Dissertations / Theses on the topic 'Landscapes in art'
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Pontelli, Elena. "Landscapes before the landscape in ancient Etruscan art." Thesis, IMT Alti Studi Lucca, 2022. http://e-theses.imtlucca.it/347/1/Pontelli_phdthesis.pdf.
Full textHogarth, Jan. "'Dislocated landscapes' : a sculptors response to contemporary issues within the British landscape." Thesis, University of Sunderland, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.268041.
Full textMcGirr, Diana Rosemary. "Legitimate landscapes: repositioning regional art production." Thesis, Curtin University, 2016. http://hdl.handle.net/20.500.11937/48488.
Full textRoberts, Judith. "Drawing the Artesian: Extracting Methods to Visualise Unseen Landscapes." Thesis, Griffith University, 2015. http://hdl.handle.net/10072/366164.
Full textThesis (Professional Doctorate)
Doctor of Visual Arts (DVA)
Queensland College of Art
Arts, Education and Law
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Jordan, Benjamin Thomas. "Synthetic Landscapes." VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4303.
Full textLambert, Raymond John. "Landscape existing with art : a study of ideas and style in John Constable's landscapes." Thesis, Birkbeck (University of London), 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313592.
Full textSmith, Matthew. "Unpresentable landscapes and the art of the index." Thesis, University of Newcastle Upon Tyne, 2012. http://hdl.handle.net/10443/1913.
Full textFrears, Lucy. "Unlocking landscapes using locative media." Thesis, University of the Arts London, 2016. http://ualresearchonline.arts.ac.uk/13330/.
Full textMcMasters, Neil G., and neilgmcmasters@mac com. "Impressions from Virtual Landscapes." RMIT University. Art and Culture, 2003. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20090715.142840.
Full textPrice, Brandi. "Aural Landscapes." VCU Scholars Compass, 2011. http://scholarscompass.vcu.edu/etd/2451.
Full textTurner, Sarah Elizabeth. "Constructing landscapes : art in Neolithic and modern southern Brittany." Thesis, University College London (University of London), 2005. http://discovery.ucl.ac.uk/1446864/.
Full textBarlow, John. "Experiences of travel and northern rural landscapes in contemporary art." Thesis, University of Brighton, 2017. https://research.brighton.ac.uk/en/studentTheses/c1e76a25-99b3-4fa0-9a0e-33966a589882.
Full textHaydon, Kirsten, and kirsten haydon@rmit edu a. "Antarctic landscapes in the souvenir and jewellery." RMIT University. Art, 2009. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20090227.115157.
Full textZhu, Chenlu (Cindy). "Searching For A Graspable Past: Landscapes, Nostalgia, And Chinese Contemporary Art." Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/scripps_theses/1311.
Full textBunn, Leanne. "Changing landscapes : Norman Cornish and North East regional identity." Thesis, Northumbria University, 2010. http://nrl.northumbria.ac.uk/3677/.
Full textRapp, Karen M. ""Not the romantic west" : site-specific art, globalization, and contemporary landscapes /." May be available electronically:, 2009. http://proquest.umi.com/login?COPT=REJTPTU1MTUmSU5UPTAmVkVSPTI=&clientId=12498.
Full textLiu-Devereux, Pauline Carol. "Galleries and drift : mapping undermined landscapes." Thesis, University of Exeter, 2011. http://hdl.handle.net/10036/3283.
Full textMurray, Kristina. "Engendered Modern: The Urban Landscapes of Georgia O'Keeffe, Florine Stettheimer and Berenice Abbott." Master's thesis, Temple University Libraries, 2018. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/511014.
Full textM.A.
This thesis explores the dynamic relationship between artists Georgia O’Keeffe, Florine Stettheimer, and Berenice Abbott in relation to the growing urban landscape of New York City in the 1920s and 1930s. Previous scholarship has drawn parallels between these three artists’ careers solely in terms related to their biography and gender identity rather than their work. In contrast, my project identifies a common formal subject that links an experimental phase in all three women’s work, and explores the reasons these three individual creators found portraying the city to be an effective strategy for developing her own take on modernist style. Inspired by rapid development, each artist made work that shared her inventive vision of the city. Using visual analysis and historical context associated with the second wave of skyscraper construction as well as the second generation “New Woman” movement, I argue that each artist produced idiosyncratic art that makes sense of the rapidly morphing city surrounding them. Eschewing conventional gender expectations and traditional art historical narratives, the three artists tell visual stories that illustrate life in a modern urban city. Each woman’s goals and artistic expectations differ, but they all share the struggle to achieve professionally despite systemic roadblocks placed before them by the male-dominated art world. With the city as their muse, they utilize the metaphor of organic growth to encapsulate the city in flux.
Temple University--Theses
Poet, Sallie Clinton. "Peregrinations." BYU ScholarsArchive, 2010. https://scholarsarchive.byu.edu/etd/2315.
Full textEdwardes, Christian. "Peregrinations with maps and landscapes : narrating the spaces of practice in fine art." Thesis, University of the Arts London, 2016. http://ualresearchonline.arts.ac.uk/9192/.
Full textBentkowska-Kafel, Anna. "A computer-aided iconological analysis of anthropomorphic landscapes in western art 1560s-1660s." Thesis, Southampton Solent University, 1998. http://ssudl.solent.ac.uk/2461/.
Full textDeacon, Vivien. "The rock-art landscapes of Rombalds Moor, West Yorkshire : standing on holy ground." Thesis, University of York, 2018. http://etheses.whiterose.ac.uk/21345/.
Full textBoyd, Jane E. "The mapping of modernity impressionist landscapes, engineering, and transportation imagery in 19th-century France /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 319 p, 2009. http://proquest.umi.com/pqdweb?did=1818417341&sid=2&Fmt=2&clientId=8331&RQT=309&VName=PQD.
Full textReece-Hughes, Shirley (Shirley Ellen). "Arthur Garfield Dove's landscape assemblages: a unique intersection of European modernism, American ideas, and nature-based abstraction." Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc798472/.
Full textHaertel, Nilza Belita Grau. "Landscape and nature in American prints : transformations in form and meaning in the work of contemporary women artists /." [Bloomington, Ind.] : Indiana University, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3240649.
Full textMihok, Lorena Diane. "Unearthing Augusta: Landscapes of Royalization on Roatan Island, Honduras." Scholar Commons, 2013. http://scholarcommons.usf.edu/etd/4920.
Full textMorini, Walkiria Pompermayer 1972. "Pensar ver não ver = paisagens inventadas = Thinking one sees not seeing : invented landscapes." [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284489.
Full textTese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-23T12:50:18Z (GMT). No. of bitstreams: 1 Morini_WalkiriaPompermayer_D.pdf: 208868090 bytes, checksum: 76cdbaa3965efa980f07a04f6b8c5860 (MD5) Previous issue date: 2013
Resumo: A presente pesquisa em artes visuais apresenta um estudo sobre o percurso de criação de imagens através da linguagem e materialidade da pintura e da análise dos elementos que configuram seus resultados. Os trabalhos realizados entre os anos de 2008 e 2012 compreendem apreensões sobre novas representações da paisagem, articulações da linguagem visual e uma reflexão sobre o uso da cor como elemento principal no percurso de criação artística. Algumas séries de pinturas e desenhos e os cadernos de estudo, selecionados para este trabalho, representam a continuidade de uma pesquisa sobre a construção de imagens, desenvolvida no mestrado, relacionando a reflexão sobre os procedimentos e referências que constituem as intercorrências poéticas. Ordeno neste estudo, imagens bidimensionais, como o desenho e a pintura, que articulam elementos da linguagem visual e permitem a ampliação da compreensão da dinâmica do processo criativo. A partir de estudos sobre a produção recente, foram levantados alguns resultados que apontam para a dissolução da figuração e abertura de espaço para soluções voltadas para a abstração, dissociadas da paisagem real e potencializadoras de uma nova representação na pintura
Abstract: This research into visual arts presents a study on the image creation process through the language and materiality of painting and by analyzing the elements embodying their results. The work carried out between the years 2008 and 2012 comprises approaches to new representations of landscape, articulations of visual language, and a reflection on the use of color as the main element in the artistic creation process. Some series of paintings, drawings, and sketchbooks selected for this study represent the continuing research on image construction developed in the master's program, providing a reflection on procedures and references that constitute poetic intercurrences. In this study, I arrange two-dimensional images, such as drawing and painting, which articulate elements of visual language and allow for a broader understanding of the dynamics of the creative process. Studies on the recent works turned up some results that point to a dissolution of figuration and room for solutions directed towards abstraction, dissociated from the real landscape and with the potential for a new representation in painting
Doutorado
Artes Visuais
Doutora em Artes
Kowalczyk, Stephanie W. "Beyond the Painted Diary: Love, Loss, and Modernity in the Landscapes of John Singer Sargent." Kent State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=kent1470007149.
Full textBaum, Michael B. "Boundaries notions of land, space, and memory /." Pullman, Wash. : Washington State University, 2010. http://www.dissertations.wsu.edu/Thesis/Spring2010/m_baum_041610.pdf.
Full textVasconcellos, Diego Hoefel de. "Between Portraits and Landscapes: Essay on Face in Cinema." Universidade Federal do CearÃ, 2013. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=12568.
Full textThe research is divided into three parts. The first is a study of the face and its relationship with the portrait, from classical definitions and approaches between the two concepts in art history. The second part of the dissertation deals with the face in film and concatenates the analysis of a few filmic propositions with different theoretical approaches as a way to reflect on the face in silent, classic and modern films. The vectorized face of classic cinema, treated as the main space of identification with the characters, operates differently from the deep face of modern cinema, which reveals internal movements, anxieties, nauseas. Both are, in the third part of the dissertation, confronted with the contemporary face. Space in which intensities and affects emerge, the face that appears in a certain recent film production is closer to the landscape than to the portrait.
A pesquisa à dividida em trÃs partes. A primeira consiste em um estudo sobre a relaÃÃo entre rosto e retrato, proposto com base em definiÃÃes clÃssicas e aproximaÃÃes entre os dois conceitos na histÃria da arte. A segunda parte da dissertaÃÃo aborda o rosto no cinema e encadeia a anÃlise de algumas proposiÃÃes fÃlmicas com distintas abordagens teÃricas para discutir o primeiro plano nos cinemas mudo, clÃssico e moderno. O rosto vetorizado do cinema clÃssico, tratado como espaÃo principal de identificaÃÃo com o personagem, opera de forma distinta do rosto profundo do cinema moderno, nos quais se revelam movimentos internos, angÃstias, nÃuseas. Ambos sÃo, na terceira parte da dissertaÃÃo, confrontados com o rosto contemporÃneo. EspaÃo de intensidades e afetos, o rosto que surge em uma determinada produÃÃo cinematogrÃfica recente aproxima-se mais da paisagem do que do retrato.
Nicoletti, Martino. "Submerged landscapes : aesthetics of visual primitivism." Thesis, University of the West of Scotland, 2012. http://hdl.handle.net/10545/303736.
Full textBolger, Wendy. "Pleasure framed : the potential of constraint in the art process as a means to aesthetic freedom and positive connection to places of past colonialism." Thesis, University of Ballarat, 2012. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/63841.
Full textDoctor of Philosophy
Mueller-Heubach, Oliver Maximilian. "From Kaolin to Claymount: Landscapes of the 19th-Century James River Stoneware Industry." W&M ScholarWorks, 2013. https://scholarworks.wm.edu/etd/1539623630.
Full textSunderland, John Samuel. "In flux : land, photography and temporality." Thesis, University of Northampton, 2015. http://nectar.northampton.ac.uk/9735/.
Full textThompson, Lindon J. "Trace and the makers of meaning." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2001. https://ro.ecu.edu.au/theses/1074.
Full textEnlander, Rebecca Aroon. "Prehistoric rock art and the cultural landscapes of the north of Ireland : a contextual and interpretive study." Thesis, Queen's University Belfast, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.601474.
Full textHocking, Bryanna Tyece. "The great re-imagining : public art, urban space and the symbolic landscapes of a "new" Northern Ireland." Thesis, Queen's University Belfast, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.601657.
Full textSloan, Johanne. "Millennial landscapes : nature, narrativity, and the legacy of the Paysage Historique in 19th and 20th century art." Thesis, University of Kent, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.264600.
Full textANDERSEN, PETER KAERGAARD. "PASSEGGIATE A MARE ~ PATHWAYS OF THE SEA, TEMPORAL AND POETIC ENTANGLEMENT OF COASTAL LANDSCAPES." Doctoral thesis, Università degli studi di Genova, 2022. http://hdl.handle.net/11567/1090109.
Full textStoffle, Richard W., Lawrence L. Loendorf, Diane E. Austin, David B. Halmo, Angelita S. Bulletts, and Brian K. Fulfrost. "Tumpituxwinap (Storied Rocks): Southern Paiute Rock Art in the Colorado River Corridor." Bureau of Applied Research in Anthropology, University of Arizona, 1995. http://hdl.handle.net/10150/279732.
Full textKerr, Tamsin, and na. "Conversations with the bunyip : the idea of the wild in imagining, planning, and celebrating place through metaphor, memoir, mythology, and memory." Griffith University. Griffith School of Environment, 2007. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20070814.160841.
Full textKerr, Tamsin. "Conversations with the bunyip: the idea of the wild in imagining, planning, and celebrating place through metaphor, memoir, mythology, and memory." Thesis, Griffith University, 2007. http://hdl.handle.net/10072/365495.
Full textThesis (PhD Doctorate)
Doctor of Philosophy (PhD)
Griffith School of Environment
Faculty of Science, Environment, Engineering and Technology
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Tolentino, Felicia. "Porträtt av ett landskap : Vera Friséns gestaltning av naturen i Västerbotten." Doctoral thesis, Umeå University, Department of culture and media studies, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-1622.
Full textThe present dissertation deals with the artistry of the Swedish artist Vera Frisén (1910-1990). The emphasis is being put on her landscape paintings from Västerbotten, in the northern parts of Sweden, but also includes self-portraits from her early years as a painter. Vera Frisén was born in Umeå, but lived more than half her life in Stockholm. During springtime and summer, she did however return to Västerbotten and the vil¬lages of Stöcksjö and Kolksele, where she painted the majority of her landscape paintings.
The study has been given a chronological frame, where the first part sketches out the contexts and environments that came to have an influence on Vera Frisén and her artistic development. Consequently, the thesis starts with a brief biographical presen¬tation, but then moves forward to issues more central to the subject. Important as¬pects are for example her years as a student in the art academy of Otte Sköld in Stockholm during the late 1920’s, and her first separate exhibition at the gallery Färg & Form in 1941. Other issues that are being illuminated in the study are the artistic and cultural conditions in Vera Friséns hometown Umeå. The discussion mainly cen¬ters on issues that took place during the 1930’s and the 1940’s – the time when Vera Frisén established herself as an artist.
The second part of the dissertation includes analyses of Vera Friséns paintings. In the search of concepts that further can explain the more profound existential values in her work, the study also links the themes in her paintings to other painters in the his¬tory of landscape painting. Concepts central for discussion are for example the aes¬tethical and philosophical issue of the sublime, as it is formulated in the discourse of Immanuel Kant during the late 18th century. Thoughts expressed by other artists, writers and philosophers, linked to Vera Friséns own thoughts on the subject, are also valuable instruments in gaining a deeper understanding of her work.
Brandt, Nicola. "Emerging landscapes : memory, trauma and its afterimage in post-apartheid Namibia and South Africa." Thesis, University of Oxford, 2014. https://ora.ox.ac.uk/objects/uuid:9dfe7938-670a-40fc-a063-5617c0503fcd.
Full textNorris, Jessica R. "FOOD LANDSCAPES: A CASE STUDY OF A COOKING AND ART- FOCUSED PROGRAM FOR TEENS LIVING IN A FOOD DESERT." VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/3575.
Full textBrown, Brittany. "Ancestral Landscapes: a Study of Historical Black Cemeteries and Contemporary Practices of Commemoration Among African Americans in Duval County, Jacksonville, Fl." W&M ScholarWorks, 2018. https://scholarworks.wm.edu/etd/1550154005.
Full textStretch, Eleanor Eunice, and mikewood@deakin edu au. "Using site as the medium of image-making at Tower Hill." Deakin University. School of Contemporary Arts, 2000. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050902.144857.
Full textPendle, Naomi Ruth. "Laws, landscapes and prophecy : the art of remaking regimes of lethal violence amongst the western Nuer and Dinka (South Sudan)." Thesis, London School of Economics and Political Science (University of London), 2017. http://etheses.lse.ac.uk/3616/.
Full textThomson, Amanda Repo Taiwo. "In the forest, field and studio : art/making/methodology and the more-than-written in the rendering of place." Thesis, University of Aberdeen, 2013. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=201732.
Full textMoran, Mallory Leigh. ""Mehtaqtek, Where The Path Comes To An End": Documenting Cultural Landscapes Of Movement In Wolastoqiyik (Maliseet) First Nation Territory In New Brunswick, Canada, And Maine, United States." W&M ScholarWorks, 2020. https://scholarworks.wm.edu/etd/1593091534.
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