Relevant bibliographies by topics / Leucippe and Clitophon (Achilles Tatius) / Journal articles

Journal articles on the topic 'Leucippe and Clitophon (Achilles Tatius)'

To see the other types of publications on this topic, follow the link: Leucippe and Clitophon (Achilles Tatius).
Author: Grafiati
Published: 26 July 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 24 journal articles for your research on the topic 'Leucippe and Clitophon (Achilles Tatius).'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Litinas, Nikos. "ACHILLES TATIUS, LEUCIPPE AND CLITOPHON 5.1.3." Mnemosyne 53, no. 3 (2000): 347–49. http://dx.doi.org/10.1163/156852500510561.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Skountakis, Manolis. "Achilles Tatius, Leucippe And Clitophon 4.19.6." Mnemosyne 52, no. 5 (1999): 567–68. http://dx.doi.org/10.1163/156852599323224662.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Whitmarsh, Tim. "Domestic Poetics: Hippias' House in Achilles Tatius." Classical Antiquity 29, no. 2 (October 1, 2010): 327–48. http://dx.doi.org/10.1525/ca.2010.29.2.327.

Full text
Abstract:
Other Greek novels open in poleis, before swiftly shunting their protagonists out of them and into the adventure world. Why does Achilles Tatius' Leucippe and Clitophon open in a house (with no sign of any political apparatus), and stay there for almost one quarter of the novel? This article explores the cultural, psychological, and metaliterary role of the house in Achilles, reading it as a site of conflict between the dominant, patriarchal ideology of the father and the subversive intent of the young lovers. If the house principally embodies the authoritarian will of the father to order and control, it nevertheless provides the lovers with opportunities to re-encode space opportunistically as erotic. The house cannot be reconstructed archaeologically (Clitophon is too flittish a narrator for that), but it is nevertheless clearly divided into different qualitative zones—diningroom, bedrooms, garden—each of which has its own psychosocial and emotional texture, its own challenges, and its own resources. Achilles' modelling of the house may reflect Roman ideas of domestic aristocratic display, and perhaps even the influence of Roman literature (particularly love elegy).
APA, Harvard, Vancouver, ISO, and other styles
4

CHAKAL, Inesa. "MYTHONYMS AS MARKERS OF NATIONAL AND CULTURAL TRADITION IN THE TEXT OF THE ANCIENT GREEK NOVEL BY ACHILLES TATIUS." Folia Philologica, no. 5 (2023): 53–61. http://dx.doi.org/10.17721/folia.philologica/2023/5/8.

Full text
Abstract:
The article attempts to generally characterize the proper mythological vocabulary as an integral component of the onomastic background of the novel “Leucippe and Clitophon” written by the ancient Greek writer of the 2nd century A.D. Achilles Tatius. The purpose of the research was a typological, lexical-semantic and functional-stylistic analysis of mythonyms detected in the text of the novel. The mythospace of the ancient Greek novel determined the specifics of the verbal functioning of mythological objects, which were analyzed with the involvement of descriptive and quantitative analysis methods. In the structure of the onymic space of the novel “Leucippe and Clitophon” among anthroponyms, toponyms, ethnonyms / katoikonyms and chrononyms, the mythonyms occupy a key place (out of 181 onyms, 77 lexemes are mythonyms). Although most of them belong to the onomastic periphery in the novel’s text (a total usage is 295 words), they still have a defining role in the idiostyle of Achilles Tatius. The scientific novelty of the obtained results lies in the firstever systematic analysis of mythonyms in the novel “Leucippe and Clitophon”, involving a classification of mythological nominations by lexical meaning into three groups: 1) names of ancient gods, deities and mythical creatures, 2) names of heroes and heroines of myths or ancient works, and 3) names of historical figures (writers, statesmen, inventors, kings, commanders); their functional and stylistic features. Mythonyms appear in the novel in descriptions of artistic paintings, mythical stories, and comparisons with novel characters. The novel’s heroes make sacrifices to the gods and turn to them in oaths, supplications and prayers. The names of gods and goddesses ἡ Ἀφροδίτη, ἡ Ἄρτεμις, ὁ Ἔρως and ὁ Ζεύς are dominant among mythonyms in the text of the novel, and we consider them as keywords. Conclusions. Mythological proper vocabulary performs characteristic and artistic-aesthetic functions in the novel’s text as an important means of cohesion.
APA, Harvard, Vancouver, ISO, and other styles
5

Hilton, John. "The Analgesic Elephant and the Black Rose of India (Achilles Tatius 4.2-5)." Mnemosyne 72, no. 4 (June 21, 2019): 561–84. http://dx.doi.org/10.1163/1568525x-12342559.

Full text
Abstract:
AbstractThis article examines the discourse of Charmides, an army general attempting to suppress the banditry of the boukoloi in the Nile delta, about the analgesic power of the breath of elephants fed on the ‘black rose of India’ in Achilles Tatius’ novel, Leucippe and Clitophon (4.2-5). It explores the narrative context, the characterization of the military commander, the use of elephants as moral exempla for human behaviour, and the sub-text of Charmides’ speech. It considers how the discourse of the general relates to the theme of Plato’s dialogue, Charmides—sōphrosynē (sexual restraint)—and argues that Charmides’ account of the elephant and the ‘black rose of India’ are best understood as extended metaphors that are designed to coerce Leucippe into having sexual relations with him.
APA, Harvard, Vancouver, ISO, and other styles
6

Baker, Ashli J. E. "Mȳthoi Erōtikoi." Mnemosyne 73, no. 6 (May 4, 2020): 999–1024. http://dx.doi.org/10.1163/1568525x-12342751.

Full text
Abstract:
Abstract This article examines the role of Heracles as a mythical figure and god in Achilles Tatius’ Leucippe and Clitophon in order to show the ways in which his representation shapes a reading of the novel. This analysis argues that Heracles, a frequent presence in L&C, is depicted as an erotic figure over a heroic one and that he, therefore, embodies the interweaving of myth, narrative, and eroticism captured in the phrase mȳthoi erōtikoi and thematized throughout the novel. Furthermore, I suggest that the novel’s emphasis on erotic Heracles not only influences the reader’s understanding of Clitophon, but also contributes to the novel’s disruption of the genre’s expectations around heteroeroticism, monogamy, and marriage as the telos of the plot.
APA, Harvard, Vancouver, ISO, and other styles
7

Corke-Webster, James. "Apologists on Trials: Justin’s Second Apology, the Literary Courtroom, and Pleading Philosophy." Zeitschrift für Antikes Christentum / Journal of Ancient Christianity 28, no. 1 (May 30, 2024): 49–75. http://dx.doi.org/10.1515/zac-2024-0003.

Full text
Abstract:
Abstract This paper presents a fresh reading of Justin’s Second Apology. It focuses on that text’s narrative sections—the so-called martyrdom of Ptolemaeus and Lucius, and Justin’s own rift with Crescens. It demonstrates both these stories’ intratextual links, and their intertextual ties with contemporary mid-2d century literature—Achilles Tatius’ Greek novel Leucippe and Clitophon, and Apuleius’ Latin Apology. These in turn reveal the sophisticated rhetorical devices Justin employs, his goals in so doing, and the consequences for our understanding of the supposed new genre of Christian “apology.”
APA, Harvard, Vancouver, ISO, and other styles
8

Haskins, Susan L. "Male perpetrators of violence against women in Achilles Tatius' Leucippe and Clitophon." Acta Classica 65, no. 1 (2022): 41–64. http://dx.doi.org/10.1353/acl.2022.0003.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Reeves, Bridget. "The Role of the Ekphrasis in Plot Development: The Painting of Europa and the Bull in Achilles Tatius' Leucippe and Clitophon." Mnemosyne 60, no. 1 (2007): 87–101. http://dx.doi.org/10.1163/156852507x165856.

Full text
Abstract:
AbstractThis article examines the effectiveness of the ekphrasis of Europa and the bull which is placed at the beginning of Achilles Tatius' Leucippe and Clitophon, in order to shed light on its role in the development and progression of the plot in the novel. Although some critics have discussed the ekphrasis' anticipatory effectiveness with regard to the main characters, Leucippe and Clitophon, nevertheless much more can be said about the function of the set-piece description as a tool for foreshadowing events which transpire for the hero and heroine. In addition, this article demonstrates that the ekphrasis depicting Europa and the bull is not limited to prefiguring the actions of the main narrative as previously believed, but seems to act as a template for the plots of all of the mini-episodes that occur in the novel. By way of a table at the end of this article I present the template and the features common to the Europa-ekphrasis and to each of the mini-episodes in order to illuminate further the set-piece description's anticipatory effectiveness.
APA, Harvard, Vancouver, ISO, and other styles
10

Dressler, Alex. "The Sophist and The Swarm: Feminism, Platonism and Ancient Philosophy in Achilles Tatius' Leucippe and Clitophon." Ramus 40, no. 1 (2011): 33–72. http://dx.doi.org/10.1017/s0048671x00000199.

Full text
Abstract:
Achilles Tatius' novelLeucippe and Clitophonis widely recognised by critics as generally ‘philosophical’, even ‘Platonic’, but critics also agree that the meaning of this philosophy and Platonism–whether it is serious or satiric, semantic or aesthetic–is unclear. As a result of this ambivalence, a perplexity confronts the reader who wants to understand the particularlypoliticalphilosophical meaning of Achilles' novel, especially through its depiction of gender norms and hierarchies. The purpose of this article is to revisit the philosophical possibilities of Achilles' novel in view of its various literary and social-historical contexts. To do this, I work through rather than against the perplexity that confronts the reader ofL&C, proposing a relational, reflexive mode of reading that attends to the interplay of Platonism, Stoicism and the social-historical associations that Achilles' mobilisation of each imparts. Such a mode of reading suggests, against numerous critical interpretations, thatL&Cmay actually relate the feminine to the world in a progressive way. In addition, the development of this mode of reading in response toL&Cpotentially undermines, not only the masculinist gender norms that the novel seems to reinforce, but also the very subject-object dualism that underpins mainstream historicist modes of relating to ancient texts as something out there in the walled-off universe of competing textualities that is ‘the past’.
APA, Harvard, Vancouver, ISO, and other styles
11

Friesen, Courtney J. P. "Dionysus as Jesus: The Incongruity of a Love Feast in Achilles Tatius'sLeucippe and Clitophon2.2." Harvard Theological Review 107, no. 2 (April 2014): 222–40. http://dx.doi.org/10.1017/s0017816014000224.

Full text
Abstract:
A relationship between Achilles Tatius and Christianity has been imagined from at least as early as the tenth century when theSudaclaimed that he had converted to Christianity and been ordained as a bishop. Modern scholarship has found this highly improbable; nevertheless, attempts to explore connections between his late second-centuryc.e.novel,Leucippe and Clitophon, and early Christianity continue. In recent decades, within a context of renewed interest in the ancient novel, scholars of early Christianity have found a wealth of material in the novels to illuminate the generic development and meaning of Christian narratives in the New Testament and beyond. Less attention, however, has been given to the ways in which the novels respond to and incorporate themes from Christianity. Achilles Tatius's etiological myth of wine and its associated harvest festival inLeuc. Clit. 2.2 represent a particularly striking point of contact between Christianity and the Greek novel. In the first section below, I systematically review the narrative and ritual parallels betweenLeuc. Clit. 2.2 and the Christian Eucharist and conclude that they are too striking to be accidental or to have gone unnoticed by an ancient reader with knowledge of Christianity. Although these similarities have been pointed out, their meaning and consequences have received comparatively little attention from scholars either of the novel or of early Christianity. Thus, in the subsequent sections of this study I contextualize these parallels within second-century Christian and non-Christian literary and religious culture. My contention is that an exploration of the relationship betweenLeuc. Clit. 2.2 and the Christian Eucharist will provide valuable insight both into the larger project of Achilles Tatius and into the relationship between early Christianity and its contemporary context, particularly the Second Sophistic.
APA, Harvard, Vancouver, ISO, and other styles
12

Baumbach, Manuel. "(H.) Morales Vision and Narrative in Achilles Tatius' Leucippe and Clitophon. Cambridge UP, 2004. Pp. xiii + 270, illus. £45. 0521642647." Journal of Hellenic Studies 126 (November 2006): 165–66. http://dx.doi.org/10.1017/s0075426900007904.

Full text
APA, Harvard, Vancouver, ISO, and other styles
13

Bartsch, Shadi. "Vision and Narrative in Achilles Tatius’ “Leucippe and Clitophon.”. By Helen Morales. Cambridge: Cambridge University Press, 2004. Pp. [xiii] + 270. $75.00 (cloth)." Classical Philology 101, no. 3 (July 2006): 299–302. http://dx.doi.org/10.1086/511022.

Full text
APA, Harvard, Vancouver, ISO, and other styles
14

Morugina, Ksenia. "New Sources of the Text of the Life of Saint Pancratius of Tauromenia." ISTORIYA 14, no. 6 (128) (2023): 0. http://dx.doi.org/10.18254/s207987840027147-0.

Full text
Abstract:
The article is devoted to establishing the new sources of the text of the Life of St. Pancratius of Tauromenia. As a result of the analysis, several sources of its text were identified such as the novel “Leucippe and Clitophon” by Achilles Tatius (2nd century C. E.), autobiographical poems of St. Gregory of Nazianzus (late 4th century), the “Augustan History” (Historia Augusta, late 4th — early 5th century) and, separately, the writings of ancient historians for the legend of Taurus and Menia. In addition, parallels were found with the Syriac version of the “Acts of St. John” (5th century), which, perhaps, in some cases is closer to the Life than the Greek version of Pseudo-Prochorus. A special attention in the article is paid to the literary techniques and methods that are used by the author during his work with the sources of the Life. The sources considered in this article reveal the same methods described earlier in historiography, which the author of the Life uses when working with texts from other sources. The study carried out led to the conclusion that the author of the Life of St. Pancratius was an outstanding representative of the “dark ages” period of Byzantine literature (middle of the 7th — middle of the 9th centuries) and wrote for a “classically” educated audience or customer.
APA, Harvard, Vancouver, ISO, and other styles
15

CHEW, KATHRYN. "(H.) Morales Vision and Narrative in Achilles Tatius' Leucippe and Clitophon. Pp. xiv + 270, ill. Cambridge: Cambridge University Press, 2004. Cased, £45, US$75. ISBN: 0-521-64264-7." Classical Review 56, no. 1 (March 24, 2006): 82–84. http://dx.doi.org/10.1017/s0009840x05000429.

Full text
APA, Harvard, Vancouver, ISO, and other styles
16

Biraud, Michèle. "La répétition dans trois descriptions de Leucippe et Clitophon d'Achille Tatius." L Information Grammaticale 64, no. 1 (1995): 32–35. http://dx.doi.org/10.3406/igram.1995.3071.

Full text
APA, Harvard, Vancouver, ISO, and other styles
17

Christenson, David. "Callinus and militia amoris in Achilles Tatius' Leucippe and Cleitophon." Classical Quarterly 50, no. 2 (December 2000): 631–32. http://dx.doi.org/10.1093/cq/50.2.631.

Full text
Abstract:
Right so far as Homer is concerned, and Paulus, a poet of Justinian's court best known for his epic poem (modelled after Homer) composed on the occasion of the rededication of the Church of St Sophia, clearly evokes Callinus. But the commentators have overlooked the pointed use of μχρι(ς) τυος + the present indicative in Achilles Tatius’ τᾰ κατᾰ Λευκππην κα κλειοøντα. Examination of the examples there suggests that Achilles Tatius could make greater demands on his readers than is sometimes generally assumed for the Greek novelists.
APA, Harvard, Vancouver, ISO, and other styles
18

Repath, I. D. "Achilles Tatius’ Leucippe and Cleitophon: What Happened Next?" Classical Quarterly 55, no. 1 (May 2005): 250–65. http://dx.doi.org/10.1093/cq/bmi018.

Full text
APA, Harvard, Vancouver, ISO, and other styles
19

Laplace, Marcelle. "Achille Tatios, Leucippé et Clitophon VIII, 6, 7 : sur la beauté de Syrinx." Revue des Études Grecques 119, no. 1 (2006): 436–39. http://dx.doi.org/10.3406/reg.2006.4656.

Full text
APA, Harvard, Vancouver, ISO, and other styles
20

Most, Glenn W. "The Stranger's Stratagem: Self-Disclosure and Self-Sufficiency in Greek Culture." Journal of Hellenic Studies 109 (November 1989): 114–33. http://dx.doi.org/10.2307/632036.

Full text
Abstract:
The literary stock of Achilles Tatius has been increasing steadily in value since 1964, when an article about his romanceLeucippe and Cleitophonin an encyclopedia of world literature began, ‘Das Werk weist alle Mängel seines Genres samt einigen zusätzlichen eigenen auf.’ To be sure,Leucippe and Cleitophonremains among the last and probably least read of the Greek romances; yet in the last decades critics have begun to draw attention to original and effective aspects of its composition. As is usually the case, this revaluation has been accompanied not so much by the discovery of new virtues which had previously been neglected, but rather by the redescription as virtues of what had always counted as vices. Thus Cleitophon's lack of heroism can now be welcomed as comic realism, the implausibly melodramatic twists of the plot praised as selfconsciously theatrical ironies, and the baroque frigidity of the style counted as loony metaphysical wit or as BrechtianEntfremdung seffekt.
APA, Harvard, Vancouver, ISO, and other styles
21

Anderson, Graham. "Jean-Philippe Garnaud (ed., tr.): Achille Tatius d'Alexandrie, Le Roman de Leucippé et Clitophon. Texte établi et traduit. (Collection des Universités de France, Budé.) Pp. xxxi + 259 (text double); 1 map. Paris: Les Belles Lettres, 1991." Classical Review 42, no. 2 (October 1992): 439. http://dx.doi.org/10.1017/s0009840x00284709.

Full text
APA, Harvard, Vancouver, ISO, and other styles
22

Kanavou, Nikoletta. "TEXTUAL NOTES ON ACHILLES TATIUS." Classical Quarterly, April 1, 2022, 1–8. http://dx.doi.org/10.1017/s0009838822000155.

Full text
Abstract:
Abstract This paper contributes to the textual criticism of Achilles Tatius’ novel Leucippe and Clitophon by proposing a number of alterations to the text of the most recent edition of the complete novel (Les Belles Lettres) (Paris, 1991).
APA, Harvard, Vancouver, ISO, and other styles
23

Szepessy, Tibor. "Egy antik regényíró." Studia Litteraria 54, no. 1-2 (January 1, 2015). http://dx.doi.org/10.37415/studia/2015/54/4070.

Full text
Abstract:
After introducing the novel The Adventures of Leucippe and Clitophon by Achilles Tatius, the ancient novelist who is not well known in Hungary, the author analyses the most important critical remarks that have come up in the international essays referring to the novel. Eventually this essay offers a new solution to the very special problem of why the narrative frame is missing at the end, after Tatius started his novel using a framed structure.
APA, Harvard, Vancouver, ISO, and other styles
24

McHugh, Katherine A. "Euanthes and the World of Rhetoric in Achilles Tatius’ Leucippe and Cleitophon." Ancient Narrative, January 22, 2020, 1–14. http://dx.doi.org/10.21827/an.16.35773.

Full text
Abstract:
Within Leucippe and Cleitophon, Achilles Tatius inserts three extremely detailed ekphraseis of paintings, all of which stand out amongst the many other descriptive passages in the novel. This paper explores the rhetorical background of the author’s use of ekphrasis, and focuses in particular on the artist ‘Euanthes’ who is named at 3,6,3 as the painter of the images of Andromeda and Prometheus. It seeks to prove that Euanthes is entirely a construction of the author and that the name is representative of the world of rhetoric prominent in much of the literature of the 2nd Century AD. The rhetorical nature of the other ekphraseis of paintings in Leucippe and Cleitophon is also explored in order to support the interpretation of Euanthes as being part of an author’s in-joke with his educated readers.
APA, Harvard, Vancouver, ISO, and other styles
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography