Relevant bibliographies by topics / Larpent

Academic literature on the topic 'Larpent'

Author: Grafiati
Published: 10 December 2022
Last updated: 29 January 2023

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Journal articles on the topic "Larpent"

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SOLHEIM, HELENE. "LARPENT 678: DODD'S DARIUS AT DRURY LANE." Notes and Queries 45, no. 1 (March 1, 1998): 82—a—82. http://dx.doi.org/10.1093/nq/45-1-82a.

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SOLHEIM, HELENE. "LARPENT 678: DODD'S DARIUS AT DRURY LANE." Notes and Queries 45, no. 1 (1998): 82—a—82. http://dx.doi.org/10.1093/nq/45.1.82-a.

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Marilyn Morris. "Negotiating Domesticity in the Journals of Anna Larpent." Journal of Women's History 22, no. 1 (2010): 85–106. http://dx.doi.org/10.1353/jowh.0.0128.

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Solheim, H. "Note. Larpent 678: Dodd's Darius at Drury Lane." Notes and Queries 45, no. 1 (March 1, 1998): 82. http://dx.doi.org/10.1093/nq/45.1.82.

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Danchin, Pierre. "Unidentified Items in the Larpent Collection: Addresses, Prologues, and Epilogues." Huntington Library Quarterly 64, no. 3/4 (January 2001): 445–67. http://dx.doi.org/10.2307/3817921.

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Garry, Mary Anne. "‘After they went I worked’: Mrs Larpent and her Needlework, 1790–1800." Costume 39, no. 1 (January 1, 2005): 91–99. http://dx.doi.org/10.1179/cos.2005.39.1.91.

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Vickery, Amanda. "The Moral Negotiation of Fashion in Regency England." Eighteenth-Century Life 44, no. 3 (September 1, 2020): 165–91. http://dx.doi.org/10.1215/00982601-8718721.

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Religion and the Georgian world of goods are rarely discussed in tandem. The modern history of consumerism is secular in conceptualization. The booming literature on the Georgian world of goods has engaged only glancingly with religious ideas. A series of prejudices about the Hanoverian Church has militated against sustained inquiry into the religious challenges of the Georgian world of goods. The strenuously Christian are conspicuously absent from the history of consumerism. The fashion victim and shrewd consumer matron have their historians, but what of the pious and judgmental? This essay brings two often disconnected schools of historical inquiry into conversation, through an exploration of the spiritual and material for two devout female Anglicans: Katherine Plymley (1758–1829) and Anna Larpent (1758–1832). It charts the negotiation of material ambivalence and the performance of both studied restraint and social status.
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Eddy, Zoë Antoinette. "Playing at the Margins: Colonizing Fictions in New England Larp." Humanities 9, no. 4 (December 14, 2020): 143. http://dx.doi.org/10.3390/h9040143.

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North American larping (live-action roleplaying) is a collaborative performance that encourages critical and creative engagement with cooperative, improvisational narratives. Nevertheless, larping often relies on problematic engagements with race and racial stereotypes. Like many gaming hobbies, larp uses the idea of a “playable race”. Unlike other gaming arenas, however, larping necessitates that players physically embody a character in order to participate in the collaborative narrative: larpers embody fictional races and engage in a complex form of “race play”. Within this context, non-Indigenous players frequently appropriate Indigenous cultural practices and mobilize racist stereotypes. This paper explores this phenomenon and its ramifications. Based on seven years of ethnographic fieldwork and community participation in New England larping communities, I examine how concepts of Indigenous identity manifest in New England larp. I explore both Indigenous and non-Indigenous perspectives in order to demonstrate (a) how fantastical play facilitates cultural appropriation and damaging “race play” and (b) how these spaces affect Indigenous players. I close with Indigenous perspectives on new possibilities for Indigenous larp projects and cultural reclamation.
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Bassa, S., C. Mestres, D. Champiat, K. Hell, P. Vernier, and K. Cardwell. "First Report of Aflatoxin in Dried Yam Chips in Benin." Plant Disease 85, no. 9 (September 2001): 1032. http://dx.doi.org/10.1094/pdis.2001.85.9.1032a.

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Dried yam (Dioscorea spp.) chips are widely consumed in Bénin but are often attacked by molds. Invasion of food by Aspergillus flavus may lead to aflatoxin contamination. We report here the result of a survey on the sanitary quality of dried yam chips in Bénin. During July and August 2000, 50 dried yam chips samples were collected from different points in the marketing chain; 10 samples were collected from each of 5 stages: producers, wholesalers, retailers, dried yam-based food sellers and consumers. Aflatoxin content was assayed by the bio-luminescence method (1) after methanol/water extraction. Aflatoxins were detected in all dried yam chip samples, with levels ranging from 2.2 to 200 ppb and a mean value of 14 ppb. An aflatoxin concentration higher than the European Union's maximum residue limit (MRL) of 4 ppb was found in 98% of the samples (N = 50), while 6% had an aflatoxin concentration higher than the World Health Organization's MRL of 20 ppb. Molds were analyzed from two samples, each with aflatoxin levels around 5 ppb, on colony unit medium specific for A. flavus (2). Aspergillus spp. were detected in the inner part of dried yam chips of both samples, with a mean level of 9,000 CFU/g. Fusarium colonies were also present but were not identified to species. References: (1) D. Champiat and J. Larpent. Bio-chimie-luminescence: Principes et Applications. Masson, Paris, France. 1993. (2) P. J. Cotty. Mycopathologia 125:157, 1994.
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Schram, Eric. "Bio-chimiluminescence-principes et applications. Coordonné par D. Champiat et J.-P. Larpent Masson, Paris (1993) 531 pages, ISBN 2 225 84104 7." Journal of Bioluminescence and Chemiluminescence 10, no. 4 (July 1995): 257. http://dx.doi.org/10.1002/bio.1170100409.

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Dissertations / Theses on the topic "Larpent"

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Troon, Simon. "Live Role-play of Medieval Fantasy and its relationship to the Media." Thesis, University of Canterbury. Department of Theatre and Film Studies, 2012. http://hdl.handle.net/10092/9046.

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In the postmodern, contemporary Western world of late capitalism, we dream of the Middle Ages. Medieval Fantasy, as an entertainment genre, supplements historical images of the Middle Ages with elements of myth in adventure stories featuring magicians, knights and ladies, castles, dragons, swords, and sorcery that are routinely consumed and absorbed. In some activities they are also played out physically. People dress up, utilise props, and affect their speech and mannerisms like actors in a theatre, conducting pseudo-ritualistic games of mimicry to make these images speak and move in the real world: live role-play. This thesis examines several organised examples of live role-play: Southron Gaard, a branch of the Society for Creative Anachronism based in Christchurch, New Zealand; larping, as represented by two documentary films, Darkon and Monster Camp, that document the activities of larping organisations in the USA; and 'Lord of the Rings Tour', a tourism trip from Christchurch to 'Edoras', a fictional location from Middle-earth, the fantasy world of J.R.R. Tolkien's The Lord of the Rings Novels and Peter Jackson's filmic adaptations thereof. These organised leisure activities provide platforms for the pursuit of active, physical involvement with the images and ideas of medieval fantasy. In them, participants find ways to bring these fantastic images and ideas onto their bodies in reality and, perhaps as a result, closer to their everyday lives in ways that have more significant social implications than may at first be apparent.
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Books on the topic "Larpent"

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Larpent, Anna Margaretta. A woman's view of drama, 1790-1830: The diaries of Anna Margaretta Larpent in the Huntington Library. Marlborough, Wiltshire, England: Adam Matthew, 1995.

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Sørensen, Bodil. Gamle mestertegninger fra Sophus Larpents samling. Oslo: Nasjonalgalleriet, 1999.

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3

Dent, Susie. Larpers and shroomers: The language report. Oxford: Oxford University Press, 2004.

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Paccot, Solange. Donche Larpin, chronique d'une famille de Saint André de Boëge pendant la Grande Guerre. Balaison, [France]: B. Paccot, 1992.

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Larpent, Anna Margaretta. The production of a female pen: Anna Larpent's account of the Duchess of Kingston's bigamy trial of 1776. [Farmington, Conn.]: Lewis Walpole Library, Yale University, 2004.

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6

Henry E. Huntington Library and Art Gallery. Catalogue of the Larpent plays in the Huntington Library. San Marino, Calif, 1989.

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7

Larpent, F. Seymour. The Private Journal Of F. S. Larpent V2: Judge Advocate General Of The British Forces In The Peninsula. Kessinger Publishing, LLC, 2007.

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Larpent, F. Seymour. The Private Journal Of F. S. Larpent V2: Judge Advocate General Of The British Forces In The Peninsula. Kessinger Publishing, LLC, 2007.

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Larpent, Francis Seymour. The Private Journal Of F. Seymour Larpent V1: Judge Advocate General Of The British Forces In The Peninsula. Kessinger Publishing, LLC, 2007.

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Larpent, Francis Seymour. The Private Journal Of F. Seymour Larpent V1: Judge Advocate General Of The British Forces In The Peninsula. Kessinger Publishing, LLC, 2007.

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Book chapters on the topic "Larpent"

1

Fielding, Henry. "The Larpent MS." In The Wesleyan Edition of the Works of Henry Fielding: Miscellanies by Henry Fielding, Esq, Vol. 2, edited by Bertrand A. Goldgar and Hugh Amory, 296–375. Oxford University Press and Wesleyan University Press, 1993. http://dx.doi.org/10.1093/oseo/instance.00058172.

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"LARPENT, Sir George (fl. 1840s)." In Dictionary Of British And Irish Botantists And Horticulturalists Including plant collectors, flower painters and garden designers, 1853. CRC Press, 2002. http://dx.doi.org/10.1201/b12560-968.

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Ó Gallchoir, Clíona. "Irish Wit on the London Stage." In The Golden Thread, 39–50. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781800859463.003.0004.

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In this chapter, I examine Elizabeth Griffith’s first stage success, The Platonic Wife (1765) through an aspect of the play that has been almost entirely overlooked: its contribution to the reimagining of the “Stage Irishman” in the character of the loyal Irish servant, Patrick. A comparison of the Larpent manuscript with the published version of the play indicates that post-production changes to the script, almost certainly made in order to address criticisms of its propriety, also resulted in a significant diminution of the role played by the Irish character in the action of the play. I argue further that Griffith’s concern with offering positive portrayals of her countrymen on the London stage can be related to the burgeoning Patriot sentiment in Ireland in the 1760s.
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Wendorf, Richard. "Printers, Readers, and Writers." In Printing History and Cultural Change, 165–209. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780192898135.003.0006.

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This chapter begins the process of explaining why changes in typographical conventions took place in the second half of the eighteenth century. Dozens of writers produced rules or suggestions about how capitalization and italics should be used—and they are discussed in full. These include grammars, rhetorics, encyclopedias, and printing manuals. These are generally conservative in nature and lag behind actual printing practice at the time. Was there also a transformation in the nature of the reading public at this time? There are many signs that although reading aloud continued in a variety of ways and places (social reading), silent reading was also prevalent; there was also a movement from intensive to extensive reading habits. Samuel Johnson and Benjamin Franklin are key sources in tracing these changes, as are the key exponents of the elocutionary movement. Did individual writers change their own practice of writing as well? An extended analysis of the private correspondence of major writers demonstrates that many did abandon the capital later in their careers. This is also borne out in the correspondence of the 10th Earl of Huntingdon, which includes letters from dozens of different writers, and in the Larpent Collection of Dramatic Plays at the Huntington Library, which includes scribal copies of plays submitted to the Examiner of Plays.
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"LARPing & Liberal Tears. Irony, Belief and Idiocy in the Deep Vernacular Web." In Post-Digital Cultures of the Far Right, 37–48. transcript-Verlag, 2018. http://dx.doi.org/10.14361/9783839446706-003.

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Tuters, Marc. "LARPing & Liberal Tears. Irony, Belief and Idiocy in the Deep Vernacular Web." In Post-Digital Cultures of the Far Right, 37–48. transcript Verlag, 2018. http://dx.doi.org/10.1515/9783839446706-003.

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Conference papers on the topic "Larpent"

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Márquez Segura, Elena, Katta Spiel, Karin Johansson, Jon Back, Z. O. Toups, Jessica Hammer, Annika Waern, Theresa Jean Tanenbaum, and Katherine Isbister. "Larping (Live Action Role Playing) as an Embodied Design Research Method." In DIS '19: Designing Interactive Systems Conference 2019. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3301019.3320002.

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