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1

Martin-Sanchez, Pedro, Valme Jurado, Estefania Porca, Fabiola Bastian, Delphine Lacanette, Claude Alabouvette, and Cesareo Saiz-Jimenez. "Airborne microorganisms in Lascaux Cave (France)." International Journal of Speleology 43, no. 3 (September 2014): 295–303. http://dx.doi.org/10.5038/1827-806x.43.3.6.

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2

Bastian, F., V. Jurado, A. Nováková, C. Alabouvette, and C. Saiz-Jimenez. "The microbiology of Lascaux Cave." Microbiology 156, no. 3 (March 1, 2010): 644–52. http://dx.doi.org/10.1099/mic.0.036160-0.

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Lascaux Cave (Montignac, France) contains paintings from the Upper Paleolithic period. Shortly after its discovery in 1940, the cave was seriously disturbed by major destructive interventions. In 1963, the cave was closed due to algal growth on the walls. In 2001, the ceiling, walls and sediments were colonized by the fungus Fusarium solani. Later, black stains, probably of fungal origin, appeared on the walls. Biocide treatments, including quaternary ammonium derivatives, were extensively applied for a few years, and have been in use again since January 2008. The microbial communities in Lascaux Cave were shown to be composed of human-pathogenic bacteria and entomopathogenic fungi, the former as a result of the biocide selection. The data show that fungi play an important role in the cave, and arthropods contribute to the dispersion of conidia. A careful study on the fungal ecology is needed in order to complete the cave food web and to control the black stains threatening the Paleolithic paintings.
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3

Garcia-Sanchez, Angela, Concepcion Ariza, Jose Ubeda, Pedro Martin-Sanchez, Valme Jurado, Fabiola Bastian, Claude Alabouvette, and Cesareo Saiz-Jimenez. "Free-living amoebae in sediments from the Lascaux Cave in France." International Journal of Speleology 42, no. 1 (January 2013): 9–13. http://dx.doi.org/10.5038/1827-806x.42.1.2.

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4

Saiz-Jimenez, Cesareo, Ana Z. Miller, Pedro M. Martin-Sanchez, and Mariona Hernandez-Marine. "Uncovering the origin of the black stains in Lascaux Cave in France." Environmental Microbiology 14, no. 12 (October 26, 2012): 3220–31. http://dx.doi.org/10.1111/1462-2920.12008.

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5

Saiz-Jimenez, Cesareo, Pedro M. Martin-Sanchez, Jose A. Gonzalez-Perez, and Bernardo Hermosin. "Analytical Pyrolysis of the Fungal Melanins from Ochroconis spp. Isolated from Lascaux Cave, France." Applied Sciences 11, no. 3 (January 28, 2021): 1198. http://dx.doi.org/10.3390/app11031198.

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Analytical pyrolysis is a tool widely used for investigating the nature of macromolecules. This technique has been applied with success for solving the chemical structure of geo- and biopolymers. However, with complex macromolecules, such as fungal melanins, analytical pyrolysis presents some drawbacks due to the fact that they rarely can be obtained in a pure grade and contains a mixture of polysaccharides, chitin, proteins, nucleic acids, and lipids, among other materials. Analytical pyrolysis permits the characterization of the compounds co-extracted or linked to the melanin. Nevertheless, our data revealed that under the conditions usually employed in the pyrolysis of melanins, the technique presented serious limitations due to the complex structure and diversity of components that suffer extensive thermal degradation through secondary reactions with the production of considerable number of artifacts. To the light of pyrolysis data, the melanin of Ochroconis spp. is not based on 3,4-dihydroxyphenylalanine (DOPA) or 1,8-dihydroxynaphthalene (DHN), and it is suggested that it could be a type of pyomelanin, based on the polymerization of homogentisic acid and other phenolic compounds.
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6

Martin-Sanchez, Pedro M., Santiago Sanchez-Cortes, Eduardo Lopez-Tobar, Valme Jurado, Fabiola Bastian, Claude Alabouvette, and Cesareo Saiz-Jimenez. "The nature of black stains in Lascaux Cave, France, as revealed by surface-enhanced Raman spectroscopy." Journal of Raman Spectroscopy 43, no. 3 (October 14, 2011): 464–67. http://dx.doi.org/10.1002/jrs.3053.

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7

Valladas, H., E. Kaltnecker, A. Quiles, N. Tisnérat-Laborde, D. Genty, M. Arnold, E. Delqué-Količ, et al. "Dating French and Spanish Prehistoric Decorated Caves in their Archaeological Contexts." Radiocarbon 55, no. 3 (2013): 1422–31. http://dx.doi.org/10.1017/s0033822200048359.

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The Laboratoire des Sciences du Climat et de l'Environnement (LSCE) research program on prehistoric art conducts chronological studies of parietal representations with their associated archaeological context. This multidisciplinary approach provides chronological arguments about the creation period of parietal representations. This article presents chronological investigations carried out in several decorated caves in France (La Grande Grotte, Labastide, Lascaux, La Tête-du-Lion, Villars) and Spain (La Garma, Nerja, La Pileta, Urdiales). Several types of organic materials, collected from different areas of the caves close to the walls and in connection with parietal art, were dated to determine the periods of human presence in the cave, a presence that may have been related to artistic activities. These new radiocarbon results range from 33,000–29,000 (La Grande Grotte) to 16,000–14,000 cal BP (Urdiales).
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8

Martin-Sanchez, Pedro M., Alena Nováková, Fabiola Bastian, Claude Alabouvette, and Cesareo Saiz-Jimenez. "Use of Biocides for the Control of Fungal Outbreaks in Subterranean Environments: The Case of the Lascaux Cave in France." Environmental Science & Technology 46, no. 7 (March 19, 2012): 3762–70. http://dx.doi.org/10.1021/es2040625.

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9

Martin-Sanchez, Pedro M., Fabiola Bastian, Claude Alabouvette, and Cesareo Saiz-Jimenez. "Real-time PCR detection of Ochroconis lascauxensis involved in the formation of black stains in the Lascaux Cave, France." Science of The Total Environment 443 (January 2013): 478–84. http://dx.doi.org/10.1016/j.scitotenv.2012.11.026.

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10

Martin-Sanchez, Pedro Maria, Alena Nováková, Fabiola Bastian, Claude Alabouvette, and Cesareo Saiz-Jimenez. "Two new species of the genus Ochroconis, O. lascauxensis and O. anomala isolated from black stains in Lascaux Cave, France." Fungal Biology 116, no. 5 (May 2012): 574–89. http://dx.doi.org/10.1016/j.funbio.2012.02.006.

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11

Sumantri, Dirga Imam Gozali, Dicky A. S. Soeria Atmadja, and Pindi Setiawan. "Sangkulirang Mangkalihat: The Earliest Prehistoric Rock-Art in the World." Proceedings of the ICA 1 (May 16, 2018): 1–5. http://dx.doi.org/10.5194/ica-proc-1-108-2018.

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Borneo island, a part of Sundaland &amp;ndash; a great mainland in South East Asia thousands of years ago &amp;ndash; is the largest island in Indonesian Archipelago. In the middle-eastern of East Borneo, lies a peninsula karst region named Sangkulirang Mangkalihat. The region’s biodiversity contains many species of flora and fauna which are part of karst ecosystem.<br> Surprisingly, thousands prehistoric rock art paintings and engraving were found here, spread over 48 inland caves in seven different karst mountain areas. The rock arts are painted on the ceiling, wall, and hollow of the cave depends on the meaning. They illustrate forms such as spiritual images (zoomorphic and antropomorphic) for sacred spiritual meaning, and social phenomenon images (tools and weapons) for description of daily life. From all those rock-arts, hand paintings are the most common elements appeared. Compared to other paintings, these are the only negative images using different techniques.<br> Radiocarbon dating indicated that the rock-arts at Tewet Cave in Sangkulirang Mangkalihat is 40,000&amp;thinsp;BP. It is much earlier compared to Lascaux Cave (35,400&amp;thinsp;BP) and Chauvet Cave (32,000) in France which were previously known as the earliest one in the world.<br> Rock arts and some archeological findings also indicate the migration of Austronesian People. During the migration, Borneo’s climate and land cover were changing from time to time. Continental climate occurred when all Sundaland was still dry (40,000&amp;ndash;21,000&amp;thinsp;BP), followed by tropical savanna climate and archipelagic climate (12,000&amp;ndash;7.000&amp;thinsp;BP), and then Tropical Rainforest consecutively (1,000&amp;thinsp;BP). Correlatively, geological interpretations from such areas indicate land cover changes. These changes effected Austronesian ways of living, e.g. from hunting to fishing, and were depicted clearly on their paintings.<br> Today, &amp;ndash; as observed from time series satellite images &amp;ndash; industrial activities such as karst exploitation for cement production and land clearing for palm oil plantation are threatening Sangkulirang Mangkalihat as they are approaching this particular areas. Efforts were conducted to preserve these particular sites, from establishing local regulations to a great step to propose it as one of UNESCO’s World Cultural Heritage.<br> To disseminate its importance as the world’s earliest known rock arts, a particular map should be designed. The map should be able to describe multiple aspects regarding these sites, i.e. its location and position among other world rock arts, detail locations in the sites, climate and geomorphological changes occurred and its effects to these rock arts, its correlation to prehistoric migration, and threats faced today from industrial activities. An integrated, multiscale representation of such geospatial informations is considered.
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12

Frank, Robbert, and Frank Robbert. "Precipitaten." Forum+ 26, no. 3 (November 1, 2019): 36–44. http://dx.doi.org/10.5117/forum2019.3.fran.

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Geïnspireerd door de grottekeningen van Lascaux, Egyptische hiëroglyfen en protoschriften uit Mesopotamië, werkt het kunstenaarsduo Frank&Robbert Robbert&Frank aan nieuwe objecten waarin ze hun eigen leven en werk documenteren in eenvoudige symbolische lijntekeningen. Deze tekeningen zijn een manier om zichzelf, de wereld waarin ze leven en hun kunstpraktijk onder de loep te nemen. Tegelijk creëren ze een basis om ook minder grijpbare ideeën en systemen te vertalen. Zoals de Egyptenaren in hun muurschilderingen niet enkel de dagelijkse handelingen uitbeeldden, maar ook hun kosmologische systeem vertaalden in symbolische voorstellingen.Inspired by the cave drawings of Lascaux, Egyptian hieroglyphs and proto writings from Mesopotamia, the artist duo Frank&Robbert Robbert&Frank are working on new objects in which they convert their own lives and work into simple symbolic line drawings. These drawings are a way to examine themselves, the world in which they live and their artistic practice. At the same time they are laying a foundation for translating less tangible ideas and systems. By doing so, they follow the example of the Egyptians, who, in their murals, not only depicted daily actions, but also translated their cosmological system into symbolic representations.
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13

Salmon, Fabien, Delphine Lacanette, Habiba Lharti, and Colette Sirieix. "Heat Transfer in Rock Masses: Application to the Lascaux Cave (France)." SSRN Electronic Journal, 2022. http://dx.doi.org/10.2139/ssrn.4118351.

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14

Houillon, N., R. Lastennet, A. Denis, P. Malaurent, S. Minvielle, and N. Peyraube. "Assessing cave internal aerology in understanding carbon dioxide (CO2) dynamics: implications on calcite mass variation on the wall of Lascaux Cave (France)." Environmental Earth Sciences 76, no. 4 (February 2017). http://dx.doi.org/10.1007/s12665-017-6498-8.

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15

"Vegetational evidence for late Quaternary climatic changes in southwest Europe in relation to the influence of the North Atlantic Ocean." Philosophical Transactions of the Royal Society of London. B, Biological Sciences 318, no. 1191 (April 29, 1988): 451–85. http://dx.doi.org/10.1098/rstb.1988.0019.

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During the period 20-8 ka BP, movements of the polar front in the North Atlantic Ocean between the latitudes of Iceland and the Iberian peninsula greatly affected the climate of western Europe. During the Lateglacial, sea-surface temperature changes were particularly marked in the Bay of Biscay. Such migrations of the polar front, which have been shown to be time-transgressive, have been used to explain Lateglacial climatic events in northwestern Europe. A comparative study of Lateglacial and early Holocene records from lacustrine sites in northern and northwestern Spain and the Pyrenees confirms that the Lateglacial climatic amelioration was time-transgressive along the seaboard of western Europe, beginning 500-1000 years earlier in northwestern Spain than in the British Isles. This time-lag is further exaggerated in the vegetational response by migrational lags and edaphic factors. There are marked differences in the nature and chronology of Lateglacial plant successions, not only between southwest and northwest Europe, but particularly between sites in northwestern Spain, the coastal lowlands of the Pays Basque and the Pyrenees. Sites in northwestern Spain, including that of Sanabria Marsh, here published in detail for the first time, show the moderating climatic influence of the Atlantic Ocean throughout the Lateglacial. There, the climatic amelioration began early, perhaps before 14 ka b p . Deciduous oak forest had already begun to develop during Lateglacial times; this observation suggests that the perglacial refugia for these trees lay close to the maritime Atlantic coasts of Spain and Portugal, and not in the Pyrenees as some authors have proposed. After the onset of the Lateglacial climatic amelioration, pine and birch forest became widespread in the Pyrenees but oaks were very sparse or absent. Oak forest only developed there after lOkaBP in the early Holocene. The Younger Dryas episode of cooling can be detected, but only by a small expansion of herbaceous plant communities in some areas and with almost no lowering of the treeline. In contrast, Lateglacial conditions in the Pays Basque appear to have been cold and bleak. Even birch and pine forest was poorly developed and may have disappeared with the onset of the Younger Dryas cooling. Acid heathland with Empetrum and ericaceous plants then developed, to be replaced by oak-hazel forest in the early Holocene. Here, clearly, the influence of cold polar water conditions in the Bay of Biscay was very strong. Pollen diagrams from marine cores in the Bay of Biscay are also reviewed, but low sedimentation rates, bioturbation and differential transport and preservation of pollen make comparison with continental pollen diagrams difficult and correlation only possible in broad terms. Accurate vegetational interpretations are impossible. Palynologists working on archaeological cave and rock shelter sequences in southwest France and northern Spain have claimed to recognize, between 32 and 14 ka BP, a series of interstadial intervals with expansions of temperate trees. Careful consideration of pollen diagrams covering the purported Laugerie and Lascaux interstadials, said to occur between 16 and 20 ka BP (conventionally the maximum period of glacial advance of the last glacial stage), suggests that temperate pollen has percolated down through overlying deposits and been preserved in certain sedimentologically favourable beds. Although widely accepted by archaeologists, these interstadials appear to have no reality and must be rejected. There is no trace of them in the long lacustrine records of Les Echets (Beaulieu & Reille 1984) and Grande Pile (Woillard 1975, 1978). There is thus no good palynological record for 30-16 ka BP from south-west Europe, other than the long pollen sequence from Padul in southern Spain (Pons & Reille 1986).
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