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Published: 25 May 2024

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1

Picart, Pascal. "Recent advances in speckle decorrelation modeling and processing in digital holographic interferometry." Photonics Letters of Poland 13, no. 4 (December 30, 2021): 73. http://dx.doi.org/10.4302/plp.v13i4.1126.

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Digital holography, and especially digital holographic interferometry, is a powerful approach for the characterization of modifications at the surface or in the volume of objects. Nevertheless, the reconstructed phase data from holographic interferometry is corrupted by the speckle noise. In this paper, we discuss on recent advances in speckle decorrelation noise removal. Two main topics are considered. The first one presents recent results in modelling the decorrelation noise in digital Fresnel holography. Especially the anisotropy of the decorrelation noise is established. The second topic presents a new approach for speckle de-noising using deep convolution neural networks. Full Text: PDF ReferencesP. Picart (ed.), New techniques in digital holography (John Wiley & Sons, 2015). CrossRef T.M. Biewer, J.C. Sawyer, C.D. Smith, C.E. Thomas, "Dual laser holography for in situ measurement of plasma facing component erosion (invited)", Rev. Sci. Instr. 89, 10J123 (2018). CrossRef M. Fratz, T. Beckmann, J. Anders, A. Bertz, M. Bayer, T. Gießler, C. Nemeth, D. Carl, "Inline application of digital holography [Invited]", Appl. Opt. 58(34), G120 (2019). CrossRef M.P. Georges, J.-F. Vandenrijt, C. Thizy, Y. Stockman, P. Queeckers, F. Dubois, D. Doyle, "Digital holographic interferometry with CO2 lasers and diffuse illumination applied to large space reflector metrology [Invited]", Appl. Opt. 52(1), A102 (2013). CrossRef E. Meteyer, F. Foucart, M. Secail-Geraud, P. Picart, C. Pezerat, "Full-field force identification with high-speed digital holography", Mech. Syst. Signal Process. 164 (2022). CrossRef L. Lagny, M. Secail-Geraud, J. Le Meur, S. Montresor, K. Heggarty, C. Pezerat, P. Picart, "Visualization of travelling waves propagating in a plate equipped with 2D ABH using wide-field holographic vibrometry", J. Sound Vib. 461 114925 (2019). CrossRef L. Valzania, Y. Zhao, L. Rong, D. Wang, M. Georges, E. Hack, P. Zolliker, "THz coherent lensless imaging", Appl. Opt. 58, G256 (2019). CrossRef V. Bianco, P. Memmolo, M. Leo, S. Montresor, C. Distante, M. Paturzo, P. Picart, B. Javidi, P. Ferraro, "Strategies for reducing speckle noise in digital holography", Light: Sci. Appl. 7(1), 1 (2018). CrossRef V. Bianco, P. Memmolo, M. Paturzo, A. Finizio, B. Javidi, P. Ferraro, "Quasi noise-free digital holography", Light. Sci. Appl. 5(9), e16142 (2016). CrossRef R. Horisaki, R. Takagi, J. Tanida, "Deep-learning-generated holography", Appl. Opt. 57(14), 3859 (2018). CrossRef E. Meteyer, F. Foucart, C. Pezerat, P. Picart, "Modeling of speckle decorrelation in digital Fresnel holographic interferometry", Opt. Expr. 29(22), 36180 (2021). CrossRef M. Piniard, B. Sorrente, G. Hug, P. Picart, "Theoretical analysis of surface-shape-induced decorrelation noise in multi-wavelength digital holography", Opt. Expr. 29(10), 14720 (2021). CrossRef P. Picart, S. Montresor, O. Sakharuk, L. Muravsky, "Refocus criterion based on maximization of the coherence factor in digital three-wavelength holographic interferometry", Opt. Lett. 42(2), 275 (2017). CrossRef P. Picart, J. Leval, "General theoretical formulation of image formation in digital Fresnel holography", J. Opt. Soc. Am. A 25, 1744 (2008). CrossRef S. Montresor, P. Picart, "Quantitative appraisal for noise reduction in digital holographic phase imaging", Opt. Expr. 24(13), 14322 (2016). CrossRef S. Montresor, M. Tahon, A. Laurent, P. Picart, "Computational de-noising based on deep learning for phase data in digital holographic interferometry", APL Photonics 5(3), 030802 (2020). CrossRef M. Tahon, S. Montresor, P. Picart, "Towards Reduced CNNs for De-Noising Phase Images Corrupted with Speckle Noise", Photonics 8(7), 255 (2021). CrossRef E. Meteyer, S. Montresor, F. Foucart, J. Le Meur, K. Heggarty, C. Pezerat, P. Picart, "Lock-in vibration retrieval based on high-speed full-field coherent imaging", Sci. Rep. 11(1), 1 (2021). CrossRef
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2

Hantke, Steffen. "Horror and the Holocaust: ‘Prestige Horror’ and Frank Pierson’s Conspiracy (2001)." Zeitschrift für Anglistik und Amerikanistik 69, no. 4 (November 26, 2021): 413–29. http://dx.doi.org/10.1515/zaa-2021-2044.

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Abstract In an article published in 2004, Picart and Frank examined the use of stylistic and thematic elements Holocaust cinema can borrow from the horror film. Their argument at the time was constrained by the availability and their choice of primary texts, but the recent emergence of what has been called ‘prestige horror’ invites viewers to revisit their critical arguments and positions. Since ‘prestige horror’s’ aesthetic strategies tend to challenge conventional definitions of the horror genre, revisiting Picart and Frank’s argument proves most productive in the context of a Holocaust film, Frank Pierson’s Conspiracy (2001), which, in turn, operates in creative dissonance with some of the conventions of Holocaust cinema.
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3

Hasenohr, Geneviève. "Si « de picart en franczoys » : de l’ancien au moyen français." Linx, no. 12 (October 1, 2002): 95–100. http://dx.doi.org/10.4000/linx.1286.

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4

Tarifa Castilla, María Josefa. "Nuevas noticias documentales sobre el entallador renacentista francés Pierres Picart." Artigrama, no. 27 (December 9, 2022): 395–423. http://dx.doi.org/10.26754/ojs_artigrama/artigrama.2012277970.

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Pierres Picart (1509-1589) fue uno de los entalladores franceses más sobresalientes de los que trabajaron en el norte peninsular, especialmente en la zona del País Vasco y Navarra. El presente artículo aporta nueva documentación referente a su conocida participación en los retablos navarros de la iglesia parroquial de Irañeta, que permite concretar la fecha de contratación, tasación y posterior labor barroca de policromía y dorado, además del inédito testamento del artista (1589) con novedosas noticias referentes a su vida personal y trayectoria profesional.
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5

Aubakirov, Constantine Ya, and Alexander V. Makeev. "APPLICATION OF THE PICART METHOD FOR SOLVING PROBLEMS OF ELECTRICAL ENGINEERING AND ELECTRODYNAMICS." Interexpo GEO-Siberia 8 (May 21, 2021): 262–66. http://dx.doi.org/10.33764/2618-981x-2021-8-262-266.

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6

Zwart, Hub. "Vampires, Viruses, and Verbalisation." Janus Head 16, no. 2 (2018): 14–53. http://dx.doi.org/10.5840/jh201816212.

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This paper considers Bram Stoker’s novel Dracula, published in 1897, as a window into techno-scientific and sociocultural developments of the fin-de-siècle era, ranging from blood transfusion and virology up to communication technology and brain research, but focusing on the birth of psychoanalysis in 1897, the year of publication. Stoker’s literary classic heralds a new style of scientific thinking, foreshadowing important aspects of post-1900 culture. Dracula reflects a number of scientific events which surfaced in the 1890s but evolved into major research areas that are still relevant today. Rather than seeing science and literature as separate realms, moreover, Stoker’s masterpiece encourages us to address the ways in which techno-scientific and psycho-cultural developments mutually challenge and mirror one another, so that we may use his novel to deepen our understanding of emerging research practices and vice versa (Zwart 2008, 2010). Psychoanalysis plays a double role in this. It is the research field whose genealogical constellation is being studied, but at the same time (Lacanian) psychoanalysis guides my reading strategy. Dracula, the infectious, undead Vampire has become an archetypal cinematic icon and has attracted the attention of numerous scholars (Browning & Picart 2009). The vampire complex built on various folkloristic and literary sources and culminated in two famous nineteenth-century literary publications: the story The Vampyre by John Polidori (published in 1819)2 and Stoker’s version. Most of the more than 200 vampire movies released since Nosferatu (1922) are based on the latter (Skal 1990; Browning & Picart 2009; Melton 2010; Silver & Ursini 2010). Yet, rather than on the archetypal cinematic image of the Vampire, I will focus on the various scientific ideas and instruments employed by Dracula’s antagonists to overcome the threat to civilisation he represents. Although the basic storyline is well-known, I will begin with a plot summary.
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7

Vardi, Liana. "The Book That Changed Europe: Picart and Bernard’s Religious Ceremonies of the World (review)." Journal of World History 23, no. 3 (2012): 691–95. http://dx.doi.org/10.1353/jwh.2012.0086.

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8

Holt, Mack P., and Larissa Juliet Taylor. "Heresy and Orthodoxy in Sixteenth-Century Paris: Francois Le Picart and the Beginnings of the Catholic Reformation." Sixteenth Century Journal 31, no. 2 (2000): 533. http://dx.doi.org/10.2307/2671666.

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9

Dabhoiwala, F. "L. Hunt, M.C. Jacob, W. Mijnhardt, The Book that Changed Europe: Picart & Bernard’s Religious Ceremonies of the World." BMGN - Low Countries Historical Review 126, no. 4 (January 1, 2011): 127. http://dx.doi.org/10.18352/bmgn-lchr.7460.

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10

Puhr, Thomas. "Anyone but Us : Monsters, Law, Crime: Explorations in Gothic Criminology edited by C. J. ‘Kay’ S. Picart." Film International 19, no. 2 (June 1, 2021): 202–4. http://dx.doi.org/10.1386/fint_00103_4.

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11

Schloesser, Stephen. "Book Review: Heresy and Orthodoxy in Sixteenth-Century Paris: François Le Picart and the Beginnings of the Catholic Reformation." Theological Studies 61, no. 3 (September 2000): 560–61. http://dx.doi.org/10.1177/004056390006100317.

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12

Bergoffen, Debra. "Joan S. Caroline Picart, Resentment and the “Feminine” in Nietzsche's Politico-Aesthetics. University Park, Pennsylvania State University Press, 1999." Hypatia 17, no. 3 (2002): 268–70. http://dx.doi.org/10.1017/s088753670001285x.

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13

Hudson, Dale. "Modernity as Crisis: Goeng Si and Vampires in Hong Kong Cinema (translation into Russian)." Corpus Mundi 2, no. 4 (December 27, 2021): 112–42. http://dx.doi.org/10.46539/cmj.v2i4.55.

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This article is a translation of a chapter from the collective monograph Draculas, vampires, and other undead forms: essays on gender, race, and culture, edited by John Edgar Browning and Caroline Joan (Kay) Picart (2009, Scarecrow Press). The author analyzes the question of how Hong Kong cinema responds to the complex situation of Hong Kong's transition from its status as a British territory on loan to a special territory with extended autonomy within the PRC. As a marker pointing to the crisis development of this process, the Chinese people's particular ideas about the so-called “goeng si” (“jumping corpses”) were chosen. These revived corpses move in a peculiar jumping way, due to which they received this name. According to the author, in the images of these creatures, as well as in the cinematic vampires that have become an integral part of films made by Hong Kong studios, all the contradictions of the cultural and political situation in Hong Kong are manifested as in a mirror. Despite the fact that Hong Kong was able to actively oppose the global cinema represented by Hollywood, it had to adjust to the global cinematic trends in which vampires played an important role. All of this led to a certain hybridity of images that combined both Western and Chinese traits.
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14

Suartina, Tine. "Law in and as Culture – Intellectual Property, Minority Rights, and the Rights of Indigenous Peoples, by Caroline Joan S. Picart." Anthropological Forum 27, no. 2 (February 19, 2017): 192–93. http://dx.doi.org/10.1080/00664677.2017.1291080.

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15

Neal, Arthur G. "Frames of Evil: The Holocaust as Horror in American Film by Caroline Joan (Kay), S. Picart, and David A. Frank." Journal of American Culture 30, no. 2 (June 2007): 243–44. http://dx.doi.org/10.1111/j.1542-734x.2007.00524.x.

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16

Heller, Henry. "Heresy and Orthodoxy in Sixteenth-Century Paris: François Le Picart and the Beginnings of the Catholic Reformation by Larissa Juliet Taylor." Catholic Historical Review 86, no. 1 (2000): 114–15. http://dx.doi.org/10.1353/cat.2000.0149.

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17

Malloy, Kerri J. "Law In and As Culture: Intellectual Property, Minority Rights and the Rights of Indigenous Peoples by Caroline Joan “Kay” S. Picart." Human Rights Review 19, no. 3 (June 14, 2018): 413–14. http://dx.doi.org/10.1007/s12142-018-0515-5.

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18

Baron, R., L. Neff, D. Louvard, and P. J. Courtoy. "Cell-mediated extracellular acidification and bone resorption: evidence for a low pH in resorbing lacunae and localization of a 100-kD lysosomal membrane protein at the osteoclast ruffled border." Journal of Cell Biology 101, no. 6 (December 1, 1985): 2210–22. http://dx.doi.org/10.1083/jcb.101.6.2210.

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The extracellular compartment where bone resorption occurs, between the osteoclast and bone matrix, is shown in this report to be actively acidified. The weak base acridine orange accumulates within this compartment but dissipates after incubation with ammonium chloride. Upon removal of ammonium chloride, the cells are able to rapidly reacidify this compartment. The highly convoluted plasma membrane of the osteoclast facing this acidic compartment (ruffled border) is shown to contain a 100-kD integral membrane protein otherwise present in limiting membranes of lysosomes and other related acidified organelles (Reggio, H., D. Bainton, E. Harms, E. Coudrier, and D. Louvard, 1984, J. Cell Biol., 99:1511-1526; Tougard, C., D. Louvard, R. Picart, and A. Tixier-Vidal, 1985, J. Cell Biol. 100:786-793). Antibodies recognizing this 100-kD lysosomal membrane protein cross-react with a proton-pump ATPase from pig gastric mucosae (Reggio, H., D. Bainton, E. Harms, E. Coudrier, and D. Louvard, 1984, J. Cell Biol., 99:1511-1526), therefore raising the possibility that it plays a role in the acidification of both intracellular organelles and extracellular compartments. Lysosomal enzymes are also directionally secreted by the osteoclast into the acidified extracellular compartment which can therefore be considered as the functional equivalent of a secondary lysosome with a low pH, acid hydrolases, the substrate, and a limiting membrane containing the 100-kD antigen.
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19

Karamanov, Nasko. "On Hopkins’ Picard group Pic2at the prime 3." Algebraic & Geometric Topology 10, no. 1 (February 12, 2010): 275–92. http://dx.doi.org/10.2140/agt.2010.10.275.

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20

Delogu, Giulia. "L. Hunt, M. C. Jacob, W. Mijnhardt, Le livre qui a changé l’Europe. Cérémonies religieuses du monde de Bernard Picart et Jean Frédéric Bernard." Studi Francesi, no. 182 (LXI | II) (August 1, 2017): 359. http://dx.doi.org/10.4000/studifrancesi.9952.

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21

Venkov, Nikita. "The Culture of Peter the Great’s Era in Terms of Concept Art." Ideas and Ideals 14, no. 4-2 (December 27, 2022): 386–400. http://dx.doi.org/10.17212/2075-0862-2022-14.4.2-386-400.

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The era of Peter the Great was a time of fundamental changes. New reforms and orders were very unfamiliar to Russians, which is why the new Russian state required comprehensive means of glorification of new cultural and political reforms. Planning of new architecture, urban space and composition in pieces of fine art were based on a system of concepts: the concept of glorification of battles and wars won by the Russian army and navy, introducing European traditions in fine arts, introducing the Table of Ranks for service, and bringing European science to Russia. In other words, the creation of art, architecture and country residences was not random. The glorification of new reforms in Russia was the basis for new art. Conceptuality as a basic element of creative culture was founded in the beginning of the XVIII century. It determined the evolution of fine arts for the next several centuries. This is the reason why analysis of architecture and fine arts in the culture of Peter the Great’s era in terms of conceptual art is important. In conceptual art the conception is crucial, not the form. Many prints were made in the first quarter of the XVIII century, dedicated to military victories and the new flourishing city: Saint-Petersburg. These prints were created by invited artists from Europe (A. Schoonebeek, P. Picart) and their Russian apprentices (A. Zubov and I. Zubov). J. Tannauer, L. Caravaque and G. Gzel created conceptual paintings dedicated to Peter the Great’s deeds. The “Petrine Baroque” style of architecture and regular urban planning has determined the evolution of Saint-Petersburg as a European city.
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22

Frijhoff, Willem. "Lynn Hunt, Margaret C. Jacob, Wijnand Mijnhardt (éds.), Le Livre qui a changé l’Europe. « Cérémonies religieuses du monde » de Bernard Picart et Jean-Frédéric Bernard." Archives de sciences sociales des religions, no. 176 (December 31, 2016): 321. http://dx.doi.org/10.4000/assr.28246.

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23

Lyon-Caen, Nicolas, and Natalia Muchnik. "Lynn Hunt, Margaret C. Jacob et Wijnand Mijnhardt, (éd.) Bernard Picart and the First Global Vision of Religion. Los Angeles, Getty Publications, 2010, 364 p. - Lynn Hunt, Margaret C. Jacob et Wijnand Mijnhardt, The Book That Changed Europe: Picart and Bernard's Religious Ceremonies of the World. Cambridge/Londres, Harvard University Press, 2010, 383 p." Annales. Histoire, Sciences Sociales 68, no. 3 (September 2013): 896–98. http://dx.doi.org/10.1017/s0395264900016334.

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24

Pavis, Mathilde, Charlotte Waelde, and Sarah Whatley. "Who can Profit from Dance? An Exploration of Copyright Ownership." Dance Research 35, no. 1 (May 2017): 96–110. http://dx.doi.org/10.3366/drs.2017.0185.

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Focusing on UK copyright law, this article explores ownership of the dance by reference to the work of disabled dance artists. Our attention is on this group because their position within the dance workforce has always been precarious and so perhaps have most to gain through greater recognition of authorship in their work. Through an examination of the law as it applies to two different projects featuring Caroline Bowditch, we suggest that, contrary to the views of some, the performers are either authors of the copyright in the arrangement of the dance on their bodies, or joint authors in the work of dance. This is important because the author is the first owner of copyright in a dance; income from exploitation generally flows to the owner. With the rise of social media there may be yet further opportunities for exploiting dance. Starting from a doctrinal legal perspective, and bringing together dance and law to explore the vexed questions of cultural value, audience literacy and commercial exploitation, we hope to bring attention to the labour of disabled dance artists and the different ways in which all dancers can assert the rights to their work. In taking this approach this contribution differs from recent scholarship on dance and law, most notably works by Anthea Kraut, Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance (Oxford University Press, 2015) and Caroline Picart, Critical Race Theory and Copyright in American Dance: Whiteness as Status Property (Springer 2013). These analyses examine dance and American copyright law through race and gender lenses. Reading across the contributions would suggest that the time is ripe for a truly interdisciplinary project in which experts from law, dance and, disability studies come together to deepen and extend our knowledge and understanding of this area.
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CAMPOS, M. B. S., S. B. ALVES, and N. MACEDO. "Seleção de iscas celulósicas para o cupim Heterotermes tenuis (isoptera: rhinotermitidae) em cultura de cana-de-açúcar." Scientia Agricola 55, no. 3 (1998): 480–84. http://dx.doi.org/10.1590/s0103-90161998000300017.

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Estudou-se em condições de campo a atratividade ao cupim subterrâneo Heterotermes tenuis (H.,1858), importante praga da cana-de-açúcar no Brasil, de dezessete produtos com alto teor celulósico (bagaço de cana-de-açúcar "in natura"-T1; bagaço de cana + papelão ondulado picado-T2; bagaço de cana + açúcar refinado-T3; bagaço de cana + açúcar refinado + papelão picado-T4; bagaço de cana-de-açúcar decomposto-T5; bagaço decomposto + papelão picado-T6; bagaço decomposto + açúcar refinado-T7; bagaço decomposto + papelão picado + açúcar refinado-T8; torta de filtro "in natura"-T9; torta de filtro decomposta-T10; rolão de milho-T11; fezes frescas e secas de bovino-T12; papelão ondulado picado-T13; papel toalha picado-T14; serragem de pinus-T15; papelão ondulado usado picado-T16; celulose picada-T17). Usando-se a isca TermitrapR localizaram-se os focos do inseto no campo e, através de uma escala de notas, de zero a três, para a quantidade de cupins encontrados nas iscas, selecionaram-se os produtos mais atrativos, que foram em ordem decrescente: T12, T11, T1, T6, T3, T16, e T17.
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Tokarnia, Carlos Hubinger, Marilene F. Brito, and Bernardo R. M. Cunha. "Intoxicação experimental por Asclepias curassavica (Asclepiadaceae) em bovinos. Dados complementares." Pesquisa Veterinária Brasileira 21, no. 1 (March 2001): 1–4. http://dx.doi.org/10.1590/s0100-736x2001000100002.

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Em experimentos com bovinos, que receberam diariamente doses subletais repetidas (2,5 e 5,0 g/kg/dia durante 12 dias) até alcançar a dose letal e/ou ultrapassá-la, A. curassavica recém-coletada não demonstrou efeito acumulativo. Em um animal houve desenvolvimento de tolerância contra a dose que anteriormente causou sintomas de intoxicação (5,0 g/kg), mas não contra uma dose maior (10 g/kg). A planta dessecada continuou tóxica até 2 meses após a coleta, mas após 6 meses tinha perdido a sua toxidez. A mistura da planta fresca picada com capim fresco picado não foi ingerida pelos animais em quantidades que pudessem causar sintomas de intoxicação, em nenhuma das proporções que variaram de 1:2 a 1:6, planta : capim. A planta recentemente dessecada picada em mistura com capim fenado picado, na proporção de 1:3, só foi consumida por um de quatro bovinos em quantidades que poderiam provocar sintomas de intoxicação; mas mesmo esse bovino não chegou a adoecer.
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Harrison, David. "The Holocaust Film Sourcebook2005212Edited by Caroline Joan (Kay) Picart. The Holocaust Film Sourcebook. Westport, CT and London: Praeger 2004. , ISBN: 0 275 97850 8 £140/$249.95 2 volumes." Reference Reviews 19, no. 4 (June 2005): 42–43. http://dx.doi.org/10.1108/09504120510596472.

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28

Järvinen, Hanna. "Anthea Kraut, Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance; Caroline Joan S. Picart, Critical Race Theory and Copyright in American Dance: Whiteness as Status Property." Dance Research 37, no. 2 (November 2019): 257–63. http://dx.doi.org/10.3366/drs.2019.0276.

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Jardel Araújo de Soares, Carlos, Nielson Douglas Campos de Campos, and Rômulo Marcos Santos e Silva. "MAPEAMENTO DA LEISHMANIOSE CANINA NA CIDADE DE CAXIAS-MARANHÃO." RECIMA21 - Revista Científica Multidisciplinar - ISSN 2675-6218 4, no. 10 (October 2, 2023): e4104111. http://dx.doi.org/10.47820/recima21.v4i10.4111.

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A Leishmaniose visceral é uma Zoonose causada pela picada das fêmeas infectadas do Lutzomya longipalpis. As fêmeas se infectam ao picar o cão infectado, seu principal hospedeiro, e transmite aos humanos por meio da picada. Essa doença pode ser fatal aos humanos caso não for tratada. O mosquito se desenvolve em lugares úmidos, ricos em matéria orgânica e com pouca luminosidade. A cidade de Caxias-MA, por não possuir esgotamento sanitário, torna-se um excelente local para o desenvolvimento desse vetor. Não há pesquisas na literatura abordando as localizações dos bairros afetados e esse foi o principal objetivo da pesquisa, elaborar o mapeamento da Leishmaniose canina na cidade de Caxias-MA. Durante o desenvolvimento da pesquisa foi feito um levantamento sobre os casos de leishmaniose canina, junto à UVZ, órgão responsável pelas zoonoses na cidade de Caxias-MA, com estes sendo analisados e em seguida utilizados para a elaboração de gráficos. Os resultados foram satisfatórios e possibilitaram apresentar os principais bairros afetados, assim como os não afetados.
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Devito, Fábio Stuchi, Rudelli Sergio Andrea Aristides, Emerson Kiyoshi Honda, and Alceu Gomes Chueire. "O uso de enxerto homólogo na revisão de artroplastias do quadril com cimentação do componente acetabular." Acta Ortopédica Brasileira 14, no. 5 (2006): 280–82. http://dx.doi.org/10.1590/s1413-78522006000500011.

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A artroplastia total do quadril representa um grande avanço no tratamento das enfermidades ortopédicas que acometem o quadril. A soltura asséptica desta prótese pode causar lesões e perdas ósseas, representando um grande desafio para a reconstrução cirúrgica destas artroplastias. Uma das alternativas para a reconstrução é o uso do enxerto ósseo de banco de ossos, podendo este ser usado em bloco ou na forma picada. Este estudo, baseado em uma revisão da literatura sobre enxertos ósseos, teve como objetivo uma análise quanto à reconstrução com enxertos em bloco e picado e sua integração. O enxerto picado mostrou melhores resultados quanto à integração quando se consegue estabilidade da reconstrução. Quando não conseguimos uma boa estabilidade, o enxerto em bloco associado aos anéis de reforço sobressai como a melhor opção.
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31

Kaplan, Benjamin J. "Lynn Hunt , Margaret C. Jacob , and Wijnand Mijnhardt . The Book That Changed Europe: Picart and Bernard'sReligious Ceremonies of the World. Cambridge: Belknap Press of Harvard University Press. 2010. Pp. xi, 383. $32.95." American Historical Review 116, no. 3 (June 2011): 863–64. http://dx.doi.org/10.1086/ahr.116.3.863.

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32

Dawson, Stephen. "The Book that Changed Europe: Picart and Bernard's Religious Ceremonies of the World. - By Lynn Hunt, Margaret C. Jacob, and Wijnand Mijnhardt. Cambridge, MA: Harvard University Press, 2010. Pp. xi + 383. $32.95." Religious Studies Review 39, no. 4 (December 2013): 233. http://dx.doi.org/10.1111/rsr.12071_6.

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33

Sheehan, Jonathan. "Bernard Picart and the First Global Vision of Religion. Edited by Lynn Hunt, Margaret Jacob, and Wijnand Mijnhardt. Issues and Debates, volume 18. Los Angeles: Getty Research Institute, 2010. Pp. viii+364. $65.00 (paper).The Book That Changed Europe: Picart and Bernard's Religious Ceremonies of the World. By Lynn Hunt, Margaret C. Jacob, and Wijnand Mijnhardt. Cambridge, MA: Harvard University Press, Belknap Press, 2010. Pp. xiv+383. $32.95." Journal of Modern History 83, no. 4 (December 2011): 897–901. http://dx.doi.org/10.1086/662306.

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34

Dagnac, Anne. "Le picard de Nérine : moyen picard, picard moyen ?" Littératures classiques N° 87, no. 2 (2015): 135. http://dx.doi.org/10.3917/licla1.087.0135.

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Pelegrini, Natalia Goulart. "Os caminhos de picada: a travessia em que se entra com a escrita." Eutomia 1, no. 31 (September 30, 2022): 55. http://dx.doi.org/10.51359/1982-6850.2022.253677.

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Gostaria de retomar uma questão muito antiga e jamais interrompida para mim, sobre a experiência literária. Em que travessia se entra quando se escreve? Existiria na escrita, em seu caminho picado, uma celebração? Uma certa passagem que vai da morte à festa? Que espécie de festa? A isso chamarei: festa no interior. A travessia em que se entra quando se escreve uma passagem em atalhos pode nos levar à própria morte em vida e, sempre com a morte, uma festa no interior pode ser realizada. E a quais lugares a passagem da morte à festa pode nos levar? E que força existe na experiência literária quando ela persevera no interior? Diante disso, quero expor neste texto três caminhadas que atravessam o percurso da morte à festa, na procura de fazer folia ao final de tudo, no fim da picada: 1 - buscando a vida, encontrando a morte; 2 - os caminhos de picada; 3 - ao pássaro da noite, o Curiango.
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36

Avila, Valdir Silveira de, Ubirajara de Oliveira, Elsio Antonio Pereira de Figueiredo, Carlos Alberto Fagondes Costa, Valéria Maria Nascimento Abreu, and Paulo Sérgio Rosa. "Avaliação de materiais alternativos em substituição à maravalha como cama de aviário." Revista Brasileira de Zootecnia 37, no. 2 (February 2008): 273–77. http://dx.doi.org/10.1590/s1516-35982008000200013.

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Com o objetivo de testar materiais alternativos para cama de aviário na criação de frangos de corte, foram alojados seis lotes consecutivos, cada um contendo 5.600 aves, apenas fêmeas, distribuídas em 35 boxes. Os tratamentos consistiram de sete tipos de material para cama (maravalha; casca de arroz; sabugo de milho triturado; capim-cameron picado; palhada de soja picada; resto da cultura do milho picado; e serragem), cada um com cinco repetições. Avaliaram-se nas aves o peso corporal médio e o consumo médio de ração e, nas camas, os teores de N, Ca, P e pH. Observaram-se ainda a presença de salmonela, a contagem de oocistos de eimeria na cama e o escore de lesões no intestino das aves ao abate. A utilização dos materiais alternativos avaliados como cama de aviário, por seis lotes consecutivos, como alternativas à maravalha não prejudicou o desempenho de frangos de corte. Esses materiais, após o descarte, por apresentarem valor em minerais superior ao da maravalha, podem ser utilizados na adubação de culturas.
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37

Carton, Fernand. "Ancien picard, picard moderne : quelle continuité ?" Picard d'hier et d'aujourd'hui, no. 21 (April 1, 2022): 123–36. http://dx.doi.org/10.54563/bdba.1584.

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38

Auger, Julie, and Anne-José Villeneuve. "Using comparative sociolinguistics to inform European minority language policies: Evidence from contemporary Picard and regional French." Canadian Journal of Linguistics/Revue canadienne de linguistique 62, no. 4 (June 21, 2017): 550–75. http://dx.doi.org/10.1017/cnj.2017.29.

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AbstractWe argue that an evaluation of morphosyntactic convergence between Picard and French must consider multiple variables, comparing rates of (co-)occurrence of Picard-like and French-like variants and linguistic constraints across the two varieties. Contemporary oral data from interviews with Picard–French bilinguals and French monolinguals were analyzed and contrasted with older Picard data. While future temporal reference in Picard and in French appear similar based on frequency, linguistic conditioning reveals differences across varieties and over time. Auxiliary selection displays clearer Picard–French distinctions, especially when considering the effect of linguistic factors. The intersection of variables shows that the differences between Picard and French are qualitative and not simply quantitative. In the context of the debate over the status of Northern France's obsolescent varieties, we provide empirical evidence for a mental grammar in Picard distinct from that of French, and show the relevance of comparative sociolinguistics for language planning.
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39

Jia, Jie, Khurram Shabbir, Khushdil Ahmad, Nehad Ali Shah, and Thongchai Botmart. "Strong Convergence of a New Hybrid Iterative Scheme for Nonexpensive Mappings and Applications." Journal of Function Spaces 2022 (March 19, 2022): 1–11. http://dx.doi.org/10.1155/2022/4855173.

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In the article, we have proposed a new type of hybrid iterative scheme which is a hybrid of Picard and Thakur et al. repetitive schemes. This new hybrid iterative scheme converges faster than all leading schemes like Picard-S∗ hybrid, Picard-S, Picard-Ishikawa hybrid, Picard-Mann hybrid, Thakur et al. and Abbas and Nazir, S-iterative, Ishikawa and Mann iterative schemes for contraction mapping. By using the Picard-Thakur hybrid iterative scheme, we can find the solution of delay differential equations and also prove some convergence results for nonexpansive mapping in a uniformly convex Banach space.
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40

Tyler, J. Jeffery. "Heresy and Orthodoxy in Sixteenth-Century Paris: François Le Picart and the Beginnings of the Catholic Reformation. By Larissa Juliet Taylor. Studies in Late Medieval and Reformation Thought, 77. Leiden: Brill, 1999. xviii + 332 pp. $125.00 cloth." Church History 71, no. 4 (December 2002): 888–89. http://dx.doi.org/10.1017/s0009640700096529.

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41

Wenzel, M. "Gordimer’s rendition of the picaresque in A Sport of Nature." Literator 14, no. 1 (May 3, 1993): 47–64. http://dx.doi.org/10.4102/lit.v14i1.689.

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The aim of this article is twofold: firstly, to explore the picaresque elements present in Nadine Gordimer’s A Sport of Nature and secondly, to relate them to her more pronounced stance on feminism which has evolved since the 1980s. I suggest that an appropriate reading strategy would not only foreground these issues but also highlight A Sport of Nature as one of her most underrated novels. Following the example of the Latin American authors Isabel Allende and Elena Poniatowska, Cordimer has appropriated the picaresque tradition as an ideal vehicle to depict the elements of social critique and feminist assertion which characterize A Sport of Nature. The ironic retrospective stance on society, conventionally represented by a picaro as a social outcast, is reinforced by the introduction of a picara, thereby underlining the double marginalization of women as subjects and sexual objects. I propose that a feminist-oriented reading of the text which recognizes this subversive quality, would lend a different dimension to its interpretation. The character of Hillela serves as an implicit example of female ingenuity which attains political equality through devious means despite, and as a result of, the constraints of a hypocritical society and an entrenched patriarchal system. Seen from this perspective, the seemingly disparate elements of the novel coalesce to present a damning picture of contemporary society.
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42

Rus, Ioan A. "Relevant Classes of Weakly Picard Operators." Annals of West University of Timisoara - Mathematics and Computer Science 54, no. 2 (December 1, 2016): 131–47. http://dx.doi.org/10.1515/awutm-2016-0019.

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Abstract In this paper we consider the following problems: (1) Which weakly Picard operators satisfy a retraction- displacement condition? (2) For which weakly Picard operators the fixed point problem is well posed? (3) Which weakly Picard operators have Ostrowski property? Some applications and open problems are also presented.
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43

Vargas, C., M. Bran, O. Morales, R. Cáceres, P. Huitz, and W. Chamalé. "Producción de cuerpos fructíferos de cepas nativas del hongo comestible Asam (Schizophyllum commune Fr.)." Revista Científica 19, no. 2 (December 31, 2010): 93–98. http://dx.doi.org/10.54495/rev.cientifica.v19i2.161.

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En este estudio se evaluó la producción de cuerpos fructíferos de cinco cepas nativas sobre diferentes sustratos a través de la cuantificación de la eficiencia biológica y el tamaño de los píleos. Para ello se utilizaron cuatro sustratos diferentes: Aserrín de pino tratado por esterilización iS 1). caña de maíz picada en fragmentos y pulpa de café secasometidos a composteo por 9 días y luego pasteurizados (S2). caña de maíz y olote de maíz picados en fragmentos y desinfectado por inmersión en agua alcalina (S3) y caña de maíz picada, olote de maíz picado en fragmentos esterilizado (S4). Solamente se produjeron cuerpos fructíferos en los sustratos SI y S4. Las mayores eficiencias biológicas se obtuvieron en el sustrato S4. observándose diferencia significativa (p<0.05) con el sustrato S I . Con respecto a las cepas, se observó que la 52.03 fue la única que desarrolló píleos con diámetros entre 1 a más de 4.0 cm en los sustratos S 1 y S4. en tanto que las cepas restantes obtuvieron pilcos menores a 4.0 cm. Se considera que el sustrato S4 es promisorio para la producción de cuerpos fructíferos a nivel de comunidades rurales, por lo cual se recomienda su uso.
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44

Henry, DeWitt. "Female Picaro." American Book Review 37, no. 4 (2016): 20. http://dx.doi.org/10.1353/abr.2016.0066.

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45

Weikard, Rudi. "Picard Operators." Mathematische Nachrichten 195, no. 1 (1998): 251–66. http://dx.doi.org/10.1002/mana.19981950114.

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46

RUS, IOAN A. "Heuristic introduction to weakly Picard operator theory." Creative Mathematics and Informatics 23, no. 2 (2014): 243–52. http://dx.doi.org/10.37193/cmi.2014.02.06.

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In this paper we study the impact of weakly Picard operator theory, [see I. A. Rus, Picard operators and applications, Sc. Math. Japonicae, 58 (2003), No. 1, 191–219] on the following problem: what can we do in order to find conditions under which a given operator is a weakly Picard operator?
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47

Krasniqi, Xhevat Z. "Approximation of functions in a certain Banach space by some generalized singular integrals." AIMS Mathematics 9, no. 2 (2024): 3386–98. http://dx.doi.org/10.3934/math.2024166.

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<abstract><p>We introduced the $ q $-Picard, the $ q $-Picard-Cauchy, the $ q $-Gauss-Weierstrass, and the $ q $-truncated Picard singular integrals. Using the last three mentioned integrals, the orders of approximation for functions from a generalized Hölder space were determined, both in the $ L^{p} $-norm and in the generalized Hölder-norm.</p></abstract>
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48

Outram, Dorinda. "Lynn Hunt;, Margaret C. Jacob;, Wijnand Mijnhardt. The Book That Changed Europe: Picart and Bernard's Religious Ceremonies of the World. xi + 383 pp., illus., bibl., apps., index. Cambridge, Mass./London: Belknap Press of Harvard University Press, 2010. $32.95 (cloth)." Isis 102, no. 4 (December 2011): 761–62. http://dx.doi.org/10.1086/664854.

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49

Etyang, Philip, Justus Siboe Makokha, and Oluoch Obura. "Picaresque narrative techniques and popular literature in African prose fiction." Journal of Languages, Linguistics and Literary Studies 2, no. 4 (December 31, 2022): 187–98. http://dx.doi.org/10.57040/jllls.v2i4.341.

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The Picaresque tradition is a mode of writing that began in Spain in the 16th century and flourished in the 17th and 18th centuries throughout the rest of Europe. It is a literary tradition that has continued to influence modern fiction writing to date. The current paper examined the picaresque and popular African literature narrative techniques through conducting an in-depth analysis of the following texts; Kill Me Quick, Mission to Kala, The Angels Die, and A Sport of Nature. To effectively address the task, the study examined narratives and narrative techniques in the prose fiction under study. The paper then deployed the Structural Literary Theory in an effort to decode the intertextuality between the texts. The study established that the texts under study are interconnected through the main characters, especially the picaro/picara. An examination of Gustav Freytag’s narrative structure was conducted and similarities and differences in the narrative structures of the texts under study was observed. The Postcolonial Literary Theory was also consulted where specific strands of the theory as propounded by Vorn Gorp, and Frantz Fanon were blended to furnish the study with the necessary theoretical backbone to exhaustively study picaresque narratives in popular literature. In conclusion, the study established that the Picaresque and Popular Literature writing modes are interconnected through the use plot and main characters. The study also established that the non-linear and episodic plot structures are the most commonly used techniques in picaresque and popular writing modes.
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Ancona, Giuseppe. "Degeneration of Hodge structures over Picard modular surfaces." International Journal of Number Theory 13, no. 05 (April 25, 2017): 1145–64. http://dx.doi.org/10.1142/s1793042117500622.

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We study variations of Hodge structures over a Picard modular surface, and compute the weights and types of their degenerations through the cusps of the Baily–Borel compactification. These computations are one of the key inputs which allow Wildeshaus [On the interior motive of certain Shimura varieties: the case of Picard surfaces, Manuscripta Math. 148(3) (2015) 351–377] to construct motives associated with Picard modular forms.
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