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Books on the topic 'Landscapes Victoria'

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Author: Grafiati

Published: 10 December 2022

Last updated: 29 January 2023

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1

Foubister, Linda. The key to mythic Victoria. Victoria, British Columbia: Spirrea Publishing, 2013.

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2

Adams, Victoria (Vicki Anne), 1950- and Tacoma Art Museum, eds. Where sky meets earth: The luminous landscapes of Victoria Adams. Tacoma, Wash: Tacoma Art Museum, 2010.

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3

Holmgren, David. Trees on the Treeless Plains: Revegetation manual for the volcanic landscapes of central Victoria. Hepburn, Australia: Holmgren Design Services, 1994.

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4

Fred, Williams. The enduring landscape: Gouaches by Fred Williams : from the collection of the National Gallery of Victoria. Wheelers Hill, VIC, Australia: Monash Gallery of Art, 2000.

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5

Nicola, Costaras, Richardson Clare, Constable John 1776-1837, and Victoria and Albert Museum, eds. John Constable: Oil sketches from the Victoria and Albert Museum. London: V&A Pub., 2011.

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6

Wilcox, Scott. Victorian landscape watercolors. New York: Hudson Hills Press, 1992.

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7

Wilcox, Scott. Victorian landscape watercolors. New York: Hudson Hills Press in association with the Yale Center for British Art, 1992.

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8

Christopher, Newall, Yale Center for British Art., Cleveland Museum of Art, and Birmingham Museums and Art Gallery., eds. Victorian landscape watercolors. New York: Hudson Hills Press in association with the Yale Center for British Art, 1992.

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9

The garden in Victorian literature. Aldershot, England: Scolar Press, 1988.

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10

Victoria Memorial (Museum : India). Landscape paintings in the Victoria Memorial collection. Calcutta: The Museum, 1991.

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11

British artists and the modernist landscape. Aldershot, England: Ashgate, 2003.

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12

Paradise lost: Paintings of English country life and landscape, 1850-1914. North Pomfret, Vt: Trafalgar Square Pub., 1989.

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13

Paradise lost: Paintings of English country life and landscape, 1850-1914. New York: Crescent Books, 1993.

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14

Foster, J. H. Victorian picturesque: The colonial gardens of William Sangster. Parkville, Vic., Australia: History Dept., University of Melbourne, 1989.

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15

Henry Shaw's Victorian landscapes: The Missouri Botanical Garden and Tower Grove Park. Amherst: University of Massachusetts Press, in association with Library of American History, 2006.

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16

Coe, Brian. A Victorian country album: The photographs of Joseph Gale. Sparkford: Oxford Illustrated, 1988.

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17

Christopher, Wood. Paradise lost: Paintings of English country life and landscape, 1850-1914. Oxford, England: Past Times, 1997.

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18

D, Clark Ian. Scars in the landscape: A register of massacre sites in western Victoria, 1803-1859. Canberra: Australian Institute of Aboriginal and Torres Strait Islander Studies, 1995.

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19

D, Clark Ian. Place names and land tenure: Windows into Aboriginal landscapes : essays in Victorian Aboriginal history. Melbourne: Heritage Matters, 1998.

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20

Frederick Horsman Varley Art Gallery of Markham, ed. Forgotten graces: Travel sketchbooks of a Victorian gentlewoman. Unionville: Varley Art Gallery of Markham, 2006.

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21

Mark, Haworth-Booth, ed. Benjamin Brecknell Turner: Rural England through a Victorian lens. London: V&A Publications, 2001.

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22

La Montagne Sainte-Victoire: Un atelier du paysage provençal de Constantin à Cézanne. Avignon: Benezet, 2006.

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23

Peterson, Lynette. Reading the landscape: Documentation and analysis of a relict feature of land degradation in the Bendigo District, Victoria. Melbourne, Vic: Dept. of Geography and Environmental Sciences, Monash University, 1996.

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24

Scott, Zillah. The artist in Victorian Birmingham: The career of S. H. Baker, landscapist in an industrial city. [s.l.]: typescript, 1999.

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25

Museum, Victoria and Albert, and Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, eds. Indian life and landscape by Western artists: Paintings and drawings from the Victoria and Albert Museum : 17th to the early 20th century. Mumbai: Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, 2008.

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26

Lambert, David. Weston-Super-Mare. Bristol: Avon Gardens Trust, 1998.

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27

Lindenmayer, David, Damian Michael, Mason Crane, Sachiko Okada, Daniel Florance, Philip Barton, and Karen Ikin. Wildlife Conservation in Farm Landscapes. CSIRO Publishing, 2016. http://dx.doi.org/10.1071/9781486303113.

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An increasing number of Australians want to be assured that the food and fibre being produced on this continent have been grown and harvested in an ecologically sustainable way. Ecologically sustainable farming conserves the array of species that are integral to key ecological processes such as pollination, seed dispersal, natural pest control and the decomposition of waste. Wildlife Conservation in Farm Landscapes communicates new scientific information about best practice ways to integrate conservation and agriculture in the temperate eucalypt woodland belt of eastern Australia. It is based on the large body of scientific literature in this field, as well as long-term studies at 790 permanent sites on over 290 farms extending throughout Victoria, New South Wales and south-east Queensland. Richly illustrated, with chapters on birds, mammals, reptiles, invertebrates and plants, this book illustrates how management interventions can promote nature conservation and what practices have the greatest benefit for biodiversity. Together the new insights in this book inform whole-of-farm planning. Wildlife Conservation in Farm Landscapes is an ideal resource for land managers and farmers interested in integrating farming and environmental values and anyone interested in biodiversity in woodlands and agricultural zones. Recipient of a 2017 Whitley Awards Certificate of Commendation for Conservation in Action

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28

Victoria Sambunaris: Taxonomy of a Landscape. Radius Books, 2014.

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29

Peter, Robinson, Tamsin Liddle, and The Elvaston Castle and Gardens Trust. William Barron: Victorian Landscape Gardener. Amberley Publishing, 2022.

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30

Worth, Rachel. Clothing and Landscape in Victorian England. I.B.Tauris & Co. Ltd, 2018. http://dx.doi.org/10.5040/9781350985759.

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31

2022 - 2022 - 2023 Calendar. Victoria Landscape 2022 Calendar: 16 Month Calendar 2022 - 2023 - Giftable - Victoria Calendar. Independently Published, 2022.

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32

British Artists and the Modernist Landscape. Taylor & Francis Group, 2017.

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33

Life, Legend, Landscape: Victorian Drawings and Watercolours. University of Washington Press, 2011.

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34

Clark, Ian. Scars in the Landscape: Hidden Aboriginal History in Western Victoria. Aboriginal Studies Press, 1995.

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35

Parker, Joanne, and Corinna Wagner, eds. The Oxford Handbook of Victorian Medievalism. Oxford University Press, 2020. http://dx.doi.org/10.1093/oxfordhb/9780199669509.001.0001.

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Victorian medievalism physically transformed the streets of Britain. It lay at the root of new laws and social policies. It changed religious practices. It deeply coloured national identities. And it inspired art, literature, and music that remains influential to this day. Sometimes driven by nostalgia, but also often progressive and future-facing, this wide-reaching movement, which reached its peak during the reign of Queen Victoria, looked back to a range of different peoples and historical periods spanning a thousand years, in order to inspire and vindicate cultural, political and social change. Medievalism was pervasive in Victorian literature, with texts ranging from translated sagas to pseudo-medieval devotional verse, to triple-decker novels. It became a dominant architectural mode – transforming the English landscape, with 75% of new churches built on a ‘Gothic’ rather than a classical model, as well as museums, railway stations, town halls, and pumping stations. It was appealed to by both Whigs and Tories. But it also permeated domestic life – influencing the popularity of beards, the naming of children, and the design of homes and furniture. This landmark study is an attempt to draw together for the first time every major aspect of Victorian medievalism, and to examine the phenomenon from the perspective of the many disciplines to which it is relevant, including intellectual history, religious studies, social history, literary history, art history, and architecture. Bringing together the expertise of 39 experts from different subject areas, it reveals the pervasiveness and multi-faceted character of the movement in the nineteenth century, and explains its continuing legacy today.

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36

Gale, Maggie B., Janice Norwood, and Kate Dorney. Victorian Touring Actresses: Crossing Boundaries and Negotiating the Cultural Landscape. Manchester University Press, 2020.

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37

Victorian Touring Actresses: Crossing Boundaries and Negotiating the Cultural Landscape. Manchester University Press, 2020.

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38

Victorian Touring Actresses: Crossing Boundaries and Negotiating the Cultural Landscape. Manchester University Press, 2020.

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39

Gale, Maggie B., Janice Norwood, and Kate Dorney. Victorian Touring Actresses: Crossing Boundaries and Negotiating the Cultural Landscape. Manchester University Press, 2021.

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40

Joyce, Simon. LGBT Victorians. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192858399.001.0001.

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Abstract It has been decades since Michel Foucault urged us to rethink “the repressive hypothesis” and see new forms of sexual discourse as coming into being in the nineteenth century, yet the term “Victorian” still has largely negative connotations. This book argues for re-visiting the period’s thinking about gender and sexual identity at a time when our queer alliances are fraying. We think of those whose primary self-definition is in terms of sexuality (lesbians, gay men, bisexuals) and those for whom it is gender identity (intersex and transgender people, genderqueers) as simultaneously in coalition and distinct from each other, on the assumption that gender and sexuality are independent aspects of self-identification. Re-examining how the Victorians considered such identity categories to have produced and shaped each other can ground a more durable basis for strengthening our present LGBTQ+ coalition. LGBT Victorians draws on scholarship reconsidering the significance of sexology and efforts to retrospectively discover transgender people in historical archives, particularly in the gap between what the nineteenth century termed the sodomite and the hermaphrodite. It highlights a broad range of individuals (including Anne Lister, and the defendants in the “Fanny and Stella” trial of the 1870s), key thinkers and activists (including Karl-Heinrich Ulrichs and Edward Carpenter), and writers such as Walt Whitman and John Addington Symonds to map the complicated landscape of gender and sexuality in the Victorian period. In the process, it decenters Oscar Wilde and his imprisonment from our historical understanding of sexual and gender nonconformity.

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41

Grove, Carol. Henry Shaw's Victorian Landscapes: The Missouri Botanical Garden And Tower Grove Park. University of Massachusetts Press, 2005.

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42

Grove, Carol. Henry Shaw's Victorian Landscapes: The Missouri Botanical Garden and Tower Grove Park. Library of American Landscape History, 2005.

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43

Fletcher, Pauline. Gardens and Grim Ravines: The Language of Landscape in Victorian Poetry. Princeton University Press, 2017.

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44

Fletcher, Pauline. Gardens and Grim Ravines: The Language of Landscape in Victorian Poetry. Princeton University Press, 2017.

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45

Fletcher, Pauline. Gardens and Grim Ravines: The Language of Landscape in Victorian Poetry. Princeton University Press, 2017.

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46

Worth, Rachel. Clothing and Landscape in Victorian England: Working-Class Dress and Rural Life. Bloomsbury Publishing Plc, 2019.

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47

Worth, Rachel. Clothing and Landscape in Victorian England: Working-Class Dress and Rural Life. I. B. Tauris & Company, Limited, 2018.

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48

Worth, Rachel. Clothing and Landscape in Victorian England: Working-Class Dress and Rural Life. I. B. Tauris & Company, Limited, 2018.

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49

Worth, Rachel. Clothing and Landscape in Victorian England: Working-Class Dress and Rural Life. Bloomsbury Publishing Plc, 2018.

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50

Lears, T. J. Jackson, 1947-., Isabella Stewart Gardner Museum, and Isabella Stewart Gardner Interdisciplinary Symposium (8th : 1999 : Isabella Stewart Gardner Museum), eds. American Victorians and virgin nature. Boston: Isabella Stewart Gardner Museum, 2002.

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