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Journal articles on the topic 'Leon Battista'

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Author: Grafiati

Published: 4 June 2021

Last updated: 22 February 2023

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1

Benelli, Francesco. "Review: La Roma di Leon Battista Alberti by Leon Battista Alberti." Journal of the Society of Architectural Historians 65, no. 2 (June 1, 2006): 280–82. http://dx.doi.org/10.2307/25068267.

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2

Contarino (book author), Rosario, and Lorenzo Bartoli (review author). "Leon Battista Alberti moralista." Quaderni d'italianistica 13, no. 2 (October 1, 1992): 301–4. http://dx.doi.org/10.33137/q.i..v13i2.10127.

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3

Fiore, Francesco Paolo, and N. Adams. "Review: Leon Battista Alberti." Journal of the Society of Architectural Historians 54, no. 2 (June 1, 1995): 228–32. http://dx.doi.org/10.2307/990969.

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4

Zimmermann, T. C. Price, and Cecil Grayson. "Studi su Leon Battista Alberti." Sixteenth Century Journal 31, no. 2 (2000): 560. http://dx.doi.org/10.2307/2671681.

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5

Tonnesmann, Andreas, and Candida Syndikus. "Leon Battista Alberti. Das Bauornament." Zeitschrift für Kunstgeschichte 61, no. 3 (1998): 446. http://dx.doi.org/10.2307/1482999.

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6

Marsh, David. "Leon Battista Alberti at the Millennium." Renaissance Quarterly 55, no. 3 (2002): 1028–37. http://dx.doi.org/10.2307/1261564.

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7

Joost-Gaugier, Christiane L., Leon Battista Alberti, Martine Furno, and Mario Carpo. "Leon Battista Alberti: Descriptio urbis Romae." Sixteenth Century Journal 32, no. 1 (2001): 206. http://dx.doi.org/10.2307/2671438.

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8

Frank, Maria Esposito. "Leopardi Lettore Di Leon Battista Alberti." Italian Culture 9, no. 1 (January 1991): 183–95. http://dx.doi.org/10.1179/itc.1991.9.1.183.

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9

Mitrović, Branko. "Leon Battista Alberti, Mental Rotation, and the Origins of Three-Dimensional Computer Modeling." Journal of the Society of Architectural Historians 74, no. 3 (September 1, 2015): 312–22. http://dx.doi.org/10.1525/jsah.2015.74.3.312.

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One of the most fundamental assumptions of modern architectural practice is that all spatial relationships on a building are mathematically definable and can be systematically described by means of two-dimensional representations generated using procedures based on quantification. It is this assumption that makes three-dimensional computer modeling possible. In Leon Battista Alberti, Mental Rotation, and the Origins of Three-Dimensional Computer Modeling, Branko Mitrović analyzes the historical origins of this approach to visual communication about architectural works and its first explicit articulation in the work of Leon Battista Alberti.

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10

Strohmayer, Wolfgang. "Leon Battista Alberti Schonheitsbegriff und traditionelle Entwurfsgrundlagen." Archiv für Musikwissenschaft 58, no. 3 (2001): 231. http://dx.doi.org/10.2307/931084.

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11

Biermann, Hartmut. "War Leon Battista Alberti je in Urbino?" Zeitschrift für Kunstgeschichte 65, no. 4 (2002): 493. http://dx.doi.org/10.2307/4150673.

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12

Jarzombek, Mark. "Leon Battista Alberti and His Somniatic Troubles." Thresholds 43 (January 2015): 102–309. http://dx.doi.org/10.1162/thld_a_00060.

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13

Charbel Teixeira, Felipe. "Representações do belo no Quattrocento florentino: Leon Battista Alberti e Marsilio Ficino." Viso: Cadernos de estética aplicada 3, no. 6 (May 13, 2009): 1–22. http://dx.doi.org/10.22409/1981-4062/v6i/68.

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14

Grafton, Anthony. "Defining the Architect in Fifteenth-Century Italy: Exemplary Architects in L. B. Alberti's De re aedificatoria Liisa Kanerva Leon Battista Alberti Ornamentum: Studien zum Traktat "De re aedificatoria" des Leon Battista Alberti Veronika Biermann Leon Battista Alberti Leon Battisa Alberti: Das Bauornament Candida Syndikus." Journal of the Society of Architectural Historians 61, no. 3 (September 2002): 402–4. http://dx.doi.org/10.2307/991794.

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15

Jurdjevic, Mark, and Luca Boschetto. "Leon Battista Alberti e Firenze: Biografia, Storia, Letteratura." Sixteenth Century Journal 32, no. 4 (2001): 1184. http://dx.doi.org/10.2307/3649040.

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16

McLaughlin, Martin. "Propos de table. Intercenales by Leon Battista Alberti." Modern Language Review 116, no. 4 (2021): 657–58. http://dx.doi.org/10.1353/mlr.2021.0016.

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17

Kircher, Timothy. "Dead Souls: Leon Battista Alberti’s Anatomy of Humanism." MLN 127, no. 1 (2012): 108–23. http://dx.doi.org/10.1353/mln.2012.0053.

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18

Mitrović, Branko. "Leon Battista Alberti and the Homogeneity of Space." Journal of the Society of Architectural Historians 63, no. 4 (December 1, 2004): 424–39. http://dx.doi.org/10.2307/4128013.

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In his "Perspective as Symbolic Form," Erwin Panofsky argued that the concept of homogenous space developed shortly before, and enabled, the discovery of the geometrical construction of perspective. Subsequent scholarship has suggested that this understanding arose much later. However, without the concept of space as homogenous, it is very difficult to conceive of such fundamental elements of architectural theory as dimension, proportion, shape, or the multiplication of shapes. Consequently, the question as to whether Renaissance theorists operated with the concept of homogenous space is of great importance not only for the history of perspective, but for the history of architectural theory as well. In this article, I explore Leon Battista Alberti's views on the subject.

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19

Bisconti, Donatella. "L’exil dans les Intercenales de Leon Battista Alberti." Arzanà, no. 16-17 (April 1, 2013): 403–17. http://dx.doi.org/10.4000/arzana.234.

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20

March, Lionel. "Leon Battista Alberti as Author of Hypnerotomachia Poliphili." Nexus Network Journal 17, no. 3 (August 20, 2015): 697–721. http://dx.doi.org/10.1007/s00004-015-0262-8.

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21

Chappuit, Jean-François. "Shakespeare et le De Pictura de Leon Battista Alberti." Actes des congrès de la Société française Shakespeare, no. 22 (November 1, 2005): 55–74. http://dx.doi.org/10.4000/shakespeare.743.

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22

Cibelli, Deborah H., and Anthony Grafton. "Leon Battista Alberti: Master Builder of the Italian Renaissance." Sixteenth Century Journal 33, no. 1 (2002): 272. http://dx.doi.org/10.2307/4144297.

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23

Payne, Alina, and Anthony Grafton. "Leon Battista Alberti: Master Builder of the Italian Renaissance." Art Bulletin 85, no. 2 (June 2003): 387. http://dx.doi.org/10.2307/3177350.

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24

Jarzombek, Mark. "The structural problematic of Leon Battista Alberti's De pictura." Renaissance Studies 4, no. 3 (September 1990): 273–86. http://dx.doi.org/10.1111/j.1477-4658.1990.tb00214.x.

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25

Sydie, R. A. "The Phallocentric Gaze: Leon Battista Alberti and Visual Art." Journal of Historical Sociology 10, no. 3 (September 1997): 310–41. http://dx.doi.org/10.1111/1467-6443.00042.

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26

Brandão, Carlos Antônio Leite. "L'idée de nature chez Leon Battista Alberti (1404-1472)." Pós. Revista do Programa de Pós-Graduação em Arquitetura e Urbanismo da FAUUSP, no. 26 (December 1, 2009): 276. http://dx.doi.org/10.11606/issn.2317-2762.v0i26p276-278.

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27

Jarzombek, Mark. "The Structural Problematic of Leon Battista Alberti's De Pictura." Renaissance Studies 4, no. 3 (September 1990): 273–86. http://dx.doi.org/10.1111/1477-4658.00090.

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28

Pintore, Angela. "Musical Symbolism in the Works of Leon Battista Alberti." Nexus Network Journal 6, no. 2 (October 2004): 49–70. http://dx.doi.org/10.1007/s00004-004-0018-3.

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29

Stolf, Serge. "Rhétorique et politique dans l’apologue Lacus de Leon Battista Alberti." Cahiers de linguistique et de civilisation hispaniques médiévales 25, no. 1 (2002): 385–97. http://dx.doi.org/10.3406/cehm.2002.1250.

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30

Samper Sosa, Albert. "Cuestiones sobre el polígono no construible de Leon Battista Alberti." EGA Revista de expresión gráfica arquitectónica 23, no. 33 (July 13, 2018): 52. http://dx.doi.org/10.4995/ega.2018.10402.

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<p class="Default">Es conocido el proceso geométrico trazado por Leon Battista Alberti al diseñar armónicamente la composición de la fachada de Santa María de la Novella en Florencia. Además, en ella encontramos 48 detalles ornamentales elaborados mediante la construcción de polígonos regulares, concretamente: 7 realizados con base pentagonal, 3 con base hexagonal, 36 con base octogonal y 2 con base icosakaihexágonal –26 lados–. Es, a nuestro entender, interesante que Alberti, después de trazar de manera precisa la configuración de la fachada, decidiera rematar las volutas laterales con un diseño circular a partir de un polígono regular de 26 lados; pues se trata de un polígono regular no construible “con regla y compás”. Por ello, en esta investigación comparamos, de forma teórica y con técnicas matemáticas, métodos geométricos aproximados de construcción del Icosakaihexágono para determinar cuál de ellos es el que más se ajusta a la configuración de esta especial decoración renacentista.</p>

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31

Cardini, Roberto. "Gli “Apologi centum” di Leon Battista Alberti. Saggio di esegesi." Giornale storico della letteratura italiana 193, no. 643 (July 2016): 321–53. http://dx.doi.org/10.1484/j.gsli.5.129584.

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32

Nadav-Manes, Yael. "The Nature of Historia in Leon Battista Alberti's De Pictura." Forum Italicum: A Journal of Italian Studies 40, no. 1 (March 2006): 8–21. http://dx.doi.org/10.1177/001458580604000102.

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33

Selleri, Stefano. "The roots of modern cryptography: Leon Battista Alberti's "De Cifris"." URSI Radio Science Bulletin 2020, no. 375 (December 2020): 55–63. http://dx.doi.org/10.23919/ursirsb.2020.9663133.

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34

Kircher, Timothy. "Humanism and Holiness: Leon Battista Alberti between Florence and Rome." MLN 128, no. 1 (2013): 1–19. http://dx.doi.org/10.1353/mln.2013.0000.

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35

Andersen, W. "HOW NOT TO TAKE SIDES: Leon Battista Alberti--Renaissance Man?" Common Knowledge 10, no. 2 (April 1, 2004): 198–213. http://dx.doi.org/10.1215/0961754x-10-2-198.

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36

Pearson, C. "Philosophy Defeated: Truth and Vision in Leon Battista Alberti's Momus." Oxford Art Journal 34, no. 1 (March 1, 2011): 1–12. http://dx.doi.org/10.1093/oxartj/kcr004.

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37

Beck, James. "Leon Battista Alberti and the "Night Sky" at San Lorenzo." Artibus et Historiae 10, no. 19 (1989): 9. http://dx.doi.org/10.2307/1483282.

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38

Schneider, Laurie. "Leon Battista Alberti: Some Biographical Implications of the Winged Eye." Art Bulletin 72, no. 2 (June 1990): 261. http://dx.doi.org/10.2307/3045732.

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39

Picquet, Théa. "Stefano Cartei, La tradizione a stampa delle opere di Leon Battista Alberti, Edizione nazionale delle Opere di Leon Battista Alberti, Vol. I e II." Italies, no. 23 (December 2, 2019): 429–30. http://dx.doi.org/10.4000/italies.7779.

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40

Jones, Joseph R., and Lucia Guzzi. "Leon Battista Alberti's Philodoxus (c.1424): An English Translation." Celestinesca 17, no. 1 (January 12, 2021): 87. http://dx.doi.org/10.7203/celestinesca.17.19828.

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41

Williams, Kim, and Marco Giorgio Bevilacqua. "Leon Battista Alberti’s Bombard Problem in Ludi matematici: Geometry and Warfare." Mathematical Intelligencer 35, no. 4 (October 3, 2013): 27–38. http://dx.doi.org/10.1007/s00283-013-9407-3.

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42

D’Agostino, Mário Henrique Simão. "Qual a meta?" Revista Limiar 2, no. 3 (March 24, 2019): 165–203. http://dx.doi.org/10.34024/limiar.2014.v2.9271.

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A prescrição das igrejas de planta central, no tratado De re aedificatoria, tem suscitado indagações várias sobre a religiosidade de Leon Battista Alberti. Em simultâneo ao otimismo do tratadista com as “invenções” e “progressos” humanos, um elenco de escritos descerram juízos pessimistas sobre as instituições sociais e a vida em comum. Perquirir as diferentes modalidades compreendidas pela epistemologia de Alberti permite melhor perfilar as visões de natureza, de ordem cívica e do sagrado próprias do humanista.

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43

Zanchetta, Ricardo. "Écfrase como exemplo de pintura." Letras Clássicas 18, no. 1 (August 2, 2014): 114. http://dx.doi.org/10.11606/issn.2358-3150.v18i1p114-126.

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Algumas écfrases, que descreveram pinturas dos grandes pintores da antiguidade, como Apeles e Zêuxis, foram lidas e pintadas no século XV. Esse artigo visa mostrar algumas relações entre a pintura e a écfrase, explorando o uso que Leon Battista Alberti faz, em seu Da Pintura, da Calúnia de Apeles descrita por Luciano, elegendo-a como um exemplo de pintura. Tal écfrase não só evidencia os preceitos ensinados, como também impele o pintor a imitar o louvor da pintura antiga.

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44

Ramos, Fernando Guillermo Vazquez. "As cidades como as casas." Risco: Revista de Pesquisa em Arquitetura e Urbanismo (Online), no. 21 (September 30, 2016): 60. http://dx.doi.org/10.11606/issn.1984-4506.v0i21p60-74.

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Alguns pensadores, notadamente Platão, Leon Battista Alberti, Aldo van Eyck, Martin Heidegger e João B. Vilanova Artigas, têm apoiado algumas de suas reflexões sobre a arquitetura – a construção, a habitação e a cidade – num antigo dictum que afirma que “cidade é casa/casa é cidade”. Este artigo analisa e reflete sobre o posicionamento de cada um deles frente à mensagem que subjaz ao contundente provérbio, indicando as relações de semelhança ou de contradição entre seus textos.

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45

Bartoli, Lorenzo. "Appunti sulla dimensione letteraria delle Intercenales di Leon Battista Alberti." Quaderni d'italianistica 14, no. 1 (April 1, 1993): 127–34. http://dx.doi.org/10.33137/q.i..v14i1.10174.

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46

Jodogne, Pierre. "La figure et l'œuvre de Leon Battista Alberti dans le regard français." Bulletin de la Classe des lettres et des sciences morales et politiques 6, no. 1 (1995): 247–66. http://dx.doi.org/10.3406/barb.1995.22972.

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47

Ceron, Annalisa. "Leon Battista Alberti’s Care of the Self as Medicine of the Mind." Journal of Early Modern Studies 4, no. 2 (2015): 9–36. http://dx.doi.org/10.5840/jems20154213.

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48

Sverlij, Mariana. "La razón y el absurdo en la obra de Leon Battista Alberti." Studia Aurea 6 (November 24, 2012): 155. http://dx.doi.org/10.5565/rev/studiaaurea.50.

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49

Syndikus, Candida. "Zu Leon Battista Albertis Studium der Basilica Aemilia auf dem Forum Romanum." Zeitschrift für Kunstgeschichte 57, no. 3 (1994): 319. http://dx.doi.org/10.2307/1482760.

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50

Paoli, Michel. "Un abrégé de la pensée de Leon Battista Alberti en langue vernaculaire: les Sentenze pitagoriche." Renaissance and Reformation 38, no. 1 (January 1, 2002): 41–60. http://dx.doi.org/10.33137/rr.v38i1.8748.

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The purpose of this article is to analyze a short, little-known—yet notably rich—work of Leon Battista Alberti, in order, first, to grasp its relations to its classical model, the pseudo-Pythagorean Golden Verses, as well as to the rest of Alberti’s writing, and then to determine its nature. The author is thereby led to refute the theory that this is a treatise of esoteric hermeticism or a sort of prayer which might offer information about the religious beliefs of Alberti. An edition of the text and a translation into French are appended.

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