Academic literature on the topic 'Laura Criticism and interpretation'
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Journal articles on the topic "Laura Criticism and interpretation"
Ziemka, Karolina. "The image of a rebel woman in the Czechoslovak New Wave based on the Daises by Věra Chytilová." Dziennikarstwo i Media 15 (June 29, 2021): 65–70. http://dx.doi.org/10.19195/2082-8322.15.6.
Full textZaret, David, and Michael Walzer. "Interpretation and Social Criticism." Contemporary Sociology 17, no. 1 (January 1988): 122. http://dx.doi.org/10.2307/2069485.
Full textSenchuk, Dennis M., and Michael Walzer. "Interpretation and Social Criticism." Noûs 26, no. 3 (September 1992): 389. http://dx.doi.org/10.2307/2215966.
Full textGorski, Philip S. "SCIENTISM, INTERPRETATION, AND CRITICISM." Zygon� 25, no. 3 (September 1990): 279–307. http://dx.doi.org/10.1111/j.1467-9744.1990.tb00793.x.
Full textRosen, Bernard. "Interpretation and Social Criticism." Journal of Higher Education 59, no. 6 (November 1988): 704–6. http://dx.doi.org/10.1080/00221546.1988.11780237.
Full textRosen, Bernard, and Michael Walzer. "Interpretation and Social Criticism." Journal of Higher Education 59, no. 6 (November 1988): 704. http://dx.doi.org/10.2307/1982241.
Full textDeepwell, Katy. "Art Criticism and the State of Feminist Art Criticism." Arts 9, no. 1 (February 25, 2020): 28. http://dx.doi.org/10.3390/arts9010028.
Full textWallace, Jo-Ann, and Barbara Adams. "The Enemy Self: Poetry and Criticism of Laura Riding." American Literature 63, no. 1 (March 1991): 160. http://dx.doi.org/10.2307/2926596.
Full textMurray, Stuart. "Postcolonial Theory and Criticism by Laura Chrisman, Benita Parry." Yearbook of English Studies 32, no. 1 (2002): 312–13. http://dx.doi.org/10.1353/yes.2002.0010.
Full textNavia Velasco, Carmiña. "Laura Restrepo, la creación de un mundo novelístico." La Manzana de la Discordia 1, no. 1 (March 8, 2016): 7. http://dx.doi.org/10.25100/lamanzanadeladiscordia.v1i1.1435.
Full textDissertations / Theses on the topic "Laura Criticism and interpretation"
Cain, Christina. "Between the Waves: Truth-Telling, Feminism, and Silence in the Modernist Era Poetics of Laura Riding Jackson and Muriel Rukeyser." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5419/.
Full textLauzière, Carole. "Estudio semiológico del personaje "heroico" : La Camisa de Lauro Olmo." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61037.
Full textThe work of Patrice Pavis, Anne Ubersfeld and Keir Elam is examined in the first chapter and particular attention is paid to the interface between signs, communication and characterization on stage. This is the theoretical basis for the consideration in the next chapter of the heroism of the masculine protagonist, widely acknowledged in previous criticism. In the third chapter an innovative interpretation is offered, using the same theoretical base, of the heroism of the female protagonist, which posits a code of behaviour rarely commented upon before.
Mulley, Elizabeth. "Women and children in context : Laura Muntz and representation of maternity." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36781.
Full textCousseau, Salete Nair Carletto. "O particular e o universal em Histórias sem amanhã, de Lara de Lemos." reponame:Repositório Institucional da UCS, 2010. https://repositorio.ucs.br/handle/11338/1016.
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This dissertation analyzes some chronicles from the book Histórias sem Amanhã, from Lara de Lemos, written in the 1950‟s, to be published in Correio do Povo newspaper in Porto Alegre further the chronicles had been published as a novel in 1963. The purpose of this analysis is to evidence the way the author discusses the status of the female condition, expanding her argument to the human condition, social problems and paradoxes from de life in the city, searching to reflect the relationship between particular and universal, once the texts, approaching this daily issues reaching an aesthetic dimension that turns then universal.
Almeida, Carla Cristine Souza de. "O pecado contemporâneo na obra de Nelson Rodrigues: uma análise das peças Álbum de família, Otto Lara Resende ou Bonitinha, mas ordinária e Toda nudez será castigada." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21383.
Full textMade available in DSpace on 2018-08-29T11:32:36Z (GMT). No. of bitstreams: 1 Carla Cristine Souza de Almeida.pdf: 766081 bytes, checksum: 1c7c325b58b455869537c02fb2bbdd53 (MD5) Previous issue date: 2018-08-10
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
This dissertation analyses if narcissism can be considered a contemporary sin and, therefore, creates a category of behavior. In order to answer central questions: who Nelson Rodrigues was and what the importance of his work is for a declining society, if narcissism can be considered a contemporary sin and if the reading of Rodrigues’ plays reveals us a miserable and misfortune human condition, leading us not to live narcissism as a contemporary sin. The hypothesis is while having clarity of the “life as it is”, of its own tragedy, the reading of Nelson Rodrigues’ plays - Álbum de família; Otto Lara Resende ou Bonitinha, mas ordinária; and Toda nudez será castigada – selected for this study, opens the possibility of leaving the suffering behind, and on that account, living with the courage to have a position free of identifications and thus, living a space of desire. The general objective or the background is to identify if in the subjectivity of the contemporary man, amid his anguishes, his peculiar way of acting and living could become a type of contemporary sin, or: “narcissism updated to the 21st century”. And also think that reading Nelson Rodrigues’ plays, there is a possibility of the man to have a life with less narcissistic identifications, freeing himself from such suffering. Three plays are analyzed and other texts can shed a light on a possible exit from this type of behavior. Nobody is free from narcissism, everybody needs a little bit of it to wake up and look in the mirror every day, not count one day less in one’s life, but: get up, work, live, eat, have fun, love, cry, fight. So, this narcissism makes us live our lives because what makes us dull is its excess, the thing that goes with you, without limits, to an abyss without name nor place
Esta dissertação analisa se o narcisismo pode ser considerado como pecado contemporâneo, e deste modo, cria uma categoria de comportamento a fim de responder a três perguntas centrais: quem foi Nelson Rodrigues e qual a importância de sua obra para uma sociedade em declínio; se o narcisismo pode ser considerado um pecado contemporâneo; e se a leitura das peças rodrigueanas nos revela uma condição humana miserável e desgraçada, isto nos levaria a não habitarmos o narcisismo como pecado contemporâneo. Tendo como hipótese que ao se ter a clareza da “vida como ela é”, de sua própria tragédia, a leitura das peças rodrigueanas – Álbum de família; Otto Lara Resende ou Bonitinha, mas ordinária; e Toda nudez será castigada –, selecionadas para este estudo, abre a possibilidade de saída do sofrimento e, em vista disso, de viver com a coragem para assumir uma posição mais livre das identificações e, por conseguinte, habitar um espaço de desejo. O pano de fundo ou objetivo geral é identificar se na subjetividade do homem contemporâneo, em meio a suas angústias, seu modo peculiar de agir e de viver poderia se tornar uma espécie de pecado contemporâneo, dito de outro modo, um “narcisismo atualizado para o século XXI”. E, assim, pensar se com a leitura da obra de Nelson Rodrigues há uma possibilidade de o indivíduo ter uma vida com menos identificações narcísicas e, assim, libertar-se de tamanho sofrimento. Atravessa-se as três peças de Nelson Rodrigues e outros textos para trazer luz a uma possível saída deste modo de comportamento. Ninguém está livre do narcisismo, todos precisamos de um pouco dele para levantar e se olhar no espelho diariamente, não contar um dia a menos de vida ao acordar, mas, sim, levantar, trabalhar, viver, se alimentar, se divertir, amar, chorar, brigar. Enfim, este narcisismo nos faz viver a vida, pois o que nos embota é o seu excesso, aquilo que vai sem limite com você para um abismo sem nome e sem lugar
Hoyer, Steven. "Intention and interpretation." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=68104.
Full textChapter two is about interpretation. I open the chapter with an examination of extreme conventionalist theses, arguing that their success depends on an unjustifiably strict demarcation between intentionality and textuality. Appropriating aspects of Donald Davidson's work in the philosophy of language, I argue for the recognition of linguistic communication as a form of intentional action. I then defend this thesis against more moderate conventionalist theories to offer a viable approach to the interpretation of literary works.
Anger, Suzy. "Victorian hermeneutics and literary interpretation /." Thesis, Connect to this title online; UW restricted, 1994. http://hdl.handle.net/1773/9374.
Full textMeir, Amira. "Medieval Jewish interpretation of pentateuchal poetry." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=28842.
Full textThe effort begins by defining Pentateuchal poetry and discussing a range of its presentations by various ancient writers. Subsequent chapters examine its treatment by Rabbi Saadia Gaon of Baghdad (882-942), Abraham Ibn Ezra of Spain (1089-1164), Samuel Ben Meir (1080-1160) and Joseph Bekhor Shor (12th century) of Northern France, David Kimhi of Provence (1160-1235), and Obadiah Sforno of Italy (1470-1550).
While all of these commentators wrote on the poetic passages, none differentiated systematically between Pentateuchal prose and poetry or treated them in substantially different ways. Samuel Ben Meir, Ibn Ezra, Bekhor Shor, and Kimhi did discuss some poetic features of these texts. The other two men were far less inclined to do so, but occasionally recognized some differences between prose and poetry and some phenomena unique to the latter.
Turner, Seth. "Revelation 11:1-13 : history of interpretation." Thesis, University of Oxford, 2005. http://ora.ox.ac.uk/objects/uuid:57efe3b3-7c61-412f-9001-5269860a896d.
Full textNicol, George Grey. "Studies in the interpretation of Genesis 26.1-33." Thesis, University of Oxford, 1987. http://ora.ox.ac.uk/objects/uuid:8fff7ce7-9a50-4011-9f54-5776c84aa36a.
Full textBooks on the topic "Laura Criticism and interpretation"
Macale, Maurizio. Laura Pausini. Foggia: Bastogi, 2000.
Find full textBen-Lev, Dina. Laura Jensen. Boise, Idaho: Boise State University, 1997.
Find full textLaura Cohen: Albercas. México: Consejo Nacional para la Cultura y las Artes, DirecciónGeneral de Publicaciones, 2005.
Find full textBächler, Odile. Laura: Otto Preminger. Paris: Nathan, 1995.
Find full textTronche, Anne. Laura Lamiel, la pensée du chat. Arles: Actes sud, 2001.
Find full textM, Willingham Elizabeth, ed. Laura Esquivel's Mexican fictions. Fort Worth, Tex: TCU Press, 2009.
Find full textSolana, Juan José Pérez. Laura: "el sueño en el sueño". Burgos: Ediciones Aldecoa, 1994.
Find full textBarletta, Riccardo. Laura Fiume: Affabulazioni ironiche e altre storie. Bologna: Bora, 1989.
Find full textAdams, Barbara Block. The enemy self: Poetry and criticism of Laura Riding. Ann Arbor: UMI Research Press, 1990.
Find full textCristino, Gaetano. La pittura di Laura Terracciano: L'arte come consolazione e armonia. Foggia [Italy]: C. Grenzi, 2009.
Find full textBook chapters on the topic "Laura Criticism and interpretation"
Bogel, Fredric V. "New Formalist Interpretation." In New Formalist Criticism, 102–52. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137362599_4.
Full textCohen, Ralph. "Literary Criticism and Artistic Interpretation." In Reason and Imagination, 279–306. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003222996-14.
Full textBonelli, Paolo, Giorgio Guidotti, Enrico Paolini, and Giulio Spinucci. "Pacemaker Stimulation Criticism at ECG." In New Concepts in ECG Interpretation, 175–85. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-91677-4_16.
Full textWang, Fengzhen. "Marxist Literary Criticism in China." In Marxism and the Interpretation of Culture, 715–22. London: Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19059-1_49.
Full textCapellmann, Herbert. "Later Criticism of the Copenhagen Interpretation." In SpringerBriefs in History of Science and Technology, 77–81. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-61884-5_10.
Full textAmesbury, Richard. "Norms, Interpretation, and Decision-Making: Derrida on Justice." In Morality and Social Criticism, 46–64. London: Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230507951_3.
Full textMallinson, Jane. "Objects of Attention: The Literary Criticism." In T.S. Eliot’s Interpretation of F.H. Bradley, 23–34. Dordrecht: Springer Netherlands, 2002. http://dx.doi.org/10.1007/978-94-017-0411-3_3.
Full textGutiérrez Pozo, Antonio. "Subjectivity and Transcendence: Husserl’s Criticism of Naturalistic Thought." In Man’s Self-Interpretation-in-Existence, 379–85. Dordrecht: Springer Netherlands, 1990. http://dx.doi.org/10.1007/978-94-009-1864-1_30.
Full textBarrett, Michèle. "The Place of Aesthetics in Marxist Criticism." In Marxism and the Interpretation of Culture, 697–713. London: Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19059-1_48.
Full textDavis, Todd F., and Kenneth Womack. "Introduction: Moving beyond the Politics of Interpretation." In Formalist Criticism and Reader-Response Theory, 1–10. London: Macmillan Education UK, 2002. http://dx.doi.org/10.1007/978-1-4039-1916-8_1.
Full textConference papers on the topic "Laura Criticism and interpretation"
Al-dabbagh, Asma. "The Nature of Interpretation in Architectural criticism." In INTERNATIONAL CONFERENCE ON ARCHITECTURAL AND CIVIL ENGINEERING 2020. Cihan University-Erbil, 2021. http://dx.doi.org/10.24086/aces2020/paper.256.
Full text"Interpretation of "Wuthering Heights" from the Perspective of Eco-criticism." In 2018 4th International Conference on Economics, Management and Humanities Science. Francis Academic Press, 2018. http://dx.doi.org/10.25236/ecomhs.2018.126.
Full textKenyhercz, Róbert. "Interpretation of data and sources in etymological research." In International Conference on Onomastics “Name and Naming”. Editura Mega, 2022. http://dx.doi.org/10.30816/iconn5/2019/39.
Full textVerner, Inna. "The legacy of Maximus the Greek in the biblical revision of Euthymius Chudovsky (1680s)." In Tenth Rome Cyril-Methodian Readings. Indrik, 2020. http://dx.doi.org/10.31168/91674-576-4.04.
Full textFateeva, I. "“AN EVERLASTING DAY” (IN RELATION TO THE PAINTING “HUNTERS IN THE SNOW” BY PIETER BRUEGEL)." In Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2554.978-5-317-06726-7/93-96.
Full textXu, Manyan. "A New Interpretation of Chinese Versions of Stray Birds Based on Reiss's Translation Criticism A Case Study of the Translations by Feng Tang and Zheng Zhenduo." In Proceedings of the 2nd International Conference on Contemporary Education, Social Sciences and Ecological Studies (CESSES 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/cesses-19.2019.128.
Full textAravot, Iris. "An Attempt at Making Urban Design Principles Explicit." In 1995 ACSA International Conference. ACSA Press, 1995. http://dx.doi.org/10.35483/acsa.intl.1995.42.
Full textAslandogan, Y. Alp. "PRESENT AND POTENTIAL IMPACT OF THE SPIRITUAL TRADITION OF ISLAM ON CONTEMPORARY MUSLIMS: FROM GHAZALI TO GÜLEN." In Muslim World in Transition: Contributions of the Gülen Movement. Leeds Metropolitan University Press, 2007. http://dx.doi.org/10.55207/mnsp5562.
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