice, and performance of art songs, novice bass tubists focus primarily on fundamental musical components such as tone quality, intonation, breathing, and musicianship. By identifying deficiencies in the current solo repertoire as related to the early stages of development on the bass tuba, I intend to address the need for more solo works through the transcription and performance of Mahler's Lieder und Gesänge aus der Jugendzeit.

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39

Hagemeyer, Kerstin. "Mit Lust und Liebe singen." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2012. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-96670.

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In der Lutherdekade finden bis zum großen Jubiläumsjahr 2017 zahlreiche Ausstellungen, Konzerte und Veranstaltungen statt. Das Themenjahr 2012 steht unter dem Motto Reformation und Musik. Die Sächsische Landesbibliothek – Staats und Universitätsbibliothek Dresden (SLUB) präsentiert aus diesem Anlass gemeinsam mit der Evangelisch-Lutherischen Landeskirche die Sonderausstellung Luthers Lieder. Sprachkunst und Musik von der Reformation bis heute (23. Sept. 2012 bis 8. Jan. 2013 im Buchmuseum und in der Galerie am Lesesaal).

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40

Grebe, Inga. "Liebe und Aufklärung bei Voltaire." Berlin dissertation.de, 2005. http://deposit.d-nb.de/cgi-bin/dokserv?id=2869399&prov=M&dok_var=1&dok_ext=htm.

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41

Grebe, Inga. "Liebe und Aufklärung bei Voltaire /." Berlin : Dissertation.de Verl, 2006. http://catalogue.bnf.fr/ark:/12148/cb411214654.

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42

Harbek, Josefine. "Die Liebe und ihr Feind." Alexander Fuchs, 2012. https://slub.qucosa.de/id/qucosa%3A16294.

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Roman über die Zeit des Nationalsozialismus in Dresden In der Nacht zum Aschermittwoch 1945 zerstörten britische und amerikanische Bomber die Innenstadt von Dresden. Mehrere zehntausend Einwohner kamen dabei ums Leben. Tage und Nächte lang brannte die Stadt. Die das Inferno überlebten, hatten all' ihr Hab und Gut oder - schlimmer noch - jene Menschen verloren, die sie über alles liebten und von denen sie geliebt worden waren. Dieser Roman spielt in der Zeit bis zu jener Katastrophe und schildert das Leben einer Gruppe junger Menschen, die nicht ahnen, welches Unheil sich über ihnen zusammenbraut. Dieser Roman ist Band 06 der 'Kleinen Werkeausgabe' von Alexander Fuchs.

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43

Gaitzsch, Jens. "Gräfin Cosel – Augusts große Liebe." Via Regia Verlag, 2020. https://slub.qucosa.de/id/qucosa%3A76174.

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Der Artikel zeichnet die komplizierte und für die Gräfin Anna Constantia von Cosel (1680–1765) tragisch endende Beziehung zu August dem Starken nach und beschreibt, wie die berühmteste Mätresse des sächsischen Kurfürsten und polnischen Königs selbst zu einem Mythos wurde.

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44

Joy, Benjamin Michael. ""Lieder eines fahrenden Gesellen: Transcription for Trumpet Ensemble"." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1429789082.

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45

Silva, Bravo Ana María. "Estudio de mercado de la carne de liebre." Tesis, Universidad de Chile, 2007. http://www.repositorio.uchile.cl/handle/2250/101864.

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46

von, Hoegen Anja. "Schillers Kabale und Liebe und Goethes Faust im Diskurs der Liebe." Thesis, Linnéuniversitetet, Institutionen för språk och litteratur, SOL, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:vxu:diva-7242.

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47

Braun, Marianne. "De prijs van de liefde : de eerste feministische golf, het huwelijksrecht en de vaderlandse geschiedenis /." Amsterdam : Het Spinhuis, 1992. http://www.gbv.de/dms/spk/sbb/recht/toc/278223281.pdf.

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48

Meinberg, Anne [Verfasser]. ""Von der Liebe will ich erzählen" : Liebe und Sexualität im Erzählwerk von Adolf Muschg / Anne Meinberg." München : GRIN Verlag, 2014. http://d-nb.info/1183542976/34.

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49

Bertrand, Paul Chiffoleau Jacques. "Commerce avec dame pauvreté : structures et fonctions des couvents mendiants à Liège : XIIIe-XIVe s. /." Genève : Droz, 2004. http://catalogue.bnf.fr/ark:/12148/cb399468130.

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50

Liese, Harald [Verfasser]. "Wissensbasierte 3D-CAD Repräsentation / Harald Liese." Aachen : Shaker, 2004. http://d-nb.info/117260892X/34.

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