Dissertations / Theses on the topic 'Leonora'
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Hoffman, Leonora. "Konflikdinamika binne 'n staalmaatskappy te Potchefstroom / Leonora Hoffman." Thesis, North-West University, 2006. http://hdl.handle.net/10394/1222.
Full textThesis (M.A. (Industrial Sociology))--North-West University, Potchefstroom Campus, 2006.
Ryd, Gunilla. "Ténicas och estrategicas literarias en "Leonora" de Elena Poniatowska." Thesis, Linnéuniversitetet, Institutionen för språk och litteratur, SOL, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-18691.
Full textMartinez, Fanny. "Remedios Varo et Leonora Carrington en miroir : images croisées." Thesis, Montpellier 3, 2018. http://www.theses.fr/2018MON30043/document.
Full textThis PhD dissertation focuses on a literary and pictorial comparative analysis of European-born artists Remedios Varo (1908-1963) and Leonora Carrington (1917-2011) who, in the 1930s, participated in the Surrealist group in Paris and then went into exile in Mexico during World War II. The purpose of this study is to identify points of convergence and divergence in the creative process of these two artists. Equally important, this thesis will endeavor to enable a dialogue between their artworks and to examine their creative collaboration while focusing on the concept of images. The standpoint of this dissertation is at the same time comparative and multidisciplinary, for it is formulated at the junction of art history, literary analysis, pictorial analysis, and history.The notion of image, the conceptual contours of which are explained in the preamble 2 is to be understood in almost all of its significations – from pictorial and verbal image to mind-made image, in which oneiric image is to be included – and is seen as a conceptual intersection point par excellence.The first part of this study questions the construction of images or, using a metaphor borrowed from the alchemical language, the image laboratory. Chapter 1 introduces and theorizes the notion of surrealist image in order to reveal the ways in which both artists integrated into their works the surrealist state of mind, being an invitation to question the visible world, and went beyond it through the elaboration of “world models”, by analogy with specific alchemical and occultist processes. Chapter 2 not only considers exile as a historical and cultural context that gave way to profound mutual and dynamic influences, but also as a pivotal notion that enables to comprehend, in their productions, phenomena of reappropriation, hybridization, creative transfusion and transgression.The second part delves deeper into the comparison of images realized by both artists – an analysis that follows a dialectical pattern that combines the concepts of image-reflections and image-distortions. Chapter 3 analyzes female self-representations and is dedicated to reveal the way in which these representations challenge the images of the feminine as elaborated by male surrealist creators. Notions of transvestism and masquerade are examined and presented as inseparable from the quest to self-discovery.Finally, Chapter 4 pays attention to both artists’ “mirrors of relation” and “relation to mirrors”. On the one hand, this analysis addresses the creative friendship that unites both artists in their work, more specifically in their written expression, and the mechanisms of fictionalization pertaining to it. The mirror effects that are at play in the images of both artists who created fourhanded works and the pictorial motif of the mirror are also focused on in this research. Indeed, the mirror may be considered as an emblem of Remedios Varo’s and Leonora Carrington’s creative approach, not only as a specular tool but also and more importantly, as an object of symbolism and magic
Trennheuser, (geb Schacht) Sophie Anabel Leonora [Verfasser]. "Laser induzierte Geweberemodellierung des Trommelfells / Sophie Anabel Leonora Trennheuser (geb. Schacht)." Saarbrücken : Saarländische Universitäts- und Landesbibliothek, 2020. http://d-nb.info/1238074146/34.
Full textMackaya, Tahnee. "Le Discours des "sans voix"chez Ananda Devi et Leonora Miano." Thesis, Cergy-Pontoise, 2016. http://www.theses.fr/2016CERG0848.
Full textThe novels of Anada Devi and the Leonora Miano are full of "voiceless", another way of talking about the many invisible in contemporary societies. physical or mental disabilities, immigrants, ex colonized exiles, people in social and economic insecurity, migrants, street children, children of war, are the silent faces of the XXI century. Placed at the bottom, they are often perceived as threats to the established order and are often silenced. The arts including literature, both writers invent their language a producer against a speech. Gradually, with the words and the silente, invisible make their way to tell an another identity Open and not protectionist. If at Devi, tradition and masculine power and annihilate submit individuals called "Shehtan", "abnormal" because different official canons (beauty, appearance, logic, caste, gender), in Miano is the cultural clash and West Africa that has left an indelible mark on the psyche and the African identity. No freeze in the pain of oppression, both francophone writers, make their history and memory. So be it de-punctuation, diglossia of genrologique or linguistic hybridity, narrative duplicity, effects of styles, thinking or communication, literary forms working to invent other identities. . The Afropéanisme and humanimalité are brother and sister and the same worldview able to construct an inter space of peaceful dialogue. . Identities that describe and re-enchant the two authors are those between the two that can accommodate all literary singularity posture becomes policy to fight against discrimination and inequality in order to "dwell poetically the world"
Fox, Stacey Jade. "The idea of madness in Dorothy Richardson, Leonora Carrington and Anais Nin." University of Western Australia. English and Cultural Studies Discipline Group, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0194.
Full textSalmerón, Cabañas Julia. ""Errant in time and space" : a reading of Leonora Carrington's major literary works." Thesis, University of Hull, 1997. http://hydra.hull.ac.uk/resources/hull:11073.
Full textRehberg, Gerlinde. "Treacherous mirrors and the quest for the self in the work of Leonora Carrington." Thesis, University of East Anglia, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.300489.
Full textTurner, M. K., of Western Sydney Nepean University, and School of Contemporary Arts. "Representation and womens art." THESIS_XXX_CAR_Turner_M.xml, 1998. http://handle.uws.edu.au:8081/1959.7/732.
Full textMaster of Arts (Hons)
Zange, Leonora [Verfasser]. "Phosphoryliertes α-Synuclein als diagnostischer Marker für eine dermale sympathische Neurodegeneration bei Lewy body-Erkrankungen / Leonora Zange." Berlin : Medizinische Fakultät Charité - Universitätsmedizin Berlin, 2014. http://d-nb.info/1062949064/34.
Full textSalazar, Gómez Viridiana. "Tesis: El surrealismo en México a través de la obra Las distracciones de Dagoberto de Leonora Carrington." Tesis de Licenciatura, UNIVERSIDAD AUTÓNOMA DEL ESTADO DE MÉXICO, 2017. http://hdl.handle.net/20.500.11799/67037.
Full textCarroll, Rachel Louise. "The return to the body in the work of Sylvia Plath, Angela Carter, Leonora Carrington, and Flannery O'Connor." Thesis, University of Newcastle Upon Tyne, 1996. http://hdl.handle.net/10443/299.
Full textVodermayer, Sohl Melinda Anna. "Claves de representación corporal en las poéticas de las pintoras surrealistas: Frida Khalo, Leonora Carrington y Remedios Varo." Doctoral thesis, Universitat Politècnica de València, 2012. http://hdl.handle.net/10251/17798.
Full textVodermayer Sohl, MA. (2012). Claves de representación corporal en las poéticas de las pintoras surrealistas: Frida Khalo, Leonora Carrington y Remedios Varo [Tesis doctoral no publicada]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/17798
Palancia
Turner, M. K. "Representation and womens art." Thesis, View thesis, 1998. http://handle.uws.edu.au:8081/1959.7/732.
Full textZipplies, Theresa Leonora [Verfasser], and Jürgen [Gutachter] Groll. "Fluoreszenzmarkierte Nanogele auf Poly(glycidol)-Basis - Herstellung, Charakterisierung und deren Interaktion in vitro / Theresa Leonora Zipplies ; Gutachter: Jürgen Groll." Würzburg : Universität Würzburg, 2018. http://d-nb.info/1160877270/34.
Full textLusty, Natalya. "Surrealism, feminism and psychoanalysis : the crisis of representation in the work of Leonora Carrington, Claude Cahun and Cindy Sherman." Thesis, The University of Sydney, 2001. http://hdl.handle.net/2123/1685.
Full textDeffebach, Nancy. "Images of plants in the art of María Izquierdo, Frida Kahlo, and Leonora Carrington : gender, identity, and spirituality in the context of modern Mexico /." Digital version accessible at:, 2000. http://wwwlib.umi.com/cr/utexas/main.
Full textPlunkett, Tara Emma. "Self and desire : surrealism in the images and texts of Federico García Lorca, Rafael Alberti, Remedios Varo and Leonora Carrington." Thesis, Queen's University Belfast, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.602786.
Full textGutierrez, Menez Evangelina. ""No se nace mujer, la mujer se hace:" la autoconstrucción del personaje principal en la novela Leonora de Elena Poniatowska." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-43025.
Full textBisson-Fradet, Rachel. "Dialogues entre les genres, les voix et les arts : l'écriture fictionnelle d'Elena Poniatowska (Querido Diego, te abraza Quiela ; Tinisima ; Leonora)." Thesis, Normandie, 2019. http://www.theses.fr/2019NORMR114.
Full textFrom a corpus composed of three novels by Elena Poniatowska, Querido Diego, te abraza Quiela (1978), Tinísima (1992), Leonora (2011), we are exploring the main characteristics of Poniatowskia’s fiction writing that puts women at the centre of her narrative world. Our study highlights the generic hybridity of these three works from the study of the book as an object, and then from the analysis of thresholds. We are showing that the writer recreates the lives and works of three foreign artists exiled in Mexico, in a text space where historical reality and novelistic fiction entangle. Then in a second time, we are exploring Poniatowska’s making of the text through the writing process based on sticking heterogeneous pieces of speech together. We are emphasizing the originality of her writing, for in the way of a mosaic, she links the protagonists’ writings, some excerpts from the author’s own works and from other writers, as well as intermedial references, that transforms the act of reading into an act of exploring relationships between different media. Besides, the resolutely polyphonic approach of the novels starts a dialogue between the voices and the texts, showing a global view on women artists in the 20th century. Finally, the third part aims at underlining the making of the female characters. The novels root the three women’s paths and choices in an androcentric society, and at the same time highlight the effects of the male characters on their transgressive developments. The texts (re)present views on traditionally hostile circles to women, and on the journeys of exceptional individuals in Mexico’s artistic history
Turner, M. K. "Representation and womens art." View thesis, 1998. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030916.113709/index.html.
Full textFerentinou, Victoria. "Women Surrealists and hermetic imagery : androgyny and the feminine principle in the work of Ithell Colquhoun, Leonora Carrington and Remedios Varo." Thesis, University of Essex, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.442510.
Full textBlancard, Marie. "Les spectacles intérieurs de Leonora Carrington, Frida Kahlo, Gisèle Prassinos, Dorothea Tanning et Unica Zürn. : Dialogue entre écriture et arts plastiques." Cergy-Pontoise, 2006. http://biblioweb.u-cergy.fr/theses/06CERG0296.pdf.
Full textThis dissertation intends to study the creative imaginative worlds of five twentieth-century artists linked to the Surrealist movement : Leonora Carrington, Frida Kahlo, Gisèle Prassions, Dorothea Tanning and Unica Zürn namely. By focalizing on their double practice, i. E. Their literary and visual art practice, our study aims to define the originality of their “inscapes”. Their works, which are focused on self-representation, question the notions of reflection and identity and the fact of belonging to a particular gender. Deeply influenced by traditional or conventional codes and models, these artists emphasize the difficulties to define one’s position in a world still largely dominated by patriarchal discourses
Blancard, Marie Achour Christiane. "Les spectacles intérieurs de Leonora Carrington, Frida Kahlo, Gisèle Prassinos, Dorothea Tanning et Unica Zürn. Dialogue entre écriture et arts plastiques /." [S.l.] : [s.n.], 2008. http://biblioweb.u-cergy.fr/theses/06CERG0296.pdf.
Full textMarquié, Hélène. "Métaphores surréalistes dans des imaginaires féminins : quêtes, seuils et suspensions : souffles du surréel au travers d'espaces picturaux et chorégraphiques : parcours dans les oeuvres de Leonora Carrington, Leonor Fini, Dorothea Tanning, Martha Graham, Doris Humphrey et Carolyn Carlson." Paris 8, 2000. http://www.theses.fr/2000PA081713.
Full textHerrera, Adriana. "Ficción Extrema: Deslizamientos en la Realidad a Través de la Relación Entre Arte y Literatura (Max Aub, Leonora Carrington y Enrique Vila-Matas)." FIU Digital Commons, 2014. http://digitalcommons.fiu.edu/etd/1741.
Full textDudeque, Marcia Leonora. "Educação de jovens e adultos e formação de professores : estudo histórico sob o referencial de violência simbólica / Marcia Leonora Dudeque ; orientadora, Rosa Lydia Teixeira Corrêa." reponame:Biblioteca Digital de Teses e Dissertações da PUC_PR, 2006. http://www.biblioteca.pucpr.br/tede/tde_busca/arquivo.php?codArquivo=542.
Full textInclui bibliografia
O presente estudo faz uma reflexão histórica, referente à segunda metade do século XX, sobre os recorrentes déficits educacionais do ensino regular brasileiro. Outrossim, demonstra através de dados estatísticos mais recentes que inquestionáveis avanços ed
Asif, Noor A. "Women Surrealists: Muses or Seekers?" Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/scripps_theses/826.
Full textMorina, Leonora [Verfasser], and Dines [Akademischer Betreuer] Christen. "Mikrowellen-Mikrowellen Doppelresonanzspektroskopie von Glykol und Aceton (HOCH2CH2OH und CH3COCH3) in deren ersten angeregten Torsionszuständen und das Rotationsspektrum von 1,2,3-Triazin (C3H3N3) / Leonora Morina ; Betreuer: Dines Christen." Tübingen : Universitätsbibliothek Tübingen, 2019. http://d-nb.info/1205002219/34.
Full textCross, Martyn. "Occupational respiratory health surveillance at Minara Resources, Murrin Murrin mine site." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2011. https://ro.ecu.edu.au/theses/418.
Full textBrunie, Leonora Verfasser], Ute [Akademischer Betreuer] Reuning, Ernst J. [Akademischer Betreuer] Rummeny, and Barbara [Akademischer Betreuer] [Schmalfeldt. "Generation of integrin αvβ3 cytoplasmic and transmembrane domain mutants: characterisation of the impact of integrin conformation on human ovarian cancer cell proliferation / Leonora Brunie. Gutachter: Ute Reuning ; Ernst J. Rummeny ; Barbara Schmalfeldt. Betreuer: Ute Reuning." München : Universitätsbibliothek der TU München, 2012. http://d-nb.info/1031513906/34.
Full textLink, Leonora Maria [Verfasser], and Stefan [Akademischer Betreuer] Wirth. "Eine Übersicht zu nicht-knöchernen Verletzungsfolgen nach Schädel-Hirn-Trauma mit einer retrospektiven Single-Center-Studie zur Abschätzung des Einflusses gerinnungshemmender Vor-Medikation am Beispiel des Klinikums der Universität München / Leonora Maria Link ; Betreuer: Stefan Wirth." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2019. http://d-nb.info/1190033038/34.
Full textHerbst, Leonore [Verfasser]. "Staatensukzession und Staatsservituten. / Leonore Herbst." Berlin : Duncker & Humblot, 2019. http://d-nb.info/1237892864/34.
Full textRůžičková, Michaela. "Leonard Bernstein: MASS." Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2016. http://www.nusl.cz/ntk/nusl-253942.
Full textLéonard-Fortuné, Danielle. "Conditions de compatibilité en mécanique des solides : Méthode de Darboux." Poitiers, 2008. http://theses.edel.univ-poitiers.fr/theses/2008/Leonard-Fortune-Danielle/2008-Leonard-Fortune-Danielle-These.pdf.
Full textThe compatibility conditions, associated with partial differential equation of deformable bodies, are used as a guideline of the present work. The basic idea, first presented by Darboux in the context of the general theory of surfaces, consists in replacing the Christoffel symbols by vectors called the Darboux vectors. These vectors are related to rotations in a similar way as the instantaneous rotation vectors in rigid body dynamics. The compatibility conditions are revisited here in the framework of large strain. Two systems of decoupled partial differential equation allow to obtain the displacement of the deformed body by successive integrations. Our results show the validity of the developed tools. An original investigation of threedimensional Riemann manifolds, with the same curvature as a sphere, is carried out. The theory of surfaces is also studied by introducing the Darboux vectors. A surface is rebuilt from his two fundamental forms in accordance with the Bonnet theorem. The particular study of a minimal surface leads to an efficient building process from the knowledge of the boundary. A new concept, called sister minimal surface, is introduced and its application is developed in the case of two examples. Finally the equivalence between the cancellation of the Riemann-Christoffel curvature tensor in a shell and the Gauss-Codazzi-Mainardi conditions on its mean surface is established. Further developments of the present work would be concerned with the rigid body, treated as a six-dimensional Riemann manifold
Broekveldt, Leonard Pieter. "Derdenbeslag /door Leonard Pieter Broekveldt." Deventer : Kluwer, 2003. http://www.gbv.de/dms/spk/sbb/recht/toc/371237858.pdf.
Full textLi, Boting, and 李博婷. "Leonard Woolf: towards a literarybiography." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B45697735.
Full textSpiewak, Jonathan. "Leonard Systems and their Friends." Scholar Commons, 2016. http://scholarcommons.usf.edu/etd/6145.
Full textMoure, Zabiaguirre Francisco. "Colegio Público Leonaro da Vinci." Tesis, Universidad de Chile, 2004. http://www.repositorio.uchile.cl/handle/2250/100505.
Full textBoman, Dennis K. "The life of Abiel Leonard : eminent jurist and passionate unionist /." free to MU campus, to others for purchase, 1998. http://wwwlib.umi.com/cr/mo/fullcit?p9924865.
Full textHampe, Martínez Teodoro. "Leonard Irving, Books of the Brave." Pontificia Universidad Católica del Perú, 2014. http://repositorio.pucp.edu.pe/index/handle/123456789/114293.
Full textRüddenklau, Leonard-Roman [Verfasser]. "Prozessschutz und Wildnisentwicklung. / Leonard-Roman Rüddenklau." Berlin : Duncker & Humblot, 2021. http://d-nb.info/1238493068/34.
Full textScheibler, Alexandra. ""Ich glaube an den Menschen" : Leonard Bernsteins religiöse Haltung im Spiegel seiner Werke /." Hildesheim ; Zürich ; New York : G. Olms, 2001. http://catalogue.bnf.fr/ark:/12148/cb37651955d.
Full textChiari, Gisele Gemmi. "A estética romântica no teatro de Gonçalves Dias: Leonor de Mendonça." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8149/tde-17092015-162217/.
Full textStudies about Leonor de Mendonça are not very numerous and they usually are articulated with chapters or prefaces that deal with the dramatic production of Gonçalves Dias as a whole or on the romantic theater in Brazil. This thesis aims to present a more extensive and detailed study of the Dias masterpiece. The choice of this play was also due to the famous Prologue that precedes it, as it discusses important aspects of romantic aesthetic and dialogue with European productions, especially with the Preface of Cromwell by Victor Hugo. The scope of this work is to analyze the drama Leonor de Mendonça focusing on the context of production from the aesthetic point of view. In this sense, the examination of the sample cover a study on the dramatic genres in vogue in the period and the relation of Gonçalves Dias work with these theatrical aesthetic. The idea is to understand how the elements of the bourgeois drama, melodrama, historical and romantic drama as well as aspects of gothic literature are embedded in the text in question. In addition, the permanence of classical and neoclassical elements will also be discussed throughout the chapters of this study. The intent of the review is to point out how communication with these genres contributes to development of the drama. In this exercise transpires more tangibly G. Dias dialogue with Victor Hugo as well as interaction with Schiller\'s tragedies. Considered a historical drama, in fact, the play is structured by interrelating characteristics of different genres. More than the result of an inter-gender relationship, Leonor de Mendonça shows that various aesthetic experiences of the author have been subsumed in the composition and conformed in a romantic drama of tragic plot and critical content that even now remains current. This paper also compares the play in question with contemporary Brazilian dramas and tragedies in order to demonstrate the uniqueness of the history of duchess of Bragança in this context which the romantic aesthetic in the theater was not yet fully understood or accepted. From a broader perspective, this thesis intends to contribute to the study of Gonçalves Dias theater and the research on romanticism in Brazil.
Hahn, Kristin [Verfasser], Sigrid [Gutachter] Jacobeit, and Leonore [Gutachter] Scholze-Irrlitz. "Kleidung in der DDR. / Kristin Hahn ; Gutachter: Sigrid Jacobeit, Leonore Scholze-Irrlitz." Berlin : Humboldt-Universität zu Berlin, 2019. http://d-nb.info/1182541488/34.
Full textMoolman, Bilué Anton. "Winston Leonard Spencer Churchill: a psychobiographical study." Thesis, Nelson Mandela Metropolitan University, 2012. http://hdl.handle.net/10948/d1009434.
Full textJohansson, Anna. "Conceptual Metaphors in Lyrics by Leonard Cohen." Thesis, Umeå universitet, Institutionen för språkstudier, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-125400.
Full textLilja, Leonela. "Leonela, Sara, Natalee och de tre Mariorna." Thesis, Kungl. Konsthögskolan, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kkh:diva-98.
Full textOrazi, Françoise. "La pensée politique de Leonard Trelawny Hobhouse." Lyon 2, 2001. http://theses.univ-lyon2.fr/sdx/theses/lyon2/2001/orazi_f.
Full textL. T. Hobhouse (1864-1929), a major theorist of British New Liberalism, put forward a political project aimed at setting up social justice. On the basis of a sociological analysis of history and of society, he reformulated Liberalism, defining it as co-operative collectivism. The individual, evolving towards reason, had to understand that his own interest was bound up with the common good. Playing a responsible part in society, together with exercising economic control, were the conditions of real democracy. Consequently the State was no longer thought to be a threat to individual liberty. Hobhouse, who wrote many books, also wrote leaders for the Manchester Guardian and was a politically committed observer of the time. He was particularly interested in international relations. During the Boer war he strongly criticised the government's imperialism. He then had high hopes for the policies of the 1906-1914 Liberal government. But his optimism ended with the first World War and the subsequent decline of the Liberal party
Muñoz, Theresa Lynda. "Alienation in the work of Tom Leonard." Thesis, University of Glasgow, 2015. http://theses.gla.ac.uk/7028/.
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