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Books on the topic 'Laymon'

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Published: 25 July 2024

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1

1957-, Albert Michel, ed. Layton, l'essentiel: Anthologie portative d'Irving Layton. Montréal: Triptyque, 2001.

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2

Layton, Robert. Sibelius: Robert Layton. New York: Schirmer Books, 1993.

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3

Layton, Robert. Sibelius: Robert Layton. London: Dent, 1992.

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4

Birnie, Danzker Jo-Anne, and Charles and Emma Frye Art Museum, eds. Isaac Layman--paradise. Seattle [Wash.]: Frye Art Museum, 2011.

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5

Ibrāhīm, Muḥammad. Thawrat al-laymūn. al-Qāhirah: Maktabat Bayrūt, 2011.

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6

Ju shi zhuan. Yangzhou Shi: Jiangsu Guangling gu ji ke yin she, 1991.

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7

ʼAggadhamma. ʼA rhaṅʻ ʼAggadhamma e* Lūʹ kyaṅʻʹ vatʻ. Mitthīlā: Ūʺ Vimalabuddhi, 1990.

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8

Paññāvara. Saṅgālovāda chuṃʺ ma cā laṅkā ca kāʺ pre: Nhaṅʻʹ, Lokanīti kokʻ nutʻ khyakʻ ca kāʺ pre. Ranʻ kunʻ: ʼA suiṅʻʺ ʼA vuiṅʻʺ Cā pe, 1994.

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9

Laymūn murr: Qiṣaṣ qaṣīrah. Madīnat Naṣr, al-Qāhirah: Dār Ghurāb lil-Nashr wa-al-Tawzīʻ, 2021.

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10

Bakr, Saʻīd. Wakālat al-laymūn: Riwāyah. [Cairo]: al-Hayʾah al-Miṣrīyah al-ʻĀmmah lil-Kitāb, 1990.

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11

Rāʼiḥat al-laymūn: Riwāyah. [Cairo]: Usāmah ʻAlī al-Ṣādiq, 2018.

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12

Irving Layton: A portrait. Toronto, Canada: Stoddart, 1985.

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13

Cameron, Elspeth. Irving Layton: A portrait. Toronto: Stoddart, 1985.

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14

The diabolist / Layton Green. Las Vegas, NV: Thomas & Mercer, 2013.

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15

Collins, James J. Dante: Layman, prophet, mystic. Staten Island, N.Y: Alba House, 1989.

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16

Cameron, Elspeth. Irving Layton: A portrait. Toronto: Stoddart, 1985.

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17

Dīb, ʻAlāʾ. Zahr al-Laymūn: Riwāyah. [Cairo]: al-Hayʾah al-Miṣrīyah al-ʻĀmmah lil-Kitāb, 1987.

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18

Thēpwisutthimēthī, Phra. Disadhamma: Mankind's pathway dhamma. Champorn: Wat Tung Pai Meditation Centre, 2007.

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19

Jin xian dai ju shi fo xue yan jiu. Chengdu: Ba Shu shu she, 2002.

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20

Mingtian, Cai, and Gujin Fo jiao ju shi lin., eds. Di 1 jie shi jie ju shi Fo jiao lun tan: Lun wen ji. Kuching, Sarawak, Malaysia: Gujin Fo jiao ju shi lin, 2005.

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21

Zhongguo ju shi fo jiao shi. Beijing: Zhongguo she hui ke xue chu ban she, 2000.

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22

Jin xian dai ju shi fo xue. Chengdu: Ba Shu shu she, 2005.

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23

Mingtian, Cai, ed. Xian dai ju shi Fo jiao: Di san jie shi jie ju shi Fo jiao lun tan : lun wen ji. Kuching: Gujin Fo jiao ju shi lin, 2011.

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24

Jin xian dai ju shi fo xue yan jiu. Beijing Shi: Ren min chu ban she, 2013.

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25

Sastra, Gde Sara. Tuntunan praktis nyiramang layon. Denpasar: Pustaka Bali Post, 2012.

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26

Richard Laymon Collection. Headline Publishing Group, 2006.

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27

Richard Laymon Collection. Headline Publishing Group, 2006.

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28

The Richard Laymon Collection. Headline Publishing Group, 2006.

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29

Midnights Lair Bca Laymon. Headline Book Publishing, 1992.

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30

Laymon, Richard. Richard Laymon Collection: The Midnight Tour. Taylor & Francis Group, 2025.

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31

Laymon, Richard. Laymon (Bite) 36 Copy Mixed Bin. HEADLINE, 1997.

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32

Zoom, Book. Summary of Heavy by Kiese Laymon: Book Zoom. Independently Published, 2021.

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33

Laymon;, Richard. Blood Games by Richard Laymon (1992-09-24). Feature; New Ed edition (1992-09-24), 1992.

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34

Laymon, Richard. The Richard Laymon Collection: " Island " AND " Quake " v. 11. Headline Book Publishing, 2007.

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35

Laymon, Richard. Richard Laymon Collection Volume 9: Endless Night and Midnight's Lair. Headline Publishing Group, 2006.

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36

Laymon, Richard. The Richard Laymon Collection: " Fiends " AND " After Midnight " v. 13. Headline Book Publishing, 2007.

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37

Laymon, Richard. The Richard Laymon Collection: Amara and the Lake v. 17. Headline Book Publishing, 2007.

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38

Steele, Rhonda. Descendants of Charles Laymon: The History of the Lemon Family. Independently Published, 2017.

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39

Laymon, Richard. Richard Laymon Collection Volume 14: Among the Missing and Come Out Tonight. Headline Publishing Group, 2007.

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40

Richard Laymon Collection Volume 7: Darkness Tell Us and One Rainy Night. Headline Publishing Group, 2006.

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41

Canfield, Jack. Book on Transformation with Echo Laymon Pelster: Jan Fraser Inspired Life Series. Bermuda Media, 2022.

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42

Laymon, Richard. The Richard Laymon Collection: "Night in the Lonesome October" AND "No Sanctuary" v. 16. Headline Book Publishing, 2007.

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43

SuperSummary. Study Guide: How to Slowly Kill Yourself and Others in America by Kiese Laymon. Independently Published, 2021.

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44

Barton, Kathi S. Layton. World Castle Publishing, LLC, 2022.

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45

Barton, Kathi S. Layton. World Castle Publishing, LLC, 2022.

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46

Forrobodó, A., and Armando González López. Layton. Independently Published, 2022.

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47

Arave, Lynn. Layton. Arcadia Publishing, 2020.

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48

Layton, Neal. Neal Layton Untitled Neal Layton Untitled. Taylor & Francis Group, 2028.

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49

Layton, Neal. Neal Layton Untitled Neal Layton Untitled. Taylor & Francis Group, 2028.

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50

Leader-Picone, Cameron. Black and More than Black. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496824516.001.0001.

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Abstract:

This book analyzes twenty-first century African American fiction through the proliferation of post categories that arose in the new millennium. These post categories—post-black, post-racialism, post-Soul—articulate a shift away from the racial aesthetics associated with the Black Arts Movement and argue for the individual agency of Black artists over the meaning of racial identity in their work. Analyzing key works by Colson Whitehead, Alice Randall, Chimamanda Ngozi Adichie, Paul Beatty, Jesmyn Ward, and Kiese Laymon, this book argues that twenty-first century African American fiction highlights the push and pull between claims of post-civil rights progress and the recognition of the entrenchment of structural racism. The book contextualizes this shift through the rise of, and presidency of, Barack Obama and the revision of Du Boisian double consciousness. It examines Obama through an analysis of the discourse surrounding his rise, Obama’s own writings, and his appearance as a character. The book concludes that while the claims of progress associated with Barack Obama’s presidency and the post era categories to which it was connected were overly optimistic, they represent a major shift towards an individualistic conception of racial identity that continues to resist claims of responsibility imposed on Black artists.

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