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Books on the topic 'Laterza, Giovanni'

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Author: Grafiati

Published: 10 March 2023

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1

Cattani, Riccardo. Saint John Lateran, Patriarchal Basilica. Assisi: Editrice TAU, 2003.

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2

Soro, Maddalena. Quegli occhi che urlavano: Giovanni Nuvòli : la malattia, la scelta. Sassari: C. Delfino, 2011.

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3

Die Lateran-Kapelle von 1599 bis 1650. Laaber: Laaber-Verlag, 2008.

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4

Luciani, Roberto. The Lateran Complex: Basilica, Apostolic Palace, Holy Staircase. Roma: Prospettive, 2011.

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5

Freiberg, Jack. The Lateran in 1600: Christian concord in Counter-Reformation Rome. Cambridge: Cambridge University Press, 1995.

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6

Rileggere il Laterano antico (2018 Presidio Ospedaliero San Giovanni, Rome, Italy). Atti del Convegno Rileggere il Laterano antico: Il rilevo 3D dell'Ospedale San Giovanni - work in progress : 29 novembre 2018 - Sala Folchi, Presidio Ospedaliero San Giovanni = Proceedings of the Conference Reassessing the ancient Lateran : the 3D survey of the San Giovanni Hospital - work in progress : November 29, 2018 - Folchi Room, Addolorata Hospital Unit. Sesto Fiorentino (FI): All'insegna del giglio, 2020.

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7

Bestaggini, Antonella. The theme of palingenesis in the Italian fin-de-siecle: Schopenhauer, Wagner, Nietzsche and the later works of Giovanni Segantini (1886-1899). Oxford: Oxford Brookes University, 1997.

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8

Corsani, Gabriele, and Marco Bini, eds. La Facoltà di Architettura di Firenze fra tradizione e cambiamento. Florence: Firenze University Press, 2007. http://dx.doi.org/10.36253/978-88-8453-416-3.

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The volume comprises the proceedings of the study days in the Faculty of Architecture (29-30 April 2004) broken down into four thematic sections: The original characteristics of the Florentine school, From Higher School to Faculty, the Florentine school and the contributions from outside, Contemporary metamorphoses. The contributions focus the phases of formation and evolution of the Higher School (1926) and later Faculty (1936) of Architecture, underlining the most significant passages, starting from the initial consolidation of the didactic structure and the emergence of a "Florentine school" characterised by the two strands traceable to Raffaello Fanoni and Giovanni Michelucci. A parallel experience is provided by the contribution of the external teachers, in particular of the Roman school, with lively and at times conflicting approaches. The present situation, albeit with the necessary disciplinary dialectic, features a settlement of the divergences around themes of the relations between architecture, environment and landscape.

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9

Lateran Church and the Ark of the Covenant. Boydell & Brewer, Limited, 2019.

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10

Giovanni Balducci. And the Rediscovered Predella for the papal High Altar in Saint John the Lateran. Centro Di, 2020.

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11

Arruzza, Cinzia. Tyranny in Athens. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190678852.003.0002.

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This chapter offers a thorough analysis of both the literary tropes surrounding tyranny and the tyrant in fifth-century Greek literature—with some reference to fourth-century and later texts—and the function they played in democratic self-understanding. The chapter addresses the ongoing debate about the existence of a democratic theory of democracy in fifth- and fourth-century Athens, arguing that a proper democratic theory did not exist. Within the context of this debate, the chapter draws on theses of Diego Lanza, Giovanni Giorgini, and James F. McGlew that the depictions of tyranny in anti-tyrannical literature served the purpose of offering to the democratic citizen an inverted mirror with which he could contemplate the key features of democratic practice, by way of opposition. In other words, hatred for a highly stylized discursive representation of tyranny played a key role in democratic self-understanding.

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12

Williams, Gareth D. The Bembo Collection, and Evocations of Noniano. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190272296.003.0008.

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Chapter 7 focuses on Pietro Bembo’s renown as a collector of antiquities, books, manuscripts, contemporary art, and scientific instrumentation. De Aetna’s relevance to this topic lies partly in its credentials as a work of naturalist collection in itself, recording the physical and topographical features that Pietro encountered on Etna. The chapter further explores the ways in which, later in his life, De Aetna is nostalgically evoked in the material arts. The main exhibits are the portrait medal Pietro commissioned in the early 1530s from the eminent Valerio Belli, and two portraits of Cardinal Bembo by Titian. The chapter also considers the controversial case of Giovanni Bellini’s Portrait of a Young Man of c. 1505, not to argue that Bellini’s sitter in this painting is in fact Pietro, but rather to illustrate the interplay claimed for De Aetna between its content and form, its typeface and verbal portraiture.

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13

Wood, Robert. The Ruins of Baalbek. Bloomsbury Publishing Plc, 2021. http://dx.doi.org/10.5040/9781350159822.

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First published in the 1750s, The Ruins of Palmyra and The Ruins of Baalbek are a remarkable record of an expedition to the Levant by three antiquarians - Robert Wood, John Bouverie and James Dawkins - along with a draftsman, Giovanni Battista Borra. With over 100 engravings of the classical architecture of the two ancient cities of Palmyra and Baalbek, the volumes represent the earliest-known examples of monographs on archaeological sites. They were unique in providing systematic discussion of the sites’ physical and human geography alongside two kinds of pictorial evidence: views of the ancient sites in their then-present state and detailed plans, with measurements, of architectural features. This new approach was immediately copied by antiquarians in the later 18th century and also had great influence upon Neoclassical architecture in Britain, Europe and North America. This new edition features reproductions of all the engravings from the original publications and includes a new introduction by noted scholar, Benjamin Anderson (Cornell University, USA).

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14

Wood, Robert. The Ruins of Palmyra. Bloomsbury Publishing Plc, 2021. http://dx.doi.org/10.5040/9781350159860.

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First published in the 1750s, The Ruins of Palmyra and The Ruins of Baalbek are a remarkable record of an expedition to the Levant by three antiquarians - Robert Wood, John Bouverie and James Dawkins - along with a draftsman, Giovanni Battista Borra. With over 100 engravings of the classical architecture of the two ancient cities of Palmyra and Baalbek, the volumes represent the earliest-known examples of monographs on archaeological sites. They were unique in providing systematic discussion of the sites' physical and human geography alongside two kinds of pictorial evidence: views of the ancient sites in their then-present state and detailed plans, with measurements, of architectural features. This new approach was immediately copied by antiquarians in the later 18th century and also had great influence upon Neoclassical architecture in Britain, Europe and North America. This new edition features reproductions of all the engravings from the original publications and includes a new introduction by noted scholar, Benjamin Anderson (Cornell University, USA).

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15

Publishers, Museum. Notebook: Interior View of the Basilica of St. John Lateran, from Views of Rome, 1768, Giovanni Battista Piranesi, Italian, 1720-1778, Italy, Etching on Ivory Laid Paper. Independently Published, 2020.

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