Academic literature on the topic 'Letteratura e arte barocca'
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Journal articles on the topic "Letteratura e arte barocca"
Franceschetti, Antonio, and Enzo Noe Girardi. "Letteratura come arte: Lezioni di teoria della letteratura." Italica 71, no. 2 (1994): 229. http://dx.doi.org/10.2307/480009.
Full textFerrari (book author), Stefano, and John Picchione (review author). "Psicoanalisi arte e letteratura. Bibliografia generale 1900-1983." Quaderni d'italianistica 8, no. 2 (October 1, 1987): 287–89. http://dx.doi.org/10.33137/q.i..v8i2.10870.
Full textOropallo, Lorenzo. "Letteratura, arte e conoscenza nel romanticismo. una sintesi." EPISTEMOLOGIA, no. 2 (November 2012): 329–23. http://dx.doi.org/10.3280/epis2012-002011.
Full textSevilla Fernández, José Manuel. "Francesco de Sanctis (1817-1883). 'La nueva Ciencia'. Páginas selectas traducidas de la 'Historia de la Literatura Italiana' (1870). Selecc., Trad. y Nota de J.M. Sevilla." Cuadernos sobre Vico, no. 34 (2020): 133–61. http://dx.doi.org/10.12795/vico.2020.i34.06.
Full textSimon, Anita. "Letteratura e arte figurativa : Franco Sacchetti, un testimone d'eccezione ?" Mélanges de l'Ecole française de Rome. Moyen-Age, Temps modernes 105, no. 1 (1993): 443–79. http://dx.doi.org/10.3406/mefr.1993.3291.
Full textPasolini, Pier Paolo. "O roteiro como "estrutura" que quer ser outra "estrutura"." Esferas 1, no. 21 (October 21, 2021): 17. http://dx.doi.org/10.31501/esf.v1i21.13458.
Full textPerkins, Phil, and Sally Schafer. "The Villa Pigneto Sacchetti excavation: a new interpretation." Papers of the British School at Rome 77 (November 2009): 273–90. http://dx.doi.org/10.1017/s0068246200000106.
Full textDonoso, Isaac, and Davide Mombelli. "Juan Andrés, Carta sobre la música árabe (editada por Torderini)." Analecta Malacitana. Revista de la sección de Filología de la Facultad de Filosofía y Letras 40 (October 14, 2020): 257–74. http://dx.doi.org/10.24310/analecta.2019.v40i.10426.
Full textPaduano, Guido. "Lo studio della letteratura europea." Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, no. 4 (June 16, 2021): 151–60. http://dx.doi.org/10.26754/ojs_tropelias/tropelias.199345540.
Full textArrous, Michel. "Aa. Vv., Arrigo Beyle «Romano» (1831-1841). Stendhal fra storia, cronaca, letteratura, arte." Studi Francesi, no. 153 (LI | III) (December 1, 2007): 675–76. http://dx.doi.org/10.4000/studifrancesi.9587.
Full textDissertations / Theses on the topic "Letteratura e arte barocca"
CUTRI', MAICOL. "Leggere il «libro aperto». Un’introduzione al «Cannocchiale aristotelico»." Doctoral thesis, Università Cattolica del Sacro Cuore, 2022. http://hdl.handle.net/10280/111138.
Full textThis introduction to Emanuele Tesauro’s “Il Cannocchiale aristotelico” provides for the first time a unified research on different aspects of one of the most complex and eminent treaty of the Seventeenth Century European literature. First, philological questions are investigated, involving, through the treatment of new data, the history of the text, changes between the editions approved by the author and the general structure. Then, intertextual aspects, as quotations and imitations, are clarified, in order to make understandable the complex work of the author on the text. In add, a narrative pattern is discovered above the highly rhetorical composition of examples: it works as a dramatic dialogue on witty matters between the author and Aristotle, and then the author and the reader, who is fascinated and involved in this formative dramatization. The final chapter is dedicated to the style and the use of rhetoric. A connection with oratorical genres, such as panegyric, is pointed out, as are the philosophical peculiarities of the “Cannocchiale aristotelico”, a guide for human understanding which uses for its aim all the potentialities of the Baroque literature.
Tagliatesta, Maria Francesca. "L'immagine dell'India nel medioevo italiano : arte e letteratura." Paris 3, 2005. http://www.theses.fr/2005PA030054.
Full textThe aim of the present work is to consider some cultural relationships between India and the Italian Middle Ages - following a route, from East to West, through the Iranian countries, the Middle and Near East - the Mediterranean and Byzantine world - and then trying to examine various cultural topics relating to iconography, architecture and history of art. An evaluation of the classical texts gives a preliminary picture of the real and imaginary perception of Indian culture. This is followed by an analysis of commercial contacts in Mediaeval times, showing the main communication routes, not only for trade but also culture, and underlines this blending of historical reality and imagination (the oriental mirabilia). The study takes a closer look at iconography and architecture in order to trace some possible links between the imagery of the Unicorn and its representations in Mediaeval churches of Italy. Further important architectural topics such as the Indian and Buddhist arch has been taken into account to present an analysis of some Mediaeval architectural forms in Italy
MALERBA, VALENTINA. "Giuseppe Raimondi: quattro carteggi tra letteratura e arte." Doctoral thesis, Urbino, 2017. http://hdl.handle.net/11576/2643591.
Full textBIGNOTTI, LAURA. "Convenzionalità barocca e coscienza individuale nella lirica religiosa di Johann Christian Günther." Doctoral thesis, Università Cattolica del Sacro Cuore, 2007. http://hdl.handle.net/10280/166.
Full textCritical interest in the rich literary production of Johann Christian Günther has been focussing on the possibility of recognizing in his poems the first example of subjective poetry after the great rhetoric season of the 17th century. Most studies investigating the innovative value of Günther's work concentrate on his Liebeslieder or Klagelieder. The present work concentrates instead on his religious poems, and aims to demonstrate that also in his geistliche Lyrik the author is able to offer a personal, sometimes autobiographical, reading of traditional themes, despite the persistence of typical baroque elements. While his early lyrics tend to remain faithful to the scarcely original imitation of pre-existing models, his later poems show a different approach to religious material. This evolution takes the form of a personal and conscious elaboration of spiritual themes, characterized by a considerable influence of pietism. The present research examines in particular Günther's Perikopenlieder, known as Geistliche Oden uber einige Sonn- und Festtage des sogenannten Christlichen Jahres des Herrn de Sacy verfertiget, his Bibeldichtung, his Weihnachtslieder and his Bußlieder.
BIGNOTTI, LAURA. "Convenzionalità barocca e coscienza individuale nella lirica religiosa di Johann Christian Günther." Doctoral thesis, Università Cattolica del Sacro Cuore, 2007. http://hdl.handle.net/10280/166.
Full textCritical interest in the rich literary production of Johann Christian Günther has been focussing on the possibility of recognizing in his poems the first example of subjective poetry after the great rhetoric season of the 17th century. Most studies investigating the innovative value of Günther's work concentrate on his Liebeslieder or Klagelieder. The present work concentrates instead on his religious poems, and aims to demonstrate that also in his geistliche Lyrik the author is able to offer a personal, sometimes autobiographical, reading of traditional themes, despite the persistence of typical baroque elements. While his early lyrics tend to remain faithful to the scarcely original imitation of pre-existing models, his later poems show a different approach to religious material. This evolution takes the form of a personal and conscious elaboration of spiritual themes, characterized by a considerable influence of pietism. The present research examines in particular Günther's Perikopenlieder, known as Geistliche Oden uber einige Sonn- und Festtage des sogenannten Christlichen Jahres des Herrn de Sacy verfertiget, his Bibeldichtung, his Weihnachtslieder and his Bußlieder.
Russo, Teresa Maria Letizia. "Giovanni Battista Quagliata (1603 ca.-1673). Un artista del barocco siciliano fra tardo caravaggismo e classicismo." Doctoral thesis, Università di Catania, 2017. http://hdl.handle.net/10761/4033.
Full textOgliotti, Eva <1980>. "La Garçonne: da figura estetica a tipo sociale : letteratura, arte, moda." Doctoral thesis, Università Ca' Foscari Venezia, 2011. http://hdl.handle.net/10579/1127.
Full textThis research shows the mechanisms through which the “aesthetic figure” of the garçonne has been recognized as a “social type”, highlighting the different semantic nuances assumed by the term – synonymous with deep changes in the woman lifestyle – in its migration from one cultural domain to the other. The analysis points out the different steps that allowed the inclusion of the substantive garçonne within the fashion domain. Moreover, it problematizes the cultural phenomenon that has been developed around this new female lifestyle. The process of reconstruction of the memory of the neologism coincided with the de-construction of the myth of la garçonne that the critical literature contributed to feed. Therefore, my thesis provides a complete analysis of the ways through which French society of the 1920’s represented and reflected itself by means of this aesthetic figure and life form.
ARTICONI, ANGELA. "L’arte nell’editoria per bambini: arte di carta." Doctoral thesis, Università di Foggia, 2016. http://hdl.handle.net/11369/351644.
Full textMULAS, Margherita. "Los amantes andaluces de Alonso de Castillo Solórzano. Estudio y edición crítica." Doctoral thesis, Università degli studi di Ferrara, 2019. http://hdl.handle.net/11392/2478785.
Full textThis critical edition aims at saving Los amantes andaluces by Alonso de Castillo Solórzano from oblivion. This book, published in Barcelona (Sebastián de Cormellas’s typography, 1633) in the editorial height of Castillo, has been neglected by critics, perhaps due to the numerous corruptions pervading the text, or to the absence of a prologue to the reader — the only case in the Solorzano’s production— and the paratexts, fundamental in order to frame a literary work within his cultural dimension. The twelve survived copies of Los amantes andaluces confirm the hypothesis that this text was written quickly, since they do not present variations of state. Besides inquiring into Castillo’s work context and into the musical poems present in the text, this thesis provides a picture of his universe of literary references in order to shed light on the creative dynamics of Castillo’s literary workshop.
Lorenzon, Federico <1988>. ""Questo è il mio corpo, questo sono io". Letteratura e arte contemporanea in Mauro Covacich." Master's Degree Thesis, Università Ca' Foscari Venezia, 2014. http://hdl.handle.net/10579/4819.
Full textBooks on the topic "Letteratura e arte barocca"
Il colore eloquente: Letteratura e arte barocca. Bologna: Il Mulino, 1995.
Find full textLa " meravigliosa" passione: Studi sul barocco tra letteratura ed arte. Roma: Salerno, 2001.
Find full textDiversi fuochi della letteratura barocca, ricerche in corso (Conference) (2015 Genoa, Italy). I diversi fuochi della letteratura barocca: Ricerche in corso : atti del convegno di studi, Genova, 29-30 ottobre 2015. Genova: De Ferrari, 2017.
Find full textAlpinia barocca: Paesaggio, arte, culture. Milano: Il saggiatore, 2004.
Find full textValerio, Terraroli, ed. Lombardia barocca e tardobarocca: Arte e architettura. Milano: Skira, 2004.
Find full textLa ragione barocca: Politica e letteratura nell'Italia del Seicento. [Milano]: B. Mondadori, 2006.
Find full textGirardi, Enzo Noè. Letteratura come arte: Lezioni di teoria della letteratura. Napoli: Edizioni scientifiche italiane, 1991.
Find full textMartinelli, Rosanna Cioffi. La Cappella Sansevero: Arte barocca e ideologia massonica. Salerno: Edizioni 10/17, 1987.
Find full textNardini, Claudio. Il Natale: Arte e letteratura. [Ancona]: Banca Marche, 2010.
Find full textUmberto Eco: Arte, semiotica, letteratura. San Cesario di Lecce: Manni, 2006.
Find full textBook chapters on the topic "Letteratura e arte barocca"
Noe, Alfred. "Galeazzo Gualdo Priorato filosofo morale Gli avvertimenti di un cortigiano avveduto del Barocco." In La res publica di Galeazzo Gualdo Priorato (1606-1678) Storiografia, notizie, letteratura. Venice: Fondazione Università Ca’ Foscari, 2022. http://dx.doi.org/10.30687/978-88-6969-627-5/008.
Full textCiaravolo, Massimo. "4 • In moto oscillatorio tra Stoccolma e Parigi. Notti di sonnambulo di Strindberg: 1884-1890." In Libertà, gabbie, vie d’uscita Letteratura scandinava della modernità e della città: 1866-1898. Venice: Fondazione Università Ca’ Foscari, 2022. http://dx.doi.org/10.30687/978-88-6969-600-8/004.
Full textGiacobbe, Giuliana Antonella. "LU VIVU MORTU (1734) DI LUIGI SARMENTO E LA MISOGINIA NELLA LETTERATURA SICILIANA DEL SETTECENTO." In Voces disidentes contra la misoginia. Nuevas perspectivas desde la sociología, la literatura y el arte, 305–18. Dykinson, 2022. http://dx.doi.org/10.2307/j.ctv36k5c25.19.
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