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Books on the topic 'Lettura digitale'

Author: Grafiati

Published: 10 March 2023

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1

Broia, Daniele. Manoscritti palinsesti criptensi: Lettura digitale sulla banda dell' invisible. Ravenna: Universita' di Bologna, Facolta' di Conservazione dei beni culturali, 1998.

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2

Magherini, Simone. AD900 – archivio digitale del 900 letterario italiano. Firenze: SEF - Centro Studi Palazzeschi, 2022. http://dx.doi.org/10.35948/9788860326065.

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Realizzato nell'ambito dei due finanziamenti PRIN 2003-2006, il portale raccoglie e presenta i materiali dell'Archivio Palazzeschi dell'Università di Firenze, dell'Archivio Gozzano-Pavese dell'Università di Torino, dell'Archivio del Novecento in Liguria dell'Università di Genova, alcuni fondi dell'Archivio del Novecento dell'Università La Sapienza di Roma e dell'Archivio linguistico e cinematografico italiano (Aleci) di Alberto Raffaelli. Esso conserva manoscritti, lettere, foto, filmati in formato digitale visibili e consultabili on line, con possibilità di un'ampia gamma di ricerche sui dati e sui testi.

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3

Karow, Peter. Digital typefaces: Description and formats. Berlin: Springer-Verlag, 1994.

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4

Gordon, Bob. Making digital type look good. London: Thames & Hudson, 2001.

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5

Massimo, Palermo, Antonelli Giuseppe, and Chiummo Carla, eds. La cultura epistolare nell'Ottocento: Sondaggi sulle lettere del CEOD. Roma: Bulzoni, 2004.

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6

H, Harrison Antony, ed. The letters of Christina Rossetti: A digital edition. Charlottesville: University Press of Virginia, 2006.

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7

Matthew, Arnold. The letters of Matthew Arnold: A digital edition. Charlottesville: University of Virginia Press, 2006.

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8

Richter, Elke, and Anne Bohnenkamp. Brief-Edition im digitalen Zeitalter. Berlin: De Gruyter, 2013.

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9

Hotson, Howard, and Thomas Wallnig, eds. Reassembling the Republic of Letters in the Digital Age. Göttingen: Göttingen University Press, 2019. http://dx.doi.org/10.17875/gup2019-1146.

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10

Snail mail my email: Handwritten letters in a digital world. Naperville, IL: Sourcebooks, Inc., 2012.

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11

Steven, Heller. Faces on the edge: Type in the digital age. New York: Van Nostrand Reinhold, 1997.

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12

Reassembling the republic of letters in the digital age: Standards, systems, scholarship. [Göttingen, Germany]: Göttingen University Press, 2019.

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13

Reading letters: Designing for legibility. Amsterdam, Netherlands: BIS, 2012.

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14

Eusebi, Mario, and Eugenio Burgio. Marco Polo. Le Devisement dou monde. Venice: Edizioni Ca' Foscari, 2018. http://dx.doi.org/10.30687/978-88-6969-223-9.

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Il testo del Devisement dou monde (o Milione, secondo la tradizione italiana) trasmesso dal codice parigino fr. 1116 rappresenta la forma linguisticamente più vicina alla superficie discorsiva originale dell’opera poliana. Dopo l’edizione del 2010 Mario Eusebi ne ha rivisto la lezione: il frutto di tale revisione (già disponibile al lettore nell’edizione digitale di Dei viaggi di Messer Marco Polo di Giovanni Battista Ramusio, in questa collana, vol. 5) torna alla tradizionale forma-libro, accompagnato dal glossario integrale e dagli indici dei nomi e dei toponimi, curati da Eugenio Burgio.

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15

Michael, Harvey. Creative lettering today: Calligraphy in the graphic arts, drawing and design, digital letterforms, carving letters in stone and wood. New York: Design Books, 1996.

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16

Creative lettering today: Calligraphy in the graphic arts, drawing and design, digital letterforms, carving letters in stone and wood. London: A & C Black, 1996.

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17

Character traits: An argument for digitally drawn letterforms to be considered a distinct classification of lettering, free from the presumptions of late-industrial typographic manufacturing, accompanied by a suite of plates in which said argument is graphically explored in texts chosen for their relevance to the current state of the world. New York: Russell Maret, 2019.

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18

1741-1799, Withering William, Withering William 1741-1799, Townsend Helen, and Townsend Joanna, eds. William Withering and the foxglove: A bicentennial selection of letters from the Osler bequest to the Royal Society of Medicine, together with a transcription of "An account of the foxglove" and an introductory essay. Lancaster: MTP Press, 1985.

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19

A splendor of letters: The permanence of books in an impermanent world. New York: HarperCollins, 2003.

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20

Basbanes, Nicholas A. A splendor of letters: The permanence of books in an impermanent world. New York: HarperCollins, 2003.

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21

eFFe, ed. La lettura digitale e il web. Ledizioni, 2011. http://dx.doi.org/10.4000/books.ledizioni.1015.

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22

Johnson, Michelle, Rebecca Lang, Nathanial Hawthorne, Catherine Pendley, and John Halbach. Scarlet Letter: Digital Textbook. Beka Book, A, 2015.

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23

Chan, Francis. Letters to the Church Digital Video. Cook, David C., 2018.

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24

Village, Collage. 16 Letter Size Digital Art Collage Paper. Independently Published, 2019.

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25

Janning, Michelle. Love Letters: Saving Romance in the Digital Age. Taylor & Francis Group, 2018.

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26

Janning, Michelle. Love Letters: Saving Romance in the Digital Age. Taylor & Francis Group, 2018.

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27

Richter, Elke, and Anne Bohnenkamp. Brief-Edition Im Digitalen Zeitalter. de Gruyter GmbH, Walter, 2013.

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28

Steele, Catherine Knight. Digital Black Feminism. NYU Press, 2021. http://dx.doi.org/10.18574/nyu/9781479808373.001.0001.

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Black women are at the forefront of some of this century’s most important discussions about technology: trolling, online harassment, algorithmic bias, and influencer culture. But Black women’s relationship with technology began long before the advent of Twitter or Instagram. To truly “listen to Black women,”Steele points to the history of Black feminist technoculture in the U.S. to decenter white supremacy and patriarchy in the future of technology. Using the virtual beauty shop as a metaphor, Digital Black Feminism walks readers through the technical skill, communicative expertise, and entrepreneurial acumen of Black women’s labor—born of survival strategies and economic necessity—both on- and offline. Digital Black Feminism positions Black women at the center of our discourse about the past, present, and future of technology, offering a through line from the writing of early twentieth-century Black women to the bloggers and social media mavens of the twenty-first century. The blogosphere provided Black feminist writers a unique space to draft principles for a new generation of Black feminist thought, while other online communities offer practical lessons on the praxis of digital Black feminism. Steele makes connections between the letters, news articles, and essays of Black feminist writers of the past and a digital archive of blog posts, tweets, and Instagram stories of some of the most well-known Black feminist writers of our time. As Black feminist writers’ work now reaches its widest audience online, Steele offers hopefulness and caution on Black feminism becoming a product for sale in the digital marketplace.

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29

Bly, Robert W. The Direct Mail Revolution: How to Create Profitable Direct Mail Campaigns in a Digital World. Entrepreneur Press, 2019.

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30

Letters of a Woman Homesteader (Audiofy Digital Audiobook Chips). Audiofy/Sound Room, 2003.

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31

Johnes, Martin, and Bob Nicholson. Sport History and Digital Archives in Practice. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038938.003.0003.

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This chapter identifies the limitations of the digitization of newspapers—one of the most popular resources for sport historians. First, copyright restricts the scope of digitization of some twentieth-century newspapers and periodicals. Second, digitization is compromised when the quality of newspaper print affects the ability to scan accurately and when scanning software confuses letters in texts using old fonts. Finally, searching by scanning software relies on an exact match between the keyword selected by the researcher and the description used by the journalist. Nevertheless, digital archives enable sport historians to access and examine large databases in relation to individuals, sports, teams, events, and sporting metaphors as these topics arise in newspapers and in other sources such as Google Books and court records.

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32

Boss, Stephen. Digital Type Design for Branding: Designing Letters from Their Source. Taylor & Francis Group, 2018.

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33

Boss, Stephen. Digital Type Design for Branding: Designing Letters from Their Source. Taylor & Francis Group, 2018.

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34

Boss, Stephen. Digital Type Design for Branding: Designing Letters from Their Source. Taylor & Francis Group, 2018.

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35

Cash, Ivan. Snail Mail My Email: Handwritten Letters in a Digital World. Sourcebooks, Incorporated, 2013.

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36

Networks of Enlightenment: Digital Approaches to the Republic of Letters. Liverpool University Press, 2019.

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37

Boss, Stephen. Digital Type Design for Branding: Designing Letters from Their Source. Taylor & Francis Group, 2018.

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38

Boss, Stephen. Digital Type Design for Branding: Designing Letters from Their Source. Taylor & Francis Group, 2018.

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39

Boss, Stephen. Digital Type Design for Branding: Designing Letters from Their Source. Taylor & Francis Group, 2018.

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40

Simanowski, Roberto, Jörgen Schäfer, and Peter Gendolla. Reading Moving Letters: Digital Literature in Research and Teaching. a Handbook. Transcript Verlag, 2015.

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41

Reading Moving Letters Digital Literature In Research And Teaching A Handbook. Transcript Verlag, Roswitha Gost, Sigrid Noke, 2009.

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42

Letters of light: Arabic script in calligraphy, print, and digital design. 2017.

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43

Disease of Vegetables: Cucurbits, Garlic, Lettuce, Onion, Tomato (Digital Images Collection). Amer Phytopathological Society, 2000.

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44

Adesokan, Akinwumi. Everything Is Sampled: Digital and Print Mediations in African Arts and Letters. Indiana University Press, 2023.

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45

Adesokan, Akinwumi. Everything Is Sampled: Digital and Print Mediations in African Arts and Letters. Indiana University Press, 2023.

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46

Lincoln's Letters: The Private Man and the Warrior (Audiofy Digital Audiobook Chips). Audiofy/Sound Room, 2002.

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47

Adesokan, Akinwumi. Everything Is Sampled: Digital and Print Mediations in African Arts and Letters. Indiana University Press, 2023.

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48

Adesokan, Akinwumi. Everything Is Sampled: Digital and Print Mediations in African Arts and Letters. Indiana University Press, 2023.

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49

McGann, Jerome. New Republic of Letters. Harvard University Press, 2014.

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50

Springer, Nina, and Thomas B. Ksiazek. User Comments and Moderation in Digital Journalism. Taylor & Francis Group, 2020.

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