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Relevant bibliographies by topics / Languedoc (France) – History – 17th century / Dissertations / Theses

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Dissertations / Theses on the topic 'Languedoc (France) – History – 17th century'

Author: Grafiati

Published: 10 March 2023

Last updated: 31 July 2025

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1

Adgé, Michel. "La construction du canal royal de la jonction des mers en Languedoc (Canal du Midi)." Thesis, Montpellier 3, 2011. http://www.theses.fr/2011MON30110.

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Le présent travail concerne la construction du Canal depuis les origines jusqu'en 1694.Sont étudiés tout d'abord les projets de jonction des Mers depuis l'Antiquité, puis ceux qui ont vu le jour en Bourgogne et en Languedoc aux XVIe et XVIIe siècles, la suite de leurs échecs ayant formé l'atmosphère dans laquelle s'est déroulée l'aventure du Canal.Ignorant les légendes, on examine ensuite le milieu intellectuel dans lequel s'est formée l'idée du Canal de Languedoc ; l'aménagement des graus du golfe du Lion et la création du port de Sète ; le cheminement de la commission de 1664 et le devis qui

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2

Carrier, Isabelle. "Virtuosité procédurière : pratiques judiciaires à Montpellier au Grand Siècle." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=84487.

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The judicial system of seventeenth-century France is often qualified as vitiated and inefficient. Actually, truth and equity are virtually absent from the court. In these conditions, why would one appeal to institutional justice? Montpellier notables use the judicial system to exert pressure on a debtor, to redress the internal familial order, to sidestep customary practices, to take revenge, to cause harm. Indeed, the question of law is rarely something other than a pretext, and it is precisely because it is vitiated that the judicial system can be used in that way. The analysis of the

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3

Stone, Mathew, and University of Lethbridge Faculty of Arts and Science. "A comparative analysis of criminal procedure in seventeenth-century France and Puritan Massachusetts." Thesis, Lethbridge, Alta. : University of Lethbridge, Faculty of Arts and Science, 2000, 2000. http://hdl.handle.net/10133/123.

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Chapter I is a discussion aimed at providing the reader with a basic understanding of the complex system of social classification that was in a place in ancien regime France for centuries. Chapter II outlines the development of a royal system of justice prior to our period and the royal courts, whose form and hierarchy were the result of years of reform. These chapters represent the judical and social extremes that procedure linked. Chapter III is a thorough and complete discussion of the entire possible process in France during our period. This chapter clearly outlines the order of phases tha

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4

LEMP, RICHARD WARREN. "MOLIERE AND MEDICINE: DISSECTING THE KALEIDOSCOPE (FRANCE)." Diss., The University of Arizona, 1986. http://hdl.handle.net/10150/183776.

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The subject of medicine in the works of Moliere has been traditionally treated as a matter of satire. While it is important to consider this view and while biographical approaches relating Moliere's personal illness to the content of his medical comedy are illuminating, this study proposes that a plurality of views offers a more complete picture. Such analysis discovers that Moliere's medical comedy is much more than satire, that it contains elements of black humor and even approaches the theater of cruelty in its treatment of sickness and death. The metaphor in this approach is in the percept

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5

Saint-Amour, Pascal. "Market integration : France's grain markets of the sixteenth and seventeenth centuries." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61806.

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6

Lorimer, Emma. "Huguenot general assemblies in France, 1579-1622." Thesis, University of Oxford, 2004. http://ora.ox.ac.uk/objects/uuid:2b3b75f0-02bb-4855-9b2b-f29a17ee5c65.

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A large measure of the durability of the Huguenot movement was derived from then- general political assemblies. The assembly held at Montauban in 1579 was the first attended by a deputy north of the Loire; after the final and twenty-second general assembly at La Rochelle in 1622, only localised gatherings were held. This thesis argues that the assemblies were primarily a corps: their principal purpose was both to oversee the implementation of the edicts of pacification and to mobilize resources if peace broke down. Essentially based on the available manuscript sources, many of them unexplored,

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7

Talbott, Siobhan. "An alliance ended? : Franco-Scottish commercial relations, 1560-1713." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/1999.

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This thesis explores the commercial links between Scotland and France in the long seventeenth century, with a focus on the Scottish mercantile presence in France’s Atlantic ports, particularly during periods of domestic and international upheaval. This study questions long-held assumptions regarding this relationship, asserting that the ‘Auld Alliance’ continued throughout the period, despite the widely held belief that it ended in 1560. Such assumptions have led scholars largely to ignore the continuing commercial relationship between Scotland and France in the long seventeenth century, focus

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8

Vendrix, Philippe Pierre 1964. "Quelques aspects de l'historiographie musicale en France a l'epoque baroque (French text)." Thesis, The University of Arizona, 1988. http://hdl.handle.net/10150/276706.

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L'historiographie musicale trouve dans la France de l'epoque baroque un champ ideal de developpement. Ce phenomene est lie a la conjonction de differents facteurs: le modele fourni par l'histoire generale, l'heritage humaniste, les mouvements polemiques, les tentatives de refonte de l'histoire de l'Eglise. Les musicographes, de Salomon de Caus (1615) a Jacques Bonnet-Bourdelot (1715), etablissent les fondements d'une critique historique et l'appliquent dans des ouvrages qui annoncent l'expansion de la musicologie a l'age des Lumieres.

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9

Bruguier, Nathalie. "D'une France l'autre : voyage et écriture à la Renaissance (1550-1598)." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=33273.

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Turks and Indians are the two major figures of the Other in French Renaissance literature. The purpose of this thesis is to explore otherness from a closer point of view by analysing the discursive allusions of the inhabitants of the South of the French Kingdom, particularly those of the "Province de Languedoc" throughout a collection of texts from the second half of the 16th century, whether they be strictly of a literary, historical or geographical source. Using the imagology method, the idea of the South being a key space in the emergence of the French identity is challenged.<br>First of al

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10

Monette, Isabelle. "Récritures de récits criminels en France sous l'Ancien Régime." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79966.

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Three original stories are the basis for our study of rewriting during the French Ancien Regime: the story of Thibaud de la Jacquiere, that of the "sorcier Gaufridy" and that of the Marquise de Ganges, which Sade will rewrite as a novel. Having all originated from a "canard", they appear in the 1679 edition of the Histoires tragiques of Francois de Rosset, and two of them can also be found in Francois Gayot de Pitaval's Causes celebres. Each of these stories was rewritten by different authors at least three times. Using Gerard Genette's theory of the narrative, we will analyse the proce

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11

Stokes, Thomas Hubert Jr. "Audience, intention, and rhetoric in Pascal and Simone Weil." Diss., The University of Arizona, 1990. http://hdl.handle.net/10150/185120.

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This dissertation examines audience, intention, and rhetoric in the writings of Blaise Pascal and Simone Weil. Despite the differences in historical period, ethnic heritage, sex, and milieux, which separate them, these two writers are astonishingly similar with regard to those for whom they wrote--audience--the subject matter of their writings--intention--and their skilled and self-conscious use of language in addressing their audiences and themes--rhetoric. Each of them wrote scientific or philosophical works, and polemical works, intended for a certain public; each of them then wrote, in the

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12

Parker, Mark M. (Mark Mason). "Transposition and the Transposed Modes in Late-Baroque France." Thesis, University of North Texas, 1988. https://digital.library.unt.edu/ark:/67531/metadc331880/.

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The purpose of the study is the investigation of the topics of transposition and the transposed major and minor modes as discussed principally by selected French authors of the final twenty years of the seventeenth century and the first three decades of the eighteenth. The sources are relatively varied and include manuals for singers and instrumentalists, dictionaries, independent essays, and tracts which were published in scholarly journals; special emphasis is placed on the observation and attempted explanation of both irregular signatures and the signatures of the minor modes. The paper con

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13

McCluskey, Phil. "French military occupations of Lorraine and Savoie, 1670-1714." Thesis, St Andrews, 2009. http://hdl.handle.net/10023/712.

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14

Knox, Michael. "The rhetoric of martyrdom in the Jesuit relations of New France, 1632-1650." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:f41c9c61-5e3f-4bce-a665-7e868f2678a4.

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This thesis identifies in the Relations des Jésuites de la Nouvelle-France (Relations), written between 1632 and 1650, a comprehensive rhetoric of total selfoffering to Jesus Christ, a rhetoric of martyrdom, rooted in their authors' particular experience of the Christian tradition, their praying with the Spiritual Exercises (1548) of Ignatius Loyola (1491-1556), their encounters with the spirituality of the French Jesuit Louis Lallemant (1578-1635), and their exposure to various forms of Jesuit mission literature from around the world. Published annually, these Relations were the only consist

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15

Thiébaud, Jane Rather. "Madame de Rambouillet's Chambre Bleue [Blue Room]: Birthplace of Salon Culture." Fogler Library, University of Maine, 2007. http://www.library.umaine.edu/theses/pdf/ThiebaudJR2007.pdf.

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16

Nelson, Eric W. "The king, the Jesuits and the French Church, 1594-1615." Thesis, University of Oxford, 1998. http://ora.ox.ac.uk/objects/uuid:78447dd8-1dbb-4a2f-8aee-f964c293faa9.

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This thesis offers a re-examination of the expulsion, return and subsequent integration of the Jesuits into France during the reign of Henry IV and the regency of Marie de Medicis (1594- 1615). Drawing on archival material from Paris, Rome and London, it argues that in order to understand the Society of Jesus's role in seventeenth- and early eighteenth-century France one must understand the circumstances of their return. The critical moment for the Society in France, this study contends, was the promulgation of the Edict of Rouen in 1603, not their expulsion in 1594. The Edict and the royal go

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17

Musgrave, Elizabeth Caroline. "The building industries of eastern Brittany, 1600-1790." Thesis, University of Oxford, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670351.

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18

Patterson, Jonathan Hugh Collingwood. "Representations of avarice in early modern France (c.1540-1615) : continuity and change." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610850.

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19

Delaney, Monique. ""Le Canada est un païs de bois" : forest resources and shipbuilding in New France, 1660-1760." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=84504.

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The colonial contribution to the French naval shipbuilding industry in the seventeenth and eighteenth centuries, explored within the context of the forest from which the resources for the industry were taken, was a remarkably successful venture that came to an end with the onset of war. In the past, the end of the French naval shipbuilding industry in New France has been attributed to the action or inaction of France that resulted in the inefficient use of forest resources. Issues of interest in, organization or support of colonial efforts by France, however, were nevertheless, limited

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20

Fradier, Sophie. "Les frères Souffron (vers 1554-1649) : deux architectes ingénieurs entre Guyenne et languedoc, au temps de l'annexion de la Navarre." Thesis, Toulouse 2, 2016. http://www.theses.fr/2016TOU20125.

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Pierre I (doc. 1599-† 1621/1622) et Pierre II Souffron (1554-† 1649) sont deux frères architectes homonymes, originaires du Périgord, qui furent actifs dans les provinces de Guyenne et Languedoc entre la fin du XVIe siècle et le début du XVIIe siècle. Pierre I, probablement l’aîné de la fratrie, fut architecte et ingénieur des bâtiments de la Maison de Navarre. Installé dans la région de l’entre-deux-mers, il conduisit notamment l’important chantier du château de Cadillac, propriété du duc d’Épernon. Outre le domaine de l’architecture civile, il s’illustra pour des travaux d’ingénierie militai

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21

Runyan, Aimie Kathleen. "Daughters of the King and Founders of a Nation: Les Filles du Roi in New France." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc28470/.

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The late seventeenth century was a crucial era in establishing territorial claims on the North American continent. In order to strengthen France's hold on the Quebec colony, Louis XIV sent 770 women across the Atlantic at royal expense in order to populate New France. Since that time, these women known as the filles du roi, have often been reduced to a footnote in history books, or else mistakenly slandered as women of questionable morals. This work seeks to clearly identify the filles du roi through a study of their socioeconomic status, educational background, and various demographic factors

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22

Comtois, Maud. "Corps dressé : la représentation corporelle de l'honnête homme dans les traités de civilité au XVIIe siècle." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99583.

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The ideal of honesty proposed by civility treaties results from the social and political reorganization orchestrated by Louis XIV's desire to assert his authority and impose a court ritual. Court treaties, like Antoine de Courtin's Le Nouveau traite de la civilite qui se pratique en France parmi les honnetes gens (1671), pass on an ideal of social behaviour in which the appearances are meticulously planned. Based on the principle that the physical appearance is a reflection of the inner self, the body is of great importance in honesty. Propriety books codify gestures and indicate the best atti

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23

Fitzgerald, William Richard. "Chronology to cultural process : lower Great Lakes archaeology, 1500-1650." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=39234.

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The lack of a chronological framework for 16th and 17th century northeastern North America has impeded local and regional cultural reconstructions. Based upon the changing style of 16th and early 17th century European glass beads and the settlement patterning of the Neutral Iroquoians of southern Ontario, a chronology has been created. It provides the means to investigate native and European cultural trends during that era, and within this dissertation three topics are examined--the development of the commercial fur trade and its archaeological manifestations, an archaeological definition of t

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24

Ledbetter, David. "Harpsichord and lute music in seventeenth-century France : an assessment of the influence of lute on keyboard repertoire." Thesis, University of Oxford, 1985. http://ora.ox.ac.uk/objects/uuid:525956f0-fd49-4649-94e5-c52ad46221cb.

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The view that the lute exercised an important influence on the formation of French harpsichord style in the seventeenth century is a commonplace of musicology which has not until now been thoroughly investigated. This thesis is an attempt to determine the nature of that influence taking into account as much of the available relevant material as possible. The first chapter outlines the status and function of stringed keyboard instruments, particularly in the late sixteenth and early seventeenth centuries, using a wide variety of non-musical sources whether literary, archival, or documentary. It

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25

Staquet, Anne. "Descartes et le libertinage." Doctoral thesis, Universite Libre de Bruxelles, 2007. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210696.

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26

Preyat, Fabrice. "Le Petit Concile et la christianisation des moeurs et des pratiques littéraires sous Louis XIV." Doctoral thesis, Universite Libre de Bruxelles, 2001. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211493.

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27

Carrell, Toni L. "From forest to fairway : hull analysis of 'La belle', a late seventeenth-century French ship." Thesis, University of St Andrews, 2003. http://hdl.handle.net/10023/2798.

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This thesis is a comprehensive analysis of the hull remains of La Belle, a ship wrecked off the coast of Texas in 1684 during the failed attempt by Robert Cavelier Sieur de La Salle to establish a colony at the mouth of the Mississippi River. The analysis of La Belle's hull focused on five research goals. The first was to reconstruct the conception and design of the hull. Because La Belle was built on France's Atlantic coast, it was expected that the ship would fit into Atlantic traditions of shipbuilding. Instead, it exhibits an ancient Mediterranean method known only from Renaissance manuscr

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28

Read, Nicole Elizabeth. "The Adolescence of France: Teaching for Historical Empathy." Oxford, Ohio : Miami University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1241050971.

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29

Thomas, Daniel. "Family, ambition and service : the French nobility and the emergence of the standing army, c. 1598-1635." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/1914.

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This thesis will contend that a permanent body of military force under royal command, a ‘standing army’, arose during the first three decades of the seventeenth century in France. Such a development constituted a transformation in the nature of the monarchy’s armed forces. It was achieved by encouraging elements of the French nobility to become long-term office-holders within royal military institutions. Those members of the nobility who joined the standing army were not coerced into doing so by the crown, but joined the new body of force because it provided them with a means of achieving one

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30

Ballon, Hilary Meg. "Architecture and urbanism in Henri IV's Paris : the Place Royale, Place Dauphine, and Hôpital St. Louis." Thesis, Massachusetts Institute of Technology, 1985. http://hdl.handle.net/1721.1/71371.

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Thesis (Ph. D.)--Massachusetts Institute of Technology, Dept. of Architecture, 1985.<br>MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH.<br>Includes bibliographical references (v. 2, leaves 348-379).<br>This dissertation concerns the extensive building program which Henri IV undertook in Paris from 1600 to 1610. Focusing on the place Royale (now called the place des Vosges) , the place Dauphine, rue Dauphine, and Pont Neuf, and the hôpital St. Louis, this study holds that Henri IV's urbanism was guided by an emerging view of the city as a unified entity. Drawing from newly uncovered notarial d

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31

Dégez, Camille. "Une société carcérale : la prison de la Conciergerie (fin XVIe-milieu XVIIe siècles)." Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040156.

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La prison de la Conciergerie occupe une place particulière dans le paysage pénitentiaire parisien du XVIIe siècle. Elle accueille de nombreux prisonniers pour dette, les prisonniers jugés en première instance par l’une des juridictions siégeant dans Palais de la Cité, dont elle occupe les bâtiments, mais aussi et surtout les prisonniers en appel devant le parlement de Paris. A partir de l’analyse de parcours individuels de prisonniers et de personnels de la Conciergerie (les dynasties de concierges Regnoust et Dumont), reconstitués grâce aux archives criminelles et notariales, la thèse porte s

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Dégez, Camille. "Une société carcérale : la prison de la Conciergerie (fin XVIe-milieu XVIIe siècles)." Electronic Thesis or Diss., Paris 4, 2013. http://www.theses.fr/2013PA040156.

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La prison de la Conciergerie occupe une place particulière dans le paysage pénitentiaire parisien du XVIIe siècle. Elle accueille de nombreux prisonniers pour dette, les prisonniers jugés en première instance par l’une des juridictions siégeant dans Palais de la Cité, dont elle occupe les bâtiments, mais aussi et surtout les prisonniers en appel devant le parlement de Paris. A partir de l’analyse de parcours individuels de prisonniers et de personnels de la Conciergerie (les dynasties de concierges Regnoust et Dumont), reconstitués grâce aux archives criminelles et notariales, la thèse porte s

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33

Girard, Laura. "L'architecture en briques en Midi toulousain (1910-1947) : les architectes face au renouvellement technique et culturel." Thesis, Toulouse 2, 2019. http://www.theses.fr/2019TOU20032.

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Le XXe siècle est un siècle de mutations, à la fois dans la conception des espaces et dans la novation technique. Les matériaux et les procédés de mise en œuvre se développent, issus de recherches scientifiques et d’applications industrielles. Il se joue alors une transformation matérielle et culturelle de la société par l’architecture, où la novation technique cohabite avec les méthodes de construction traditionnelle, où les nouvelles constructions dialoguent avec les édifices du passé. Comment un matériau ancestral, donné par le site, appartenant à l’histoire du lieu, est-il réinvesti dans l

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Guérinot-Nawrocki, Sophie. "Les réseaux d’information et la circulation des nouvelles autour de l’exil de Marie de Médicis (1631-1642)." Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040088.

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En 1631, Marie de Médicis (1573-1642), reine de France, opposée à la politique de Richelieu, quitte précipitamment le royaume pour trouver refuge à la cour de Bruxelles. Jusqu’à sa mort en 1642, elle ne réussit jamais, malgré maintes tentatives, à rentrer en France. Elle vit dans les Pays-Bas espagnols jusqu’en 1639, puis, après un bref passage dans les Provinces-Unies, à Londres jusqu’en 1641, pour finir ses jours à Cologne. Alors que la guerre de Trente ans déchire l’Europe, Marie de Médicis tisse des liens avec les princes, mais aussi avec d’autres émigrés français, tels que Gaston d’Orléan

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Guérinot-Nawrocki, Sophie. "Les réseaux d’information et la circulation des nouvelles autour de l’exil de Marie de Médicis (1631-1642)." Electronic Thesis or Diss., Paris 4, 2011. http://www.theses.fr/2011PA040088.

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En 1631, Marie de Médicis (1573-1642), reine de France, opposée à la politique de Richelieu, quitte précipitamment le royaume pour trouver refuge à la cour de Bruxelles. Jusqu’à sa mort en 1642, elle ne réussit jamais, malgré maintes tentatives, à rentrer en France. Elle vit dans les Pays-Bas espagnols jusqu’en 1639, puis, après un bref passage dans les Provinces-Unies, à Londres jusqu’en 1641, pour finir ses jours à Cologne. Alors que la guerre de Trente ans déchire l’Europe, Marie de Médicis tisse des liens avec les princes, mais aussi avec d’autres émigrés français, tels que Gaston d’Orléan

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36

Mathis, Thierry. "Le clavecin en France aux XVIIe et XVIIIe siècles : découvertes organologiques et nouvelles techniques de l’interprétation." Thesis, Strasbourg, 2013. http://www.theses.fr/2013STRAC011.

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La musique française pour clavecin des XVIIe et XVIIIe siècles est-elle jouée de nos jours telle qu’elle devrait l’être ? De quelles sources disposent musicologues et musiciens pour approcher au plus près l’authentique sonorité du clavecin, la technique de son jeu, et la compréhension de son répertoire ? Cette approche nous a conduit à discerner neuf points déterminants, essentiels à la compréhension de la facture du clavecin. La mesure d’octave des claviers français de l’époque était inférieure à celle des instruments des pays voisins, et notamment inférieure à celle appliquée dans la facture

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37

Bigonville, Delphine. "Association des idées et intuition: la réponse des architectes anglais à la Querelle des Anciens et des Modernes." Doctoral thesis, Universite Libre de Bruxelles, 2011. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209775.

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Ce travail s’intéresse au problème de la relativisation de l’expression architecturale liée à la remise en question, durant le XVIIe siècle, de l’origine divine et de la valeur des canons proportionnels qui sous-tendent la tradition classique. Emblématique de la Querelle qui opposa Claude Perrault et François Blondel au sein de l’Académie royale de Paris, ce problème recevra une formulation privilégiée dans la tradition théorique anglaise qui se caractérise par la volonté de préserver une forme d’objectivité à l’expression formelle tout en cherchant à y intégrer la valeur subjective de l’usage

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Fournier, Fidji. "La réception dix-septièmiste des Fables de La Fontaine : entre histoire, critiques et théories." Electronic Thesis or Diss., Sorbonne université, 2024. http://www.theses.fr/2024SORUL136.

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Consacrée à « La réception dix-septièmiste des Fables de La Fontaine. Entre histoire, critiques et théories », la thèse réalisée s'articule autour d'une réflexion tâchant, au-delà de l'analyse de la réception historique de l'œuvre, d'effectuer, dans le cadre d'une présentation thématiquement organisée, la synthèse des discours tenus par les différents spécialistes de l'auteur s'étant, jusqu'à présent, intéressés au cas d'une réception hors norme. Après être revenue en détail sur la manière dont les Fables se sont édifiées comme chef d'œuvre et comment celles-ci ont d'emblée été construites com

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Silva, Eduardo Rosa da. "Um estudo sobre algumas edições do Tratado da gravura de Abraham Bosse." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21275.

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Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-07-25T11:56:57Z No. of bitstreams: 1 Eduardo Rosa da Silva.pdf: 2428303 bytes, checksum: 68e4ef8be1e9d885b29ec5063afccdba (MD5)<br>Made available in DSpace on 2018-07-25T11:56:57Z (GMT). No. of bitstreams: 1 Eduardo Rosa da Silva.pdf: 2428303 bytes, checksum: 68e4ef8be1e9d885b29ec5063afccdba (MD5) Previous issue date: 2018-04-11<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>Fundação São Paulo - FUNDASP<br>The objective of this research is to verify, among the traditions related to the treaties and manua

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Lavieille, Géraldine. "L’icône royale : fabrications collectives et usages politiques de l’image religieuse du roi de France au Grand Siècle." Thesis, Lyon, 2016. http://www.theses.fr/2016LYSE3050.

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Les transformations qui interviennent en France à la suite des guerres de Religion modifient l’imbrication des sphères politique et religieuse. La scission entre protestants et catholiques, la triple reconstruction religieuse, nationale et étatique, les évolutions des pratiques et croyances religieuses ainsi que la nouvelle vigueur des gallicanismes induisent des mutations dans la dimension religieuse des conceptions du pouvoir royal entre le règne d’Henri IV et celui de Louis XIV, évolutions appréciables sur le plan symbolique. De 1589 à 1715, une iconographie abondante place le roi dans une

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Souchier, Marine. "Le statut de grand dramaturge au XVIIe siècle : Corneille, Racine et Molière, figures vedettes d’une histoire littéraire en construction (1640-1729)." Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL121.

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Dès la fin du XVIIe siècle, Corneille, Racine et Molière se voient attribuer une supériorité indiscutable sur l’ensemble des autres dramaturges contemporains. Cette hiérarchie dont l’histoire littéraire actuelle a hérité continue à nous faire admettre comme une évidence la précellence accordée à ce trio de « classiques » et les études consacrées aux auteurs dits « mineurs » interrogent rarement le statut d’auteur « majeur ». Nous avons souhaité étudier le processus d’élaboration du statut de grand dramaturge. Cette thèse met ainsi en lumière les différents aspects et manifestations de cette co

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Schneider, Marlen. "„Belle comme Vénus‟ : das portrait historié zwischen Grand Siècle und Zeitalter der Aufklärung." Thesis, Lyon 2, 2015. http://www.theses.fr/2015LYO20031.

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Très apprécié et répandu pendant la deuxième moitié du XVIIe siècle et les premières décennies du XVIIIe, le portrait historié fut un phénomène caractéristique de la société de cour, révélateur des pratiques artistiques et culturelles de ce milieu. Partout en Europe et surtout en France, l’élite sociale se faisait peindre en costume de fantaisie mythologique ou historique par des peintres célèbres tels que Nicolas de Largillierre, Pierre Gobert, François de Troy, Jean-Marc Nattier ou Jean Raoux. Figurant encore parmi les desiderata de l’histoire de l’art, l’étude scientifique exhaustive du por

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Aznar, Daniel. "Cataluña y el rey. Representaciones y prácticas de la Majestad durante el cambio de soberanía (1640-1655)." Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/667416.

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La integración de Cataluña en la monarquía francesa en 1641 abrió un período de convivencia entre dos mundos políticos. Para Francia, la incorporación de la nueva provincia tiene lugar en una sociedad enamorada del heroísmo. El reinado de Luis XIII parece ser la culminación de un proceso de reformulación del paradigma heroico: un modelo político y un referente ético nobiliario. La Guerra de España llevó la cultura heroica a su clímax. En particular, la proclamación del rey como soberano de Cataluña abre nuevos horizontes a este mundo imaginario, que moviliza también a los antiguos referentes

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VOSKAMP, Henk. "Peasant revolts reconsidered : South West Germany and Languedoc in the 16th and early 17th century." Doctoral thesis, 1988. http://hdl.handle.net/1814/6011.

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BELTRÁN, José. "Nature in draft images and overseas natural history in the work of Charles Plumier (1646-1704)." Doctoral thesis, 2017. http://hdl.handle.net/1814/46246.

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Defence date: 2 May 2017<br>Examining Board: Professor Ann Blair, Harvard University; Professor Jorge Flores, EUI (supervisor); Professor Juan Pimentel, CSIC (external advisor); Professor Stéphane Van Damme, EUI (second reader)<br>Upon his death in 1704, the Minim friar, botanist to Louis XIV, and intrepid traveler Charles Plumier (1646-1704) left in his Parisian convent a mass of drawings on the flora and fauna of the West Indies. The industrious Plumier was a naturalist with inky fingers: his firsthand observations on the Caribbean islands translated into thousands of paper materials extrem

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PIERRE, Benoist. "Les réseaux cléricaux dans la construction de l'état moderne : la congrégation franco-italienne des Feuillants (XVIe-XVIIIe siècle)." Doctoral thesis, 2002. http://hdl.handle.net/1814/5940.

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Examining board: M. Anthony Molho (I.U.E.) ; M. Mario Rosa (École Normale Supérieure de Pise) ; M. Bernard Dompnier (Univ. de Clermont-Ferrand) ; Mme Nicole Lemaitre (Univ. Paris-I Sorbonne) ; M. Gérard Delille (I.U.E.)<br>Defence date: 19 December 2002<br>PDF of thesis uploaded from the Library digitised archive of EUI PhD theses completed between 2013 and 2017

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PROSPERI, Laura. "Il cibo del piacere e dell'immortalità : dietetica e procreazione in antico regime (Francia, sec.XVI-XVII)." Doctoral thesis, 2006. http://hdl.handle.net/1814/6341.

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Defence date: 2 October 2006<br>Examining board: Prof. Laurence Fontaine (Supervisor EUI), CNRS-EHESS, Paris ; Prof. Allen J. Grieco, Harvard University Center for Italian Renaissance Studies ; Prof. Massimo Montanari, European University Institute<br>PDF of thesis uploaded from the Library digitised archive of EUI PhD theses completed between 2013 and 2017

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"Musical Diversions at the Court of Louis XIV." Thesis, 1998. http://hdl.handle.net/1911/20472.

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During the carnival season of 1700, as some of the entertainments at the court of Louis XIV, there were presented seven mascarades at Marly, a châiteau near Versailles. The mascarade was a small-scale musical production that combined music and dance and was influenced by the ballet de cour and later the tragidie-lyrique. They were composed by André, Anne, and Pierre Philidor who were members of a family dynasty of wind players connected to the French court for several generations. Sources including the music, libretti, descriptive journal and diary entries, costume drawings, and related resear

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MONTENACH, Anne. "Une économie de l'infime : espaces et pratiques du commerce alimentaire à Lyon au XVIIe siècle." Doctoral thesis, 2003. http://hdl.handle.net/1814/5908.

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Defence date: 21 November 2003<br>Examining Board: Mme Françoise Bayard, Prof. émérite à l'Université Lumière-Lyon II ; Mme Laurence Fontaine, Prof. à l'Institut Universitaire Européen de Florence ; M. René Favier, Prof. à l'Université Pierre Mendès France-Grenoble II ; M. Jacques Revel, directeur de l'Ecole des Hautes Etudes en Sciences Sociales<br>First made available online on 12 November 2018<br>Ce travail se proposait à l’origine d’étudier, dans sa complexité, l’approvisionnement d’une grande ville du royaume en lien avec la diversité des consommations alimentaires de ses habitants. De gr

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SONKAJARVI, Hanna. "L'étranger et le forain entre inclusion et exclusion : de la cité impériale à la ville de province : le cas de Strasbourg (1681-1789)." Doctoral thesis, 2006. http://hdl.handle.net/1814/5980.

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Defence date: 10 February 2006<br>Examining board: Mme Laurence Fontaine, prof. à l'Institut Universitaire Européen de Florence, directeur de thèse ; M. Heinz-Gerhard Haupt, prof. à l'Institut Universitaire Européen de Florence ; M. Patrick Weil, directeur de recherche au CNRS, Université Paris 1-Panthéon-Sorbonne ; M. Christian Windler, prof. à l'Université de Berne, superviseur externe<br>PDF of thesis uploaded from the Library digitised archive of EUI PhD theses completed between 2013 and 2017

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