Relevant bibliographies by topics / Laos history(20th century)

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Academic literature on the topic 'Laos history(20th century)'

Author: Grafiati
Published: 4 June 2021
Last updated: 20 February 2023

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Journal articles on the topic "Laos history(20th century)"

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Pybus, Oliver G., Eleanor Barnes, Rachel Taggart, Philippe Lemey, Peter V. Markov, Bouachan Rasachak, Bounkong Syhavong, et al. "Genetic History of Hepatitis C Virus in East Asia." Journal of Virology 83, no. 2 (October 29, 2008): 1071–82. http://dx.doi.org/10.1128/jvi.01501-08.

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ABSTRACT The hepatitis C virus (HCV), which currently infects an estimated 3% of people worldwide, has been present in some human populations for several centuries, notably HCV genotypes 1 and 2 in West Africa and genotype 6 in Southeast Asia. Here we use newly developed methods of sequence analysis to conduct the first comprehensive investigation of the epidemic and evolutionary history of HCV in Asia. Our analysis includes new HCV core (n = 16) and NS5B (n = 14) gene sequences, obtained from serum samples of jaundiced patients from Laos. These exceptionally diverse isolates were analyzed in conjunction with all available reference strains using phylogenetic and Bayesian coalescent methods. We performed statistical tests of phylogeographic structure and applied a recently developed “relaxed molecular clock” approach to HCV for the first time, which indicated an unexpectedly high degree of rate variation. Our results reveal a >1,000-year-long development of genotype 6 in Asia, characterized by substantial phylogeographic structure and two distinct phases of epidemic history, before and during the 20th century. We conclude that HCV lineages representing preexisting and spatially restricted strains were involved in multiple, independent local epidemics during the 20th century. Our analysis explains the generation and maintenance of HCV diversity in Asia and could provide a template for further investigations of HCV spread in other regions.
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Földi, Zsombor. "Bemerkungen und Kollationen zu den altbabylonischen Alltagstexten in Leipzig (LAOS 1, Nr. 39–50)." Altorientalische Forschungen 45, no. 1 (June 1, 2018): 94–101. http://dx.doi.org/10.1515/aofo-2018-0009.

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AbstractIn the following communication, the results of collations conducted on the Old Babylonian archival documents of the Altorientalisches Institut of the Universität Leipzig in 2014 are presented. These results allow for a more precise determination of the tablets’ dates, places of origin, as well as their connections to already-known individuals’ activities and dossiers (‚archives‘). The importance of this data is crucial, because all of the material was acquired on the antiquities market early on in the 20th century, and therefore nothing is known about the archaeological context of these tablets. The paper closes with remarks on three Ur III documents of the same collection.
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Bigon, Liora. "Between Local and Colonial Perceptions: The History of Slum Clearances in Lagos (Nigeria), 1924-1960." African and Asian Studies 7, no. 1 (2008): 49–76. http://dx.doi.org/10.1163/156921008x273088.

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AbstractFollowing the establishment of the British rule in Lagos in the mid-19th century, the pre-colonial settlement became most central in West Africa, economically and administratively. Yet, scarce resources at the disposal of the colonial government and its exploitive nature prevented any serious remedy for the increasingly pressing residential needs. This article examines slum clearances in Lagos from the early 20th century until the de-colonization era in Nigeria (the 1950s), from a perspective of cultural history. This perspective reveals the width of the conceptual gaps between the colonizers and the colonized, and the chronic mutual misunderstanding regarding the nature of slums and the appropriate ways to eliminate them. Tracing the indigenous perceptions and reactions concerning slum clearance shows that the colonial situation was far from being an overwhelmingly hegemonic one.
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Adeyemi, Akande. "Introduction of Glass as Fenestration in 19th Century Lagos, Nigeria: A Brief History." African Journal of Social Sciences and Humanities Research 4, no. 3 (June 12, 2021): 33–43. http://dx.doi.org/10.52589/ajsshr-p8hrbcij.

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While glass as a material has been known to the people of western Nigerian for hundreds of years, it was only in the late 19th century that it became integrated into building and construction practice in Lagos. For the most part, early local architecture made little effort, if any at all, at covering window spaces with any material of permanence as the primary purpose of these orifices was more to let air in rather than light. Early European missionaries and colonial agents saw the situation differently. Their horrid fear for tropical bugs and matters of security and privacy necessitated a response and modification to the philosophy of tropical architecture. Using qualitative methods and visual analysis of archival images, this study takes a historical look at the beginnings of the integration and use of glass as fenestration and argues that so significant was the introduction in the late 19th and early 20th century in Lagos, that the innovation re-engineered the culture of architecture and living as we know it. The study identified the first building in Lagos to use glass as fenestration and discusses the role of missionaries in the development of innovation. It argues that missionary activity in the coastal city of Lagos, created a broad new industry and trade opportunities and concludes that the introduction of glass as a building material in 19th century Lagos, was not a mere development, but a significant innovation, both in construction and creativity.
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Kravchenko, Mariia. "Integration associations for Sub-Saharan Africa: history and prospects for development." Bulletin of Mariupol State University. Series: History. Political Studies 10, no. 28-29 (2020): 52–62. http://dx.doi.org/10.34079/2226-2830-2020-10-28-29-52-62.

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The article deals with the main integration associations of such a promising but controversial region, as Sub-Saharan Africa. The author emphasizes the continuity of regional integration associations’ formation that goes back to the colonial times, to the first half of the 20th century. Periodization of ongoing integration processes in Sub-Saharan Africa is proposed in the research. Key milestones for the further regional integration were: - 1963, the foundation of the Organisation of African Unity (OAU); and the beginning of Independence for many postcolonial countries of Sub-Saharan Africa; - 1980, the Lagos Plan of Action adoption that led to the establishment in future of the following integration associations for Sub-Saharan Africa: ECOWAS, Economic Community of West African States; COMESA, Common Market for Eastern and Southern Africa; ECCAS, Economic Community of Central African States; - 1991, the signing of the Abuja Treaty, which called for the African Economic Community creation as the new stage for economic cooperation and integration of the continent, including Sub-Saharan Africa; - 1999-2002, the Organisation of African Unity (OAU) transition into the African Union (AU), launching of new partnerships and integration associations for Sub-Saharan Africa, increased integration. At the beginning of the 21st century, there are serious economic and political factors for disintegration in the region. Nevertheless, the following integration associations, as stated in the article, proved to be effective: SADC, Southern African Development Community; EAC, East African Community; COMESA, Common Market for Eastern and Southern Africa. The author argues that the existence since 2015 the Tripartite Free Trade Area (TFTA) between EAC, COMESA and SADC marks a significant step forward for strengthening of integration associations for Sub-Saharan Africa, as well as for the achievement of African Union’s purpose to provide the African Continental Free Trade Area.
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Yáñez Aguilar, Cristian Andrés. "De remeros a pasajeros: Memorias de viajes y cambios sociales en una isla de Chiloé, Chile." HiSTOReLo. Revista de Historia Regional y Local 3, no. 6 (July 1, 2011): 231–52. http://dx.doi.org/10.15446/historelo.v3n6.23912.

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El artículo aborda los viajes marítimos que hombres y mujeres de isla Quehui (Archipiélago de Chiloé, Región de los Lagos, Chile) realizaban para llegar a Castro (capital provincial), en la primera mitad del siglo XX. El autor se apoya en relatos ofrecidos por pobladores locales y rinde cuenta del entorno social de la comunidad en torno a tales rutinas. El texto describe la aparición de la lancha a motor, que reemplaza las prácticas anteriores de navegación, y su impacto social en los isleños. La construcción del texto se apoya en un trabajo de campo realizado en la zona de estudio, la utilización de la técnica de entrevistas y una revisión bibliográfica.Palabras claves: Historia local, memoria oral, cambios sociales, oralitura, ChiloéFrom rowers to passengers: Travel memories and social changes in a Chiloé island, Chile Abstract The article is about the sea voyages that men and women from the Quehui island (Chiloé archipelago, Los Lagos region, Chile) had to do during the first half of the 20th century for reaching Castro (provincial capital). The author is based on stories from the local settlers, and the text describes the community social environment around such routines. The article describes the motorboat arrival which replaces the previous navigation practices, and its social impact on islanders. The article is based on a fieldwork carried out in the study area, the use of interviews as a technique and a bibliographic study.Keywords: Local History, Oral Memory, Social Changes, Oraliture, Chiloé.
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Esteves, Gabriel. "Antônio José, uma tragédia fora de hora? / Antônio José, a tragedy out of time?" O Eixo e a Roda: Revista de Literatura Brasileira 30, no. 3 (October 8, 2021): 246. http://dx.doi.org/10.17851/2358-9787.30.3.246-268.

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Resumo: O objetivo deste artigo é, primeiro, mostrar que a tradicional avaliação da tragédia Antônio José (i. e., que ela peca pelo gênero conservador e pela forma versificada), exaustivamente repetida por inúmeros críticos e historiadores da literatura brasileira ao longo do século XX, não se confirma na prática, pois tragédias continuam existindo ao lado de dramas e melodramas até a segunda metade do século XIX nos dois lados do Atlântico, assim como composições em verso ao lado de outras em prosa. Em seguida, argumenta-se que Antônio José possui, apesar de se proclamar tragédia, inúmeras características ligadas à cena moderna e se insere perfeitamente no projeto romântico-eclético difundido por Gonçalves de Magalhães e outros entusiastas do nosso primeiro romantismo.Palavras-chave: romantismo; ecletismo; drama romântico; história literária.Abstract: The aim of this article is, firstly, to show that the traditional evaluation of the tragedy Antônio José (i.e., that it sins by its conservative genre and versified form), exhaustively repeated by countless critics and historians of Brazilian literature throughout the 20th century, is not confirmed in practice, because tragedies continue to exist alongside dramas and melodramas until the second half of the 19th century on both sides of the Atlantic, as well as verse compositions alongside others in prose. Then, it is argued that Antônio José possesses, despite proclaiming itself a tragedy, numerous characteristics linked to the modern drama and fits perfectly into the romantic-eclectic project spread by Gonçalves de Magalhães and other enthusiasts of our first romanticism.Keywords: romanticism; eclectism; romantic drama; literary history.
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Pažėraitė, Aušra Kristina. "TERMINO ETHNOS REIKŠMIŲ POKYČIAI: NUO BIBLIJOS VERTIMŲ IKI NAUJŲJŲ UTOPIJŲ." Religija ir kultūra 10 (January 1, 2012): 32–620. http://dx.doi.org/10.15388/relig.2012.0.2740.

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Šiame straipsnyje keliamas etninės tapatybės genezės klausimas šiuolaikinėje lietuviškoje kultūroje. Pirmiausia aptariamas žodžių „etnosas“, „etniškumas“ apibrėžimų problemiškumas, atkreipiant dėmesį į tai, kad šie žodžiai imti intensyviai eksploatuoti tik prasidedant pokolonijiniam laikotarpiui, siekiant nurodyti tam tikras žmonių grupių tapatybes (Sovietų Sąjungoje – tautybę, JAV, Didžiojoje Britanijoje ir susijusiuose kraštuose – įvairias mažumas). Antroje straipsnio dalyje lyginamas LXX ir hebrajiškos Biblijos (MT) terminų, nurodančių įvairias žmonių grupines tapatybes, taip pat ir ethnos, vartojimas, analizuojamos įvairios Biblijos tekstų vertimų į lietuvių kalbą strategijos. Parodoma, kaip radikaliai keitėsi grupinę tapatybę žyminčių terminų samprata ir interpretacija XX a. Tyrimas leidžia daryti išvadą, kad žodis „tauta“ XX a. pradžioje Lietuvoje pakeitė neutralų anksčiau vartotą žodį „žmonės“, kuriuo būdavo perteikiami graikiški žodžiai laos, neretai ir ethnos, ar lotyniškas populus, ir taip buvo sukonstruotos „tautos“; taip pat atkreipiamas dėmesys į tai, kad žodynai, kuriuose LXX ir NT graikiškas terminas ethnos aiškinamas kaip stereotipiškai nurodantis nežydus, nekrikščionis, pagonis, yra anachronistiškai perdedantys, nors ir būta negatyvumo, siejamo su šiuo terminu krikščioniškoje kultūroje. Šitą negatyvumą tebegalima apčiuopti ir šiuolaikinėje lietuviškoje kultūroje per susvetimėjimą su lietuviškumu. Galiausiai straipsnyje aptariama lietuviškoji savivoka, pasireiškianti per svetimumo su savimi, su šiuolaikine visuomene momentus, ir pateikiami keli pavyzdžiai pastangų įveikti minėtą susvetimėjimą naujų utopijų kūrimu, tik utopijų, nukreiptų ne į ateitį, o į praeitį, bandančių perkurti Lietuvos istoriją, kurią esą šiuolaikiniai akademiniai istorikai yra iškraipę, taip lyg tapdami atsakingi už tą susvetimėjimą.Pagrindiniai žodžiai: etniškumas, ethnos, tauta, Biblija, Biblijos vertimai, biblinė tauta, susvetimėjimas, lietuviškas etnosas, pagonybė. CHANGES IN THE MEANING OF THE TERM ETHNOS: FROM THE BIBLE TRANSLATIONS TO THE NEW UTOPIASAušra Kristina Pažėraitė SummaryThis article presents an analysis of the genesis of ethnic identity in the contemporary Lithuanian culture. In particular, the definitions of such words as “ethnos”, “ethnicity” are discussed by paying more attention to the fact that these words became common words denoting particular identities of the people only at the beginning of the post-colonial era (nearly synonymous to nation in the Soviet Union and denoting different minorities in the USA, Great Britain, etc.). In the second part of the article, the Biblical (LXX and the MT) words that name different peoples, group identities are compared, their use and the strategy of translation of various texts of the Bible into Lithuanian are analyzed. The article shows how radically the conception and interpretation of the terms that denote various biblical group identities have changed. In the Bible translations into Lithuanian, the word “nation” in the beginning of the 20th century replaced the ancient and more neutral word “people”, which conveyed the Greek word laos, sometimes also ethnos, or the Latin populus. Although the negativity of the term ethnos in its Christian usages can be perceived in the post-soviet Lithuanian culture, a conclusion is made that the traditional explication of the word ethnos in various dictionaries, which stereotypically denotes in LXX pagan people, non-Judeans, non-Christian, is an anachronistic exaggeration. In the final part of the article, certain aspects of post-soviet Lithuanian self-consciousness are discussed by pointing to the self-alienation of this consciousness on the “ethnic” background (Lithuanian nationality is equated to ethnicity, and the concept of ethnicity still preserves a certain negativity of the minority, if not hated, heathen, pagan minority). Finally, certain examples of the attempt to overcome this alienation are presented as the new Utopias, although oriented not toward the future, but back to the past as the attempts to create a new History of Lithuania instead of the present official academic History, which is considered as an essentially alienating one.Keywords: ethnos, ethnicity, the Bible, nation, people, translations of the Bible, biblical nation, Lithuanian ethnicity, alienation, paganism.
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Schulze-Marmeling, Friederike. "»20th century Aisha«?" Kirchliche Zeitgeschichte 32, no. 2 (December 6, 2019): 346–63. http://dx.doi.org/10.13109/kize.2019.32.2.346.

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Nakienė, Austė. "Shifts in the Traditional Culture. Folksongs in the 21st Century City." Tautosakos darbai 49 (May 22, 2015): 171–92. http://dx.doi.org/10.51554/td.2015.29011.

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The traditional culture existing in the city experienced considerable changes in the course of the last century. Rather than comprising continuous, gradual development, this change involved several radical cultural shifts, taking place in the 20th century (e. g. in the beginning of the century, in the 1960s, and 1990s). The article compares the urban, social and cultural changes in order to determine periods when the traditional culture experienced the most crucial transformations and when various new phenomena appeared. A clear shift in the urban culture took place in the 1960s in Lithuania, when a political “warming” of sorts could be felt and the pressure of the communist ideology was somewhat lighter. The economic growth was followed by the formation of the consumer society (although a rather different one from that emerging in the liberal countries), taking place in Vilnius, Kaunas, and other cities. The 1960s and the subsequent decades were characterized by a considerable variety of the urban culture in Lithuania, especially in its capital city. In the musical sphere, the state-supported academic music, the professionally performed folk music, and the show music were particularly thriving; but performances of jazz, rock and authentic folklore also gained momentum.The Lithuanian Folklore Theater, which started its activity in 1968 in Vilnius, can be presented as a typical example of the altered tradition. Director of this theater Povilas Mataitis and his wife, scenographer Dalia Mataitienė managed to achieve a subtle harmony between the folk tradition and their individual artistic expression, uniting in their performances elements of folklore and the modern art, and using small artistic forms, so typical to the folk art, to create complicate ambivalent compositions. Nevertheless, the stylistic shifts of the 1960s were best reflected in the rock music. The swinging two-part rhythm and open expressions of the individual feelings embodied a radical stylistic change at that time (although such means of expression are completely common and trivial today). Starting from the 1960s these innovations affected not only the urban composers, but also the folksong creators at the countryside.The significant cultural shift took place also after the Lithuanian independence was regained in 1990. The Soviet past was rejected, the Western notion of culture was willingly adopted, and the patterns of cultural life and financing were increasingly altered. The formerly state-supported cultural institutions and performers had to adapt to the free-market. At first, the cultural shift of the 1990s resembled an avalanche: the former unified whole – the coherent image of the national culture created during the Soviet times was shattered. Composers and authors plagued by various difficulties found respite, though, in the new kinds of the available information, the opened possibilities of getting to know the global culture, which had been hitherto almost impossible to gain access to. The epoch of postmodernity, characterized by free associations between various historical and cultural signs, was favorable to the continuation of traditions; therefore various transformations of folklore quickly appeared, musical styles from different periods and nations were abundant, and all sorts of their hybrids were created. A new thing establishing itself on the Vilnius pavement was hip hop – the Afro-American music and life style, born in the suburbs of New York. It was increasingly adopted and furthered by the Vilnius inhabitants, born in the concrete districts of the city, whose youth coincided with the years of the post-Soviet economic “shock-therapy”.The traditional music found its place in the city as well, growing as a moss on a stone. It is now performed both in the great ceremonious halls and in the small, stuffy premises, or simply outside during spring and summer. The city of the 21st century is characterized by such cultural phenomena as urban folklore, bard songs, live music, street music, post-folklore, indigenous culture, Baltic music, pagan art, improvisational music, underground music, etc. Urban tradition is a multifaceted and a multileveled one, its continuation constantly involves connecting different musical styles and respective communities.In the urban environment, the preservation of the folk music is no longer the concern of exclusively the representatives of the folklore movement; authors of different kinds are also involved, including the jazz and rock musicians, visual artists, IT specialists, and actors. Nowadays, the third generation is gradually involved into the urban folklore movement, as its pioneers, having already become grandparents, bring their grandchildren into the same halls and yards of the Old Town, where they used to perform in their youth. At the same time, new cultural wave created by the contemporary young people rises from the underground clubs, multimedia or electronic music labs, and artistic workshops. The young keep always creating something new, but this should not be regarded as a threat to the preservation of the urban folk tradition.
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Dissertations / Theses on the topic "Laos history(20th century)"

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Prakoonheang, Kevin, University of western Sydney, and of Arts Education and Social Sciences College. "Political ideologies and development in the Lao people's democratic republic since 1975." THESIS_CAESS_HUM_Prakoonheang_K.xml, 2001. http://handle.uws.edu.au:8081/1959.7/823.

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This work is a study in some detail of the political history and development of Laos since 1975. The contents include: Origin of the Lao Modern Political Ideology; Backgrounds of the Lao Communist Party; Development of Lao People's Revolutionary Party (LPRP); The LPRP as a ruling party; New economic policy 'Chintanakarn Mai'; Future directions of the LPRP. Several maps, tables, charts and photographs are included in the research
Master of Arts (Hons)
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Prakoonheang, Kevin. "Political ideologies and development in the Lao people's democratic republic since 1975." Thesis, View thesis View thesis View thesis, 2001. http://handle.uws.edu.au:8081/1959.7/823.

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This work is a study in some detail of the political history and development of Laos since 1975. The contents include: Origin of the Lao Modern Political Ideology; Backgrounds of the Lao Communist Party; Development of Lao People's Revolutionary Party (LPRP); The LPRP as a ruling party; New economic policy 'Chintanakarn Mai'; Future directions of the LPRP. Several maps, tables, charts and photographs are included in the research
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Lauzière, Carole. "El monólogo en el teatro español desde los años setenta : un estudio sobre las funciones del lenguaje en un "nuevo" género dramático." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=40379.

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The object of this thesis is to study the monologue, a dramatic genre that re-emerged on the Spanish literary scene in the 1970s. Despite the fact that a number of well-known Iberian playwrights have cultivated this genre assiduously over the past three decades, their work has received relatively little critical attention from either academic or theatre circles. What is sought here, therefore, is the means to demonstrate the importance and richness of the monologue as an autonomous dramatic creation. To do this it was necessary to establish a sufficiently large corpus--some eighty long and short monologues--and identify those particular conventions and the structural diversity that would make possible the formulation of a theory of connected language functions in the monologue by adapting existing theoretical principles to the study of this singular genre. The application of this theoretical construct enabled me to determine the nature of the functions of expression, communication and persuasion present in the discourse of a single speaker.
Specifically, in considering the function of expression I reflect both upon the coherent discourse that derives from the (exterior) verbalization of (interior) thought and emotion, and upon the objectives and consequences of such expressions of the mental and emotional states of the individual. Secondly, I focus attention on the same verbal discourse inasmuch as it reflects the complex function of communication manifested in both an immanent and in a transcendental form. Such complexity derives from the fact that, if verbal discourse here is enunciated either in isolation or before an interiorized addressee (a fictional being), it is always emitted in the "presence" of an external addressee (the theatre audience/or reader). Finally, my study of the function of persuasion underscores the idea of empowerment: the authority of the word that is wielded by the monologist upon his/her addressee(s), a verbal manipulation that takes place both within the fictional world and beyond.
In short, this thesis seeks to show how the monologue as a fictional dramatic genre questions the viability of interpersonal relationships.
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Hulonce, Lesley. "Imposed and imagined childhoods : the making of the poor law child, Swansea 1834-1910." Thesis, Swansea University, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.678492.

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Mamola, Bethany Grace. "Perseverance in the Face of Totalitarianism: The Life and Legacy of Józef Zygmunt Szulc in Nazi Occupied France." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1505262/.

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The Reichsleiter Rosenberg Task Force of 1940, initiated a systematic confiscation of items belonging to Jews throughout Europe. Because of this task force and Hitler's decrees, Jews across Europe were labeled as stateless, and were stripped of ownership and rights to property. Not only did these actions devastate Jews economically, but intellectually and artistically as well. In parts of occupied France, this task force was legitimized by Vichy laws under the label of the Commissariat Générale aux Questions Juives (General Commission for Jewish Issues) and enabled Nazi officials to closely watch Jewish musicians and stop them from performing their music, profiting from anyone else performing it, and to halt any public performance of Jewish compositions. This dissertation exhibits the lost legacy of one such Jewish musician, Józef Szulc. It discusses him as a musician of great importance in the ongoing recovery of Jewish culture, music, and life during World War II. His musical output has historical notoriety, as seen through reviews and performance history. The study of Vichy laws and their effect on Jewish musicians in Paris during the Nazi occupation provides the socio-political context for Szulc's life. It also provides the most plausible reason why his contribution to French vocal music was almost entirely lost. Szulc's success with his operetta compositions created a trajectory of performances that lasted well into the late 1920s and early 1930s.
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Cao, T. Y. "The intellectual history of 20th century field theories." Thesis, University of Cambridge, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.383778.

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Garrido, Caballero María Magdalena. "Las relaciones entre España y la Unión Soviética a través de las Asociaciones de Amistad en el siglo XX." Doctoral thesis, Universidad de Murcia, 2006. http://hdl.handle.net/10803/10891.

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La investigación ha abordado los contactos oficiales y extraoficiales entre España y la Unión Soviética durante el siglo XX, y, especialmente, se ha centrado en la proyección del modelo soviético desplegado por las Asociaciones de Amistad, tales como la Sección Española de los Amigos de la Unión Soviética y la Asociación España - URSS, como un medio de calibrar su impacto en España. Asimismo, se ha prestado atención a las asociaciones de amistad británicas para comparar el relativo éxito de estas asociaciones en los dos países. Las principales fuentes utilizadas han sido los fondos VOKS y SODD, procedentes de los archivos estatales rusos, documentos privados de las Asociaciones y testimonios, los cuales han sido cruciales para comprender estas asociaciones, los problemas que encararon así como sus éxitos y fracasos. Las Asociaciones de Amistad con la Unión Soviética fueron un medio de difundir ideales - el antifascismo y la coexistencia pacífica- defendidos por el gobierno Soviético. Así, estas asociaciones constituyeron un tipo de diplomacia popular. En términos generales, la gente que creía en un modelo diferente al capitalista se unió a estas asociaciones y proveyeron ejemplos de respecto en un mundo multicultural. Debido a ello, su mensaje no es obsoleto en el mundo de hoy.
The research deals with the official and unofficial contacts between Spain and the Soviet Union, focussing particularly on those perceptions of the latter disseminated through the various Friendship societies, such as the Spanish Friends of the Soviet Union and the Spain - USSR Society. As a way of assessing their impact in Spain, a chapter is dedicated to the British Friendship societies, which will compare the relative successes of these societies in the two countries. The main sources utilized have been the VOKS and SSOD files from the Russian Federation archives, private documents of the societies and testimonies, which have been crucial to understanding these associations, the problems they faced, as well as their successes and failures.The friendship societies with the Soviet Union were a way of spreading ideals -antifascism and peaceful coexistence - championed by the Soviet government. As such, these societies were a type of popular diplomacy. Broadly speaking, people who believed in a different model than capitalism joined these associations and they provided examples of respect in a multicultural world. Because of that, their message is not obsolete in today's world.
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Baumer, Andreas. "Urban rejuvenation : a contemporary urban topology for the information age." Virtual Press, 1999. http://liblink.bsu.edu/uhtbin/catkey/1137647.

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A changing perception based on the appreciation for information in our era allows a broader idea and different understanding of life as a system driven by the flow of information. Simultaneously, our understanding of 'the' urban was broadened. It enabled us to perceive urban structures as living organisms beyond their physical manifestation and separated from human control. Like species, our cities are great products of evolutionary forces and contain invaluable information worth preserving.When writing about urban spaces, urban is understood as a system which is constituted not so much by built forms and infrastructures, but as a heterogeneous field that is constituted by intervention and lines of forces and action. These lines form the coordinates of an urban topology that is not based on the human body and its movements in space alone, but also on relational acts and events within the urban system. These relational acts can be economic, political, technological or tectonic processes, as well as acts of communication. The urban is therefore quite different from the physically defined spaces of events and movements.The focal point of this paper is to explore the relationship between the spaces of movement, the spaces of events and the relational systemic 'spaces'. It will be attempted to identify fundamental processes behind urban design. Rules are derived from connective principles in complexity theory, systems theory, pattern recognition, and artificial intelligence.
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Braun, Ramona. "Laparoscopy as a neo-eugenic practice, 1940s-60s." Thesis, University of Cambridge, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708461.

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Ng, Kin-yuen. "Constitutional developments in China and Japan from the mid 19th century to the early 20th century." [Hong Kong : University of Hong Kong], 1992. http://sunzi.lib.hku.hk/hkuto/record.jsp?B13280181.

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Books on the topic "Laos history(20th century)"

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Bukharan Jews in the 20th century: History, experience and narration. Wiesbaden: Reichert, 2008.

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Jews and Islamic law in early 20th-century Yemen. Bloomington: Indiana University Press, 2015.

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1930-, Friedman Lawrence Meir, ed. Inside the castle: Law and the family in 20th century America. Princeton [N.J.]: Princeton University Press, 2011.

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Salas, Andrés Alberto. Artesanías correntinas tradicionales. [Argentina]: Fundación para el Desarrollo del Nordeste, 1986.

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Dailey, Victoria. LA's early moderns: Art/architecture/photography. Los Angeles, CA: Balcony Press, 2004.

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In pursuit of equity: Women, men, and the quest for economic citizenship in 20th century America. Oxford: Oxford University Press, 2001.

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W, Shivers Natalie, and Dawson Michael, eds. LA's early moderns: Art, architecture, photography. Los Angeles: Balcony Press, 2003.

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The demon under the microscope: From battlefield hospitals to Nazi labs, one doctor's heroic search for the world's first miracle drug. New York: Harmony Books, 2006.

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Battling demon rum: The struggle for a dry America, 1800-1933. Chicago: Ivan R. Dee, 1998.

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Shoah: Le colpe degli italiani. Roma: Manifestolibri, 2011.

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Book chapters on the topic "Laos history(20th century)"

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Bergmann, Karl-Christian. "Milestones in the 20th Century." In History of Allergy, 27–45. Basel: S. KARGER AG, 2014. http://dx.doi.org/10.1159/000358478.

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Abrams, Jesse. "Late 20th-Century Forest History." In Forest Policy and Governance in the United States, 51–71. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003043669-4.

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Varvoglis, Harry. "Physics of the 20th Century." In History and Evolution of Concepts in Physics, 105–19. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-04292-3_5.

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Welch Guerra, Max. "Interpreting 20th Century European Planning History." In European Planning History in the 20th Century, 268–71. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003271666-28.

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Rao, J. S. "20th Century Graphical and Numerical Methods." In History of Mechanism and Machine Science, 99–114. Dordrecht: Springer Netherlands, 2011. http://dx.doi.org/10.1007/978-94-007-1165-5_11.

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Blaauw, Adriaan. "Earlier 20th Century Developments; World War I." In History of the IAU, 15–53. Dordrecht: Springer Netherlands, 1994. http://dx.doi.org/10.1007/978-94-011-0978-9_2.

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Larkham, Peter J. "History and Heritage." In European Planning History in the 20th Century, 139–52. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003271666-15.

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Roberts, Adam. "The Early 20th Century, 2: The Pulps." In The History of Science Fiction, 253–85. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-56957-8_10.

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Brosens, Ivo, and Giuseppe Benagiano. "History of Endometriosis: A 20th-Century Disease." In Endometriosis, 1–18. Oxford, UK: Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781444398519.ch1.

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Lopez, Gary C. "A History of 20th-Century Safety Metrics." In Safety Metrics for the Modern Safety Professional, 9–16. First edition. | Boca Raton, FL : CRC Press, 2021.: CRC Press, 2020. http://dx.doi.org/10.1201/9781003088332-2.

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Conference papers on the topic "Laos history(20th century)"

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Martin Fuentes, Javier. "Turning Point at the UNESCO Headquarters. Crossed Influences between Pier Luigi Nervi and Marcel Lajos Breuer." In 8º Congreso Internacional de Arquitectura Blanca - CIAB 8. Valencia: Universitat Politècnica València, 2018. http://dx.doi.org/10.4995/ciab8.2018.7424.

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The history of architecture is closely linked to the evolution and the use of materials. Concrete was the most important material of the 20th century, becoming the medium for a new architecture. Many different architects not only relied on the use of concrete as their main mode of expression but also got involved in the quest for a new architectural language for the so-called new material. Pier Luigi Nervi and Marcel Breuer are not only among the great architects of the last century, but above all, they are masters of concrete, both developing extensive bodies of work based on the use of the material. Nervi and Breuer worked together in a virtuosic piece of architecture, the building for the UNESCO Headquarters in Paris. Built mainly in concrete and inaugurated in 1958, it occupies a relevant place in the history of architecture. This paper wants to highlight how during that process, both architects underwent a radical change in their careers and in relation to the use of concrete, turning this project in a milestone for the history of architecture as a whole.
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García Ramírez, William. "Paisajes en movimiento: metodología para la identificación de paisajes culturales en las plazas de mercado de Bogotá." In Seminario Internacional de Investigación en Urbanismo. Barcelona: Curso de Arquitetura e Urbanismo. Universidade do Vale do Itajaí, 2016. http://dx.doi.org/10.5821/siiu.6356.

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El reto que plantea esta investigación es comprender los distintos paisajes culturales presentes en las plazas de mercado de Bogotá, a través de la historia de la primera plaza de mercado cubierta de Bogotá y del país: La plaza de mercado de la Concepción. La reconstrucción de este paisaje cultural tiene un contexto físico: Bogotá, y un contexto temporal: la transición entre siglo XIX y Siglo XX (1.864-1.953). La propuesta de investigación se sustenta en la siguiente hipótesis: Los valores patrimoniales contenidos en el paisaje cultural de las plazas de mercado, no dependen de la existencia de la arquitectura que los alberga, sino de la permanencia de los ritos, costumbres, tradiciones que escapan a las formas espaciales, por lo que muchos de estos valores prevalecen hasta hoy como manifiestos de una cultura en las plazas de mercado bogotanas. Es por ello, que la identificación de los paisajes culturales manifestados en esta plaza de mercado, permitirá detentar los principales tipos de paisajes culturales actuales y sus valores patrimoniales, como testimonios del permanente encuentro entre las culturas del campo y de la ciudad. The challenge of this research is to understand the different cultural landscapes present in the market places of Bogota, across the history of the first marketplace covered of Bogota and of the country: The marketplace of the Concepcion. The reconstruction of this cultural landscape has a physical context: Bogota, and a temporary context: the transition between 19th century and 20th century (1.864-1.953). This proposal is sustained in the following hypothesis: The patrimonial values contained in the cultural landscape of the marketplaces, do not depend on the existence of the architecture that shelters them, but of the permanency of the rites, customs, traditions that escape to the spatial forms, for what many of these values prevail up to today as manifests of a culture in the of Bogotá marketplaces. It is for it, that the identification of the cultural landscapes demonstrated in the marketplace, will allow to hold the principal types of cultural current landscapes and his patrimonial values, as testimonies of the permanent meeting between the cultures of the country and the city.
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Romanovska, Alina. "20TH CENTURY HISTORY OF LATVIA IN LITERARY NARRATIVES." In 3rd Arts & Humanities Conference, Barcelona. International Institute of Social and Economic Sciences, 2018. http://dx.doi.org/10.20472/ahc.2018.003.002.

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Szoro, Ilona. "READING CIRCLES IN HUNGARY IN THE 20TH CENTURY." In SGEM 2014 Scientific SubConference on ANTHROPOLOGY, ARCHAEOLOGY, HISTORY AND PHILOSOPHY. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b31/s10.072.

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Alcantar, Erika Angélica. "Modernidad para las masas: dos formas de producir ciudad en México (1952-1976)." In Seminario Internacional de Investigación en Urbanismo. Bogotá: Universidad Piloto de Colombia, 2022. http://dx.doi.org/10.5821/siiu.10251.

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During the 20th century in Mexico, two types of producing the city were in constant tension: the rationalist city and the popular city. The first of these, configured institutions from the first decades of the twentieth century. At the same time, the "informal city" was also developing, which grew more rapidly and proportionally from the 1940s onwards. The tension between these two visions of the city or urban cultures can be traced from the projects, testimonies and ideologies of its different actors. In this paper we propose to analyze some key discourses and ideas of these two ways of making the city between 1952 and 1976, in order to evidence a high point of the tension between rationalist and popular urban cultures, during a period in which modern urbanism became a state urbanism and the popular city shaped the Metropolitan Zone of Mexico City. It also seeks to vindicate popular urban culture as a category of analysis belonging to the history of urbanisms in Mexico. Key words: Mexico, rationalism, popular urbanism, Mexico City. Durante el siglo XX en México, dos tipos de producir la ciudad estuvieron en constante tensión: la ciudad racionalista y la ciudad popular. La primera de ellas ingresó al campo académico desde la década de 1920 gracias a figuras reconocidas en el campo de la arquitectura como Carlos Contreras, miembro de la Federación Internacional de Planificación y asistente de conferencias internacionales de planificación. Este movimiento se consolidó con la Comisión de Planificación del Distrito Federal. Posteriormente el Movimiento Moderno penetró en México, de la mano de algunos arquitectos como Juan O’Gorman y con los proyectos de vivienda masiva de Mario Pani, quien se consideró seguidor y admirador de Le Corbusier, personaje clave de los CIAM. Paralelamente, desde la década de 1940 la "ciudad informal" creció más rápido y proporcionalmente en las principales ciudades mexicanas, gracias a las oleadas migratorias de los pobres del campo que buscaban fuentes de empleo en los centros industriales en apogeo. La llamada "Herradura de tugurios" y las "colonias populares" en la periferia de la Ciudad de México se convirtieron en una preocupación hacia fines de la década de 1960 cuando la capital mexicana duplicó su población y se convirtió en una ciudad masiva. La tensión de estas dos visiones de ciudad o culturas urbanísticas se puede rastrear a partir de los proyectos y testimonios de diferentes arquitectos, que conformaban cuadros de técnicos en organismos gubernamentales y redactaban informes, acuerdos y contribuían a configurar la normativa urbana en vigencia; asimismo, este grupo de profesionales también formaba cuadros en las universidades mexicanas y redactaba libros de texto para el mismo propósito. De esta manera, el gremio de los arquitectos que prescribieron una forma de vida moderna. Por otro lado estaban otros profesionales como sociólogos, antropólogos y otro grupo de arquitectos, que buscaban entender por qué los pobres vivían como vivían y denunciaban el abandono en el que los tenía el Estado. Ellos denunciaron sobre todo en la prensa y la fotografía las condiciones de vida de los pobres urbanos. En este trabajo se propone analizar mediante la historia urbana cultural algunos elementos clave de estas dos formas de hacer ciudad entre 1952 y 1976, período en el que el urbanismo moderno se conviertió en un urbanismo estatal en México y la ciudad popular se expandió conformando la periferia de lo que hoy se conoce como la Zona Metropolitana de la Ciudad de México, mediante ocupaciones ilegales de tierras, compra-venta legal e ilegal de lotes sin urbanizar, procesos autogestivos de vivienda y de urbanización colectiva. Estos elementos se revisan a través de las propuestas de la historia urbana, la historia de las ideas y la hermenéutica analógica; a saber, se identifican y analizan las ideas y teorías, planes y proyectos, intervenciones y normativas que intentan dar respuesta a ¿Cómo se relacionan estos dos tipos de ciudad? Asimismo, se realiza una revisión hemerográfica y de archivo, del análisis del discurso de arquitectos de la época en testimonios orales y escritos, así como de agentes de las ciencias sociales y de la población que llevó a cabo sus propios procesos de urbanización popular. El principal objetivo de este trabajo es analizar la tensión que existió durante entre 1952 y 1976 entre dos formas de pensar la ciudad en México por sus actores y la materialización de distintos proyectos, en este periodo en donde se transita de la idea de la ciudad moderna y sus procesos de renovación hacia una metrópolis de masas. Palabras clave: México, racionalismo, urbanismo popular, Ciudad de México.
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Zhou, Dian. "THE HISTORY OF THE RUSSIAN ETCHING OF THE 20th CENTURY." In VI Международная научно-практическая конференция "Искусствознание и педагогика. Диалектика взаимосвязи и взаимодействия". Общество с ограниченной ответственностью «Книжный дом», 2018. http://dx.doi.org/10.25807/pbh.978-5-94777-431-3.134.138.

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Munhanova, Yu A. "HISTORY OF THE MONGOLIAN AGITPROP POSTER OF THE 20TH CENTURY." In Искусство и дизайн: история и практика. Санкт-Петербург: Федеральное государственное бюджетное образовательное учреждение высшего образования «Санкт-Петербургская государственная художественно-промышленная академия имени А.Л. Штиглица», 2022. http://dx.doi.org/10.54874/9785604868829_258.

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BARBOSA, Helena. "The signature of Portuguese posters from 17th Century to 20th Century: one history of identities." In Design frontiers: territories, concepts, technologies [=ICDHS 2012 - 8th Conference of the International Committee for Design History & Design Studies]. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/design-icdhs-035.

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KURAS, L. V., and B. D. TSYBENOV. "KYAKHTA IN 20th – THE BEGINNING OF 21 CENTURY: HISTORY, PRESENT, PROSPECTS." In Scientific conference, devoted to the 95th anniversary of the Republic of Buryatia. Publishing House of the Buryat Scientific Center of the Siberian Branch of the Russian Academy of Science, 2018. http://dx.doi.org/10.30792/978-5-7925-0521-6-2018-81-84.

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Aristizábal, José Antonio. "HUMBERTO RIVAS, DESDE LO ROMÁNTICO Y LO SINIESTRO. HUMBERTO RIVAS FROM THE ROMANTIC AND THE SINISTER." In I Congreso Internacional sobre Fotografia: Nuevas propuestas en Investigacion y Docencia de la Fotografia. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/cifo17.2017.6880.

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Palabras clave:Fotografía, estética, Humberto Rivas, Rafael Argullol, Eugenio Trías.Keywords: Photography, esthetic, Humberto Rivas, Rafael Argullol, Eugenio Trías.Resumen:El siguiente artículo busca dar una lectura a la obra del fotógrafo Humberto Rivas, Premio Nacional de Fotografía y unos de los mayores exponentes de la fotografía española de finales del siglo XX. Se parte de la convicción de que hace falta ubicar a Humberto Rivas en una tradición de pensamiento estético, ya que las distintas lecturas que existen sobre su trabajo, aunque importantes, no han dejado de ser lecturas impresionistas que no han reflexionado en profundidad sobre su obra. Este artículo trata de ver a Rivas a partir de unas categorías estéticas. Para ello se remite a las reflexiones de Rafael Argullol para distinguir aquello propio del artista romántico, y a las aportaciones filosóficas de Eugenio Trías acerca de lo siniestro en la obra de arte, y las vincula a la obra de Humberto Rivas. La hipótesis inicial es de que Rivas no se sentía como un fotógrafo que atrapa momentos o documenta acontecimientos, sino como un creador, y su obra es resultado de un artista que se repliega sobre sí mismo con la intención de producir una imagen reflejo de su mundo interior, la cual se puede explicar desde la mente del artista romántico, aunque el contexto no sea el romanticismo. Por último, aunque el artículo hable sobre Humberto Rivas, también es una manera de construir un relato entre la imagen fotográfica y distintos valores estéticos que hacen parte la historia del arte. Abstract:The following article seeks to give a reading to the work of photographer Humberto Rivas, National Photography Prize and one of the greatest exponents of Spanish photography at the end of the 20th century. It is based on the conviction that it is necessary to locate Humberto Rivas in a translation of aesthetic thought, since the different readings that exist on his work, although important, have not ceased to be Impressionist readings that have not reflected in depth on his work . This article tries to see Rivas from some aesthetic categories. For this he refers to the reflections of Rafael Argullol to distinguish that of the romantic artist and the philosophical contributions of Eugenio Trías about the sinister in the work of art, and links them to the work of Humberto Rivas. The initial hypothesis is that Rivas did not feel like a photographer who catches moments or documents events, but as a creator, and his work is the result of an artist who recoils on himself with the intention of producing a reflex image of Its inner world, which can be explained, from the mind of the romantic artist although the context is not romanticism. Finally, although the article talks about Humberto Rivas, it is also a way to build a narrative between the photographic image and the values ​​that have served to interpret painting or sculpture in the history of art.
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Reports on the topic "Laos history(20th century)"

1

Kempgen, Sebastian. Was Postkarten erzählen können… Otto-Friedrich-Universität, 2021. http://dx.doi.org/10.20378/irb-49498.

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