Dissertations / Theses: 'Landscapes in art Australia'

1

Haydon, Kirsten, and kirsten haydon@rmit edu a. "Antarctic landscapes in the souvenir and jewellery." RMIT University. Art, 2009. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20090227.115157.

Full text

Abstract:

Experience of Antarctica is unique and overwhelming and the phenomenon of the landscape and knowledge of its history continues to inspire artists and writers. Since Antarctica's discovery and exploration both before and during the Heroic Age; explorers, expeditioners, artists and writers have attempted to record and visualise Antarctica. In1982 international Antarctic programmes started to assist artists to travel to Antarctica with the intention of providing perceptive interpretations no longer attached to science or exploration. This practice-led research is the first project where a jeweller has explored and interpreted a personal experience of Antarctica to produce souvenir and jewellery objects. These objects reveal new interpretations of Antarctica that engage with the viewer through the recognisable personal jewellery and souvenir object. This research has produced new contemporary souvenir and jewellery objects by interpreting both personal photographs and re-examining the historic stories, photographs and representations of Antarctica. The bibliographic investigations of historical jewellery and souvenirs provided specific examples of historical personal mementos that are now displayed in museums. This research analyses the meaning of historical examples of souvenirs and jewellery and examines the way in which photography has been manipulated and used on hard media. Through this analysis and examination of historical examples the research focuses on studio-based experimentation with enamelling and contemporary technologies to establish the links enamelling has had with micromosaics and miniature painting. This practice-led research investigates new and innovative ways to interpret these historical techniques and draw on the notion of the souvenir. Thinking through the processes used in this research and retelling the personal experience of Antarctica, contemporary technologies are used to reimagine historical examples of tourist jewellery and personal souvenirs presenting a further understanding of Antarctica's significance both culturally and environmentally. The research not only provides an addition to the diverse range of interpretations of Antarctica it also explores the area of enamelling in contemporary jewellery and object making by contributing to the current revival of the tradition both locally and internationally. This research offers new experiences and knowledge through the investigation, experimentation, manufacture and installation of enamelled objects.

APA, Harvard, Vancouver, ISO, and other styles

2

McMasters, Neil G., and neilgmcmasters@mac com. "Impressions from Virtual Landscapes." RMIT University. Art and Culture, 2003. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20090715.142840.

Full text

Abstract:

The aim of this project was to build and render digital landscape models that reflect natural element characteristics and use the resulting data sets as source material for fine art investigation and production. The project utilized 3D computer modeling techniques, selected output technology and studio facilities. Computer-generated virtual landscapes material was incorporated into studio practice by providing observed environmental content for the development of works for exhibition. An accompanying exegesis explored the relationship and tensions between digital landscape data sets and the broader use of landscape as a motif within an Australian context.

APA, Harvard, Vancouver, ISO, and other styles

3

Mah, D. B., University of Western Sydney, and of Performance Fine Arts and Design Faculty. "Australian landscape : its relationship to culture and identity." THESIS_FPFAD_Mah_D.xml, 1997. http://handle.uws.edu.au:8081/1959.7/257.

Full text

Abstract:

This paper is an examination of the relationship of Australian landscape imagery to culture and identity. Visual and historical ideas in the Heidelberg School and more contemporary landscape work is assessed in relation to social history in the work of Ian Burn et al and the social history in the work of Anne Maree Willis. These two types of history are compared and conclusions are made about their similarities and differences in the articulation of identity and culture. It will be concluded that identity and culture are ideas and values which are recycled and relocated with the passage of time and that certain central themes reoccur in the construction of identity and culture
Master of Visual Arts (Hons)

APA, Harvard, Vancouver, ISO, and other styles

4

Young, Amanda M., University of Western Sydney, of Performance Fine Arts and Design Faculty, and School of Design. "Several interpretations of the Blue Mountains : a juxtaposition of ideas over two hundred years." THESIS_FPFAD_SD_Young_A.xml, 1997. http://handle.uws.edu.au:8081/1959.7/607.

Full text

Abstract:

In 1815 the Blue Mountains were first identified as a unique landscape when Governor Macquarie took a tour over them and located the nineteenth century principles of the Sublime and Picturesque within its' landscape. Until this time the Blue Mountains were considered to be a hostile impenetrable barrier to the West. This paper examines some of the ways the Blue Mountains has been represented in the past, and has been identified as a tourist destination through interpretations imposed on the landscape by the tourist industry since that time. The areas covered deal with the heritage of British Colonialism as a way of forming opinions about the Australian landscape. Then, the theories of the Picturesque and Sublime are examined when applied to the Blue Mountains landscape. The final chapters in this paper deal with contemporary issues that have shaped the way the tourist industry is encouraged to encounter the Blue Mountains landscape
Master of Arts (Hons)

APA, Harvard, Vancouver, ISO, and other styles

5

Woodfield, Linda University of Ballarat. "The landscape of my life." University of Ballarat, 2007. http://archimedes.ballarat.edu.au:8080/vital/access/HandleResolver/1959.17/12801.

Full text

Abstract:

The investigations surrounding the topic ‘The Landscape of My Life’ questions whether it is possible for a landscape to delineate the way in which we live our lives. For a period of thirty-two years my home has been a historic rural property comprising a dwelling and outbuildings on twenty acres of undulating countryside at Carngham. The work conveys the story of my life at this locale and pursues the motives behind the purchase of the country property, the experiences and remembrances that exist from this period of time and reflects upon the implications of a way of life over the last three decades. While considering the impact that a landscape can have on individual lives, it became important to consolidate the insights that surfaced for me with respect to my own life and works and compare it with that of other selected landscape artists. This comparison took into account personal and family backgrounds, artistic techniques, relationships with the land and the motivations that resulted in the depiction of particular landscapes. The result of these observations led to a consideration that not only can a landscape define the way in which we live our lives but, also identifies an affinity between human beings and the environment.
Master of Arts

APA, Harvard, Vancouver, ISO, and other styles

6

Woodfield, Linda. "The landscape of my life." University of Ballarat, 2007. http://archimedes.ballarat.edu.au:8080/vital/access/HandleResolver/1959.17/15613.

Full text

Abstract:

The investigations surrounding the topic ‘The Landscape of My Life’ questions whether it is possible for a landscape to delineate the way in which we live our lives. For a period of thirty-two years my home has been a historic rural property comprising a dwelling and outbuildings on twenty acres of undulating countryside at Carngham. The work conveys the story of my life at this locale and pursues the motives behind the purchase of the country property, the experiences and remembrances that exist from this period of time and reflects upon the implications of a way of life over the last three decades. While considering the impact that a landscape can have on individual lives, it became important to consolidate the insights that surfaced for me with respect to my own life and works and compare it with that of other selected landscape artists. This comparison took into account personal and family backgrounds, artistic techniques, relationships with the land and the motivations that resulted in the depiction of particular landscapes. The result of these observations led to a consideration that not only can a landscape define the way in which we live our lives but, also identifies an affinity between human beings and the environment.
Master of Arts

APA, Harvard, Vancouver, ISO, and other styles

7

Brown, Sarah. "Imagining 'environment' in Australian suburbia : an environmental history of the suburban landscapes of Canberra and Perth, 1946-1996." University of Western Australia. School of Humanities, 2009. http://theses.library.uwa.edu.au/adt-WU2009.0094.

Full text

Abstract:

Australia is a suburban nation. Today, with increasing concern regarding the sustainability of cities, an appreciation of the complexities of Australian suburbia is critical to the debate about urban futures. As a built environment and a cultural phenomenon, the Australian suburbs have inspired considerable scholarly literature. Yet to date, such scholarly work has largely overlooked the changing environmental values and visions of those shaping and residing within suburban landscapes, and the practices through which such values and visions are materialised in the processes of suburban development. Focusing on the post-war suburban landscapes of Canberra and Perth, this thesis centralises the environmental, political and economic forces that have shaped human action to construct suburban spaces, paying particular attention to the extent to which individual understandings and visions of 'environment' have determined the shape and nature of suburban development. Specifically, it examines how those operating within Australias suburbs, including planners, developers, builders, landscape designers and residents have imagined the 'environment', and how such imaginaries have shifted in response to varying spatial, temporal and ideological contexts. Tracing the shifting nature of environmental concern throughout the mid-to-late twentieth century, it argues that despite the somewhat unsustainable nature of Australia's suburban landscapes, the planning and development of such landscapes has long been influenced by and has responded to differing understandings of 'environment', which themselves are the product of changing social, political and economic concerns. In doing so, this thesis challenges a number of perceptions concerning Australian suburbs, environmental awareness and sustainability. In particular, it contests the assumption that environmental concern for Australia's suburban development emerged with the urban consolidation debates of the 1980s and 1990s, and analyses a range of environmental sensibilities not often acknowledged in current histories of Australian environmentalism. By examining, for example, how the deterministic and economic concerns of differing planning bodies, along with the aesthetic and ecological concerns of various planners, are intertwined with the housing and domestic lifestyle preferences of suburban homeowners, this history brings to the fore the often conflicting environmental ideas and practices that arise in the course of suburban development, and provides a more nuanced history of the diversity of environmental sensibilities. In sum, this thesis enhances our understandings of the changing nature of environmental concern and illuminates the complex, still largely misunderstood, environmental ideas and practices that arise in the processes of suburban development.

APA, Harvard, Vancouver, ISO, and other styles

8

Hoene, Katherine Anne. "Tracing the Romantic impulse in 19th-century landscape painting in the United States, Australia, and Canada." Thesis, The University of Arizona, 2000. http://hdl.handle.net/10150/278748.

Full text

Abstract:

The purpose of this thesis is to identify essential characteristics of the first generation of Romantic landscape painters and painting movements in a given English-speaking country which followed the generation of Turner, Constable and Martin in England, and then trace how the second generation of Romantic-realist painters represents a different paradigm. For a paradigmatic construct of the first generation, the focus is on the lives and major works of the American arch-Romantic landscape painter Thomas Cole (1801--1848) and the Australian Romantic landscape painter Conrad Martens (1801--1878). The second generation model features the American Frederic Edwin Church (1826--1900), the Australian William Charles Piguenit (1836--1914), and the British Canadian Lucius Richard O'Brien (1832--1899). Cole and Martens, closer to their predecessors in England, created dynamic paradigm shifts in their new countries. Following them, the second generation of Romantic-realists produced a synthesis of romanticism, scientific naturalism, and nationalistic symbolism.

APA, Harvard, Vancouver, ISO, and other styles

9

Hearman, Amy. "A modelling study into the effects of rainfall variability and vegetation patterns on surface runoff for semi-arid landscapes." University of Western Australia. School of Earth and Geographical Sciences, 2008. http://theses.library.uwa.edu.au/adt-WU2009.0047.

Full text

Abstract:

[Truncated abstract] Generally hydrologic and ecologic models operate on arbitrary time and space scales, selected by the model developer or user based on the availability of field data. In reality rainfall is highly variable not only annually, seasonally and monthly but also the intensities within a rainfall event and infiltration properties on semi-arid hillslopes can also be highly variable as a result of discontinuous vegetation cover that form mosaics of areas with vegetation and areas of bare soil. This thesis is directed at improving our understanding of the impacts of the temporal representation of rainfall and spatial heterogeneity on model predictions of hydrologic thresholds and surface runoff coefficients on semi-arid landscapes at the point and hillslope scales. We firstly quantified within storm rainfall variability across a climate gradient in Western Australia by parameterizing the bounded random cascade rainfall model with one minute rainfall from 15 locations across Western Australia. This study revealed that rainfall activity generated in the tropics had more within storm variability and a larger proportion of the storm events received the majority of rain in the first half of the event. Rainfall generated from fontal activity in the south was less variable and more evenly distributed throughout the event. Parameters from the rainfall analysis were then used as inputs into a conceptual point scale surface runoff model to investigate the sensitivity of point scale surface runoff thresholds to the resolution of rainfall inputs. This study related maximum infiltration capacities to average storm intensities (k*) and showed where model predictions of infiltration excess were most sensitive to rainfall resolution (ln k* = 0.4) and where using time averaged rainfall data can lead to an under prediction of infiltration excess and an over prediction of the amount of water entering the soil (ln k* > 2). For soils susceptible to both infiltration excess and saturation excess, total runoff sensitivity was scaled by relating drainage coefficients to average storm intensities (g*) and parameter ranges where predicted runoff was dominated by infiltration excess or saturation excess depending on the resolution of rainfall data were determined (ln g* <2). The sensitivity of surface runoff predictions and the influence of specific within storm properties were then analysed on the hillslope scale. '...' It was found that using the flow model we still get threshold behaviour in surface runoff. Where conditions produce slow surface runoff velocities, spatial heterogeneity and temporal heterogeneity influences hillslope surface runoff amounts. Where conditions create higher surface runoff velocities, the temporal structure of within storm intensities has a larger influence on runoff amounts than spatial heterogeneity. Our results show that a general understanding of the prevailing rainfall conditions and the soil's infiltration capacity can help in deciding whether high rainfall resolutions (below 1 h) are required for accurate surface runoff predictions. The results of this study can be considered a contribution to understanding the way within storm properties effect the processes on the hillslope under a range of overall storm, slope and infiltration conditions as well as an improved understanding of how different vegetation patterns function to trap runoff at different total vegetation covers and rainfall intensities.

APA, Harvard, Vancouver, ISO, and other styles

10

Venn, Darren Peter. "A changing cultural landscape Yanchep National Park, Western Australia /." Connect to thesis, 2008. http://portalapps.ecu.edu.au/adt-public/adt-ECU2008.0012.html.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

Boden, Susan, and n/a. "'an unsettled state': the real and the imainary in Australian cinematic and designed landscapes." University of Canberra. Design, 2002. http://erl.canberra.edu.au./public/adt-AUC20060426.161116.

Full text

Abstract:

This thesis considers varied representations of landscape in Australian narrative film and designed landscape. Landscape is taken as an active concept that combines the associative meanings of place and the dynamism of space. Sixteen film and designed landscapes are examined to derive their landscape sources, forms and ideas, using the methodology of 'contextual poetics', Each of these landscapes is considered under a specific theme: landscape as delight, absence, nation or hope. In addition to detailing specific landscape responses by the designers of the examined landscapes, this project aims to contribute to an enhanced conversation about the effective, just practice of landscape architecture. The topic derives from a question central to landscape architectural practice in a post-colonial context, such as Australia. In a cultural setting where no single, agreed definition of landscape is allowed by the conditions of its history, which versions do practitioners of landscape architecture take up? What should be their limits, where are their inspirations and whose landscape narratives are ignored in these decisions?

APA, Harvard, Vancouver, ISO, and other styles

12

Fischer, Joern, and joern@cres anu edu au. "Beyond fragmentation : Lizard distribution patterns in two production landscapes and their implications for conceptual landscape models." The Australian National University. Centre for Resource and Environmental Studies, 2004. http://thesis.anu.edu.au./public/adt-ANU20060718.150101.

Full text

Abstract:

Fauna conservation outside protected areas can make an important complementary contribution to conservation within reserves. This thesis aimed to contribute new information and analytical frameworks to the science of fauna conservation in human-modified landscapes. Two approaches were used: (1) empirical data collection and analysis, and (2) the discussion and development of conceptual landscape models. ¶ Empirical work focused on lizard distribution patterns in two production landscapes in southeastern Australia. Lizards were targeted because ectotherms are frequently neglected by conservation biologists. The Nanangroe grazing landscape was used for sheep and cattle grazing. In this landscape, approximately 85% of pre-European woodland cover had been cleared, and understorey vegetation was sparse. Lizards were surveyed at 16 landscape units, which were stratified by aspect, topographic position and amount of tree cover. Each landscape unit contained three sites, and each site contained three plots. Regression modelling showed that different species responded differently to their environment. For example, the four-fingered skink (Carlia tetradactyla) and Boulengers skink (Morethia boulengeri) were more likely to occur at woodland sites with northerly aspects, whereas the striped skink (Ctenotus robustus) and olive legless lizard (Delma inornata) were more likely to inhabit sites with a simple microhabitat structure. Statistical analysis further showed that the habitat attributes that lizards were related to varied continuously through space, and over different spatial scales. For example, invertebrate abundance (a proxy for food availability) varied most strongly over tens of metres, whereas the amount of grass cover varied most strongly over hundreds to thousands of metres. Thus, work at Nanangroe revealed spatially complex patterns of lizard occurrence and habitat variables. ¶ The Tumut plantation landscape was a spatial mosaic of native eucalypt (Eucalyptus) forest patches embedded within a plantation of the introduced radiata pine (Pinus radiata). In this landscape, thirty sites were surveyed for lizards. Sites were stratified by forest type and patch size, and included eucalypt patches, pine sites, and extensive areas of eucalypt forest adjacent to the plantation. Regression modelling showed that lizard species responded to various habitat attributes, including elevation, the amount of eucalypt forest within 1 km of a site, invertebrate abundance and ground cover. Variables related to habitat fragmentation often were significant predictors of lizard occurrence. However, work at Tumut suggested that important additional insights into lizard distribution patterns could be obtained by considering variables related to food and shelter resources, and climatic conditions. ¶ The Nanangroe and Tumut landscapes were in close proximity, but together spanned an altitudinal gradient of 900 m. An investigation of changes in lizard community composition with altitude showed that (1) only one species was common to Nanangroe and Tumut, (2) different species had different altitudinal preferences, and (3) ecologically similar species replaced one another with increasing altitude. These results highlighted that even in highly modified landscapes, natural gradients (such as climate) can play an important role in shaping animal assemblage composition and species distribution patterns. ¶ Empirical work suggested that, in some landscapes, the frequently used fragmentation model is a relatively weak conceptual basis for the study of animal distribution patterns. The fragmentation model implicitly assumes that habitat patches can be defined unequivocally across many species, and that patches are located within a relatively inhospitable matrix. Where these assumptions are breached, conservation guidelines arising from the fragmentation model may be too simplified. In spatially complex production landscapes, it may be more appropriate to maintain habitat heterogeneity at multiple spatial scales than to focus solely on the management of large, pre-defined patches. ¶ Given the potential limitations of the fragmentation model, a new, more holistic landscape model was developed. The continuum model was derived from continuum theory as developed for plant ecology. The continuum model recognises (1) spatial continua of environmental variables, and (2) species individualistic responses to these variables. For animals, key environmental variables may be related to the availability of food, shelter, sufficient space, and suitable climatic conditions. Unlike the fragmentation model, the continuum model is inherently process-based and thus may help to link the perceived gap between patterns and processes in landscape ecology. ¶ Three general conclusions arise from this thesis: 1. Some heterogeneous production landscapes support many native species, and therefore represent important conservation opportunities. 2. In some modified landscapes, the fragmentation model does not capture the complexity of animal distribution patterns. In those landscapes, conservation recommendations derived from the fragmentation model may be overly simplistic. 3. The continuum model may be a useful extension of the fragmentation model. It provides a process-based conceptual basis for empirical work on animal distribution patterns.

APA, Harvard, Vancouver, ISO, and other styles

13

Carroll, Rachel Art College of Fine Arts UNSW. "What kind of relationship with nature does art provide?" Awarded by:University of New South Wales. Art, 2007. http://handle.unsw.edu.au/1959.4/43308.

Full text

Abstract:

The relationship with nature through art has been explored as a two fold bond. The first considers a relationship with nature via art and science, where the history and contemporary application of scientific illustration in art is explored; while the second explores past and present connections with nature via art and the landscape, particularly the panoramic tradition. Historically these relationships have predominately been about dominating nature, mans dominion over the land. Science was seen as the only authority, while our relationships with the land in art, positioned the viewer at a commanding distance above and over the land, as seen in the post colonial panoramic tradition. In contrast, -The Coorong Series- explores a lived history with nature rather than the historical role of dominance. -The Coorong Series" explores a relationship of knowledge, understanding, and the experience of nature; through two parts. The first combines art and science in -The Coorong Specimen Series', to explore the facts and knowledge that science has provided about certain plants, birds and marine life from the Coorong. Inspiration has been derived from 19thC scientific illustrations and the lyrical prints of the Coorong by Australian Artist John Olsen. Part two explores the immersive experience of the iconic landscape in ???The Coorong Landscape Series" providing a relationship that seeks to understand the functionality of the location and to celebrate the unique beauty of this diverse region. Inspiration has been gained from the landscapes by l8th and 19th C artists John Constable and Claude Monet, along with landscapes by contemporary artists, John Walker and Mandy Martin. Through aesthetic notions such as scientific illustration, panoramic landscape, immersive scale, the collection of work, an expressionistic use of paint, and labeling of each piece like a museum display. -The Coorong landscape series" provides an exploration of a region that immerses the viewer in an experience of the location. The series portrays a relationship with nature through art that educates the viewer about The Coorong region. Connections are made between the land, birds, plants, fish, and human interaction; which results in an ecological consideration of the Coorong. Ultimately it is the educational experience that art provides allowing the viewer to explore a plethora of relationships within nature, and to explore how these relationships have changed or continue to exist within this era.

APA, Harvard, Vancouver, ISO, and other styles

14

Haslem, Angie, and angie haslem@deakin edu au. "Landscape Pattern, Countryside Heterogeneity and Bird Conservation in Agricultural Environments." Deakin University. Life and Environmental Sciences, 2008. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20090114.101341.

Full text

Abstract:

Agricultural environments are critical to the conservation of biota throughout the world. This is due both to the limited extent of current reserve systems and the large, and still expanding, proportion of terrestrial environments already dominated by agricultural land-uses. Consequently, there is a growing call from scientists around the world for the need to maximise the conservation value of agricultural environments. Efforts to identify key influences on the conservation status of fauna in agricultural landscapes have taken complementary approaches. Many studies have focussed on the role of remnant or semi-natural vegetation, and emphasised the influence on biota of spatial patterns in the landscape. Others have recognised that many species use diverse countryside elements (matrix habitats) within farmland, and emphasise the benefits of landscape heterogeneity for conservation. Here, these research themes have been combined. This study takes a whole-of-landscape approach to investigating how landscape pattern and countryside heterogeneity influence the occurrence of birds in agricultural environments. Birds were sampled in 27 agricultural mosaics, each 1 km x 1 km in size (100 ha), in Gippsland, south-eastern Australia. Mosaics were selected to incorporate variation in two landscape properties: the cover of native vegetation, and richness of different types of element (i.e. land-uses/vegetation types). In each mosaic, 15 fixed sampling locations were stratified among seven different elements in proportion to their cover in the mosaic: native vegetation, linear vegetation, tree plantation, scattered paddock trees, pasture, wetlands and farm dams. Six point counts of birds were undertaken at all sample points in each mosaic: three each in the breeding and non-breeding months of a one-year period (October 2004 August 2005). Independent measures of the composition, configuration, and heterogeneity of elements in the mosaic had differing effects on the richness of bird species recorded in these same mosaics. Sub-groups of birds based on habitat requirements responded most strongly to the extent of preferred element types in mosaics. Woodland birds (those of greatest conservation concern in farmland environments in Australia) were richer in mosaics with higher cover of native vegetation while open-tolerant species responded to the extent of scattered trees. In contrast, for total species richness, mosaic heterogeneity (richness of element types) and landscape context (cover of native vegetation in surrounding area) had the greatest influence. Mosaic structural properties also influenced the composition of entire bird assemblages in study mosaics. Avifaunal composition showed systematic variation along two main gradients which were readily interpreted in relation to landscape properties: 1) a gradient in the cover of wooded vegetation and, 2) the proportional composition of vegetation types in the mosaic. These gradients represent common trajectories of landscape modification associated with agricultural development: namely, the removal of wooded vegetation and the replacement of native species with exotic vegetation (e.g. crops and plantations). Species possessing different characteristics in relation to three avian life-history traits (nest type, feeding guild and clutch size) varied significantly in their position along these gradients of landscape modification. Species with different nesting requirements showed a strong relationship with the gradient in wooded vegetation cover while species belonging to different feeding guilds were influenced by the gradient defined by the replacement of native vegetation with exotic species. More bird species were recorded in native vegetation than in any other type of element sampled in this study. Nevertheless, most countryside elements had value for many species; particularly structurally complex elements such as scattered trees and tree plantation. Further, each type of landscape element contained different bird assemblages. Species that were recorded in a greater number of different types of landscape element were also recorded in more mosaics. This was true for all species and for woodland birds, and indicates that species that can use a greater range of countryside elements may have an increased tolerance of future landscape modification. The richness of woodland species at survey sites in different elements was influenced by features of the mosaic in which they occurred. Notably, the richness of woodland bird species recorded at sites in scattered trees and pasture increased with a greater cover of native vegetation in the overall mosaic. Of the overall pool of woodland bird species documented in the broader study region, 35% of species were not recorded in the agricultural mosaics sampled here. While many of these species were uncommon in the study area, or were associated with vegetation communities infrequently sampled in mosaics, this shows that conservation efforts in agricultural landscapes will not be appropriate for all species. For those woodland species that were recorded, measures of the extent of wooded vegetation cover had a strong, positive influence on the frequency of occurrence of individual species in mosaics. Thus, individual species of woodland bird occurred more frequently in mosaics with a greater cover of wooded vegetation. Nine woodland species showed a stronger response to measures of vegetation cover that included tree plantation and/or scattered trees than to the cover of native vegetation alone. For these species, structurally complex countryside elements provide valuable supplementary habitat at the landscape scale. Results of this study show that landscape properties influence the occurrence of birds in agricultural mosaics. The extent of cover of element types, particularly native vegetation, had the strongest influence on all measures of bird occurrence in mosaics. Thus, native vegetation is vital for the persistence of birds in farmland landscapes and is the primary element on which conservation efforts in these environments depend. Nevertheless, with careful management, countryside elements may provide additional conservation benefits for many bird species. Countryside elements made an important contribution to landscape heterogeneity, the landscape property with greatest influence on overall bird richness in mosaics. Countryside elements also increased the structural complexity of cleared agricultural land, and so have the capacity to enhance connectivity in fragmented landscapes. A focus on these factors (landscape heterogeneity and structural complexity) will provide the greatest opportunities for using countryside elements to increase the conservation value of farmland environments for native fauna. The relatively small scale of this study indicates that the cumulative effect of even small elements in farm mosaics contributes to the structural properties of entire landscapes. Critically, this emphasises the important contribution that individual landholders can make to nature conservation in agricultural environments.

APA, Harvard, Vancouver, ISO, and other styles

15

Ward, Ingrid Alexandra Kirsten. "Hidden in the sands of time geoarchaeology of sandstone landscapes in the Keep River region, Northern Territory, Australia /." Access electonically, 2003. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20041014.103128/index.html.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

Sellens, Claire, and n/a. "The Reference Condition Approach in Disturbed Landscapes: Accounting for Natural Disturbance and a Reference Condition defined by Good Management Practices for River Protection." University of Canberra. School of Resource, Environmental and Heritage Sciences, 2007. http://erl.canberra.edu.au./public/adt-AUC20081029.131335.

Full text

Abstract:

This study has contributed to the development of the reference condition approach in disturbed landscapes. The reference condition approach has been an important development for the bioassessment of aquatic ecosystems by providing a practical tool for the accurate assessment of river condition. The selection of appropriate reference sites is critical to the success of the predictive model in terms of being able to distinguish between natural variation in biota and the effects of human disturbance. Capturing natural variability and explaining it is a key difference between the reference condition approach and other study designs (e.g. before/after/control/impact). Natural disturbances such as drought or bushfire can significantly alter the ecological condition of streams, and although the ecological condition of streams affected by natural drought or bushfire is part of the natural cycle, this natural variation of the ecological condition is rarely incorporated into many study designs because of a mismatch in time scales. Human disturbance has also significantly altered the condition of landscapes through the development of agriculture and urbanisation. In urban or agricultural landscapes it can be impossible to locate streams that have not been modified by human activity for use as a reference condition. This study looked at the effects of natural disturbance on the reference condition, in terms of the way natural disturbance affects the prediction of stream condition and also the incorporation of the condition of streams experiencing natural disturbance into a predictive model. Additionally this study identified an alternative benchmark for modified landscapes based on the presence of good management practices for river protection, and tested this benchmark for the assessment of streams impacted by urbanisation. Drought and bushfire regularly disturb aquatic ecosystems in Australia, and affected reference sites in the ACT and South Coast region of New South Wales in 2002 and 2003. Drought and bushfire conditions affected macroinvertebrates and environmental variables across these streams, and the majority of sites were assessed as significantly impaired using regional AUSRIVAS (AUstralian RIVers Assessment System) models. This indicated the existing reference conditions for these regions had not incorporated the ecological conditions of reference sites suffering these natural disturbances. Many of the environmental variables used to predict the condition of streams were also affected by drought or bushfire. The changes to environmental variables affected how sites were assessed in models, but the overall assessment was not significantly changed from the initial assessment that drought or bushfire had significantly impaired the ecological condition. To reduce potential assessment errors associated with changes to predictor variables an attempt was made to construct new models with changeable variables excluded. However, it was not possible to completely exclude these types of variables, and subsequent models were no better than the original models in terms of changes to predictor variables affecting the generation of expected taxa lists. The changes to environmental variables did not affect the actual assessment of site condition because although group membership probabilities were changed the probabilities of taxon occurrence did not change significantly. The different reference site groups all contained some common taxa that occurred at most sites and even when group probabilities changed this did not change the probability of these taxa occurring at a test site. For regional models, such as the ACT or NSW South Coast, changes to predictor variables may not significantly affect the assessment of site condition. Incorporating reference sites under drought conditions into a predictive model was an effective way of discriminating the effects of drought from human disturbance. The model only provided two different ecological conditions, a single drought measurement and a single non-drought measurement, so the model did not fully encompass the potential natural variability. The model has value as a starting point and was effective in distinguishing sites affected by human disturbance from sites affected by drought. Good Management Practice (GMP) for river protection is any intervention that minimises human impact on stream condition. Urban sites protected by GMP were used as an alternative benchmark to a minimally impacted reference condition. The criteria used to select reference sites were not sufficiently robust to detect a significant benefit of GMP on physical or chemical characteristics of protected sites, compared to sites without GMP. In general however, the physical and chemical condition of GMP sites was better than sites without GMP and there were significant differences in macroinvertebrate assemblages of GMP and non-GMP sites. A refinement to the site selection process is proposed to include a specific assessment of GMP effectiveness for the protection it is designed to provide. This will substantially improve the robustness of a GMP benchmark and provide a clearer picture of the factors controlling biota in urban streams protected by GMP. The GMP benchmark was developed into a predictive model for the assessment of urban stream health, and in terms of the assessment of test site condition, it did not differ significantly from a model using minimally impacted sites. The purpose of the GMP benchmark was to provide an alternative reference condition for the assessment of stream health in modified landscapes when minimally impacted sites are unavailable or provide an unattainable benchmark. The GMP reference condition as an alternative can provide an attainable and realistic benchmark. The development and application of the suggested site selection protocol will improve the robustness of the GMP benchmark and better account for natural variation in the biota and physical characteristics of the sites used to determine the reference condition.

APA, Harvard, Vancouver, ISO, and other styles

17

Roby, Ruth. "Imprint of a landscape a Yarrawa Brush story /." Access electronically, 2007. http://ro.uow.edu.au/theses/15.

Full text

APA, Harvard, Vancouver, ISO, and other styles

18

Parker, Margaret Ina. "Landscape painting : connection, perception and attention /." Access full text, 2006. http://www.lib.latrobe.edu.au/thesis/public/adt-LTU20080225.113947/index.html.

Full text

Abstract:

Thesis (M.Visual Arts) -- La Trobe University, 2006.
Research. "An exegesis submitted in partial fulfilment of the requirements for the degree of Master of Visual Arts by Research, School of Visual Arts and Design, Faculty of Humanities and Social Sciences, La Trobe University, Bundoora". Includes bibliographical references (leaves 87-92). Also available via the World Wide Web.

APA, Harvard, Vancouver, ISO, and other styles

19

Donald, Colin University of Ballarat. "Quoting landscape : an investigative journey across the landscape of the Westen district of Victoria." University of Ballarat, 2004. http://archimedes.ballarat.edu.au:8080/vital/access/HandleResolver/1959.17/12759.

Full text

Abstract:

"This research project aims to provide a contemporary visualisation of "specific sites." The visualisation of these selected landscapes will draw upon and add to existing traditions of representation of this region, embedding my experiences within this dialogue."
Master of Arts (Visual Arts)

APA, Harvard, Vancouver, ISO, and other styles

20

Donald, Colin. "Quoting landscape : an investigative journey across the landscape of the Westen district of Victoria." University of Ballarat, 2004. http://archimedes.ballarat.edu.au:8080/vital/access/HandleResolver/1959.17/14594.

Full text

Abstract:

"This research project aims to provide a contemporary visualisation of "specific sites." The visualisation of these selected landscapes will draw upon and add to existing traditions of representation of this region, embedding my experiences within this dialogue."
Master of Arts (Visual Arts)

APA, Harvard, Vancouver, ISO, and other styles

21

Whitson, Robert. "Sacred landscape : an unsettling." Mt. Helen, Vic. :, 2002. http://archimedes.ballarat.edu.au:8080/vital/access/HandleResolver/1959.17/15639.

Full text

Abstract:

"This project is concerned with a visual exploration of the land of the Western Plains of Victoria and the nature of "the sacred" in that landscape. Specifically, I have explored these ideas through the medium of painting and works on paper. The studio practice has been informed both by my personal experiencs of this geographic region and by research into the histories associated with white settlement and the subsequent forms of erasue of aboriginal presence."
Master of Arts- (Visual Arts)

APA, Harvard, Vancouver, ISO, and other styles

22

McGirr, Diana Rosemary. "Legitimate landscapes: repositioning regional art production." Thesis, Curtin University, 2016. http://hdl.handle.net/20.500.11937/48488.

Full text

Abstract:

This thesis employs art history and critical ethnography to examine contemporary art production in the South West of Western Australia. Responding to a paucity of publications and critique, and a claim the art scene is ‘folksy’ and ‘not up-to speed’ with metropolitan art scenes, I argue that ‘being regional’ is a legitimate position on its own terms and as part of a growing global tendency to recognises the validity of regional contexts and perspectives.

APA, Harvard, Vancouver, ISO, and other styles

23

Jordan, Benjamin Thomas. "Synthetic Landscapes." VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4303.

Full text

Abstract:

My work explores the complex social geography of modern society and the intricate relationship between mankind and the environment. Through this work I explore the past and present lineage of manifest destiny, from its beginnings in Europe to western expansion in America, to forms it has takes in contemporary America. These ceramic forms serve as the conceptual grounds to explore the romanticizing of the western landscape especially from an individual and group perspective. I simultaneously celebrate the history of the pastoral life while questioning the authenticity, and motivations of that lifestyle, and use this platform as a jumping off point to ask questions about humanities complicated relationship with nature. Through hand-labor, contemplative making, and a reverence for tradition, I explore both interrelated and divergent human perceptions using clay as my primary medium.

APA, Harvard, Vancouver, ISO, and other styles

24

Frears, Lucy. "Unlocking landscapes using locative media." Thesis, University of the Arts London, 2016. http://ualresearchonline.arts.ac.uk/13330/.

Full text

Abstract:

This interdisciplinary research is situated within the practice and discourse of locative media at the confluence of art, location and technology. The practice-based research project aims to use the arts to address a crisis arising from rapid redevelopment in a marginal coastal town – Hayle, Cornwall. A recent supermarket build on a prominent Hayle heritage quay led to UNESCO’s threat to de-list the entire Cornwall and West Devon Mining Landscape World Heritage Site, awarded only in 2006. Research builds on recent findings on the link between increased sense of self and community cohesion through connection to heritage and participation in the arts. Media artists, participants and theorists have indicated that locative media experiences can promote connection to landscapes and their histories. However, these claims are unsubstantiated by empirical research to date. This research seeks to redress that through systematic analysis (unusual in the arts and therefore distinct). The main research question posed was: Does locative media allow people to develop a deeper connection with landscape and, if so, how? A smartphone deep map app was created – an evocation of a Cornish post-industrial landscape assembled from audio memory traces, sound and visual images revealed using GPS and the moving body. The Hayle Churks app weaves past and present, absence and presence and digital content into physical place. The Hayle Churks app is a research tool and published creative practice that received a national award in 2014. The empirical data is an original contribution to knowledge. Additional contributions include a timeline – a historical overview of the relationship between locative media art and emerging technologies and a deep map app reference tool for artists. The research explores the role of immersion and embodiment and how recording and listening to audio and voice performance affect immersion. Readers of this thesis are encouraged to access the Hayle Churks smartphone app prior to and during reading.

APA, Harvard, Vancouver, ISO, and other styles

25

Price, Brandi. "Aural Landscapes." VCU Scholars Compass, 2011. http://scholarscompass.vcu.edu/etd/2451.

Full text

Abstract:

Music and design draw upon innate parallels concerned with the creation and existence of space. By acknowledging the roles of both the visual and the aural in my design process as input and output, I attempt to achieve a deeper understanding of my intuition as a visual communicator. I believe that the visual and aural are linked—existing harmoniously together. The collected works present ever-evolving ideas on visualizing the experience of sound.

APA, Harvard, Vancouver, ISO, and other styles

26

Yang, Chen. "Representation and authenticity of historic landscapes in Australia and China." Thesis, Queensland University of Technology, 2015. https://eprints.qut.edu.au/83479/1/Chen_Yang_Thesis.pdf.

Full text

Abstract:

Histories of past communities are embedded in landscapes around the world but many are suffering from material change or neglect of their fabric. This study was aimed at discovering and representing the authentic intangible experience of two historic landscapes for conservation purposes. A 2500 year old site in Yangzhou, China and a 2000 year old site on St Helena Island in Moreton Bay were found to be managed under two culturally different regimes of authenticity. This research has contributed to challenging the notion that there is only one way to conserve authenticity in historic landscapes of the Asia Pacific.

APA, Harvard, Vancouver, ISO, and other styles

27

Smith, Matthew. "Unpresentable landscapes and the art of the index." Thesis, University of Newcastle Upon Tyne, 2012. http://hdl.handle.net/10443/1913.

Full text

Abstract:

This practice-led PhD determines an aesthetic approach through which a sense of the ‘unpresentable’ may be exposed within camera-based representations of the industrial landscape. Through an interrogation of contemporary lens-based media, it proposes ways in which experiences problematic to representation – such as the sublime, the uncanny and the traumatic – might be revealed within photographic/filmic images of such landscapes. The culmination of the practical element of the project is a 25-minute narrative-based, single channel video piece entitled Re: Flamingo, which combines HDV and Super-8 footage with digital and traditional still photography. The narrative structure of the work is based on E.T.A. Hoffmann’s short story The Sandman (1816), which Freud cited in his essay The Uncanny (1919). Re: Flamingo is a semiautobiographical variation on that tale, consisting of an email conversation between the artist, his father and the fictional ‘Clara’. Through this correspondence, the piece reveals correlations between themes in The Sandman and Ridley Scott’s science fiction film Blade Runner (1982) (e.g. traumatic memory, a fascination with eyes/sight and each protagonist’s obsession with mechanized life). It reflects upon how the industrial landscape of Teesside – which inspired many of the visuals in Scott’s film – has been remembered in different photographic media by three generations of the artist's family. The practical submission is supported by a contextual written element, which consists of two parts. Part One is a theoretical review. Firstly it traces philosophical and aesthetic approaches to the sublime, its representation, its status as a subjective experience and its presence within the industrial landscape (Lyotard, Kant, Derrida, Nye). This is continued through an analysis of the related theories of the uncanny and the traumatic (Freud, Vidler, Luckhurst), their association with industrialization and relationship with lens-based media. The uncanny qualities of the photographic and cinematic image are examined alongside correlations of the indexical properties of such images with trauma (Mulvey, Barthes). Finally, an analysis of the camera image’s indexical status in the wake of digitization, and its consequent alignment with artforms such as painting (Gunning, Rodowick, Manovich), assesses its potential for expressing subjective experience. Part Two of the contextual element explores creative approaches to the themes outlined in Part One. Firstly, it examines Canadian artist Stan Douglas’s film piece Der Sandmann (1995), which exposes a sense of the uncanny in the landscape of pre- and post-reunification Germany. Secondly, it reflects upon Blade Runner’s significance to the practical element and its correlations with the Sandman narrative. The final section of Part Two details the development and formation of the studio research, documenting its distinctive approach to figuring a sense of the unpresentable within camera-based representations of the industrial landscape.

APA, Harvard, Vancouver, ISO, and other styles

28

Spry, Melissa J., and n/a. "The Regolith and landscape evolution of a low relief landscape: Cobar, Central New South Wales, Australia." University of Canberra. Resource, Environmental & Heritage Management, 2003. http://erl.canberra.edu.au./public/adt-AUC20050704.162445.

Full text

Abstract:

Construction of a 1:250,000 scale regolith-landform map of the Cobar area of central New South Wales (NSW) Australia, demonstrates the presence of a wide range of previously undescribed regolith materials, landforms and landscape features in the region. The map covers the east-west extent of the Cobar Basin, extends to the west onto the Darling River Floodplain, and east onto rocks of the Girilambone Group. The mapping area is centred on the Cobar township and covers -14,730 krn2 between 303113 and 446113 E and 6483184 and 6586183 N (AGO 66, MGA Zone 55). 48 regolithlandform units have been identified, including both transported (alluvial, colluvial, aeolian, lacustrine) and in situ materials. A range of siliceous, ferruginous and calcareous indurated materials are also present. Four major drainage types have been identified based on lithological, sedimentological and topographic differences in alluvial materials. The 4 drainage types include: 1) modern drainage; 2) maghemite and quartzose gravels elevated 1-2 m relative to the modern drainage; 3) higher topographically inverted, and at least partly silicified, gravels; and, 4) sediments of Cretaceous origin. Multiple phases of drainage stability and instability from the Cretaceous to the present are indicated within the sediments. Breaching of drainage divides and increased dissection of the modern drainage, especially to the south of Cobar, indicate possible tectonic movement across a major regolith-landform boundary in the southern map area. Colluvial materials are more widespread to the north of Cobar reflecting the increased landscape dissection to the south. Colluvial fans are preserved adjacent to major rangefronts. Aeolian and lacustrine materials include longitudinal dunefields of the Darling River floodplain, source bordering dunes, and small lunettes associated with the Barnato Lakes system. Regolith-landform mapping at Cobar has been used to assess the applicability of previously developed landscape evolution models of the Cobar Block and surrounding region, and to develop a new landscape evolution model for the region. The new landscape evolution model of Cobar indicates minimal deposition of Cretaceous sediments, succeeded by high-energy early Tertiary fluvial regimes across the Cobar landscape. Weathering and sediment deposition continued into the Miocene, coupled with deep valley incision on the Cobar Block associated with early Oligocene regression. By the close of the Miocene, the Cobar Block had eroded to predominantly bedrock terrain and widespread filling of previously incised valleys occurred. A decrease in erosion and fluvial activity led to the formation of the modern drainage during the Pliocene-early Quaternary, followed by the formation of alluvial, aeolian and lacustrine deposits in the later Quaternary. Regionally, Eromanga Basin sediments were not extensive over the Cobar Block, and low rates of erosion are recorded at Cobar from the Cretaceous to the present. Former northerly drainage did exist in this area in the Cretaceous, but was limited in distribution. By at least the Early Tertiary the Cobar area was a structural high and drainage systems of the region had assumed their current configuration. These findings do not support interpretations of AFTT data of significant cover and subsequent stripping over the Cobar Block in the Early Tertiary. Evidence of landscape evolution from the Cretaceous to the present suggests that the Cobar landscape has been responding to changes in the primary landscape forming factors of lithology, climate and to a lesser degree, tectonics. Variations in the these three primary landscape forming factors have contributed to ongoing weathering, relatively continuous deposition, and periods of relative stability and instability, particularly in response to climatic and baselevel fluctuations, within a dynamically evolving landscape throughout the entire Tertiary. Former landscape evolution models of peneplanation and pediplanation, based on correlation of palaeosurfaces including duricrusts, a deep weathering profile developed during extended planation in the Early Tertiary, and tectonism during the late Tertiary in the Cobar area, are not supported by evidence preserved in regolith-landform features at Cobar.

APA, Harvard, Vancouver, ISO, and other styles

29

Callow, John Nikolaus. "River response to land clearing and landscape salinisation in southwestern Australia." University of Western Australia. School of Earth and Geographical Sciences, 2007. http://theses.library.uwa.edu.au/adt-WU2007.0085.

Full text

Abstract:

[Truncated abstract] Land clearing is known to increase runoff, and in many dryland landscapes is also associated with rising saline watertables, causing increased stream salinity and degrading riparian vegetation. The limited understanding of how river morphology responds to these changes and the potential for vegetation-based strategies to offer river management options under these conditions, has prompted this research. In southwestern Australia the severity of salinity and recent nature of land clearing provides an appropriate setting to investigate river response. A data-based, multidisciplinary methodology was applied to determine how land clearing and landscape salinisation has altered landscape sensitivity through changes in erosive potential, system connectivity and material threshold mechanisms, and how these affect patterns of river response. The study investigated the responses of morphologically similar reaches across fifty two study sites in the Kent River and Dalyup River catchments, in the south coastal rivers region of Western Australia. Land clearing was found to have significantly altered the hydrologic regime and erosive potential in both frequency and magnitude, with flow becoming more perennial, and increased annual discharge, flood peaks and bankfull flow frequency. While sediment transport rates have also increased since land clearing, they remain low on a global scale. Human response to a reduced rainfall regime and related water security pressures has caused large hillslope areas to be decoupled from the main channels by bank and farm dam construction, and have reduced downstream transmission of change. ... By contrast, steeper-sloped mid-catchment areas with minimal vegetation degradation caused by salinity are associated with higher erosive potential. A more erosive response is observed in these reaches where floodplains have been cleared for agricultural purposes. A conceptual model of vegetation growth across the salinity gradient observed in the study catchments was developed, and applied to selected river styles to assess the potential that vegetation-based strategies offer for river management. This work identifies the unsuitability of river restoration strategies, but the potential for river restoration or remediation in a saline landscape. Hydraulic modelling demonstrated that river rehabilitation strategies such as improving the vegetation condition of the riparian buffer using native or commercial species on areas elevated above saline flow can stabilise reaches. For river styles in wide and flat valleys, there is limited potential for vegetation-based river rehabilitation under the current salinity gradient. Field observation and modelling suggest that river remediation may offer geomorphic management options in salt-affected reaches through channelisation to lower watertables, and further research on this is warranted. This work found a consistent response for river styles across the two study catchments. Based on the understanding of river response and the potential for vegetation-based river management for each style, this research offers a regional-scale tool for river management in a saline landscape.

APA, Harvard, Vancouver, ISO, and other styles

30

Turner, Sarah Elizabeth. "Constructing landscapes : art in Neolithic and modern southern Brittany." Thesis, University College London (University of London), 2005. http://discovery.ucl.ac.uk/1446864/.

Full text

Abstract:

The aim of this thesis is to study the concept 'Neolithic art' in one area of southern Brittany, between the Etel and Auray rivers, with some attention to the best known sites in the Gulf of Morbihan. The thesis is divided into three main sections each of which 'translates' 'Neolithic art' from a particular perspective, or, in terms of the title of the thesis 'constructs landscapes' through 'art'. The thesis is therefore a study of 'art' and how it is part of, and is understood in, the surrounding world. Each section of the thesis is considered as a 'frame', which discusses 'Neolithic art' from a different perspective. Each frame develops one idea of a landscape, which is explored through, and which creates 'art'. The first 'frame' is considered in Chapter 2 of the thesis, and is an enquiry into how the genre 'Neolithic art' was created and developed in Brittany as an archaeological study. The second 'frame', Chapters 3 to 5, is a subjective account of how 'Neolithic art' might have been constructed or used in the Neolithic period itself. The third frame, considered in Chapter 6, is an examination of how tourists might understand and create 'Neolithic art' in Brittany. As each frame is developed it is shown that one must go beyond the motifs to understand the concept 'art'. It is through 'art' features such as the colour, texture and shape of monuments, in essence the monuments themselves, and through different sensory experiences of the monuments and the surrounding world, which are beyond the carved motifs, that we see, within the context of the thesis, how complex and wide reaching the sense of 'art' really is and how it must be considered as part of our experience of the environment in which we live. Together the three frames offer three different but inter-dependent experiences of Neolithic 'art' in the landscape, and result in the creation of three recognisably different constructions of 'art' in the lived-through-world. Taken together, the three frames show how 'art' can be constructed, but also how it constructs meaning, in the lived-through-world - constructing landscapes through 'art' - in different, contrasting and changing ways. By considering the same objects within different frames of experience the intention is to show, from the micro-scale (motif) to the macro-sale (monuments and landscape), how 'Neolithic art' can be created, how it can mean, and how it is constantly changing, multivalent and broad reaching.

APA, Harvard, Vancouver, ISO, and other styles

31

Gray, Sarah Willard. "Abstracting from the landscape a sense of place /." Access electronically, 2008. http://ro.uow.edu.au/theses/147.

Full text

APA, Harvard, Vancouver, ISO, and other styles

32

Palmer, Grant Campbell, and grant palmer@deakin edu au. "Ecological value of riparian zones to birds in forest landscapes." Deakin University. School of Life and Environmental Sciences, 2007. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20071115.083927.

Full text

Abstract:

Riparian zones are a characteristic component of many landscapes throughout the world and increasingly are valued as key areas for biodiversity conservation. Their importance for bird communities has been well recognised in semi-arid environments and in modified landscapes where there is a marked contrast between riparian and adjacent non-riparian vegetation. The value of riparian zones in largely intact landscapes with continuous vegetation cover is less well understood. This research examined the importance of riparian habitats for avifauna conservation by investigating the ecological interactions contributing to the pattern of bird assemblages in riparian and adjacent non-riparian habitats. Specifically, the focus is on the bird assemblages of riparian zones and those of adjacent non-riparian vegetation types and the influence that associated differences in resource availabilities, habitat structure and conditions have on observed patterns. This study was conducted in the foothill forests of the Victorian Highlands, south-east Australia. Mixed-species eucalypt (genus Eucalyptus) forests dominate the vegetation of this region. Site selection was based on the occurrence of suitable riparian habitat interspersed within extensive, relatively undisturbed (i.e. no recent timber harvesting or fire events) forest mosaics. A series of 30 paired riparian and non-riparian sites were established among six stream systems in three forest areas (Bunyip State Park, Kinglake National Park and Marysville State Forest). Riparian sites were positioned alongside the stream and the non-riparian partner site was positioned on a facing slope at a distance of approximately 750 m. Bird surveys were carried out during 29 visits to each site between July 2001 and December 2002. Riparian sites were floristically distinct from non-riparian sites and had a more complex vegetation structure, including a mid-storey tree layer mostly absent from non-riparian sites, extensive fine litter and coarse woody debris, and dense ground-layer vegetation (e.g. sedges and ground ferns). The characteristic features of non-riparian habitats included a relatively dense canopy cover, a ground layer dominated by grasses and fine litter, and a high density of canopy-forming trees in the smaller size-classes. Riparian zones supported a significantly greater species richness, abundance and diversity of birds when compared to non-riparian habitats. The composition of bird assemblages differed significantly between riparian and non-riparian habitats, with riparian assemblages displaying a higher level of similarity among sites. The strongest contributors to observed dissimilarities between habitat types included species that occurred exclusively in either habitat type or species with large contrasts in abundance between habitat types. Much of the avifauna (36%) of the study area is composed of species that are common and widespread in south-east Australia (i.e. forest generalists). Riparian habitats were characterised by a suite of species more typical of wetter forest types in south-east Australia and many of these species had a restricted distribution in the forest mosaic. Some species (7%) occurred exclusively in riparian habitats (i.e. riparian selective species) while others (43%) were strongly linked to these habitats (i.e. riparian associated species). A smaller proportion of species occurred exclusively (2%) in non-riparian habitats (i.e. non-riparian selective species) or were strongly linked to these habitats (10%; i.e. non-riparian associated species). To examine the seasonal dynamics of assemblages, the variation through time in species richness, abundance and composition was compared between riparian and non-riparian sites. Riparian assemblages supported greater richness and abundance, and displayed less variation in these parameters, than non-riparian assemblages at all times. The species composition of riparian assemblages was distinct from non-riparian assemblages throughout the annual cycle. An influx of seasonal migrants elevated species richness and abundance in the forest landscape during spring and summer. The large-scale movement pattern (e.g. coastal migrant, inland migrant) adopted by migrating species was associated with their preference for riparian or non-riparian habitats in the landscape. Species which migrate north-south along the east coast of mainland Australia (i.e. coastal migrants) used riparian zones disproportionately; eight of eleven species were riparian associated species. Species which migrate north-south through inland Australia (i.e. inland migrants) were mostly associated with non-riparian habitats. The significant differences in the dynamics of community structure between riparian and non-riparian assemblages shows that there is a disproportionate use of riparian zones across the landscape and that they provide higher quality habitat for birds throughout the annual cycle. To examine the ecological mechanisms by which riparian assemblages are richer and support more individual birds, the number of ecological groups (foraging, nest-type and body mass groups) represented, and the species richness of these groups, was compared between riparian and non-riparian assemblages. The structurally complex vegetation and distinctive habitat features (e.g. aquatic environments, damp sheltered litter) provided in the riparian zone, resulted in the consistent addition of ecological groups to riparian assemblages (e.g. sheltered ground invertebrates foraging group) compared with non-riparian assemblages. Greater species richness was accommodated in most foraging, nest-type and body mass groups in riparian than non-riparian assemblages. Riparian zones facilitated greater richness within ecological groups by providing conditions (i.e. more types of resources and greater abundance of resources) that promoted ecological segregation between ecologically similar species. For a set of commonly observed species, significant differences in their use of structural features, substrates and heights were registered between riparian and non-riparian habitats. The availability and dynamics of resources in riparian and non-riparian habitats were examined to determine if there is differential availability of particular resources, or in their temporal availability, throughout the annual cycle. Riparian zones supported more abundant and temporally reliable eucalypt flowering (i.e. nectar) than non-riparian habitats throughout the annual cycle. Riparian zones also supported an extensive loose bark resource (an important microhabitat for invertebrates) including more peeling bark and hanging bark throughout the year than at non-riparian sites. The productivity of eucalypts differed between habitat types, being higher in riparian zones at most times for all eucalypts combined, and for some species (e.g. Narrow-leaved Peppermint Eucalyptus radiata). Non-riparian habitats provided an abundant nectar resource (i.e. shrub flowering) at particular periods in the annual cycle. Birds showed clear relationships with the availability of specific food (i.e. nectar) and foraging resources (i.e. loose bark). The demonstration of a greater abundance of resources and higher primary productivity in riparian zones is consistent with the hypothesis that these linear strips that occupy only a small proportion of the landscape have a disproportionately high value for birds. Riparian zones in continuous eucalypt forest provide high quality habitats that contribute to the diversity of habitats and resources available to birds in the forest mosaic, with positive benefits for the landscape-level species pool. Despite riparian and non-riparian habitat supporting distinct assemblages of birds, strong linkages are maintained along the riparian-upslope gradient. Clearly, the maintenance of diverse and sustainable assemblages of birds in forest landscapes depends on complementary management of both riparian and non-riparian vegetation.

APA, Harvard, Vancouver, ISO, and other styles

33

Collins, Margaret Thora. "Factors affecting the recovery of orchids in a post-mining landscape." University of Western Australia. School of Earth and Geographical Sciences, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0022.

Full text

Abstract:

[Truncated abstract] Currently, Alcoa World Alumina Australia (Alcoa) mines and undertakes procedures to rehabilitate approximately 550 ha of jarrah forest each year at two open-cut bauxite mines in South-West Western Australia. Alcoa aims to establish a self-sustaining jarrah forest ecosystem that maintains the functions of the landscape prior to mining, including biodiversity, on areas that have been mined for bauxite. Indigenous terrestrial orchids form a significant proportion of the indigenous geophytic plant species that either fail to colonise rehabilitated areas or do so very slowly. Terrestrial orchids are considered to be particularly sensitive to competition from weeds and disturbance, which combined with the obligate nature of the orchid-mycorrhizal fungus association suggests that orchids would colonise rehabilitation areas only when both microhabitat sites and soil microflora have established. Occurrence of certain orchids may therefore be expected to be useful as indicators of ecosystem health, the success of vegetation establishment and the recovery of edaphic conditions suitable for orchid mycorrhizal fungi. Vegetation surveys were undertaken to compare orchid species richness and population size of a chrono-sequence of rehabilitation areas with adjacent unmined forest. ... Orchid taxa present in each vegetation assemblage were generally not exclusive to these assemblages, with the following broad exclusions: D. bracteata was found only in species assemblages associated with rehabilitation areas; and Eriochilus sp. and T. crinita were found only in species assemblages associated with unmined forest. No single orchid species appears to be an indicator of ecosystem recovery. However, the presence of populations of C. flava, P. sp. crinkled leaf (G.J.Keighery 13426) or P. recurva in combination with the absence of the disturbance opportunist orchid taxa D. bracteata and M. media appears to be a measure of the maturity of the rehabilitation vegetation. Orchid species richness and clonal orchid population size were correlated with changes in vegetation structure, but apart from the absence of orchids in 1 year old rehabilitation areas, these orchid population characteristics did not show any direct relationship with rehabilitation age or vegetation maturity. Only two orchid taxa appeared to have potential as indicators of vegetation characteristics: T. crinita as an indicator of undisturbed jarrah forest; and D. bracteata as an indicator of disturbed ecosystems. The results of this study suggest that most jarrah forest orchid taxa will readily colonise the post bauxite mining landscape, but that the unassisted colonisation by recalcitrant orchid taxa may be a prolonged process. It is recommended that field-based transplantation and/or seeding trials be undertaken with these recalcitrant taxa to determine if these procedures will enhance recruitment. The results of this work have applications not only in the management of post-mining landscapes but also in vegetation monitoring and conservation work in Western Australia and elsewhere.

APA, Harvard, Vancouver, ISO, and other styles

34

Woodger, Jeff Robert University of Ballarat. "An inquiry into Suiboku and Kano School influences on Rococo and Romantic landscape painting through Claude Lorraine (1600-1682) and Salvator Rosa (1615-1673)." University of Ballarat, 2006. http://archimedes.ballarat.edu.au:8080/vital/access/HandleResolver/1959.17/12791.

Full text

Abstract:

"This research project examines the impact and influence of Chinese and Japanese ink landscape painting on the genre of Grand Manner Classical and Romantic landscape painting in Europe, from its beginnings as an independent genre in the 17th century. Specifically, the grand theme of woods and rivers will be investigated and its stylistic and philosophical relationship to Chinese and Japanese aesthetics demonstrated. The work examines how Far Eastern landscape painting conventions and techniques can be effectively acquired, and practically applied to painting in the manner of Classical and Romantic landscapes. [...]The aim of the investigation is to contribute to our deeper understanding of the genesis of this important style of artistic representation, and give fuller credit to the initiators of the technique and to those who realised its potential in the field of Western art."
Doctor of Philosophy

APA, Harvard, Vancouver, ISO, and other styles

35

Woodger, Jeff Robert. "An inquiry into Suiboku and Kano School influences on Rococo and Romantic landscape painting through Claude Lorraine (1600-1682) and Salvator Rosa (1615-1673)." University of Ballarat, 2006. http://archimedes.ballarat.edu.au:8080/vital/access/HandleResolver/1959.17/15614.

Full text

Abstract:

"This research project examines the impact and influence of Chinese and Japanese ink landscape painting on the genre of Grand Manner Classical and Romantic landscape painting in Europe, from its beginnings as an independent genre in the 17th century. Specifically, the grand theme of woods and rivers will be investigated and its stylistic and philosophical relationship to Chinese and Japanese aesthetics demonstrated. The work examines how Far Eastern landscape painting conventions and techniques can be effectively acquired, and practically applied to painting in the manner of Classical and Romantic landscapes. [...]The aim of the investigation is to contribute to our deeper understanding of the genesis of this important style of artistic representation, and give fuller credit to the initiators of the technique and to those who realised its potential in the field of Western art."
Doctor of Philosophy

APA, Harvard, Vancouver, ISO, and other styles

36

Temperton, Barbara Temperton Barbara. "The Lighthouse keeper's wife, and other stories (novel) : and Ceremony for ground : narrative, landscape, myth (dissertation) /." Connect to this title, 2006. http://theses.library.uwa.edu.au/adt-WU2008.0005.

Full text

APA, Harvard, Vancouver, ISO, and other styles

37

Barlow, John. "Experiences of travel and northern rural landscapes in contemporary art." Thesis, University of Brighton, 2017. https://research.brighton.ac.uk/en/studentTheses/c1e76a25-99b3-4fa0-9a0e-33966a589882.

Full text

Abstract:

This practice based study investigates engagement with interconnecting themes of travel and rural landscape in contemporary art practice. It argues that cross-disciplinary reading and interaction between a grouping of select art practice and history of art scholarship and a grouping of select cultural geography, tourism, sociology and social anthropology scholarship, generates a richer understanding and communication of these themes in contemporary art. A review of existing scholarship reveals that there are a number of existing contemporary works of art which demonstrate engagement with interconnecting themes of travel and/or northern rural landscape. Despite this, they are yet to be presented as an identifiable, coherent, body of work of significance to the research community. Existing art historical interpretation and analysis of this work additionally fails to reference recent, relevant discourses of embodied experiences of travel and landscape which characterise much of the associated scholarship in cultural geography, tourism, sociology, and social anthropology. A combination of history of art and art practice methodology is utilised in this study to address this gap in scholarship. In the thesis, I identify and set out relevant existing scholarship in the disciplines of art practice and history of art, and those of cultural geography, tourism, sociology and social anthropology. Select examples of contemporary art are analysed and evaluated in relation to ‘wayfaring’, a theory sequentially formulated by social anthropologist Tim Ingold. Two key concepts articulated by Ingold, those of 'linear journeying' and ‘within-ness’, form the conceptual framework for this exercise. Drawing on the findings of this engagement with works by other artists, I propose an original method of ‘bridging’ as a hybrid art practice/history of art strategy for further addressing the gap in scholarship and delivering a further original contribution to knowledge. The artists’ book is identified as an effective, appropriate contemporary art medium for undertaking this bridging. I review examples of contemporary artists' book practice and explore this medium’s potential for communicating embodied experiences of linear journeying and within-ness in the context of a travel and rural landscape subject. I produced an original artists' book, 'Travelling the Line'. This work details my experiences as a hiker and artist of travelling to two particular northern rural landscapes for this study, the Scottish Highlands and Finnish Lapland. Part travel guide, part art object, 'Travelling the Line' takes the form of a hardback print book and a stand-alone, online digital platform, the latter of which includes additional video and sound content. It successfully communicates my own personal, linear, embodied act of travelling; and demonstrates the value of bringing together two bodies of scholarship, Ingold's theories and contemporary art practice. Included with this thesis is a print version of 'Travelling the Line' and an online version, accessible at https:// travellingtheline.wordpress.com.

APA, Harvard, Vancouver, ISO, and other styles

38

Hogarth, Jan. "'Dislocated landscapes' : a sculptors response to contemporary issues within the British landscape." Thesis, University of Sunderland, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.268041.

Full text

APA, Harvard, Vancouver, ISO, and other styles

39

Bunn, Leanne. "Changing landscapes : Norman Cornish and North East regional identity." Thesis, Northumbria University, 2010. http://nrl.northumbria.ac.uk/3677/.

Full text

Abstract:

This thesis examines the work of the Durham pitman and artist Norman Cornish whilst analysing the economic and cultural climate which has promoted and sustained his career as a regional artist for over seventy years. Cornish’s depiction of mining life remains widely acknowledged by regional patrons and the local media as an iconic representation of the distinctiveness of North East mining communities. The fact that his work continues to receive considerable media attention whilst maintaining a strong patronage within the region, promotes several issues relating to the understanding of regional culture and identity. Why has Cornish’s work remained so enduringly popular and what does this reveal about the dynamics of North East regional culture? This research considers the interpretation and patronage of Cornish’s work during key periods of the region’s development and in doing so provides the first sustained study of Cornish’s career in relation to regional cultural identity. Industrialisation, economic change, concepts of community and nostalgia are all recognised as fundamental factors which have shaped the region’s cultural identity during the twentieth century. Essentially, it is argued that a sense of ‘Northernness’ is crucial to Cornish’s regional popularity. Significantly, this thesis identifies a variation between Cornish’s regional and national popularity. The artist’s strong local appeal has not been replicated consistently on a broader national level. It is suggested that the varying national interest in Cornish’s career should be considered in relation to wider artistic trends as well as patronage from organisations such as the National Coal Board. On a regional level, a large proportion of Cornish’s continued appeal to local audiences can be attributed to the sympathetic response from the regional media. Whilst the study of regional identity within the scope of visual culture is by no means a new or impoverished field, this study adopts a thematic treatment of culture, identity and representation, in order to understand the contribution of visual culture to regional identity during the twentieth century. By dealing with visual culture in its broadest and most fluid sense, this study consults both social and cultural history sources alongside art historical perspectives.

APA, Harvard, Vancouver, ISO, and other styles

40

Zhu, Chenlu (Cindy). "Searching For A Graspable Past: Landscapes, Nostalgia, And Chinese Contemporary Art." Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/scripps_theses/1311.

Full text

Abstract:

Landscape art reinvents itself throughout history, along with changes in relationships between humans and nature. During unprecedented processes of urbanization, industrialization, and globalization, the past two hundred years witnessed shifts in global landscapes. The idea of using art to cope with a sense of loss becomes the departure point for my art project. To contextualize my work, I will discuss art scenes in urbanizing Europe and contemporary China and explore the powerlessness of individuals under the formidable trend of development reflected in landscape art.

APA, Harvard, Vancouver, ISO, and other styles

41

Liu-Devereux, Pauline Carol. "Galleries and drift : mapping undermined landscapes." Thesis, University of Exeter, 2011. http://hdl.handle.net/10036/3283.

Full text

Abstract:

This is a creative/critical project, a collection of narratives inspired by critical discourse that map a local landscape and chart a personal topography. As a result of interdisciplinary study, particularly in the area of cultural geography and map making, I found new ways to explore ideas about Cornwall’s heritage, her undermined landscape and expand upon issues raised in my MA dissertation. Recognising the instability and partiality of maps provided insight and mapping became method as newly revealed pathways and subtly shifting perspectives inspired fresh narratives which challenge stereotypical images of Cornwall and reveal the sometimes dark realities of rurality. The more personal narratives in this collection reveal a different undermined landscape: ideas about romantic constructions and inheritance led to explorations of nostalgia, memory and identity. Life events became life writing and many of these narratives reflect a search for direction and for a missing person: the artist I once was. But there are other disappearances in these narratives and the final chapter gives an account of family events that had to be recorded but which raise ethical questions that life writers cannot ignore. We must take responsibility for the way we write about vulnerable subjects and recognise what this writing tells us about ourselves: that, as Nancy K. Miller has suggested, by exposing our lives to others through life writing, we too become vulnerable subjects. The essay accompanying these narratives reflects upon process and finds ways of giving an account of the writer writing. It uncovers contemporary theories that are embedded in the narratives and I describe it as an orouboros, a creature that continuously eats its own tail. Like the text it subjects to scrutiny, the essay is a life narrative, an autobiographical act that merges creative and critical thinking and this amalgamation has been my aim since my studies began.

APA, Harvard, Vancouver, ISO, and other styles

42

McComas, Magers Robyn. "Interactions in the space of one tree /." View thesis View thesis, 2002. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030331.152733/index.html.

Full text

APA, Harvard, Vancouver, ISO, and other styles

43

Gibson, Lisanne, and L. Gibson@mailbox gu edu au. "Art and Citizenship- Governmental Intersections." Griffith University. School of Film, Media and Cultural Studies, 1999. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20030226.085219.

Full text

Abstract:

The thesis argues that the relations between culture and government are best viewed through an analysis of the programmatic and institutional contexts for the use of culture as an interface in the relations between citizenship and government. Discussion takes place through an analysis of the history of art programmes which, in seeking to target a 'general' population, have attempted to equip this population with various particular capacities. We aim to provide a history of rationalities of art administration. This will provide us with an approach through which we might understand some of the seemingly irreconcilable policy discourses which characterise contemporary discussion of government arts funding. Research for this thesis aims to make a contribution to historical research on arts institutions in Australia and provide a base from which to think about the role of government in culture in contemporary Australia. In order to reflect on the relations between government and culture the thesis discusses the key rationales for the conjunction of art, citizenship and government in post-World War Two (WWII) Australia to the present day. Thus, the thesis aims to contribute an overview of the discursive origins of the main contemporary rationales framing arts subvention in post-WWII Australia. The relations involved in the government of culture in late eighteenth-century France, nineteenth-century Britain, America in the 1930s and Britain during WWII are examined by way of arguing that the discursive influences on government cultural policy in Australia have been diverse. It is suggested in relation to present day Australian cultural policy that more effective terms of engagement with policy imperatives might be found in a history of the funding of culture which emphasises the plurality of relations between governmental programmes and the self-shaping activities of citizens. During this century there has been a shift in the political rationality which organises government in modern Western liberal democracies. The historical case studies which form section two of the thesis enable us to argue that, since WWII, cultural programmes have been increasingly deployed on the basis of a governmental rationality that can be described as advanced or neo-liberal. This is both in relation to the forms these programmes have taken and in relation to the character of the forms of conduct such programmes have sought to shape in the populations they act upon. Mechanisms characteristic of such neo-liberal forms of government are those associated with the welfare state and include cultural programmes. Analysis of governmental programmes using such conceptual tools allows us to interpret problems of modern social democratic government less in terms of oppositions between structure and agency and more in terms of the strategies and techniques of government which shape the activities of citizens. Thus, the thesis will approach the field of cultural management not as a field of monolithic decision making but as a domain in which there are a multiplicity of power effects, knowledges, and tactics, which react to, or are based upon, the management of the population through culture. The thesis consists of two sections. Section one serves primarily to establish a set of historical and theoretical co-ordinates on which the more detailed historical work of the thesis in section two will be based. We conclude by emphasising the necessity for the continuation of a mix of policy frameworks in the construction of the relations between art, government and citizenship which will encompass a focus on diverse and sometimes competing policy goals.

APA, Harvard, Vancouver, ISO, and other styles

44

Parker, Margaret Ina, and margaret_p@optusnet com au. "Landscape Painting: Connection, Perception and Attention." La Trobe University. Visual arts and design, 2006. http://www.lib.latrobe.edu.au./thesis/public/adt-LTU20080225.113947.

Full text

Abstract:

I investigate the lived experience, the actuality of responding to land as a painter. This thesis consists of intensive investigations in the field and further exploration in the studio, resulting in a body of paintings and drawings which form the exhibition. The exegesis explores theories and ideas surrounding the work. The psychological engagement between people, land and art is of major concern. The choice of place selected to paint and the subject matter of rocks is discussed. Painters who work outside or have painted at the same site are considered for comparison with my working methods or concerns. The selective view is intimate. The format of the image and the composition are discussed in terms of proximity and space. Consideration of the psychology of engagement with land and landscape painting, either as an observer or painter, is a major component of the research. This examination of human psychological development illuminates the origin of our sense of self and how we relate to the land on which we live. The premise of this enquiry is the idea that art and culture could reflect human psychological development. Do art objects contribute to cultural understanding of the relationship of person to environment? A phenomenological perspective is incorporated in this exploration of the interrelation of vision, perception and attention. Can the reality of experience be transferred into the art work? The deep attention to the landscape of Australian Aboriginal people serves as a cultural reference for these investigations. This study concludes that sentient consciousness involving responsibility for land is an open, effective way of perceiving and depicting landscape. Responsibility for land can be encouraged by the development of cultural ideas based around landscape and can be the result of feeling connected to land. Art can contribute to changes in attitudes to land.

APA, Harvard, Vancouver, ISO, and other styles

45

Schilo, Ann. "Folk art in Australia: A discursive analysis." Thesis, Schilo, Ann (1993) Folk art in Australia: A discursive analysis. PhD thesis, Murdoch University, 1993. https://researchrepository.murdoch.edu.au/id/eprint/52760/.

Full text

Abstract:

Informed by the writings of Michel Foucault, this thesis investigates the discourse on folk art in Australia. Emphasis is placed on exploring the recent emergence of a body of statements that contribute to its Australian specificity. This thesis considers the various discursive strategies that construct the domain of folk art in this country, including the contribution played by overseas folkloric studies in establishing the field. By using a framework operating under the principle of distance and immediacy, the processes of production and dissemination of cultural goods are examined to reveal how material folk culture is located as a peripheral artistic practice. In this regard, the systems of exclusion that operate within high art discourses to define and marginalise women's artistic practice are surveyed as a concomitant discursive domain. A study of makeshift furniture is undertaken to elucidate how these strategies combined with processes of connoisseurship are involved in constructing the domain of Australian folk art and the appraisal of its cultural value. In the final analysis, attention is given to the subject of aesthetics and the appreciation of folk art.

APA, Harvard, Vancouver, ISO, and other styles

46

Temperton, Barbara. "The Lighthouse keeper's wife, and other stories (novel) ; and Ceremony for ground : narrative, landscape, myth (dissertation)." University of Western Australia. English, Communication and Cultural Studies Discipline Group, 2007. http://theses.library.uwa.edu.au/adt-WU2008.0005.

Full text

Abstract:

The focus of this project is on poetry, narrative, landscape and myth, and the palimpsest and/or hybridisation created when these four areas overlay each other. Our local communities' engagement with myth-making activity provides a golden opportunity for contemporary poets to continue the practice long established by our forebears of utilising folklore and legendary material as sources for poetry. Keeping in mind the words of M. H. Abrams who said

APA, Harvard, Vancouver, ISO, and other styles

47

Rapp, Karen M. ""Not the romantic west" : site-specific art, globalization, and contemporary landscapes /." May be available electronically:, 2009. http://proquest.umi.com/login?COPT=REJTPTU1MTUmSU5UPTAmVkVSPTI=&clientId=12498.

Full text

APA, Harvard, Vancouver, ISO, and other styles

48

Murray, Kristina. "Engendered Modern: The Urban Landscapes of Georgia O'Keeffe, Florine Stettheimer and Berenice Abbott." Master's thesis, Temple University Libraries, 2018. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/511014.

Full text

Abstract:

Art History
M.A.
This thesis explores the dynamic relationship between artists Georgia O’Keeffe, Florine Stettheimer, and Berenice Abbott in relation to the growing urban landscape of New York City in the 1920s and 1930s. Previous scholarship has drawn parallels between these three artists’ careers solely in terms related to their biography and gender identity rather than their work. In contrast, my project identifies a common formal subject that links an experimental phase in all three women’s work, and explores the reasons these three individual creators found portraying the city to be an effective strategy for developing her own take on modernist style. Inspired by rapid development, each artist made work that shared her inventive vision of the city. Using visual analysis and historical context associated with the second wave of skyscraper construction as well as the second generation “New Woman” movement, I argue that each artist produced idiosyncratic art that makes sense of the rapidly morphing city surrounding them. Eschewing conventional gender expectations and traditional art historical narratives, the three artists tell visual stories that illustrate life in a modern urban city. Each woman’s goals and artistic expectations differ, but they all share the struggle to achieve professionally despite systemic roadblocks placed before them by the male-dominated art world. With the city as their muse, they utilize the metaphor of organic growth to encapsulate the city in flux.
Temple University--Theses

APA, Harvard, Vancouver, ISO, and other styles

49

Southwell, Mark, and n/a. "Floodplains as dynamic mosaics : sediment and nutrient patches in a large lowland riverine landscape." University of Canberra. n/a, 2008. http://erl.canberra.edu.au./public/adt-AUC20081217.144116.

Full text

Abstract:

Rivers around the world are under increasing pressure from a variety of human activities. Effective management of riverine landscapes requires an ecosystem approach and one that recognises the complex interactions between their physical, chemical and biological components. Perceptions of pattern and process are central to our understanding of riverine landscapes. Pattern and process operate over multiple scales to produce heterogeneous mosaics of landscape patches that change over time. Hierarchical patch dynamics provides a useful approach to unravel pattern and process at multiple scales in riverine landscapes. This thesis adopts a hierarchical patch dynamics approach to investigate floodplain sediment and nutrient dynamics within the Barwon-Darling River in South Eastern Australia. The flow regime of the Barwon-Darling River is highly variable. As a result, it has a complex channel cross section featuring inset-floodplain surfaces that occur at multiple elevations within the channel trough. These surfaces formed the focus of this study. The texture of inset- floodplain surface sediments displays a patchy spatial distribution and one that did not reflect lateral or longitudinal gradients within this floodplain landscape. Rather a sediment textural patch mosaic was identified. Nutrient concentrations associated with the surface sediments of the inset-floodplains were also shown to vary significantly resulting in a nutrient patch mosaic. This spatial nutrient mosaic was enhanced by factors including the surface elevation of the floodplain surface. Sediment and nutrient exchange between the river channel and inset-floodplain surfaces was measured during several flows in 2001, 2002 and 2005. Pin and sediment trap data showed that significant quantities of sediment were exchanged between the river channel and floodplain surfaces during inundation with both cut and fill processes occurring. Patterns in sediment exchange appear to be related to local sediment supply and seasonal sediment exhaustion, rather than the top down geomorphic constraints considered. These material exchanges resulted in a change to the spatial configuration of the sediment textural patch mosaic. Distinct new sediment textural patches were created following inundation, while other patches were lost post inundation and other patches changed sediment textural character to move into pre-existing patches. Thus a truly dynamic sediment textural mosaic exists within this floodplain landscape. Nutrient concentrations associated with floodplain sediments also changed over time. While nutrient concentrations increased after the December 2001 flow event, they generally decreased after the March 2002 event, highlighting their dynamic nature over time. The spatial distribution of nutrient concentrations also varied over time, with a 40 percent change to the nutrient mosaic as a result of the March 2002 flow event. In addition to the influence of the changing physical template (sediment texture mosaic), nutrient concentrations were shown to be influenced by rainfall processes on non flooded surfaces, and also a number of top-down constraints and bottom-up influences operating over multiple spatial scales. Overall, the inset-floodplains studied in this thesis acted primarily as sediment and nutrient sinks, and were a source for dissolved nutrients. Nutrient exchange was associated with the exchange of sediments in this riverine landscape, over both inter-flow and decadal timescales. It was demonstrated that water resource development within the catchment reduced the number, magnitude and duration of flow events down the Barwon-Darling River and as a result reductions in the exchange of sediment, associated and dissolved nutrients between inset-floodplains and the main river channel were calculated. The greatest reductions were with the release of dissolved nutrients (42-25 percent) and the exchange of sediment and associated nutrients from high level surfaces (43 percent). Effective conservation and management of riverine ecosystems must occur at the correct scale. This study identified potential nutrient hotspots at several scales in the Barwon-Darling floodplain landscape that could be targeted by management. The low predictability of the location of nutrient hotspots at the inset-floodplain scale over time means that environmental flows should be targeted at high level surfaces (<25 000 MLD-1) that provide long term sources of carbon to the river channel. Conserving flows of this magnitude will also reinstate flow variability, an important facet of the Barwon-Darling River?s hydrology that has been changed by water resource development. The research presented in this thesis highlights the importance of not only considering pattern and process at multiple scales, but also the way in which these processes influence landscape patterns over time, leading to the identification of the appropriate scales that can best be targeted for the conservation of these systems.

APA, Harvard, Vancouver, ISO, and other styles

50

Poet, Sallie Clinton. "Peregrinations." BYU ScholarsArchive, 2010. https://scholarsarchive.byu.edu/etd/2315.

Full text

Abstract:

This project report explains my MFA show of landscapes presented at the Woodbury Museum in Orem, Utah. Referencing source material from my 2008 trip to the Middle East, Bible narratives and contemporary scholars, I created mixed media paintings around the themes of traveling and migrations (peregrinations) and some significant stopping places in Syria, Jordan and Israel. More importantly, this report also speaks to my personal peregrinations as an artist and relates my painting methods to my subject matter.

APA, Harvard, Vancouver, ISO, and other styles

Dissertations / Theses on the topic 'Landscapes in art Australia'

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles